Illustrated Greeting Cards

Decorative cards featuring illustrations, floral designs, and ornate frames for various occasions, including New Year and celebrations.

Design for a certificate on the occasion of twelve and a half years of loyal service at the Glue and Gelatine factory, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, brush, h 157 mm × w 101 mm

Drawing, Villa of M. Hemsy, St. Cloud, Plan du Rez de Chaussee; Architect: Hector Guimard ((French, 1867-1942)); France; pen and black ink, graphite on paper; irregular: 32.5 × 23.3 cm (12 13/16 × 9 3/16 in.) Mat: 45.7 × 35.6 cm (18 × 14 in.)

Pa. German Stove Plate. Dated: 1935/1942. Dimensions: overall: 38.9 x 45.3 cm (15 5/16 x 17 13/16 in.). Medium: graphite and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Austin L. Davison.

Attributed to Daniel Lysons, 1762-1834, British, Memorial of the Lady Anne Southwell from Acton Church, between 1796 and 1811. Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper.

River landscape, 1794, by Jacob Borch. Targets used in shooting competitions.

Histoire des Quatre Fils Aymon. Dated: 1883. Dimensions: book: 28.5 × 23.8 × 2.3 cm (11 1/4 × 9 3/8 × 7/8 in.). Medium: bound volume with 6, 224, 11 pages of color Gillotage illustrations and borders on china paper. Museum: National Gallery of Art, Washington DC. Author: Eugène Grasset, Charles Gillot (engraver), Charles Marcilly (author).

Taormina, Sicily, Italy, Sign for a shop

Sampler. Dated: c. 1937. Dimensions: overall: 62.2 x 50.9 cm (24 1/2 x 20 1/16 in.) Original IAD Object: 20 3/4" long; 18 1/2" wide. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Katherine Hastings.

Daniel Lysons, 1762-1834, British, Memorial to Elizabeth Heigham from East Ham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Trade ITIET from Willem Kops, Isaac Vincentsz. van der Vinne, c. 1681 - 1740 print With head of a black man in a laurel wreath. paper vignette

Sarkophag des Infanten Don Alfonso de Castilla Sarkophag des Infanten Don Alfonso de Castilla Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 22568769

Ex Libris of J.H. Plantenga, Reijer Stolk, 1906 - 1945 print Three stylized nude figures in the form of an X. At the top of the text: 'si tu Veux Garder Ta ... Erte; Travaille ' Netherlands paper the (nude) human figure; 'Corpo humano' (Ripa)

How Wearily, Oh, How Wearily Drags Life (valentine) 1825-1835 United States. Engraving with hand-coloring on ivory card .

Katern from Elsevier's Illustrated Monthly Monthly with verses by Richard de Cneudt and a book review, Anonymous, After Reinier Willem Petrus de Vries (1874-1953), 1905 publication paper printing block ornaments ~ art

c.1900, Brightly colored Hawaiian decal.

. The fireworks on the large theater in the Hofvijver in The Hague, set off on 13 June 1749, closed on 18 October 178. On October 18, 1748. At the performance of the fireworks, a map of the theater and a text sheet include statement.

Coloured illustration of playing cards depicting heads of Englishmen published by Goodall and Sons in London in the 19th Century.

Picture cycle The Apocalypse in book form with new title page, woodcut by Albrecht Duerer, historical, digitally improved reproduction of an old woodcut

Premier détail de l'archivolte émaillée, (ville porte ornée).. Thomas, Félix, 1815-1875. Prints, Illustrations. 1867. General Research Division. Assyria , Antiquities & archaeological sites

Wanddecoraties met spreuk in de bibliotheek in het museum; Interieur bibliotheek.Painting in the library with the spell you have eyes but one mouth. This she to read a lot here for you and not much to speak

Antwerp, Jode, Gerard de, Vredeman de Vries, Hans, Huys, Frans, Variarum Protractionum, Cartouche with a text by Epictetus, Cartouche with a text by Epictetus. On the left and right of the cartouche ornamental birds. On the bottom left and right fruit garlands. This print is part of an album., print, prent, albumblad, prints, prenten, height 134 mm, width 180 mm, height 265, width 337, 1522 - 1562, print maker, printmaker, 1557 - 1557, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

American 20th Century, Plate 48 Buckskin Design From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 48: Buckskin Design: From Portfolio Spanish Colonial Designs of New Mexico

20 Heller from St. Veit im Pongau,Notgeld. Artist: Unknown

, Aspern - Asperner Heldenplatz - Lion von Aspern, postcard, Josef Eberle -, Printer, German School Association, producer

Powder Horn. Dated: c. 1937. Dimensions: overall: 26 x 35.5 cm (10 1/4 x 14 in.) Original IAD Object: 14" long. Medium: watercolor, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William McAuley.

