Impressionist and Post-Impressionist Landscapes

Paintings featuring vibrant colors and brushwork, capturing rural vistas and gardens in the impressionist style.

Soleil Couchant a Eragny 1891 Camille Pissarro (1830-1903 French) Oil on canvas

EL CASTILLO DE MEDAN - 1879-81 - O/L - 59x72 - POSTIMPRESIONISMO FRANCES. Author: PAUL CEZANNE. Location: ART GALLERY & MUSEUMS KELVINGROVE. GLASGOW. SCOTLAND.

Alfred Sisley (1839-1899). French impressionist painter. Villeneuve-la-Garenne, 1872. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Paul Gauguin (Paris, 1848-Atuona, Marquesas Islands, 1903). Street in Rouen (1884). Oil on canvas. 73 x 92 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Accolay, La Cure 1905 Maximilien Luce (1858-1941 French) Oil on canvas

Summer Day. Instead of a traditional mill, Weissenbruch now painted a modern pumping engine, which regulated the level of the water in the polder. He probably made this oil sketch somewhere outside of The Hague. Weissenbruch tacked the sheet of paper onto the lid of his paintbox: the tiny holes are still visible in the corners. Back in his studio, he incorporated the motif into one of his completed paintings.

Momento gris. Date/Period: 1913. Painting. Oil on canvas. Height: 720 mm (28.34 in); Width: 910 mm (35.82 in). Author: Walter de Navazio.

Soleil Couchant a Eragny 1891 Camille Pissarro (1830-1903 French) Oil on canvas

The Climb, Rue de la Côte-du-Jalet, Pontoise (Chemin montant, rue de la Côte-du-Jalet, Pontoise) Camille Jacob Pissarro (Saint Thomas, (former Danish West Indies), 1830-1903, Paris, France). , 1875. Oil on canvas, 21 1/4 x 25 7/8 in. (54 x 65.7 cm). In this painting, Camille Pissarro departs from the legible perspectives of traditional landscapes. Using an array of techniques, from touches of paint to broad palette-knife applications, he incorporates multiple viewpoints: looking up the path, down through the trees, and across at the buildings. This complex treatment of space and form, the solidity and structure of his paint surfaces, and the way he unified his compositions through color and tone reveal his interest in capturing his own perceptual experience unfolding over time. Some contemporaneous viewers found such paintings unintelligible, or too difficult to apprehend superficially, as Pissarro acknowledged in an 1883 letter to his son: It is only at length that I can hope to ple

The Road from Versailles to Louveciennes. Artist: Alfred Sisley (British, Paris 1839-1899 Moret-sur-Loing). Dimensions: 18 x 22 in. (45.7 x 55.9 cm). Date: probably 1879.In the 1870s, Sisley, like his colleagues Monet and Pissarro, often painted the roads, bridges, and waterways linking Paris with the rapidly suburbanizing villages to the north and west. This picture depicts a site near the town of Louveciennes, on the main thoroughfare between Versailles and Saint-Germain-en-Laye. Sisley's juxtaposition of two figures on the road--a laborer pushing a cart and a man wearing a sophisticated black suit and top hat--evokes the contrast between old-fashioned country life and modern urban society. The loose, summary brushwork is characteristic of Sisley's technique in the latter part of the decade. Museum: Metropolitan Museum of Art, New York, USA.

Maximilien Luce (París, 1858-1941). Rolleboise, Resting under a Tree (ca. 1925). Oil on canvas. 54 x 65.4 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Park in Jar W Sowicz, Wac Aw (1891-1942); Thirties of the 20th century (1930-00-00-1939-00-00);gift (provenance), interwar period, contemporary painting, landscapes

Laundresses at Pont-Aven, 1886, by Paul Gauguin (1848-1903), oil on canvas, 71x90 cm.

