Impressionist and Romantic Landscapes

Atmospheric paintings capturing serene landscapes and moody seascapes, highlighting artists' brushwork and color palettes that evoke emotional depth.

A Greater Morning. Arthur Bowen Davies (1862-1928). Oil on canvas. 59.3 x 71.1cm

A Greater Morning. Arthur Bowen Davies (1862-1928). Oil on canvas. 59.3 x 71.1cm

Painting on silk intended as design for an impeller leaf, a landscape with mountains at a rising moon, Impeller leaf in Japanese style painted with a landscape at rising moon, draughtsman: Edgar Degas, (possibly), 1850 - 1900, silk, brush, h 295 mm, w 604 mm × w 588 mm, h 65.5 cm, w 85.5 cm

Utagawa Kuniyoshi 1798-1861. View of Enoshima in Sagami Province (Soshu Enoshima no zu). about 1849-51. Oban vertical triptych cm 36.7 x 25.5 - 36.8 x 24.8 - 36.8 x 25.6. detail.

Samson and the Gates of Gaza James J. Tissot (1836-1902/ French) Jewish Museum, New York

Waterloo Bridge, Brouillard 1901 Claude Monet (1840-1926 French) Pastel On Paper Christie's Images, London, England

Le Pont Japonais c.1918-1924 Monet, Claude(1840-1926 French) Oil On Canvas Christie's Images, London, England

Hampstead Heath. Artist: David Lucas (British, Northamptonshire 1802-1881 London); After John Constable (British, East Bergholt 1776-1837 Hampstead). Dimensions: Image: 3 1/4 × 6 1/16 in. (8.3 × 15.4 cm)Plate: 6 9/16 × 9 in. (16.7 × 22.9 cm)Sheet: 8 11/16 × 11 9/16 in. (22.1 × 29.4 cm). Date: 1829.View of a man sitting on a hillside under a stormy sky. The proof has been touched to add a donkey in the right foreground and a pick in the man's hand.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention--to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the pr

Stonehenge at Sunset, unknown artist, after John Constable, 1776-1837, British, 1836, Oil on paper on board, Support (PTG): 7 1/2 x 11 3/16 inches (19.1 x 28.4 cm), carriage, earthworks, hills, landscape, monument, path, people, prehistoric, ruins, standing stones, England, Stonehenge, United Kingdom, Wiltshire

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Mower in the rising sun. Completed in 1889.

MARINA. Author: PANCHO COSSIO / COSSIO FRANCISCO. Location: PRIVATE COLLECTION, MADRID, SPAIN.

Poll photo collection. Reproduction photography. Photo of a self portrait of Vincent van Gogh. undated

ENTRE DOS LUNAS - 1987/88 - 112x198 - OLEO, VINILICO Y PIGMENTOS SOBRE LIENZO. Author: JUAN USLE. Location: PRIVATE COLLECTION.

Sac and Fox Sailing in Canoes. oil on canvas. Date: 1837-1839. Museum: Smithsonian American Art Museum.

Autumn by Salvador Dali, 1904-1989, USA, Florida, St. Petersburg, Salvador Dali Museum

Evening Mood-Lidingö, 1900. Eugène Jansson (Swedish, 1862-1915). Oil on canvas; framed: 94 x 172.4 x 5.1 cm (37 x 67 7/8 x 2 in.); unframed: 90.1 x 168.6 cm (35 1/2 x 66 3/8 in.). The swirling brushstrokes and telescopic perspective in this view of a field near Stockholm, Sweden, converge on the dark mass of trees and dying sunset in the center. Feelings of melancholy and loneliness are relieved only by the appearance of the first evening star. Although little known in the United States, Eugène Janssen was one of the most important artists of Scandinavian modernism. He became aware of the works of the Norwegian Symbolist Edvard Munch as early as 1884 and shared Munchs ambition of exploring psychological states of mind rather than adhering to external appearances.

Roman fresco depicting a river landscape with boats. 30 BC-37. Detail. From Pompeii, Italy. National Archaeological Museum. Naples. Italy.

