Impressionistic Harbors

Vibrant paintings of harbors, boats, and waterways, reflecting impressionist techniques and serene coastal landscapes.

The Port of Argenteuil Claude Monet (1840-1926 French) Jeu de Paume, Louvre, Paris

Las chalanas. Museum: MUSEE BONNAT / BAYONNE / FRANCIA. Author: JEAN-BAPTISTE-ARMAND GUILLAUMIN.

Claude Monet (1840-1926). French painter. Impressionism. Red Boats, Argenteuil. 1875. Orsay Museum. Paris. France.

The Port of Argenteuil Claude Monet (1840-1926 French) Jeu de Paume, Louvre, Paris

Tours: Sunset: Looking Backwards, Joseph Mallord William Turner, 1775-1851, British, between 1826 and 1830, Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper, Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm), boats, bridge (built work), cityscape, horses (animals), marine art, stairs, sunset, Europe, France, Tours

Constantinople. From the journey to Greece. Ciągliński, Jan (1858-1913), painter

Sisley, Alfred (1839-1899) State Hermitage, St. Petersburg 1884 50x65 Oil on canvas Impressionism France

PINTURA -ATARDECER A ORILLAS DEL RIO. Author: DARIO DE REGOYOS VALDES. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Boats, or Regatta at Argenteuil - ca. 1874 - 60x100 cm - oil on canvas. Author: CLAUDE MONET. Location: MUSEE D'ORSAY. France.

Le Havre, Le Bassin du Commerce. Eugene Boudin (1824-1898). Oil on panel. Painted in 1894. 36.8 x 45.7cm

Gray Day on the Bay, c. 1886. William Merritt Chase (American, 1849-1916). Oil on wood; unframed: 23.7 x 34.2 cm (9 5/16 x 13 7/16 in.).

The Harbor at Lorient. Dated: 1869. Dimensions: overall: 43.5 x 73 cm (17 1/8 x 28 3/4 in.) framed: 64.7 x 95.2 x 7.6 cm (25 1/2 x 37 1/2 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Berthe Morisot.

Grey and Silver Old Battersea Reach 1863 London. James McNeill Whistler painted marine subjects throughout his career. For several years beginning in 1855, the expatriate American artist divided his time between London and Paris; in the latter, he was exposed to the bold realism and thickly impastoed surfaces of the paintings of Gustave Courbet. The older artistís influence shaped Whistlerís depiction of the Thames River, a subject that frequently appeared in his work after he moved to London in 1863. In this painting, he focused on the riverís industrial natureóboats and barges, laboring men, and smoking chimneysówhich featured so largely in urban life. Yet despite the realism of the subject, Whistler unified the composition with deft brushwork and a subtle palette of brown and gray that anticipates his later interest in delicate tonal harmonies.. Oil on canvas . James McNeill Whistler

Flood by Alfred Sisley, Oil on canvas, 1876, Impressionism, 1839-1899, France, Rouen, Musee des Beaux-Arts, 60x80

Claude Monet (b. 14 November 1840 in Paris as Oscar-Claude Monet, d. 5 December 1926) important French painter, Impressionist style. Here is his work, The Bridge at Argenteuil (1874), The Bridge at Argenteuil (1874), River landscape with bridge and sailing boats on a sunny day

follower of Thomas Shotter Boys, 1803-1874, British, Mantes, undated. Watercolor and graphite on moderately thick, slightly textured, beige wove paper.

Russia, Saint Petersburg, State Hermitage Museum, Seine at Asnieres, by Claude Monet, 1873

Boats in the harbor, 1885-1890, by Federico Andreotti (1847-1930), oil on panel, 9x15 cm.

John Constable, Flatford Mill from the Lock, c. 1810, oil on beige laid () paper, mounted on canvas.

Sunset, the Port of Rouen, 1898, by Camille Pissarro (1831-1903).

Honfleur by Maximilien Luce, oil on wood panel, 1858-1941, USA, Pennsylvania, Philadelphia, David David Gallery

Redon, Odilon (1840-1916) © Museum of Modern Art, New York Painting 16,8x21,9 Landscape Fishing Boat

MUELLE DE LAS FLORES. Author: LEPINE, STANISLAS. Location: MUSEO PROVINCIAL, REIMS, FRANCE.

