Ink Diary Entries by Anton Hanak

Artistic sketches and diary entries by Anton Hanak from the early 20th century, featuring personal reflections, observations, and artistic development in black and blue ink.

Black pen diary entries by Anton Hanak from January 16 to 27, 1928 documenting observations and events at the Hospital of the City of Vienna in Lainz.
Black pen diary entries by Anton Hanak from January 16 to 27, 1928 documenting observations and events at the Hospital of the City of Vienna in Lainz.
147 assets in this story
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Black ink diary entry by Anton Hanak from 1918 including personal sketches, notes, environmental observations, and daily occurrences.
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Ink drawing by Anton Hanak recording a diary entry of a relaxation trip to Carinthia in October 1924, showing travel, figures, and the natural surroundings.
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Pencil drawing by Anton Hanak from 1931 showing a diary entry, including observations, notes, and personal reflections.
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Pencil drawing by Anton Hanak from 1918 recording observations in a diary, illustrating local surroundings and compositional details.
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Diary entries by Anton Hanak on October 3 and 8, 1932, recorded in blue ink, documenting observations, personal reflections, and sketches in a sketchbook from 1925-1933.
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Pencil drawing by Anton Hanak documenting a relaxation trip to Gmunden on August 21, 1925, showing landscapes, buildings, and daily observations.
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Anton Hanak's black ink diary entries from January 16 to 27, 1928, record his experiences at the Hospital of the City of Vienna in Lainz. The entries include observations on health, daily routines, and artistic reflections.
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Anton Hanak wrote a diary entry in black ink during a relaxation trip to Gmunden in August 1925, recording his daily activities and observations.
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Diary entry by Anton Hanak in black ink on February 7, 1932, from his 1931-1932 sketchbook, documenting personal observations and notes.
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Black ink diary entry by Anton Hanak on 3 May 1931 documenting the inauguration of the hero organ in Kufstein, recorded in his sketchbook 1931-1932.
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Blue ink diary entry by Anton Hanak from July 1932 including handwritten notes, sketches, and compositional details in his sketchbook from 1925 to 1933.
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Anton Hanak's 1931 diary entry, written in black ink, documents emerging plans and ideas for his artistic projects, recorded in his 1931-1932 sketchbook, providing insight into his creative process and professional considerations.
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Black pen studies by Anton Hanak for a Richard Wagner monument in Vienna, produced in 1931.
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Black ink studies by Anton Hanak for a Joseph Haydn monument in Oberberg near Eisenstadt, Burgenland, created between 1926 and 1930, recorded in September 1933.
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Page 26 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 471 x 341 mm (image); 688 x 523 mm (sheet, folded); 688 x 1050 mm (sheet, unfolded). Lithograph in red-orange and orange on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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Blue pen diary entry by Anton Hanak recorded in his 1925-1933 sketchbook.
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Anton Hanaks black ink sketches for a Beethoven monument in Berlin, created between 1928 and 1933, including design elements, layout, and notes on the compositional structure.
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Anton Hanaks 1933 black ink sketches and notes for a Beethoven monument in Berlin illustrate his artistic planning and design studies from 1928-1933.
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A black ink sketch by Anton Hanak from September 1933 depicting studies for a Richard Wagner monument in Vienna, including architectural elements, figure arrangements, and design notes.
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Diary entry by Anton Hanak recorded in black pen on March 28, 1932, in his 1931-1932 sketchbook.
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Black ink diary entry by Anton Hanak on 1 May 1931 noting artists complaints and observations, recorded in his sketchbook 1931-1932.
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Porte k. Taureau 1.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)
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Black ink studies by Anton Hanak for a Joseph Haydn monument in Oberberg near Eisenstadt, Burgenland, created between 1926 and 1930, recorded in September 1933.
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Porte H. Montant 1.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)
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Salle XIV, 1.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)
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This diary entry documents Anton Hanak's relaxation trip to Carinthia in October 1924, capturing his observations, personal experiences, and daily activities during the visit, including reflections on the landscape and local culture.
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Page 5 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 604 x 470 mm (image); 688 x 523 mm (sheet, folded); 688 x 1050 mm (sheet, unfolded). Lithograph in red and orange on white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.
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Black pen diary entry by Anton Hanak from September 24, 1923 documenting a relaxation trip to Gmunden.
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Porte k. Taureau 2.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)
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Copy Print From Celebrated Inscriptions Ancient Eugubine Tablets Made 1839-1849 England. When William Henry Fox Talbot, one of the inventors of photography, presented his initial findings in January 1839, he proposed a variety of applications for his new discovery, which he called ìphotogenic drawing.î He presciently detailed how it could be used for portraits, landscape, architecture, and depictions of objects seen in the microscopeóbut also as a tool for copying drawings and engravings. Here Talbotóan expert in ancient languages as well as chemistryóphotographically reproduced a page showing a copy of inscriptions in a native Umbrian alphabet from one of seven ancient bronze tablets discovered in Italy in the 15th century.. Salted paper print . William Henry Fox Talbot
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Façade L. Revers du No. 26. Façade l, 26.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)
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Aramaic Papyrus Aramaic. Aramaic Papyrus, July 6, 451 B.C.E. Papyrus, ink, frame: 14 1/8 x 17 1/2 in. (35.8 x 44.4 cm). Egyptian, Classical, Ancient Near Eastern Art July 6, 451 B.C.E.
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Information board about Andreas and Johan Hendrik Schiotling; Johannes Schiotling exhibition. .
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Jerusalem, Plate 48, 'These were his last words....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 1/2 inches (22.5 x 16.5 cm), birds, literary theme, religious and mythological subject, serpent, snake, text, vines, wings
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Anton Hanak's black ink studies from September 1933 illustrate the design process for a Richard Wagner monument in Vienna, including sketches of composition, form, and sculptural planning initiated in 1931.
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Chronicle Qvedlenburgense from the world for years, until the year 1025
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Blue pen diary entry by Anton Hanak from 1925 to 1933 documenting personal reflections, daily notes, and visual observations.
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Diary entry by Anton Hanak dated February 15, 1931, drawn in black ink, part of the 1931-1932 sketchbook.
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Sketch of a peak in Armenia, and a sketch map of Armenia, c1472-c1519 (1883). Artist: Leonardo da Vinci.
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Second magazine of the Facsimile of the Union of Brussels with signatures, 1577, Daniël Abrahams, 1827 print Second magazine of the Facsimile of the Scripture of the Union of Brussels with signatures, January 9, 1577. The Hague paper
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O'Hara Reading. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1967. Dimensions: 906 x 1,100 mm. Lithograph in black on glossy white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.
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Lazio Roma Velletri Museo Capitolare71. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, incl
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Blue ink draft by Anton Hanak outlining a Gustav Mahler monument with remarks and design ideas, recorded in his sketchbook 1925-1933.
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Lazio Roma Velletri Museo Capitolare66. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, incl
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Lazio Roma Velletri Museo Capitolare75. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, incl
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Mahatma Gandhi s signature in different Indian scripts, 1947, India NO MR Copyright: xVithalbhaixJhaveri/DinodiaxPhotox
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Black ink diary entry by Anton Hanak in 1933 recording a dedication, part of his sketchbook from 1926 to 1933.