Martin Catolos, Sa lyong Paanan, 1989. Oil on canvas.

Cándido López, Yataytí Corá, 2 de julio de 1866, 1866, óleo sobre tela, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

Saint Jerome in a Rocky Landscape, by Workshop of Joachim Patinir, circa 1515, National Gallery, London, England, UK, GB, Europe

Autonen; 1893; Oil on canvas Thomas Wilmer Dewing; American; 1851 - 1938

Blue love' 1970 by Ljubomir "Ljuba" Popovic (1934 - 2016), Serbian surrealist painter. He is renowned for his many erotic and unconventionally juxtaposed subject matters.

Morning. Dąbrowa-Dąbrowski, Eugeniusz (1870-1941), graphic artist

The horrors of war, 1894, by Gaetano Previati (1852-1920). Detail of the right side.

A Gust of Wind by Lucien Levy-Dhurmer, 1898, 1865-1953, Private Collection

LE ROC DE L'ESTANY-1908-. Author: JOAQUIM MIR TRINXET (1873-1940). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Self-parcel (Zelfparvet) 1934 Oil paint on canvas, by J.H. Moesman (1909 - 1988). Moesman is the most important surrealist painter in the Netherlands, despite his very modest oeuvre. In fifty years, he made only 40 paintings.

Travelers in a Wintry Forest. Artist: Unidentified Artist Chinese, active early 12th century; Traditionally attributed to Li Cheng (Chinese, 919-967). Culture: China. Dimensions: Image: 63 3/4 × 39 1/2 in. (161.9 × 100.3 cm)Overall with mounting: 10 ft. 3 1/2 in. × 49 in. (313.7 × 124.5 cm)Overall with knobs: 10 ft. 3 1/2 in. × 53 3/8 in. (313.7 × 135.6 cm). Date: early 12th century.During the tenth and eleventh centuries, majestic trees rivaled panoramic landscapes as sources of artistic inspiration. The hermit-painter Jing Hao (act. 900-930), for example, saw in the pine tree "the moral character of the virtuous man," while the preeminent landscape master Li Cheng (919-967) is said to have painted desolate scenes of winter because "men of virtue are now found only in the wilderness.Travelers in a Wintry Forest follows a well-known composition by Li Cheng as described by Mi Fu (1051-1107) in his History of Painting. The scene is a microcosm of the natural cycle of growth and decay

Moonlight Cove. Date/Period: 1880. Painting. Oil on canvas. Height: 14.1 in (35.8 cm); Width: 17.1 in (43.5 cm). Author: Albert Pinkham Ryder.

A Shepherd and his Flock under the Moon and Stars, Samuel Palmer, 1805-1881, British, active in Italy (1837-39), ca. 1827, Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card, Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm) and Frame: 15 3/4 x 20 3/4 x 1in. (40 x 52.7 x 2.5cm), astronomy, crook, shepherd's, genre subject, landscape, moon, night, rocks (landforms), sheep, shepherd, stars

Garden - Nude of the desert. From the journey to Egypt. Ciągliński, Jan (1858-1913), painter

State Tretyakov Gallery, Moscow 13,3x23,9

SAN ANTONIO ABAD - 1636 - DETALLE DEL BRAZO DEL SANTO - Conjunto nº 154919. Author: FRANCISCO DE ZURBARAN. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

Illustration to the poem "Ruslan and Lyudmila" by A. Pushkin, Malyutin, Sergei Vasilyevich (1859-1937)

Mural de Manuel Capdevila i Massana, Prats de Cerdanya, siglo XX.

The Camp Before Sinai James J. Tissot (1836-1902/ French) Jewish Museum, New York

CONCIERTO DE AVES - SIGLO XVII - OLEO/LIENZO - 79 x 151 cm - NP 1761 - BARROCO FLAMENCO. Author: FRANS SNYDERS (1579-1657) SNIJDERS. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Ambush, N.C. Wyeth

Daydreaming 1880 Winslow Homer (1836-1910 American) Watercolor, pen and ink Christie's Images, New York, USA

LA GLORIA (BOCETO SAN ANTONIO DE LA FLORIDA) - SIGLO XVIII. Author: FRANCISCO DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

PAISAJE. Author: BENJAMIN PALENCIA. Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN.

