Illustrated Poems and Prints

Artistic prints combining poetry with visual elements, featuring illustrations from works like Blake's 'The Little Black Boy' and Goethe's 'The Violet', blending text and imagery.

Mirror of reason for the despairing actionist, 1720, 1720 Mirror of reason for the despairing actionist. A wind trader who is about to put a dagger in the chest is held up a mirror by the personification of the reason. In the background, caution with a shield marked y (= the IJ in Amsterdam) stops the wind trade. There are three parts of text on the leaf around the plate. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Amsterdam paper etching / engraving / letterpress printing IJ Mirror of reason for the despairing actionist. A wind trader who is about to put a dagger in the chest is held up a mirror by the personification of the reason. In the background, caution with a shield marked y (= the IJ in Amsterdam) stops the wind trade. There are three parts of text on the leaf around the plate. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trad

Illustrated Poem The Violet” (Das Veilchen - Goethe) 1852 Johann Wolfgang von Goethe Eugen Neureuther is principally known for his work as an illustrator. This print contains a poem by Goethe framed by floral tendrils. The text is combined with a pastoral landscape and the figure of a shepherdess, executed in Neureuther’s romantic ‘fairytale’ style.. Illustrated Poem The Violet” (Das Veilchen - Goethe) 855981

Mirror of reason for the despairing actionist, 1720, 1720 Mirror of reason for the despairing actionist. A wind trader who is about to put a dagger in the chest is held up a mirror by the personification of the reason. In the background, caution with a shield marked y (= the IJ in Amsterdam) stops the wind trade. There are three parts of text on the leaf around the plate. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Amsterdam paper etching / engraving / letterpress printing IJ Mirror of reason for the despairing actionist. A wind trader who is about to put a dagger in the chest is held up a mirror by the personification of the reason. In the background, caution with a shield marked y (= the IJ in Amsterdam) stops the wind trade. There are three parts of text on the leaf around the plate. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trad

Plate 7 (page 12): 'Its favours here are trials, not rewards', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Ilustracja do wiersza satyrycznego "Militair". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

Installness of people live, anonymous, 1700 - 1800 print Around a poem in Dutch, medallions are grouped with performances in Bible texts about the vulnerability and shortness of a lifetime. Haarlem paper etching Death as man. clock

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 8, "The Little Black Boy" (Bentley 9), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, 1757-1827, British, Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just', 1797. Engraving.

Plate 37 (page 86): 'His hand the good man fastens on the skies', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

William Blake, 1757-1827, British, Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale', 1797. Engraving.

Songs of Innocence and of Experience: The Human Abstract. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Songs of Innocence and of Experience, Plate 46, 'The Human Abstract' (Bentley 47), William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 1/2 x 2 5/8 inches (11.4 x 6.7 cm), beard, branches, historical subject, leaf, men, net, rope, text, trees, vines

Visions of the Daughters of Albion, Plate 8, 'But when the morn arose . . . . ', William Blake, 1757-1827, British, 1793, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm), Plate: 6 3/4 x 4 5/8 inches (17.1 x 11.7 cm), Plate: 6 1/4 x 4 5/8 inches (15.9 x 11.7 cm), and Spine: 14 inches (35.6 cm), clouds, literary theme, men, nudes, text, whip, women

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 15, "What Time the Thirteen Governors....", 1793. Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Wooden Daudet

The Book of Thel, Plate 7, 'But he that loves the lowly . . . .', Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm) and Plate: 6 x 4 1/4 inches (15.2 x 10.8 cm), children, flowers (plants), gowns, infants, leaf, literary theme, nudes, plants, text, vines, women

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 23, "We censure nature for a span too short", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Suite of the most notable things seen by John Wilkins erudite English Bishop during his famous voyage from the Earth to the Moon dedicated to Sir William Hamilton ambassador to the Court of Naples: Title and Dedication Page, 1766-67. Filippo Morghen (Italian, 1730-1827). Etching;

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 28, 'On Anothers Sorrow' (Bentley 27), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), birds, branches, leaf, literary theme, text, trees, vegetation, vines

The wife of the deportee / the refrains of the street

Photo production of a painting of a scene out of the trompeter von Säkkingen, representing Mary who puts the trumpeter a flower wreath. .

