Interior Scenes and Everyday Life

Paintings depicting domestic interiors with people engaged in daily activities, using warm tones and rich details to create a lively atmosphere.

Trik-trak players, Pieter Codde, 1628

The steel masters of the Leidse Boringhal, Johannes Strebel, 1866 painting The steel masters of the Leidse boring hall in an interior inspect around a table and roll textile. Above the mantelpiece a painting behind a curtain, on the right two women. canvas. oil paint (paint) guildhall. control of quality. interior of the house. board of a guild. textile fabric, cloth Saaihal

'Tavern Scene'. Holland, Circa 1670. Dimensions: 55x50,5 cm. Museum: State Hermitage, St. Petersburg. Author: JAN STEEN.

In the painter's studio; Strick, Pieter (Fl. 1708-1729); 18th century (1700-00-00-1799-00-00);Raczyński, Edward Bernard (1891-1993) - collection, deposit, painting, Flemish painting, artists' studios

The Night School. Dating: 1835. Measurements: h 64 cm × w 50 cm; d 10 cm. Museum: Rijksmuseum, Amsterdam. Author: George Gillis Haanen.

Interior with a man reading and a woman spinning yarn, Domenicus van Tol, 1660 - 1676 painting Inner house with a man reading in a book opened on his lap, next to him his wife sits with a spinning wheel with a reel and a coil in his hands. On the floor are a colander with mussels, a pipe and a jug; On the left a bunch of carrots. A bird cage hangs from the ceiling; On the right on the wall are a bunch of onions, a bladder bellows, a candlestick and a lantern. panel. oil paint (paint) interior of the house. reading. spinning (manufacture of yarn)

The choice between the young and wealth; Steen, Jan (1626-1679); 1661-1663 (1661-00-00-1663-00-00);State Art collections (Warsaw - 1922-1939) - collections, Stanisław August Poniatowski (Polish King - 1732-1798), Stanisław August Poniatowski (Polish King - 1732-1798) - gathering, Dutch painting, bad couple (iconogr.), Landscapes , message (provenance), genre scenes, genre scenes in the interior, costumes, men's costumes, theater styles, theater, interiors

Marriage A-la-Mode: 5. The Bagnio' by william Hogarth, c1743. A bagnio, originally a coffee houses which offered Turkish baths, later meant a place where rooms could be rented with no questions asked. The Countess pleads for forgiveness at the feet of the Earl who is dying from a wound inflicted by Silver tongue, seen escaping through the window.

Trik-trak players, Pieter Codde, 1628

Burgomaster Hasselaar and His Wife Circle of Gerrit Dou (Dutch, 1613-1675). Burgomaster Hasselaar and His Wife, mid-17th century. Oil on panel, Oval: 27 3/16 x 23 in. (69.1 x 58.4 cm). A man of affairs, Burgomaster Hasselaar sits with quill in hand before a book and globe, both illuminated by soft light from the left. With a row of valuable leather-bound books on the shelf behind her, his wife, dressed in a costly millstone ruff, stands nearby with her hand on an overturned lute, an instrument symbolizing marital harmony. In the background, a well-known subject by Dou of a cave-dwelling hermit at prayer hangs on the wall, probably as a reminder that the couples material concerns—business and possessions—must be balanced by spiritual ones. European Art mid-17th century

The Art of Painting. Date/Period: 1666 - 1668. Painting. Oil on canvas. Height: 1,200 mm (47.24 in); Width: 1,000 mm (39.37 in). Author: JOHANNES VERMEER.

Scene from the wedding or messalina and gaius silius, Possibly an episode from a play (brothel scene); Brothel Scene, Possibly An Episode From a Story. Scene from the marriage of Messalina and Gaius Silius. Central figures are Gaius Silius dressed in military outfit with theater boots and a wine glass in his hand and Messalina, a beautiful well-shaped young woman with bare breasts that gaius drags from a bed. On the bed left a woman with a hat on the right foot that touches the inside of Gaius thigh with her right hand. There are two men from the window on the table. A fourth man falls into the foreground drunk of his seat as he tries to pull his sword. Next to him is a woman with a lute. Left in the foreground a large wine cooler with a vine.

Easy Come, Easy Go, by Jan Steen, 1661, Boijmans van Beuningen Museum, Rotterdam, Netherlands, Europe

A Man and a Woman seated by a Virginal', c1649-1667. Artist: Gabriel Metsu. Gabriel Metsu (1629-1667) was a Dutch painter of history paintings, still lifes, portraits, and genre works.