Paul Signac (1863-1935). French painter. Hirondelle steamer on the Seine, 1901. Oil on canvas. National Gallery. Prague. Czech Republic.

Dusk Ziem, Felix. Dusk. Oil on fouled paper on canvas. 1850-1860.

The Seine, Morning (Saint-Ouen). Date: 1886, Saint-Ouen. Dimensions: 46.0 cm x 55.4 cm, 57.7 cm x 66.7 cm. Museum: Van Gogh Museum, Amsterdam. Author: CHARLES ANGRAND.

Marseille Quay', 1929. Artist: Emile Bernard. Emile Bernard(1868-1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugene Boch, and at a later time, Paul Cezanne.

View from Pont Royal, Paris, France-Late Afternoon February 2003 Charles Neal (b.1951/British) Oil on canvas

French impressionist painting of a scene in Paris circa 1885 artist unknown

The Trawlers. Dated: 1885. Dimensions: overall: 18.4 x 26.4 cm (7 1/4 x 10 3/8 in.) framed: 29.2 x 37.2 x 4.1 cm (11 1/2 x 14 5/8 x 1 5/8 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.

View of harbour by Claude Monet, oil on canvas, 1872, 1840-1926, Russia, St. Petersburg, State Hermitage, 61x81

Jean Baptiste Camille Corot Pont sur la Saône à Mcon (1834) Jean-Baptiste-Camille Corot, Bridge on the Saône River at Mcon, French, 1796 - 1875, 1834, oil on paper on canvas, Ailsa Mellon Bruce Collection

Saint-Mammes. June Sunshine by Sisley, Alfred (1839-1899) Museu Nacional d'Art de Catalunya, Barcelona 1892 Oil on canvas 66x92,5 France Impressionism Landscape Painting

Duke's Palace Seen from San Giorgio Claude Monet (1840-1926 French)

Bordering the Arno, 1890, by Telemaco Signorini (1835-1901), oil on cardboard, 40x50 cm.

Pissarro / Port-Marly / 1872 .

Claude Monet (b. 14 November 1840 in Paris as Oscar-Claude Monet, d. 5 December 1926) important French painter, Impressionist style. Here is his work, Church of Vernon, Sun (1894), Church of Vernon, Sun, A village with a church by a river, bright colours reflected in the water

The Beach Party, Afternoon at Jonville, Normandie, Charles Neal, (b.1951/British), Oil on canvas

Sloops, James Ensor, 1890, painting, Belgian Art

Harfleur. Raoul Dufy (1877-1953). Oil on canvas. Painted in 1903. 66 x 54.5cm

Catania in Sicily; The Cycle: Italy Strawiński, Jan (1858 1913)

Painting titled 'Canal at Middleburg' by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century

View from the Inselhotel on Lake Constance and the promenade. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 21-Jun-1914. Measurements: h 155 mm × w 225 mm. Museum: Rijksmuseum, Amsterdam.

The Grand Canal, Venice , 1835

The Sea, Jan Toorop, 1887 painting The sea in Katwijk with waves in the surf for a beach. Netherlands oil paint (paint). canvas sea (seascape). surf, breakers Katwijk aan Zee

Vetheuil in Summer, Claude Monet, 1880, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Charing Cross Bridge, London, Claude Monet, 1901, Art Institute of Chicago, Chicago, Illinois, USA, North America,

Campo dei Frari, Venice, c. 1880, watercolor over graphite on wove paper, sheet: 25.08 × 35.72 cm (9 7/8 × 14 1/16 in.), John Singer Sargent (artist) American, 1856 - 1925

Flood in Venice Felix Ziem (1821-1911). Flood in Venice. Oil on canvas.

Emile Guillier (1849-1883). "Boulogne wood ducks (acclimatization garden)". Oil on canvas. Paris, Carnavalet museum. 34720-10 Arrondissement, Bois de Boulogne, duck, child, acclimatization garden, lake, 16th 16th 16th 16, oil on canvas

The Rhone at Arles. Frederick Gore (1913-2009). Oil on canvas. 75.5 x 101cm

James McBey, Wide Canal, 1924, watercolor on paper.