There Is No Natural Religion, Plate 6, 'IV None could have . . . .' (Bentley a7), Print made by William Blake, 1757-1827, British, ca. 1788, Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm), Plate: 2 x 1 1/2 inches (5.1 x 3.8 cm), and Spine: 5 1/2 inches (14 cm), birds, feather, hat, literary theme, seated, text, trees

Jerusalem, Plate 39, 'By Satans Watch-fiends....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 1/4 inches (22.5 x 15.9 cm), archery, bald, beard, bow, fire, flames, horse (animal), literary theme, men, religious and mythological subject, sky, sun, text, wings

Jerusalem, Plate 62, "Repose on me....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 210 mm (8.26 in); Width: 150 mm (5.90 in). Author: William Blake.

The Book of Thel, Plate 7, 'But he that loves the lowly . . . .', Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm), Plate: 6 x 4 1/4 inches (15.2 x 10.8 cm), and Spine: 11 1/2 inches (29.2 cm), baby, children, flowers (plants), infant, literary theme, nudes, plants, religious and mythological subject, sitting, text, vines, women

Young's Night Thoughts, Page 86, 'His hand the good man fastens on the skies', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 1/2 x 12 7/8 inches (39.4 x 32.7 cm), angel, clouds, earth, globe, literary theme, men, planet, pointing, text

William Blake, 1757-1827, British, Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge', 1797. Engraving.

The armed peace, The armed peace, caricature on the current current events - Napoléon III, Bismarck, Wilhelm I, caricature sequence from Der Floh , Unknown

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 28, "On Anothers Sorrow" (Bentley 27), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence, Plate 14, 'Infant Joy' (Bentley 25), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), and Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), angel, baby, birds, boy, branches, child, children, crook, shepherd's, flowers (plants), grazing, hills, infant, leaf, literary theme, men, mother, religious and mythological subject, sheep, shepherd, staff (walking stick), stem, text, trees, vines, wings, women

The Lamb, From Songs of Innocence, William Blake, (1757-1827/British)

Mirror of the reason for the desiring promotionist, 1720; Mirror of the reason for the desiratory actionists; The great scene of foolishness. Mirror of the reason for the desiring promotionist. A wind dealer who is about to stick to the chest with a dagger is kept a mirror by the personification of the reason. In the background the caution with a shield labeled y (= the IJ in Amsterdam) stops the wind trade. On the sheet around the plate are three parts text. Print 34 in the series of large scene of foolishness with cartriders at the 1820 wind trade.

The two goats, 1888 print Leaf with a large representation from the fable of Jean de la Fontaine, of the two goats. At the top right a text block with a verse. Numbered in the top left: Série 6. - No. 14. Paris paper letterpress printing fables. goat. falling. landscape with bridge, viaduct or aqueduct. girl (child between toddler and youth)

Elderly couple are taken by death, Conrad Meyer, 1675 print Zurich (Stad) paper etching human life and its ages (young, adult, old, etc.). Death as skeleton

Great companion / on Louis Bonaparte. / 10

Photo production of a painting of a scene out of the trompeter von Säkkingen, representing the trumpeter in a garden drinking with a company. .

Songs of Innocence and of Experience, Plate 22, 'The Little Boy Found' (Bentley 14), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), angel, boy, branches, children, darkness, forest, gown, hat, leaf, literary theme, mother, religious and mythological subject, son, text, trees, vegetation, vines, wings, woman

Parijs, Pierron, P., Meryon, Charles, Petit Prince Dito, Illustratie with poem with Petit Prince Dito on horseback, Paris, verso middle - stamped, Little Prince Dito sits on a horse and holds the reins so tight that the animal stands on its hind legs. Below the illustration is a poem in three couplets: Je suis l'fils ... mon vailant cheval., print, prent, poem, gedicht, prints, prenten, verso right middle - stamped, height 170 mm, width 127 mm, height 377 mm, width 253 mm, Frans, 1821-11-23 - 1868-02-14, print maker, prentmaker, 1864 - 1864, third quarter 19th century, derde kwart 19e eeuw, paper, papier, etching, etchings, Work conception, after own design by, printer, drukker

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 6, "III. / Then Thel astonish'd.. .", 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Photo production of a drawing, representing Redcrosse and Duessa next to a bleeding tree, Anonymous, After Charlotte Mount Brock Morrell, c. 1861 - In or Before 1871 photomechanical print paper knight. lying figure - AA - female human figure

Songs of Innocence and of Experience: The Lamb ca. 1825 William Blake British. Songs of Innocence and of Experience: The Lamb. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Broadsheet relating to the ballad of Mr Grasshopper (a corrupt middleman) who exploits starving workers; he is being carried aloft by peasants. Artist: Leopoldo Méndez (Mexican, 1902-1969). Dimensions: Sheet: 13 3/8 × 9 1/4 in. (34 × 23.5 cm). Publisher: Taller de Gráfica Popular. Date: ca. 1940. Museum: Metropolitan Museum of Art, New York, USA.