Signboard of a Wineshop, with Tasting the Wine on one side and Barreling the Wine on the other, Aelbert Cuyp (circle of), c. 1650 - c. 1655 painting Signor of a wine trader. On the one hand: the taste of wine. On the other side; The tubing of the wine barrels. copper (metal). oil paint (paint) viticulture, wine-growing; vintage. shop, store. signboard

Scene from the Wedding of Messalina and Gaius Silius, possibly an episode from a Play (Brothel Scene). Dating: c. 1645 - c. 1655. Measurements: h 60 cm × w 74.5 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Nicolaes Knüpfer (mentioned on object).

Refreshing the Weary, Robert Hannah, 1812-1909, British

The Musicians Jacob Ochtervelt (1634-1682/Dutch)

'Tric-Trac Players'. Holland, 1667. Dimensions: 45,5x39 cm. Museum: State Hermitage, St. Petersburg. Author: JAN STEEN.

Egbert van der Poel, Farm interior with 'stirring' couple and still life in the foreground, painting footage oil paint paint wood, Painting: oil on panel standing rectangular format gold colored processed frame Loan National Institute for Cultural Heritage

The love letter , Fine Art

The card players. Dating: 1660. Measurements: h 53 cm × w 46.5 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Johannes Natus.

Peasant Woman Spinning. Dating: 1640 - 1677. Measurements: h 37 cm × w 35 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Thomas Wijck.

The Home of a Hunter. Dating: 1826. Measurements: h 62 cm × w 78 cm; d 12 cm. Museum: Rijksmuseum, Amsterdam. Author: Henri Voordecker.

The Highland Family 1824 Sir David Wilkie British, Scottish Wilkie, a genre painter, served as a court artist under George IV and his successors. This painting, commissioned by the Earl of Essex in 1824, was exhibited by Wilkie at the Royal Academy in 1825. The scenes rustic detail, as in the vignette of collie dogs lolling next to the open hearth, and its patriotic sentiment, which stems from the novels of Sir Walter Scott, explain the contemporary opinion that this work was not a costume piece but a "portrait painted from life.". The Highland Family. Sir David Wilkie (British, Cults, Scotland 1785-1841 off Gibraltar). 1824. Oil on wood. Paintings

Marriage a la Mode: The Bagnio, 1743. Oil on canvas.Wiliam Hogarth (1697-1764) English painter, printmaker, and cartoonist. Earl killed by wifes lover. Fifth image of satirical moral series on aristocratic marriage arranged for money.

Adriaen van Ostade / 'Peasants in an Interior', 1661, Oil on copper, 37 x 47 cm. Museum: Rijksmuseum, Amsterdam, NETHERLANDS.

The 1916 caption reads: "Nicolaes Maas 1632-1693. Dutch School. The Idle Servant in National Gallery Signed and dated 1655 in bottom right-hand corner Painted in oil on wood 2ft 3.5 in h x 9 .25 in w."

The Piper (Shepherd Scene With Shawm Player. Shepherd scene with a schalmi player. Italian landscape with a sitting shepherd playing on a shepherd flute. Another man hits his arms around the means of a shepherd who holds a staff. In the background one Farm and a monumental classic building.

Michel-Ange Houasse. PINTOR FRANCES. 1680-1730. INTERIOR DE UNA ESCUELA.. PATRIMONIO NACIONAL.

The card players, Johannes Natus, 1660 painting The card players. Seated at a table at the foot of a stone staircase, two young men play a card game, a standing man watches, a dog is sleeping on the right. canvas. oil paint (paint) playing-cards

The Marriage of Tobias and Sarah, Jan Steen, (17th Century), England, London, Christie's Images

Interior with Merry Tischgesellschaft; 1625/30 Dirck Hals Dutch (1591 Haarlem -1656 Haarlem)

Francisco de Goya y Lucientes / 'Commerce', 1801-1805, Spanish School, Tempera on canvas, P02546. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Thomas Wijck (1617-1677), a Dutch bond room, 1631-1677

Michele Bellanti (1807-1883). Artista maltés. Escena doméstica en Constantinopla, 1848. Aguafuerte y gouache sobre papel. Museo Nacional de Bellas Artes. La Valeta. Malta.

Ramón Bayeu y Subías / 'Woman Drawing Water from a Well'. XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Edward Penny RA, 1714-1791, British, The Profligate Punished by Neglect, 1774. Oil on canvas.

Thomas Webster, 1800-1886, British, Ring O' Roses, ca. 1850. Oil on panel.

