Interior Design Sketches

Blueprints and designs for ornate interiors, featuring wall decorations, fireplaces, and elegant architectural details from various European styles.

Design for a chimney with mirror, feu, wall arms and hanging clock, c. 1825 - c. 1835 France graphite (mineral). paper. ink pen open hearth, fire-place. communal rooms. sconce, wall lamp. chimney-piece, mantelpiece

Face de cheminée.... Firepace with mirror and wall murals.. Rémon, Georges. Prints, Drawings, Paintings, Design drawings. 1907. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Interior design , France, Furniture , France

Sidewall (USA); block-printed; 55 x 46 cm (21 5/8 x 18 1/8 in.)

Design for a wall of the mail boat. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 281 mm × w 456 mm. Museum: Rijksmuseum, Amsterdam.

Allegory in honor of the king of Prussia for his restoration of the stadholder of Willem V, 1788, Jan Gerritsz. Visser, after Johannes le Francq van Berkhey, 1789 print Allegory in honor of the king of Prussia for his restoration of the stadholder of Willem V, 1788. Erebog with Prince Willem V and Princess Wilhelmina for a monument, on the right the king of Prussia and the Duke of Brunswijk. At the bottom of Prince William I in his tomb. On either side obelisks in honor of Willem II, III and IV and Princess Anna. In the foreground De Herauten of the Netherlands, the Lands Union, Great Britain and Prussia and two weapon trophies. The print includes a text sheet in two parts. Netherlands paper etching / engraving monument, statue. stadtholder. grave, tomb. obelisk, needle

Croisée gravée d'après un dessin à la plume, sur parchemin.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Androuet, Jacques, Column orders, Corinthio, Headstand of the Corinthian order, Headstand of the Corinthian order. This print is part of an album., print, picture, album sheet, prints, pictures, height 112 mm, width 181 mm, print maker, printmaker, 1601 - 1651, paper, papier, etching, etchings, Work conception, French, 1515 - 1584

Drawing, Section of wall, small anti-chamber, Palace of Fontainebleau; Frederick Marschall; USA; brush and watercolor, tempera on heavy paper; 36.9 x 14.6 cm (14 1/2 x 5 3/4 in.)

Design for a Sacristy Gate of a Chapel of the Torlonia Family, Brush and watercolor, graphite on paper, Design for a gate of a chapel of the Torlonia family, intended to be executed in metal, probably for the chapel in St. Giovanni in Laterno, Italy. A folding door between a lateral panel on either side. In the latter stand two columns in the shape of candelabra upon marble pedestals, supporting at front a band with two entwined ribbons as it frames the panels of the leaves and connects the bases and cornices of the pedestals, and then the entablature. In the frieze is the inscription: MARINVS-KAROLVS-ET-ALEXANDER-TORLONIA. On top are rinceaux with the rising pelican in gold in the center. In the intervals between the columns are plant caldelabra, with two kneeling putti supporting the coat of arms. A half figure of a winged putto is in the panel, between the pedestals. The leaves are divided into a high upper and a small under panel, the latter with a similar decoration to their neigh

Design for Curtains with Purple, White and Mink Fabric, Purple Fringes and Gold and White Pediments. Artist: Anonymous, British, 19th century. Dimensions: sheet: 10 9/16 x 14 7/8 in. (26.9 x 37.8 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Mural painting with a representation of the torture of Ixion in the middle, oecus of the House of the Vettii, 1st century BC, Pompeii, Campania, Italy, chromolithograph by Friedrich from a drawing by De Simone, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume IV, plate 24, 1854, Naples.

Frieze (France); block-printed on handmade paper; 78 x 65 cm (30 11/16 x 25 9/16 in.)

Neues Reich. Dynastie XIX. a - c. Aegyptische Felsenstelen bei Berut in Syrien: a. Nördlichste; b. Mittlere; c. Südlichste; d. Assyrische Stele.. Weidenbach, Ernst (1818-1882). 1849 - 1856. Lepsius, Richard, 1810-1884. Prints. General Research Division. Egypt , Antiquities, Stelae, Assyrians, Syria , History , To 333 B.C, Gods , Egyptian

Frieze (USA); Manufactured by S.A. Maxwell & Co.; machine-printed paper; 91.5 x 49 cm (36 x 19 5/16 in.)

Album n 4; Stained glass project for Systems; WINDOW TO THREE TRANSES: Renaissance architecture decor CENE OF THE LIFE OF SAINT MARTHE Gsell-Laurent workshop. Album n 4; Stained glass project for Systems; Three span window: Renaissance architecture decor Scene of the life of St. Marthe. Pencil and photographs.