Abruzzo L'Aquila Celano Museum9. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Charger, Brislington, c 1670. Lead-glazed back. Early piece of Brislington delft with a portrait of Queen Mary II, This is probably the earliest complete piece of Brislington delft in the collection. It exhibits the typical greenish-blue Brislington glaze, and the plant motifs and insects occur again later on the William III charger.

The Rome well ". Black marble. Phelipeaux Street (removed by the Reaumur Street Perceion) The Rome well ". Black marble. Rue PH�LIPES (removed by the breakthrough of the street reaumur). Marble plate painted black and engraved.

Music, Serenades, German Art in Pictures and Songs by Wilhelm Geibler, color lithograph, 1848, 19th century

Songs of Innocence and of Experience: A Poison Tree. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Zhivotnoe, naidenoe v Ispanii, 27 Ianvaria 1775 goda.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Constancy and Lively Affection (valentine). Unknown Artist; American, 19th century. Date: 1860-1869. Dimensions: 87 x 58 mm. Lithograph in blue ink, with hand-coloring and traces of pen and black ink on off-white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Ornate grid on the entrance door of an Art blacksmith, Bamberg, Upper Franconia, Bavaria, Germany, Europe

Campania Caserta Ventaroli S. Maria in Foro Claudio4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portada de la revista modernista Album Salón, primera ilustración española en colores. Dibujo de Gaspar Camps Junyent (1874-1942). Año 1900.

Bedcover. Designed and executed by Mrs. M. E. Mohortor; United States. Date: 1877-1878. Dimensions: 237.5 x 228.6 cm (93 1/2 x 90 in.). Cotton plain weave, pieced; appliquéd with cotton, plain weaves; embroidered with cotton and wool wrapped cotton cords of oblique interlacing in running stitches; laid work and couching; edged with cotton, plain weave. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Title Page from Illustrations of the Book of Job, in Twenty-one Plates William Blake (British, 1757-1827). Title Page from Illustrations of the Book of Job, in Twenty-one Plates, 1825. Engraving, 8 5/16 x 6 7/16 in. (21.1 x 16.3 cm). European Art 1825

'Fiestas del Ommeganck o del Papagayo, en Bruselas: procesión de Nuestra Señora de Sablón' (detail), 1616, Oil on canvas, P01348. Author: DENIS VAN ALSLOOT. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Songs of Innocence, Plate 2, Title Page (Bentley 3), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm) and Plate: 4 3/4 x 2 7/8 inches (12.1 x 7.3 cm), bird, book, children, fruit, literary theme, mother, reading, seated, text, tree, vine, women

Illuminated Leaf with Initial "I". Artist: Freeman Gage Delamotte (British, Sandhurst 1813/14-1862 London). Dimensions: sheet: 13 1/16 x 9 1/8 in. (33.1 x 23.1 cm). Date: 1830-62. Museum: Metropolitan Museum of Art, New York, USA.

Alfred Boucher (1850-1934). Medal plate. Louis Lortet, dean of the Faculty of Medicine. Metal, bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 58759-14 25th anniversary, branch, bronze, decatate, medal faculty, medal, metal, numismatics, reverse, plate, bridge

Ricordo di Pompeii. ; photographic / photo printing; fiber products / paper / photo paper, fiber / paper / cardboard products, fiber products / fabric / canvas; height 11.0 cm, width 17.2 cm, thickness 2.2 cm ; Di 96972 MNW; all rights reserved.

Decorative border illustrating Summer, with assorted flowers Date: 1878

Adrià Gual / Cartel de la compañía Teatre Íntim, 1907. Institut del Teatre de Barcelona.

Louis Oscar Roty, The Body of President Sadi Carnot Borne to the Panthéon (obverse), 1894 The Body of President Sadi Carnot Borne to the Panthéon obverse

Bliżej Kultury Raszka, Jan (1871 1945)

Calendar magazine for Spring 1904 of the insurance company Holda in Amsterdam, Ferdinand Hart Nibbrig, in Or Before 1903 print A rectangular frame filled with the days of the months of March, April and May and above it two kneeling boys who feed a goat in an orchard. In the background two girls on clogs that pick flowers. paper spring ~ human activities (the four seasons of the year). goat. orchard. picking flowers

Bliżej Kultury Mehoffer, Józef (1869 1946)

Tile Panel showing Rural Industry, with Live-Stock, Tools and Products, anonymous, c. 1750 - c. 1800 Tile tableau of twenty tiles (5 x 4) with blue painted performances divided into four rows concerning the negotia of a farm. Netherlands earthenware. tin glaze majolica Tile tableau of twenty tiles (5 x 4) with blue painted performances divided into four rows concerning the negotia of a farm. Netherlands earthenware. tin glaze majolica

Cornelius Christoffels and Margaret Linsley, Pieced Autograph Quilt (1 Piece), c 1936 Pieced Autograph Quilt (1 Piece)

Ornament. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Mathias Beutler.