Evening. Weiss, Wojciech (1875-1950), painter

Painting titled 'Moonlight Marine' by Albert Pinkham Ryder. Albert Pinkham Ryder (1847-1917) an American painter

At the Bathhouse by Shcherbinovsky, Dmitri Anfimovich (1867-1926) State Art Museum, Tomsk 1921 Oil on canvas 72x83 Russia Russian Painting, End of 19th - Early 20th cen. Genre Painting

Claude Monet (1840-1926). Pintor impresionista francés. Serie Nenúfares. Las Nubes, hacia 1915-1926. Óleo sobre lienzo. Detalle. Museo de l'Orangerie. París. Francia.

Assiniboine Indians Pursuing Buffalo on Snowshoes. oil on canvas. Date: 1846-1848. Museum: Smithsonian American Art Museum.

Close-up of a painting, Sun Yat Sen Park, Chinatown, Montreal, Quebec, Canada

Wall painting: Polyphemus and Galatea in a landscape, from the imperial villa at Boscotrecase. Culture: Roman. Dimensions: H. 73 3/4 in. (187.33 cm.)width 47 in. (119.38 cm.). Date: last decade of the 1st century B.C..From the villa of Agrippa Postumus at Boscotrecase, the Mythological Room (19)Landscape with Polyphemus and Galatea. Museum: Metropolitan Museum of Art, New York, USA.

Rhein Bridge 1914 Ernst Ludwig Kirchner (1880-1938 German) Oil On Canvas Staatliche Museen Preussischer Kulturbesitz,(Nationalgalerie), Berlin, Germany

Victor Hugo. "Mushroom". Reserve by paper screen, colorless reserve applied to the brush with superposition of gouache, ink applied to the pen, black pigments in powder and bar, black reserve with superposition of pigments and lithographic bar, general washing of the drawing in the water, 1850. Paris, house of Victor Hugo. 50012-3 Mushroom, drawing, ink, gouache

Dune landscape with lighthouse and netting boeters. Draughtsman: Frans Smissaert. Dating: 1872 - 1944. Measurements: h 345 mm × w 538 mm. Museum: Rijksmuseum, Amsterdam.

Uitzicht uit het raam op massagraf. Krijgsgevangenenkamp Stalag IVB in Mühlberg aan de Elbe (series title). Draughtsman: Wim van Hooff. Dating: 1944 - 1945. Place: Mühlberg. Measurements: h 18.5 cm × w 22 cm. Museum: Rijksmuseum, Amsterdam.

The Song of the Sirens 1892 Stuart G. Davis (active 1893-1917 British) Christopher Wood Gallery, London

Winslow Homer, A Good Shot, Adirondacks, American, 1836-1910, 1892, watercolor

The Isle of the Dead, Arnold Bocklin, 1883, Alte Nationalgalerie, Berlin, Germany, Europe

CONOCIMIENTO-1991-OLEO/LIENZO-200X247-. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Illustration by Leon Carre, for the 1924 edition of the 'Garden of gems' by Leonard Rosenthal (1874 - 1955 ), a French diamond dealer and businessman from Dagestan

Verdun, interpreted war painting, black, blue and red colored projections, devastated land, clouds of gas - Félix Vallotton, 1917

Midwest, America Today, Thomas Hart Benton, 1930-1931, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Vishay Flow by Igor Grabar, 1904, 1871-1960

DEAD ON THE HIGHWAY. 1922. (Hans Baluschek; 1870-1935; watercolor and pastel on cardboard)

Chagall, Marc (1887-1985) Private Collection 1976 96,5x170 Oil on canvas Modern Russia Bible

CHARYBDE ET SCYLLA Ary Renan (1858-1900). "Charybde and Scylla". Paris, museum of romantic life.