Puy, Jean (1876-1960) State Hermitage, St. Petersburg 1906 76,6x112,5 Oil on canvas Fauvism France

Farmhouse in a wheat field (1888), Farmhouse in a wheat field (1888), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of original unknown, Historical, Bright house between green meadows under a summery blue sky

Quiet Contemplation, Seurat, Georges, 1884

This sketch, titled Dedham Mill, is by John Constable (1776-1837), an English Romantic painter.

Houses at Cagnes c. 1905 Pierre-Auguste Renoir (1841-1919/French) Oil on canvas

GAUGUIN, Paul (1848-1903). Washerwomen at Pont-Aven (Les lavandires ˆ Pont-Aven). 1886. Symbolism. Pont-Aven school. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe d'Orsay (Orsay Museum).

LEBOURG, Charles Albert (1849-1928). Apse from Notre Dame in Paris. beg. 20th c. Impressionism. Oil on canvas. FRANCE. HAUTE-NORMANDIE. SEINE-MARITIME. Rouen. Fine Arts Museum.

Entrance to the Village of Osny, Paul Gauguin, 1882-1883, Museum of Fine Arts, Boston, Mass, USA, North America

At the Rivers Edge (Au Bord de Riviere) 1873 Camille Pissarro (1830-1903/French) Private Collection: Akram Ojjeh

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Gosselin, Albert (1862 1931)

House of Pere Lacroix, Paul Cezanne, 1873, National Gallery of Art, Washington DC, USA, North America

Paysage a Melleray, Femme Donnant a Boire a des Chevaux 1881 Camille Pissarro (1830-1903 French) Gouache on Silk Christie's Images, New York, USA

Banks of the Loing. Artist: William Lamb Picknell (1853-1897). Dimensions: 58 1/4 x 83 in. (148 x 210.8 cm). Date: ca. 1894-97.This painting, shown at the Paris Salon of 1897, depicts the river that, channeled into a canal, flows through Moret-sur-Loing, the town near Fontainebleau, France, where Picknell and his wife settled in 1890. Among the artist's last works, it displays the firm draftsmanship, clear articulation of form, and brilliant color effects that had won him critical recognition. Within a composition based on precise perspective, Picknell applied impressionistic touches of pigment. Canvases such as this one define his stylistic position between the academicians with whom he had studied and the French Impressionists. Museum: Metropolitan Museum of Art, New York, USA.

Bords du Loing 1892 Alfred Sisley (1839-1899 French) Oil on Canvas Christie's Images, New York, USA

'Seine at Rouen'. France, 1872. Dimensions: 54x65,5 cm. Museum: State Hermitage, St. Petersburg. Author: CLAUDE MONET.

Le Pont de Chemin de Fer a Chatou' (The Railway Bridge at Chatou): Pierre August Renoir (1841-1919) French painter . Oil on canvas.

Scene de Rue, Lagny Henri Lebasque (1865-1937/French) Oil on Canvas

Rue de Jouy le Comte. Dated: probably 1880. Dimensions: overall (approximate): 21.6 x 14.4 cm (8 1/2 x 5 11/16 in.). Medium: watercolor. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

A Farm in Brittany, by Paul Gauguin, 1894, French Post-Impressionist painting, oil on canvas. This work was painted in 1894, between the artist's travels to tropics and employs the rich color he adopted in Tahiti (BSLOC_2017_5_27)

The House of the Hanged Man 1873 Paul Cezanne (1838-1906 French) Musee d'Orsay, Paris, France

On the River by Fred Wagner, oil on canvas, (1864-1940), USA, Pennsylvania, Philadelphia, David David Gallery

Saint-Mammes 19th C. Alfred Sisley (1839-1899 French) Oil on canvas Christie's Images, London

Les Lavandieres a Pont-Aven 1886 Paul Gauguin (1848-1903/French) Musee d Orsay, Paris

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Man with spade in a Parisian suburb. Completed in 1887.