Léon Bonnenfant (1847-1938). "Decoration of the Dutuit gallery" of the Petit Palais (interior elevation side of the Cours la Reine). Paris (VIIIth arr.). Pencil, feather, ink, watercolor, 1918. Museum of Fine Arts of the city of Paris, Petit Palais. 122540-1 Boat, interior decoration, drawing, edifice, gallery, dutuit gallery, small palace, architectural project, VIIIEME VIIIE VIII 8th 8th 8 arrondissement

Overview magazine with the decorations at the Alliantiegeest in Amsterdam, 1795, Anonymous, 1795 print Overview magazine with all decorations founded at the Alliantiegeest in Amsterdam on June 19, 1795. Also with the three freedom trees previously founded in the city and a presentation of the withdrawal of the French troops by the Leidsepoort on January 19, 1795. Unsited magazine with the performances divided over sixteen subjects. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. Leidsepoort

Drawing, Design for Wall Decoration, Blue (South) Drawing Room, Royal Pavillion, Brighton; Designed by Frederick Crace (English, 1779-1859); England; brush and watercolor over graphite on white wove paper

Lucae Richard (1829-1877), New Theater (Opera) in Frankfurt/Main (1871-1871): Wall view with decoration. Ink and pencil watercolor on the box, 38.3 x 28 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Print (France)

Bound Print (France)

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 111.5 x 49.5 cm (43 7/8 x 19 1/2 in.)

Design for a decorated ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Date: 1840-97. Museum: Metropolitan Museum of Art, New York, USA.

Troy Triptych, 1872-1898 (unfinished) Sir Edward Burne-Jones, Oil Painting, Art Movement, Pre-Raphaelite, Triptych

Plate 4: Christ in Sepulchre: From Portfolio "Spanish Colonial Designs of New Mexico". Dated: 1935/1942. Dimensions: overall: 35.6 x 28 cm (14 x 11 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Michel-Lançon, Edouard (n.1854-10-20-D.1931), sketch for the wedding hall of the town hall of Saint-Maur-des-Fossés: homeland (main title), 1883. Oil and black ink on cloth. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for mosaic tablet behind an altar. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 26 1/8 x 33 1/8 in. (66.4 x 84.1 cm)Design: 19 x 28 3/4 in. (48.3 x 73 cm). Maker: Tiffany Studios (1902-32). Date: late 19th-early 20th century.St. Michael's Church, at West Ninety-Ninth Street and Amsterdam Avenue, commissioned Tiffany Studios to design a memorial to its prominent benefactor, Mrs. Margaret Elizabeth Zimmerman, following her death in 1918. Consisting of a mosaic panel and altar decorations, the designs also features columns placed in front of the altar that are similar to the ones on display in the Metropolitan's Charles Engelhard Court. In this watercolor, the columns' mosaic decoration is sketched in pencil, while the mosaic panel is a photograph of a final design. Using photography in this manner, Tiffany's designers could efficiently produce multiple copies of the drawing and present churches with alternative ve

Design for a Canopy Bed, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, The bed is seen from the foot side. Two posts support the circular roof, on top of which stands a basket with flowers. Usual background., Rome, Italy, ca. 1790, interiors, Drawing, Drawing

A 1772 colored copper engraving by Giovanni Ottaviani depicting Raphael's loggias in the Vatican, featuring Tor Paulus III, Pontifex Maximus (version A).

Oecus or parlour in the House of M. Spurius Mesor., Pompeii. In the Museum of Naples. Oecus de la maison de Spurius Mesor, Region VII.3.29. Au musee de Naples. Handcoloured pochoir (stencil) lithograph by Pierre Guzman from his own Decoration murale a Pompei, (Wall decoration at Pompeii), Editions Albert Morance), Paris, 1924.

Klingholz Fritz (1861-1921), Travemünde Beach (March 26, 1912): View of the wall and ceiling. Pencil watercolored on paper, 27.1 x 28.7 cm (including scan edges) Klingholz Fritz (1861-1921): Bahnhof Travemünde Strand

Design for a ceiling painted in filagree designs. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 18 15/16 x 13 7/16 in. (48.1 x 34.1 cm)image: 15 9/16 x 9 7/8 in. (39.6 x 25.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Fan, Mary Morison Brownson, American, Graphite, gold, brush, and watercolor on paper, Design for a fan. Horizontal rectangle: A leaf and grape pattern, outlined in gold, against a neutral green background., Vertical crease, a student in the Woman's Art School, Cooper Union, Graduate-art, day, 1896, New York City, USA, 1894, costume & accessories, Drawing, Drawing