William Blake, Satan Smiting Job with Boils, 1825 Satan Smiting Job with Boils

Young's Night Thoughts, Page 40, 'Angels Should Paint It, Angels Ever There', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 13 inches (42.5 x 33 cm), and Plate: 16 1/8 x 12 7/8 inches (41 x 32.7 cm), angels, bed, literary theme, men, religious and mythological subject, robes, text, women

Photo production of a drawing, representing redcross and duessa next to a bleeding tree. .

Shepherd kneeling in front of a shepherdess. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1652 - c. 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Joseph and the wife of Potifar, c. 1654 Joseph and the wife of Potifar next to poem on the melody of Second Carileen. Zwolle paper. ink. watercolor (paint) brush / calligraphy Joseph and the wife of Potifar next to poem on the melody of Second Carileen. Zwolle paper. ink. watercolor (paint) brush / calligraphy

Lord kneeling for a young lady. Lord kneeling for a young lady next to a love clad at the melody from subsequently you Goddelijckhijt.

Johann Martin Graack (1816-1899); , Diderik August Holberg, (1840)

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Tribute to Cornelis Corneliszoon van Uitgeest, the inventor of the wood sawmill, 1592; Invention of the Zaegh Moolens; Lauw're Crans, for Cornelis Cornelissz. from Uyt Spirit. First finder of the wood-zaghery moolens. Tribute to Cornelis Corneliszoon van Uitgeest, the inventor of the Houtzaagmolen, 1592. According to the caption, the mill was invented to Uitgeest and built in Zaandam. Allegory with an image of an old wood sawmill including a verse surrounded by Minerva, Aeolus and Putti. At the top, Putti tension a cord with all kinds of carpenter tools. Under the show a verse of 24 lines in Dutch.

Songs of Innocence and of Experience, Plate 47, 'The Angel' (Bentley 41), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), angel, branches, children, coronet (crown), infant, literary theme, nudes, queen (person), religious and mythological subject, serpent, snake, text, trees, vegetation, wings, woman

Die Zerstörung von Troja. Josef Albert (German, 1825 - 1886)

Madame de Maintenon and Philip V Kneeling for Louis XIV, 1706, 1706 print Madame de Maintenon and Philip V hand over a request to Louis XIV. At the top left of the solar eclipse on 12 May 1706 during the loss of Barcelona. With verses in Dutch and French. Part of a series of 19 cartoons on the French and allies from the year 1706. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires. solar eclipse

Michał Elwiro Andriolli, `Tolholos Song`, for the novel by J. Łuszczewska (Deotyma) `Branki w Jassyrze` [Wives taken prisoner; from: `Kłosy` 1888 no. 1219, p. 293. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Spiegel der Reden voor de Wanho'pende Actionisten Mirror of the Reason of the despairing stock-holders. 1720. Schijnvoet, Jacobus, 1685-1747. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

America. A Prophecy, Plate 13, "Fiery the Angels Rose....". Date/Period: 1793. Print. Blue print, pen, black ink and watercolor on cream-colored paper (Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 238 mm (9.37 in); Width: 171 mm (6.73 in). Author: William Blake.

Archangel Michael slays the dragon, surrounded by various inscriptions, print maker: Jan Luyken, publisher: Jacobus van Nieuweveen, (mentioned on object), Amsterdam, 1694, paper, etching, h 182 mm × w 136 mm

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 53, "My Pretty Rose Tree", "Ah! Sun-Flower", "The Lilly" (Bentley 43), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10), 1789. Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Ignaz Kuranda in front of the former three other Reichsratshododoroh Julius Alexander Schindler, Adolf Pratobevera Freiherr von Wiesborn, Karl Wilhelm Tinti caricature with poem from The Flea, Unknown

Songs of Innocence and of Experience, Plate 34, 'The Little Girl Found' (Bentley 35), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), branches, leaf, literary theme, text, tiger, tree, vegetation, woman

Land of the Moon, Plate 1 Filippo Morghen (Italian, 1730-1807). Land of the Moon, Plate 1, 1764. Etching on laid paper, 10 13/16 x 14 3/4 in. (27.5 x 37.5 cm). European Art 1764

Nocturnal attack on a Roman fortress, 69-70, 1768 - 1770 print Night attack on a Roman fortress. The soldiers were adorned in the army camp. Print 13 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. Printed on the back of planche XII. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

Songs of Innocence and of Experience: The School Boy. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Jerusalem, Plate 30, 'And the Two that escaped....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/8 x 6 inches (21.3 x 15.2 cm), angel, bald, bat (animal), fire, flames, leaf, literary theme, men, nudes, religious and mythological subject, text, wings