Study for "A Sunday on La Grande Jatte" 1884 Georges Seurat French This small panel is one of approximately fifty oil sketches and drawings made as preparatory studies for Seurats monumental masterpiece, A Sunday on La Grand Jatte. Painted from 1884-86, the scene depicts Parisians at leisure on an island in the Seine. Illustrating Seurats process of investigation, the figures in the present panel were significantly transformed in the final painting. Seurats style came to be known as Pointillism (from the French word “point,” or “dot”), but he preferred the term divisionism—the principle of separating color into small touches placed side-by-side and meant to blend in the eye of the viewer.. Study for "A Sunday on La Grande Jatte" 459117

A Farm in Brittany, Paul Gauguin, circa 1894, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

The Village of La Celle-sous-Moret Eugène Lavieille French View more. The Village of La Celle-sous-Moret. Eugène Lavieille (French, Paris 1820-1889 Paris). Oil on wood. Paintings

Claude Monet (b. 14 November 1840 in Paris as Oscar-Claude Monet, d. 5 December 1926) important French painter, Impressionist style. Here is his work, On the Bank of the Seine, Bennecourt (1868), On the bank of the Seine near Bennecourt, woman sitting on the riverbank in the shade of trees near a village

Morning by Nicolas P.Krimov, oil on canvas, 1910, 1884-1958, Russia, Kostroma Art Museum

Public Garden, Boston Arthur Clifton Goodwin (1886-1924/American) Oil on Canvas Christie's Images, New York, USA

View of a Village, Degas, Edgar

Sky in Bougival , Fine Art

View of Montmarte, Sisley, Alfred

A Village Road nearAuvers. Artist: Paul Cézanne, French, 1839-1906

The Artist's Garden at Eragny. Dated: 1898. Dimensions: overall: 73.4 x 92.1 cm (28 7/8 x 36 1/4 in.) framed: 94 x 113.4 x 10.2 cm (37 x 44 5/8 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

Perugia by Somov, Konstantin Andreyevich (1869-1939) Museum of Private Collections in A. Pushkin Museum of Fine Arts, Moscow 1894 Oil on cardboard 26,3x22,2 Russia Russian Painting, End of 19th - Early 20th cen. Landscape Painting

Saint-Valery-sur-Somme, Eugène Louis Boudin (Honfleur, France, 1824 - 1898) 1890

Upper Brianza, by Emilio Gola (1851-1923), oil on canvas, 80x125 cm.

People relaxing outdoors by Konstantin Andreyevich Somov, Oil on canvas,1919, 1869-1939, Russia, St. Petersburg, State Russian Museum,

Foothpad with Willow and a Village on the Horizon, Richard Nicolaüs Roland Holst, 1891 painting Silhouette of a whimsical willow growing along a path to a village on the horizon, perhaps Heerde. Netherlands panel. mahogany (wood). oil paint (paint) prospect of village, silhouette of village Heerde

Turn in the Road, Paul Cezanne, circa 1881, Museum of Fine Arts, Boston, Mass, USA, North America

Le Lapin Agile, Utrillo, Maurice (1883-1955)

Auguste Renoir, Regatta at Argenteuil, 1874 Regatta at Argenteuil

Nassau, Bahamas. Julian Alden Weir (1852-1919). Oil on canvas. 81.5 x 92cm

The Gardens, Pallanza, Lago Maggiore, Albert Goodwin R,W,S, (1845-1932), Pencil, Pen, Black Ink And Watercolour

Bank of the Seine (1887), Bank of the Seine (1887), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of the original unknown, Historical, A painted scene with anglers on the riverbank under a slightly cloudy sky

'Entrance to the Village of Voisins, Yvelines', 1872. Artist: Pierre-Auguste Renoir

Gaush, Alexander Fyodorovich (1873-1947) Regional M. Vrubel Art Museum, Omsk 1910s 89x128,5 Oil on canvas Art Nouveau Russia

Surroundings of Paris, 1873-1875, by Armand Guillaumin (1841-1927), oil on canvas, 61x100 cm.

Camino. Óleo. Colección privada. Author: FRANCISCO BERNAREGGI.