Gropius Martin (1824-1880), field decoration of the banker Aron, Berlin. Berlin. (From: Architectural sketchbook, H. 52/4, 1861.) (1861-1861): Wand processing. Lithograph colored on paper, 25.8 x 34.9 cm (including scan edges)

Sketches for Arbour IV. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Louis Morin (1855-1938). "Musician; peasant dance; in hay; in the meadows. Model for the decoration of the dining room of Jean Coquelin in Neuilly". Model. 1900-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 61090-5 Peasant dance, decoration, hay, model, molding, musician, pre, dining room

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Mantelpiece., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Troy Triptych - Compositional Study, 1870-2. Sir Edward Burne-Jones (d.1898)

Ukhtomsky, Konstantin Andreyevich (1818-1881) State Hermitage, St. Petersburg Painting 24,6x19,5 Architecture, Interior Interiors of the Winter Palace. The Small Winter Garden in the Apartments of Alexandra Fyodorovna

Fragment of a Rococo interior with a door - from a cycle of postcards. Noakowski, Stanisław (1867-1928), draughtsman, cartoonist

Wall Painting. Dated: 1935/1942. Dimensions: overall: 35.6 x 27.8 cm (14 x 10 15/16 in.) Original IAD Object: 36" wide; 85" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William Herbert.

Tablinum of the House of the Small Fountain, Casa della Fontana Piccola, Pompeii. End of the Third Pompeian Style. Tablinum de la maison de la Petite Fontaine, Region VI.8.23. Fin du troisieme style. Handcoloured pochoir (stencil) lithograph by Pierre Guzman from his own Decoration murale a Pompei, (Wall decoration at Pompeii), Editions Albert Morance), Paris, 1924.

Design for a Chair Back Cover with an Oval-Shaped Ornamental Frame with a Kneeling Woman and a Playful Putto Surrounded by Garlands of Leaves and Flowers and Scrolling Acanthus Leaves Inside a Larger Ornamental Frame 1870-1900 () Anonymous, French, 19th century Rectangular sheet of paper with a design for a chair back cover from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central el

Rohscan

Design for White Curtains with White Fringes and a Gold and White Pediment early 19th century Anonymous, British, 19th century British. Design for White Curtains with White Fringes and a Gold and White Pediment 386989

Petite credence, François I, Musée de Cluny, Paris, ca. 1520.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, Credenzas (sideboards) , France

A group of early eighteenth-century furniture, from the collection of W. H. Lever, Esq., M.P. Walnut cabinet-top scrutoire, veneered upon oak with bleached herring-boned bandings. Inlaid sycamore ("yellow") clock. Carved tabouret, probably French.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, Longcase clocks, Secretaries (furniture), Tabourets (low stools)

Drawing, Design for a Chimneypiece, Wall with Chinoiserie Landscape, possibly for Library, Royal Pavilion, Brighton; Designed by Frederick Crace (English, 1779-1859); England; brush and watercolor, graphite on paper; Mat: 40.6 x 55.9 cm (16 x 22 in.) 10.9 x 23.5 cm (4 5/16 x 9 1/4 in.)

Ceiling Design for the Boudoir, Ardgowan. Artist: Attributed to J. S. Pearse (British, active 1854-68). Dimensions: sheet: 13 1/2 x 16 1/2 in. (34.3 x 41.9 cm). Date: ca. 1868. Museum: Metropolitan Museum of Art, New York, USA.

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794-1879, British, 1837, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Image: 17 1/8 × 13 5/8 inches (43.5 × 34.6 cm) and Image: 10 1/2 × 8 3/8 inches (26.7 × 21.3 cm), architectural subject

Lucien Verbeke, Iron Gate and Fence, c 1936 Iron Gate and Fence

The illustration here shows ancient Greek artifacts. They are from left to right: three chairs and a couch with table and candelabrum. The illustration dates to 1882.

Furniture around the turn of the century 1900, Carved oaken stairway, Godinton (1911), Carved oaken stairway, Godinton (1911) .