Stage design for the opera Dubrovsky by E. Napravnik by Zaytseva, Vera Mikhailovna (1924-1983) / A. Pushkin Memorial Museum, St. Petersburg / Theatrical scenic painting / 1956 / Russia / Gouache and tempera on paper / Opera, Ballet, Theatre / 43,5x66

Roerich, Nicholas (1874-1947) State Russian Museum, St. Petersburg 1910 203x494 Tempera on canvas Symbolism Russia Mythology, Allegory and Literature,History

Clarkson Stanfield, 1793-1867, British, Study of a Beached Fishing Boat, 1863. Watercolor, white gouache, and graphite on moderately thick, slightly textured, cream wove paper.

Chevaux en fuite par le vol de loiseau-terreur, Joan Miró, 1976, óleo sobre aglomerado, museo Es Baluard, Palma, Mallorca, balearic islands, spain, europe.

Unfurled Waves, Flood of September, 1901 (Les Vagues deferlent). Dated: 1901. Dimensions: plate: 28.1 x 39.5 cm (11 1/16 x 15 9/16 in.) sheet: 32 x 44.5 cm (12 5/8 x 17 1/2 in.). Medium: color woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Painting, A Country Lad; Winslow Homer (American, 1836-1910); USA; brush and oil paint on canvas ; 57.9 × 39.7 cm (22 13/16 × 15 5/8 in.)

Nile Journey, No. 22, 1890, charcoal and crayon on gray wove paper, sheet: 20.32 × 31.75 cm (8 × 12 1/2 in.), Elihu Vedder (artist) American, 1836 - 1923

Stacks of Wheat, Sunset, Snow Effect, Claude Monet, 1890-1891, Art Institute of Chicago, Chicago, Illinois, USA, North America,

The Effects of Good Government in the City, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico. Detail. Flock goats rams sheep long wool.

The Poor Fisherman by Puvis de Chavannes, Pierre Cecil (1824-1898) / Musee d'Orsay, Paris / 1881 / France / Oil on canvas / Genre / 155x192 / Symbolism

The Grotto of the Agony (La Grotte de l'agonie) James Tissot (French, 1836-1902). The Grotto of the Agony (La Grotte de l'agonie), 1886-1894. Opaque watercolor over graphite on dark brown wove paper, Image: 11 1/16 x 14 7/16 in. (28.1 x 36.7 cm). Following the Last Supper, Jesus and the apostles retreat to Gethsemane (an olive grove) on the Mount of Olives. While his disciples rest, Christ prays alone, asking God if it is possible to let his sufferings pass him by, yet reaffirming his commitment to submit to Gods will. Luke writes that an angel comes to strengthen him, though in his anguish Jesus sweats blood, a graphic detail that, unusually, Tissot omits. While Lukes account says that Christ receives comfort from the angel, Tissots image seems to promise little solace and, indeed, is profoundly different in tone from the earlier watercolor The Angels Came and Ministered to Him. While one angel holds a chalice—the cup of Jesus suffering—the others proffer globes with scenes of th

Florence. Stephen Farthing (b. 1950). Oil on canvas. Dated 1989. 68 x 81 1/2in

Victor Hugo (1802-1885). "Aqueduct with three floors of arcades". Plume and brown ink wash, black ink, black pencil, rubbed parts, woven paper. Paris, house of Victor Hugo. 33948-18 Aqueduct, arcade, drawing, floor, brown ink wash, feather

Elaine. Toby Edward Rosenthal; American, 1848-1917. Date: 1874. Dimensions: 97.9 × 158.8 cm (38 9/16 × 62 1/2 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, USA. Author: TOBY EDWARD ROSENTHAL.

The Repast of the Lion. Artist: Henri Rousseau (le Douanier) (French, Laval 1844-1910 Paris). Dimensions: 44 3/4 x 63 in. (113.7 x 160 cm). Date: ca. 1907.This work was probably shown in the Salon d'Automne of 1907, but it treats a theme that Rousseau first explored in <i>Surprised!</i> of 1891 (National Gallery, London). He based the exotic vegetation of his many jungle pictures on studies that he made in Paris's botanical gardens, and adapted the wild beasts from popular ethnographic journals and illustrated children's books. Rousseau's nickname, "le Douanier," derives from his job as a customs official. Museum: Metropolitan Museum of Art, New York, USA. Author: Henri Rousseau (le Douanier).