Fishing in Spring, the Pont de Clichy (Asnières) (1887), Fishing in Spring, Pont de Clichy (Asnières) (1887), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of the original unknown, Historical, A man fishing from a boat in the river, surrounded by trees and a bridge in the background

Henri Lebasque (Champigné, 1865-Le Cannet, 1937). Sunset on Pont-Aven (Young Man by the Sea) (1894). Oil on canvas. 36.8 x 45.1 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

View of the Dome of Saint Peter's, Rome. Dated: 1863. Dimensions: overall: 32.4 x 23.7 cm (12 3/4 x 9 5/16 in.). Medium: watercolor over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Henri-Joseph Harpignies.

FUENTERRABIA 1928. Author: LEZCANO CARLOS. Location: MUSEO REINA SOFIA-PINTURA, MADRID, SPAIN.

FUENTERRABIA 1927. Author: LEZCANO CARLOS. Location: MUSEO REINA SOFIA-PINTURA, MADRID, SPAIN.

A. Renoir / Chalands sur la Seine

John Constable, 1776-1837, British, East Bergholt Church, 1809. Oil on paper mounted to panel.

Lane at the Jardin du Luxembourg, Van Gogh, Vincent Willem, 1886.

CUENCA - 1945. Author: EDUARDO MARTINEZ VAZQUEZ. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Good Friends. Date: (c. 1909). oil on wood. Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

Regatta at Evesham, Warwickshire, DETAIL, Charles Neal, (b.1951/British), Oil on canvas

Oostzijdse Mill along the River Gein by Moonlight. This landscape clearly reveals how indebted Mondriaan was to the Hague School as a young artist. A few years earlier, he had copied Gabriëls In the Month of July in the Rijksmuseum (on view in this gallery). Although the compositions resemble each other, the general impression in each case is entirely different. Mondri-aan modified the lines and colours in order to create a non-realistic, decorative painting.

An Old Bridge at Hendon, Middlesex. Artist: Frederick Waters Watts (British, Bath 1800-1870 Hampstead). Dimensions: 21 3/4 x 32 3/4 in. (55.2 x 83.2 cm). Date: ca. 1828.A follower of John Constable, Watts exhibited widely as a landscapist but ceased painting around 1860. In this canvas, his meticulous attention to setting--as in the crumbling brickwork at the end of the bridge--is animated by sprightly figures: passersby on the road, a wader in the water, and a dog hovering at the stream's edge. This painting is thought to have been sent by Watts to the Royal Academy exhibition of 1828. A second version of the subject is in the Philadelphia Museum of Art; a third version is unlocated. Museum: Metropolitan Museum of Art, New York, USA.

Gray Weather, Grande Jatte ca. 1886-88 Georges Seurat French This view extends from the island of La Grande Jatte, framed by trees, to the red-roofed houses of the Paris suburb of either Asnières or Courbevoie across the Seine. Seurat had earlier celebrated this stretch of the river with his ambitious compositions Bathers at Asnières (1883-84, National Gallery, London) and A Sunday on La Grande Jatte (1884-86, Art Institute of Chicago). Here he sought "to transcribe most exactly the vivid outdoor clarity of nature in all its nuances" using a technique known as Divisionism (also called Pointillism). The painted border was added shortly before the picture was first exhibited in 1889.. Gray Weather, Grande Jatte 438015

Un Village au Bord de la Mer. Louis Valtat (1869-1952). Oil on burlap, painted 1896-1897. 47 x 53cm

Vincent Van Gogh (1853-1890). Dutch post-impressionist painter. The Harvesters, 1888. Oil on canvas (73 x 54 cm). Rodin Museum. Paris. France.

The Outer Harbour at Dieppe - 1902 - oil on canvas. Author: CAMILLE PISSARRO. Location: MUSEO. DIEPPE. France.