GSELL-Laurent workshop. Album n ° 3; stained glass project for Granville: 3 spans window: Gothic ornaments. Pencil, watercolor. Paris, Carnavalet museum. Album n ° 3, Catholic, pencil, window, Gothic ornament, project, travee, three, stained glass, watercolor

Design for a ceiling with trophies and a trompe l'oeil coffers. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 23 5/8 x 18 7/8 in. (60 x 48 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Painted glass for perspective box, garden pavilion with fountains and fireworks, glass plate perspective box glass paint, handpainted Rectangular glass plate with black frame hand painted image of garden pavilion with columns arches and ornaments in the foreground pond. Fountains and fireworks from the pavilion and the pond optics perspective celebration celebration

Drawing, Mantelpiece; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash; Image: 22.9 x 12.5 cm (9 x 4 15/16 in.)

Doorway and Doors. Dated: 1935/1942. Dimensions: overall: 33.2 x 24.4 cm (13 1/16 x 9 5/8 in.) Original IAD Object: 72" wide; 118" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: A. Regli.

Vienna, Austria. Antique baroque door. (Editorial Use Only)

Milan, Vallardi, Pietro & Giuseppe, Italy, Roccheggiani, Lorenzo, Ruga, Pietro, Invenzioni diverse di mobili ed utensili sacri e profani per usi comuni della vita, Invenzioni diverse di mobili ed utensili sacri e, Designs for religious and profane objects, Two fireplaces, Print is part of an album., print, picture, album sheet, ornamental print, prints, height 165 mm, width 215 mm, Italian, print maker, printmaker, 1817 - 1817, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Gilbert Sackerman, Stage Set, c 1938 Stage Set

Stage design for the opera Snow Maiden by N. Rimsky-Korsakov by Valz, Karl Fyodorovich (1846-1929) / State Central A. Bakhrushin Theatre Museum, Moscow / Theatrical scenic painting / / Russia / Watercolour and white colour on paper / Opera, Ballet, Thea

Sketch for the town hall of Fresnes: Landscape with walkers: autumn landscape Jean Constant Pope (1865-1920). Sketch for the town hall of Fresnes: Landscape with walkers: autumn landscape. Oil on canvas. 1905.

Fanière Frères, board of 17 Neo Renaissance pendants (main title), 1865. Graphite, gouache on white paper, gray or transparent vellum laminated on white cartonette. Petit Palais, Museum of Fine Arts of the City of Paris.

Meubles et vasisselle du temps de Louis XII. MS. no. 6877. ... Tapis peint dans le même manuscrit.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Cast Iron Porch Railing. Dated: c. 1936. Dimensions: overall: 50.7 x 38.3 cm (19 15/16 x 15 1/16 in.). Medium: watercolor, graphite, and goauche on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman.

Painted arabesque by J. G. Grace, with decorations in composition, by Jackson & sons, of London.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1853. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

Border, Block-printed on handmade paper, Architectural molding with dentils over urns and lion masks printed on white marbleized ground., 1825-35, Wallcoverings, Border

Florence Truelson, Stairway Balustrade, c 1937 Stairway Balustrade

Design elements from architecture and manuscripts of the 16th century. Taken from a frame in Chants royaux sur la Conception couronnés au Puy de Rouen by Etienne Colaud, 1,2 details from the door of the Church of Saint-Maclou at Rouen. Chromolithograph designed and lithographed by Ernst Guillot from Elements d'Ornementation du XVIe Siecle, Elements of Ornament of the 16th century, Renouard, Paris, 1890.

Drawing, Mantlepiece design; Designed by Gustav Von Rehn; 1944-25-1

Engraving depicting the Great Bed of Ware, an extremely large oak four poster bed, carved with marquetry, that was originally housed in the White Hart Inn in Ware, England. Dated 19th century

Design for wall decoration in the house of Baron Malet in Jouy-en-Josas (Seine et Gise). Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 14 15/16 x 10 13/16 in. (38 x 27.4 cm). Date: 1871. Museum: Metropolitan Museum of Art, New York, USA.

Draft by Johann Julius Romano von Ringe for fresco decoration in the courtyard of an inn for Archduke Karl, executed in pencil and watercolor, 1840-1850.

Mourning Picture, 1815, Unknown, American, Graphite, brush and watercolor, brush and oil paint, pen and ink on wove paper, USA, 19th century, Drawing, Drawing

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

Candle, inlay in the studiolo of Federico da Montefeltro, Ducal palace, Urbino, Marche, Italy, 15th century.

Klingholz Fritz (1861-1921), invitation (1896): Views (variant for Inv.No. 19691). Ink on paper, 15.5 x 23.7 cm (including scan edges) Klingholz Fritz (1861-1921): Einladung

Carved gilt couch covered in rose brocade de Lyons. French: style, late Consulate. From the Chateau de Maisons-Laffitte, Paris. The property of T. Leman Hare, Esq.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, Sofas , French

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