Monet / Waterloo Bridge, overcast Weath.

view of Palma from the Mollet, Antoni Fuster Forteza, 1893, oil on canvas, Museu de Mallorca, Palma, Majorca, Spain.

Charing Cross Bridge, Monet, Claude, 1903

fine arts, Slavicek, Antonin (1870 - 1910), painting ""View of Prague from Ladvi"", 1908, Modern Gallery, Prague,

FUENTERRABIA 1928. Author: LEZCANO CARLOS. Location: MUSEO REINA SOFIA-PINTURA, MADRID, SPAIN.

Drydock, Gloucester. Date/Period: Ca. 1890's. Works on Paper. Watercolor over ink and graphite. Height: 13.50 mm (0.53 in); Width: 19.50 mm (0.76 in). Author: Childe Hassam.

Camille Pissarro, French, 1830-1903, Morning, An Overcast Day, Rouen, 1896, Oil on canvas.

CUENCA 1928. Author: CARLOS LEZCANO (1871-1929). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Artwork by Eliseu Meifren.

The St Martin Canal (Bastille Square) Schlaich. The St Martin Canal (Place de la Bastille). Pastel.

The Port of Rotterdam. Date/Period: 1907. Painting. Oil on canvas. Height: 87 cm (34.2 in); Width: 114 cm (44.8 in). Author: Paul Signac.

The Church of San Trovaso, Venice. Dated: c. 1830. Dimensions: overall: 15.5 x 23.5 cm (6 1/8 x 9 1/4 in.) framed: 32.5 x 40.6 x 5.1 cm (12 13/16 x 16 x 2 in.). Medium: oil on paper on canvas. Museum: National Gallery of Art, Washington DC. Author: Jules-Romain Joyant.

The Bridge at Courbevoie, 1887, by Georges Seurat (1859-1891), oil on canvas, 46x55 cm.

Waterway near the Baarsjes, Amsterdam, by Jan Hillebrand Wijsmullerm, 1880-1901, Dutch painting, oil on canvas. Three windmills near the waterfront (BSLOC_2016_2_25)

Canal at Veere. Draughtsman: Jan Toorop. Dating: 1913. Measurements: h 188 mm × w 242 mm. Museum: Rijksmuseum, Amsterdam.

Grand Canal; Venice; 1881 Oil on canvas Pierre-Auguste Renoir French; 1841-1919

Fonteghetto della Farina; Venice; about 1735 Oil on canvas Canaletto (Giovanni Antonio Canal) Italian Venetian; 1697-1768

The Landing Stage, Stratford-Upon-Avon. Charles Ginner (1878-1952). Oil on canvas. Painted in 1928. 51 x 61cm

'La riva degli Schiavoni en Venecia', 1873, Oil on canvas, 42 cm x 72 cm. Author: MARTIN RICO Y ORTEGA (1833-1908). Location: CASON DEL BUEN RETIRO-PINTURA. MADRID. SPAIN.

fine arts, Sisley, Alfred, (1839 - 1899), painting, ""Saint Mammes"", 1884, Musee d'Art et d'Histoire, Geneve,

Midnight by Jean-Charles Cazin, 1891

Le Port, Quai a Schiedamm. Maximilien Luce (1858-1941). Oil on canvas. Painted in 1907. 38.4 x 47cm.

La Grenouillere, by Claude Monet, 1869, French impressionist painting, oil on canvas. On right is the fashionable middle class restaurant built on a barge, joined by planks to a small island known as the 'flower pot'. Renoir also painted this same scene in the summer of 1869 (BSLOC_2017_3_20)

Landscape from cathedrals Notre-Dame; Makowski, Tadeusz (1882-1932); around 1910 (1910-00-00-1910-00-00);Paris (France), Contemporary painting, city landscapes, purchase (provenance), École de Paris (style)

View of Venice: Ducal Palace, Dogana, and San Giorgio. Date/Period: 1841. Painting. Author: J. M. W. Turner.

Sketch, Hyannisport. Date/Period: 1903. Oil paintings. Oil on canvas. 22 × 20 in (55.8 × 50.8 cm). Author: Charles Webster Hawthorne.