Amsterdam Skyline Viewed from the West Made 1894-1904 Netherlands. It is difficult to know precisely when Mondrian made this lyrical landscape. Even after he began to create his better-known abstract work, he still made more salable scenes in order to support himself. Since it bears stylistic similarities to his late-19th-century work, the watercolor probably predates 1900. The Amsterdam skyline appears from the west, as it does often in his pictures from that time. Although the scene is filled with lifelike details, Mondrian seemed to have delighted in the rhythmic placement of the trees. As they reach to the upper edge of the sheet, their reflections extend across the water, punctuated intermittently by coppiced stumps.. Watercolor, gouache, and fabricated black chalk, with erasures, on cream wove paper . Piet Mondrian

The Langlois Bridge. Date: March 1888, Arles. Dimensions: 59.6 cm x 73.6 cm, 77.1 cm x 91.0 cm. Museum: Van Gogh Museum, Amsterdam. Author: VINCENT VAN GOGH.

On the Boulevard by Malevich, Kasimir Severinovich (1878-1935)/ State Russian Museum, St. Petersburg/ 1903/ Russia/ Oil on canvas/ Russian Painting, End of 19th - Early 20th cen./ 55x66/ Landscape

L'Estaque, Paul Cezanne, 1879-1883,

Nymph,1890, by Giuseppe Cellini (1855-1940), tempera on cardboard, 62x31 cm.

View from Arlington Heights, with Chautaqua Tents and the Washington Monument in the Background. oil on canvas. Date: ca. 1922. Museum: Smithsonian American Art Museum.

Bennecourt. Claude Monet (1840-1926). Oil On Canvas, 1885.

The Bridge at Grez. Artist: Robert W. Vonnoh (American, Hartford, Connecticut 1858-1933 Nice). Dimensions: 36 1/2 x 51 3/8 in. (92.7 x 130.5 cm). Date: ca. 1907-11. Museum: Metropolitan Museum of Art, New York, USA.

Venice by Martha Walter, oil on wood panel, 1875-1976, USA, Pennsylvania, Philadelphia, David David Gallery

L'HORT DELS ESCOLANETS - MONTSERRAT - HACIA 1931 - O/L - 141X140 CM. Author: JOAQUIM MIR TRINXET (1873-1940). Location: BANCO URQUIJO. Barcelona. SPAIN.

Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: Summer Day, Painting, Reproduction of the painting, Work of art, Historical, A peaceful landscape with a river, tall trees and bathing figures

EL OBSERVATORIO DE MEUDON - O/L. Author: ANTOINE BOURDELLE. Location: MUSEO DE ARTE E HISTORIA. Meudon.

Park scene by Kasimir Severinovich Malevich, oil on canvas, 1903, 1878-1935, Russia, St Petersburg, State Russian Museum, 55x66

L'allée Aux Deux Promeneurs (1883), Allee mit zwei Spaziergängern (1883), Painting by Vincent Willem van Gogh (born 30 March 1853 in Groot-Zundert, died 29 July 1890 in Auvers-sur-Oise), Dutch painter and draughtsman, one of the founders of modern painting, Illustration, Reproduction from a painting. Authentic, exact date of the original unknown, Historical, Two walkers on a tree-lined path under a cloudy sky

Malmesbury. watercolor and pencil on paper. Date: 1922. Museum: Smithsonian American Art Museum.

Girls on Bridge by Edvard Munch, 1927, Norway, Oslo, Munch Museum

Pejzaż z kościółkiem (La Comelle). Makowski, Tadeusz (1882-1932), painter

Going to Town. Painting. Oil on cardboard on wood panel. Height: 14.50 mm (0.57 in); Width: 12.38 mm (0.48 in). Author: Edward Lamson Henry.

Gateway, Tangier. Date: ca. 1910. oil on plywood. Museum: Smithsonian American Art Museum.

La Grenouillère La Grenouillère. Date/Period: 1869. Painting. Oil on canvas. Height: 665 mm (26.18 in); Width: 810 mm (31.88 in). Author: Pierre-Auguste Renoir.

Edvard Munch (1863-1944). Norwegian painter. Asgardstrand, 1888-1890. Wallraf-Richartz Museum. Cologne. Germany.

of 2