Adoration of the shepherds. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: Dec-1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Etchings of Paris: Dedication to Reynier Nooms, called Zeeman, 1854. Charles Meryon (French, 1821-1868). Etching;

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Study of decorative moulding, with SUPERBIA poem. Artist: Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: The Little Boy Found ca. 1825 William Blake British. Songs of Innocence and of Experience: The Little Boy Found 347923

Young's Night Thoughts, Page 93, 'If Angels Tremble, 'Tis at Such a Sight', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 13 inches (42.5 x 33 cm), and Plate: 15 5/8 x 12 3/4 inches (39.7 x 32.4 cm), angels, literary theme, man, men, nude, religious and mythological subject, text, women

The two peasants and the cloud (IT)

William Blake, Job and His Wife Restored to Prosperity, 1825 Job and His Wife Restored to Prosperity

Young's Night Thoughts, Page 90, 'That Touch, with Charm Celestial Heals the Soul', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 13 inches (42.5 x 33 cm), and Plate: 15 3/4 x 12 7/8 inches (40 x 32.7 cm), literary theme, men, nude, nudes, religious and mythological subject, text

Cartoon on the Arminians; The Tegwoordeghen Arminiaen. Cartoon on the Arminians (Remonstrants). His hair runs with his head between his legs, with chained legs on crutches and led by a scorpion, lobster, bat and mole. Above the neck symbols of worldly justice. Printed on the leaf under the plate A fresh and the legend A-N in 2 columns in Dutch.

Guadalupe Bejarano in the Dungeons of Belén Prison. José Guadalupe Posada; Mexican, 1852-1913. Date: 1886-1896. Dimensions: 398 x 300 mm. Relief engraving or photo relief etching on wove paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

Europe. A Prophecy, Plate 6, "The shrill winds wake . " (Bentley 7). Date/Period: 1794. Print. Brown print, pen, black ink and oil on cream-colored paper (Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper). Height: 375 mm (14.76 in); Width: 267 mm (10.51 in). Author: William Blake.

Visions of the Daughters of Albion, Plate 6, 'And none but Bromian . . . . ', William Blake, 1757-1827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm), Plate: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm), Plate: 6 3/4 x 4 1/2 inches (17.1 x 11.4 cm), and Spine: 14 inches (35.6 cm), chain, literary theme, men, nudes, rocks (landforms), shackle, shore (landform), sky, sun, text, water, women

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Young's Night Thoughts, Page 24, 'Time, in Advance, behind Him Hides His Wings', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 3/4 x 12 7/8 inches (40 x 32.7 cm), angel, beard, clouds, gown, hourglass, literary theme, man, men, religious and mythological subject, text, time, women

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Writing Monnik, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Ilustracja do wiersza satyrycznego "Künstler". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

Lord courting a lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Juliusz Kossak (1824-1899), August; from: "Kłosy" no. 635, vol. XXV, p. 136. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 20, "Of life forsaken mountains.. ." (Bentley 23), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations 1654 Virgil Italian. The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations 354833

Songs of Innocence, Plate 30, 'The Little Black Boy' (Bentley 10), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 1/8 x 2 5/8 inches (10.5 x 6.7 cm), and Plate: 4 3/8 x 2 1/2 inches (11.1 x 6.4 cm), beard, branches, children, crook, shepherd's, harp, kneeling, leaf, literary theme, men, nude, river, shepherd, staff (walking stick), standing, text, trees, vines, water, women

Man in a landscape outside of Zwolle. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1659. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Soldier, lady and gentleman, from behind. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1653 - c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4), 1789. Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper.

Gentleman greeting a lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: 21-Jun-1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Lord who throws a ball and a lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1652 - c. 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Standing officer, from behind. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654 - c. 1658. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Jerusalem, Plate 19, "His children exil'd from his breast....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

The shrill winds wake!. Blake, William, 1757-1827. text. Prints, Illustrations. 1794. Henry W. and Albert A. Berg Collection of English and American Literature. Women, Dancers

Southern Netherlands, The departure of a new Don Quixote, Departure of the new Don Quixote, 1826, verso - stamped, An armored knight with a banner on horseback leaves and is escorted out by a crowd and booed by schoolboys. Possibly the departure of the unpopular local commander general Vauthier from Brussels or of the elderly professor P. Lesbroussart from Leuven. With French verse in four stanzas., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 278 mm, width 229 mm, print maker, printmaker, 1826 - 1826, paper, lithography (technique)

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