Joachim Patinir / 'Crossing the River Styx', 1520-1524, Flemish School, Oil on panel, 64 cm x 103 cm, P01616. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Persistence of Memory 1931 Salvador Dali (1904-1989/Spanish) Oil on canvas

The Punishment of Lust, Giovanni Segantini, 1891,

African Evening Parade John Newcomb, Watercolor, 2008

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study for The Scarlet Letter() (oil painting), Graphite, watercolor, White wove, 35.4 × 50.4 cm (13 15/16 × 19 13/16 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Threshing Floor in a Georgian Country Village by Pirosmani, Niko (1862-1918)/ State Tretyakov Gallery, Moscow/ 1915/ Georgia/ Oil on oilcloth/ Primitivism/ 80x100/ Genre

Park with view over city by Boris Michaylovich Kustodiev, oil on canvas, 1918, 1878-1927, Russia, St Petersburg, State Russian Museum, 80x98

c. 1930, painting of volcano goddess, Pele.

Spleen; Weyssenhoff, Henryk (1859-1922); around 1890 (1895-00-00-1900-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Crow Warriors Bathing. Dated: 1861/1869. Dimensions: overall: 46.8 x 62.5 cm (18 7/16 x 24 5/8 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

(PAISAJE ABSTRACTO) - 2003. Author: JUAN CARLOS SAVATER (1953-). Location: GALERIA TRAMA. MADRID. SPAIN.

. English: Indian War Canoe . 1912 30 Emily-Carr-Indian-War-Canoe-Alert-Bay-1912-Oil-on-cardboard-65-x-955-cm-The-Montreal-Museum-of

Painting titled 'Christ in the Garden of Gethsemane'. Oil on canvas

Claude Monet (1840-1926). Pintor impresionista francés. Serie Nenúfares. Mañana con sauces, hacia 1915-1926. Óleo sobre lienzo. Detalle. Museo de l'Orangerie. París. Francia.

A Sioux War Party. Dated: 1861/1869. Dimensions: overall: 46.9 x 61.5 cm (18 7/16 x 24 3/16 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

'Dark Clouds over the Heeling Sailing Ship'. Holland. Dimensions: 46,5x66,5 cm. Museum: State Hermitage, St. Petersburg. Author: Jan Theynisz Blankerhoff (attributed).

The Wave, C. R. W. Nevinson, 1889-1946, British, 1917, Oil on canvas, Support (PTG): 20 x 30 inches (50.8 x 76.2 cm), foam, marine art, movement, ocean, rough, symbolism, texture, war, water, waves (natural events), world war, World War, 1914-1918

Lost. Date/Period: 1886. Painting. Oil on canvas. Height: 1,158 mm (45.59 in); Width: 739 mm (29.09 in). Author: FREDERICK MCCUBBIN.

Mural Sketch, Pastoral Study, No. 1, before 1950. Henry Keller (American, 1869-1949). Tempera or gouache on paperboard; overall: 41.5 x 76.2 cm (16 5/16 x 30 in.).

Mazepa; Pawliszak, Wac AW (1866-1905); around 1885 (1880-00-00-1890-00-00);Mazepa (lit.), Mazepa Iwan, owned by Kołodyński Jan (1644-1709), Mazepa Iwan, owned by Kołodyński Jan (1644-1709)-iconography, male acts, horses, landscapes, men, nudity, birds, plants, scenes genre, steppes, animals

J. M. W. Turner, Snow Storm:Hannibal and his army crossing the Alps , 1812 , Oil paint on canvas, London, England.

(PAISAJE INESTABLE) - SIGLO XXI. Author: DANIEL QUINTERO 1949-. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Murderous Sky by Rene Magritte, 1927, 1898-1967, France, Paris, Musee National d'Art de Moderne

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