Alice Cosgrove, Carved Eagle, c 1942 Carved Eagle

Tuscany Siena Montalcino Museo Civico64. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ex libris Claire de Call.; Demeufve, Georges (1873-1934); 1901 (1901-00-00-1901-00-00);Call, Claire de (fl. Ca 1903) - exlibris, partage plus, Wellisz, Leopold (1882-1972), Wellsz, Leopold (1882-1972) - collection, reading (genre scenes), women, books, modernism (style) , windows, goose feathers, stained glass, interiors, clocks

Ex libris marie rytí Ová; Ryti, Vaclav (1889-1943); 1913 (1913-00-00-1913-00-00);Partage Plus, Rytířová, Marie (1892-1982), Rytířová, Marie (1892-1982)-exlibris, buildings, clouds (meteorol.), Czech (culture), trees, Czech graphics, flowers, modernism (style), heaven, sky, landscapes, ruins, sunflowers, castles (architect.)

Il cantico delle creature with vignette with the series Le cantique des créatures. Dimensions: 64.8 cm x 49.7 cm, 47.4 cm x 4.7 cm. Museum: Van Gogh Museum, Amsterdam. Author: Charles Clair.

Sun Dial. Dated: c. 1937. Dimensions: overall: 46 x 39.6 cm (18 1/8 x 15 9/16 in.) Original IAD Object: 26" high; 26" wide. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: William Kerby.

To three foxes At the three foxes (wine merchant teacher formerly Casiese street). Oil on canvas, circa 1850. Paris, Carnavalet museum.

American 20th Century, Embroideries, 1935 1942 Embroideries

painter: JN, Rear-glass painting 'fire in brewery De Rode Leeuw at the Haringvliet, an inlet of the North Sea, in the province of South Holland in the Netherlands, cityscape painting glass painting painting material oil color paper metal wood gold glass without frame, gilded Oil paint On glass in frame. Title: fire in brewery De Rode Leeuw at the Haringvliet Rectangular format; decorative frame black polished and gilded inner frame with leaf ornaments on the corners; there is glass plate and panel in the frame The painting is painted with oil on the front of glass plate; the center of the flames and the windows in the burning building have been saved; the back of the glass plate is painted with thin semi-opaque paint light blue within the frame and light pink outside the frame; immediately behind the glass plate panel covered with paper as support; between glass plate and metal foil support panel; the whole in the decorative frame with hand-forged nails fixed in ink handwritten on pape

John Robson Young , Birds, Anchors. Sir David Young Cameron (1865-1945). Prints

Tavern Sign. Dated: c. 1940. Dimensions: overall: 55.8 x 46.6 cm (21 15/16 x 18 3/8 in.) Original IAD Object: 33" High (max) 23" Wide (max). Medium: watercolor, graphite, and heightening on paperboard. Museum: National Gallery of Art, Washington DC. Author: Alfred Parys.

Banner a lobe with a depicting emblem Kolowiec, Stanisław

Antonio Machado glazed tile, «Palacio de las Dueñas» - 15th century, Seville, Region of Andalusia, Spain, Europe.

Master Jacob, for "The Wonder Clock" 1887 Howard Pyle American Pyle is considered the father of American illustration. Born in Wilmington, Delaware, he became interested in art and writing as a boy, studied in Philadelphia and then New York, at the Art Students League. In 1878, a drawing accepted by Harper's Weekly helped to launch his career and the artist returned to Delaware in 1880. Over the next three decades Pyle wrote and illustrated a series of now iconic works and became an influential teacher. Aware of contemporary European innovations, he skillfully adapted his style to suit a range of subjects. This title vignette design appeared in Harper's "Young People" in 1886. The artist adapted it here for "The Wonder Clock," a book published by Harper Brothers in 1888. The related image appears in story XIII on page 163.. Master Jacob, for "The Wonder Clock". Howard Pyle (American, Wilmington, Delaware 1853-1911 Florence). 1887. Pen and black ink. Drawings

A cover design featuring a floral arrangment. Date: 1884

Tile in the birthplace of Juan Ramon Jimenez, Moguer, Huelva-province, Region of Andalusia, Spain, Europe.

Ceramic tiles depicting Ducal palace and statue of Dom Afonso Henriques, Guimaraes, northern Portugal, Europe.

Anonymous. Plate at the arrest of Varennes. Earthenware. Paris, Carnavalet museum. 71684-36 Arrest, decoration, faience, revolutionary period, French revolution, king France, roy, plate

Bookplate of Adolfo Ruiz. Triado, Mayol José (1870-1929), graphic artist

AZULEJO DE LA REAL SOCIEDAD COLOMBINA ONUBENSE 1880. Location: MONASTERIO DE LA RABIDA. PALOS DE LA FRONTERA. Huelva. SPAIN.

City of Seville, at the Plaza de Espana, ornaments made of tiles, details of the ornamentation presenting the 48 provinces of Spain, here Madrid, maps of the provinces, mosaics of historical events, Andalusia, Spain, Europe

Panel announcing an historic monument France

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