View of the Singel in Amsterdam with on the left the old Lutheran church, draughtsman: Jan Toorop, 18-Dec-1881, paper, h 133 mm × w 218 mm

LAGAR , CELSO. PINTOR ESPAÑOL . CIUDAD RODRIGO 1891-1966. " PUERTO PESQUERO " , OLEO SOBRE TELA. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

The Toll Bridge, New Hampshire, Near Exeter. Frederick Childe Hassam (1859-1935). Oil on canvas. Signed and dated 1906. 51.1 x 76.4cm

Almost Ready 1930 Alice Kent Stoddard (1884-1976 American) Oil on wood panel David David Gallery, Philadelphia, Pennsylvania, USA

EL PUERTO DE BARCELONA - SIGLO XX. Author: JOSEP MOMPOU (1888-1968).

Theodor Philipsen (1840-1920), at Lirifloden, 1902

Ms. Helleu at Sea, Yacht Bird; Madame Helleu en Mer, Yacht Bird. Paul Cesar Helleu (1859-1927). Oil on canvas. 58 x 65.4cm.

Winslow Homer, Sunset, c 1875 Sunset

Regatta at Argenteuil. Dated: 1874. Dimensions: overall: 32.4 x 45.7 cm (12 3/4 x 18 in.) framed: 55.6 x 71.4 x 6.7 cm (21 7/8 x 28 1/8 x 2 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR.

The Mill Dam of Cos Cob 1903 Frederick Childe Hassam (1859-1935 American) Christie's Images, New York

Il Naviglio de Milan, 1890/92, oil on canvas, Emilio Gola, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina.

Waterway near the Baarsjes, Amsterdam, Jan Hillebrand Wijsmuller, c. 1880 - c. 1901 painting Wetering at De Baarsjes near Amsterdam. Behind the scaffolding are a few barges on the waterfront, three mills in the distance. canvas. oil paint (paint) canals, waters (in city). windmill. sailing-ship, sailing-boat. freight vessel Baarsjes. Amsterdam

The Giudecca Canal with Shipping near the Chiesa dei Gesuati. Dated: 1880s. Dimensions: sheet: 35.6 x 52.5 cm (14 x 20 11/16 in.). Medium: watercolor over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: David Law.

Berthe Morisot, The Harbor at Lorient, French, 1841-1895, 1869, oil on canvas

'The Entrance to the Port of Marseille', 1911, Oil on canvas, 116,5 x 162,5 cm. Author: Paul SIGNAC (1863-1935). Location: CENTRO GEORGES POMPIDOU. France.

The Loing at Saint-Mammes, Alfred Sisley, 1882, Museum of Fine Arts, Boston, Mass, USA, North America

CLAVO, JAVIER PINTOR ESPAÑOL 1918-1994 TOLEDO TOLEDO PINTADO ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Eugène Boudin (French, 1824 - 1898), Washerwoman near Trouville, c. 1872-1876, oil on wood

The Peddler's Cart on the Canal, New Hope. Robert C. Spencer (1879-1931). Oil on canvas. 51 x 61cm.

On the Banks of the Sein at Bercy, Fine Art

Lock gate Inscribed in black ink, verso: "Sketch from nature" Signed in black ink, verso: "by W. Mulready", William Mulready, 1786-1863, Irish

A Morning Snow--Hudson River George Wesley Bellows (American, 1882-1925). A Morning Snow--Hudson River, 1910. Oil on canvas, 45 1/16 x 63 3/16 in. (114.5 x 160.5 cm). Assured, slashing strokes of a heavily loaded brush capture the effects of morning light reflected from freshly fallen snow. This view shows the Hudson River and New Jersey from Manhattans Upper West Side. George Wesley Bellows conveyed the sense of the city awakening through his depiction of the man shoveling snow, people going to work, boats plying the river, and smoke and steam interrupting the still, crisp atmosphere. Elements of this composition move toward abstraction. The elevated vantage point reduces the illusion of depth, while horizontal and vertical components, seen particularly in the fence and tall trees, provide a subtle gridlike structure. American Art 1910

Francisco Llorens Díaz / 'Ria de Arosa'. Ca. 1934. Oil on canvas. Museum: Museo del Prado, Madrid, España.

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