Szewski Monday; Koniuszko, Wac Aw Józef (1854-1900); 1881 (1881-00-00-1881-00-00);Baranowski, Ignacy (1879-1917) - collection, shoes, journeymen, reading, gift (provenance), newspapers, food, scissors, stoves, sitting characters, realism (style), genre scenes in the interior, stairs, tables, shoemaker, clocks

The Centurion Cornelius Rembrandt Harmensz van Rijn (1606-1669 Dutch) Oil On Canvas Wallace Collection, London, England

'Smoker'. Flanders. Dimensions: 20,5x27 cm. Museum: State Hermitage, St. Petersburg. Author: David Teniers II (circle of).

'Wandering Musician'. Holland, circa 1650. Dimensions: 50x42 cm. Museum: State Hermitage, St. Petersburg. Author: JOHANNES LINGELBACH.

Decadent Household, Steen, Jan

The night watch, by Januarius Zick (1730-1797), oil on canvas.

The ill child, Adolph Tidemand, 1851

Sealing the Letter, Chardin, Jean-Baptiste-Simeon, 1733.

Death of a king. Oil painting by E L Musso ().

This cultural painting of Dutch peasant life was painted by the Dutch Artist Pieter Aertsen. It is housed in the Rejkesmuseum in Amsterdam. The title is The Egg Dance. Pieter Aertsen has has packed hisEgg Dance, a work dating from 1552, full of double meanings. A joker is depicted on one of the wooden boards on the table, left, and on the other a goat jumping. These are cards in a Tarot set. In the sixteenth century everyone would have understood that these symbolised drunkenness and lust. The reel above the fireplace on the right is a sign of folly: in fact 'reeling' is still used today to

Tavern Scene. Dated: early 1660s. Dimensions: overall: 23.8 x 20.4 cm (9 3/8 x 8 1/16 in.) framed: 30.1 x 26.3 x 4.7 cm (11 7/8 x 10 3/8 x 1 7/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Adriaen van Ostade.

'Smoker'. Flanders, 1658. Dimensions: 56x71 cm. Museum: State Hermitage, St. Petersburg. Author: Gillis van Tilborch.

LA MULATA - SIGLO XVII - BARROCO ESPAÑOL. Author: Attributed to VELAZQUEZ. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Judith Leyster, man offering money to a young girl, 1631, oil on panel, Mauritshuis, The Hague

Chardin / Drawing Study / Painting, 1748

At the stage; Alchimowicz, Kazimierz (1840-1916); 1894 (1894-00-00-1894-00-00);Young Poland (Styl), Partage Plus, Studziński, Franciszek (1895-1967)-collection, Siberia (Russia), works of participants of the January Uprising (1863-1864), Polish history, January Uprising (1863-1864), January Uprising-repression , genre scenes in the interior, Munich School, Szyneleki, Purchase (provenance), Exile

LA COPA DE VINO-ROMA 1880. Author: SIMONETTI A. Location: GALERIA SAMMER. MADRID. SPAIN.

fine arts, Steen, Jan (1626 - 1679), painting, ""Young woman at a spinet"", National Gallery, London,

Interior with sewing woman, maid and playing boy, Hendrik Jan van Amerom, 1797, paper, watercolor (paint), ink, brush, h 312 mm × w 276 mm

'Home Concert'. Holland, 1623. Dimensions: 43x47 cm. Museum: State Hermitage, St. Petersburg. Author: DIRK HALS.

Samson and Delilah, Rembrandt, Harmensz van Rijn, .

Giuseppe Gambarini (1680-1725). Italian painter. The Needleworkers. Oil on canvas, c. 1720. National Museum of Ancient Art. Lisbon, Portugal.

Peasant's Joy (The Expulsion). Farfish. Farmers dislock with attachments, knives and sticks the rich city dwellers from their home. A man with a knife falls to the floor, a dog bites in his leg. On the left flight a woman with a child. See also the pendant.

CABALLERO LAVANDOSE LAS MANOS - SIGLO XVII. Location: PRIVATE COLLECTION. MADRID. SPAIN.

A surgeon who has extracted a tooth. Oil painting after David Teniers the younger.

Godfried Schalcken (Workshop of) / 'Judas's Betrayal', 1665-1670, Dutch School, Oil on canvas, 53 cm x 45 cm, P03652. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Sale of jewels. Daele, Casimir van den (1818-1880), painter

Wolfert's Will John Quidor (American, 1801-1881). Wolfert's Will, 1856. Oil on canvas, 26 3/4 x 33 7/8 in. (68 x 86 cm). American Art 1856

Delff, Willem Jacobsz, work name: Prince Fredrik Henrik of Orange, (1000 - 2003), graphics, leaf width 28.6 cm, leaf height 39.6 cm, image width 28.6 cm, image height 36 cm

A fortune-teller. Oil painting attributed to John Cawse.

The Painter's Studio James Digman Wingfield (1800-1872 British) Oil On Canvas Christie's Images, London, England

The World Upside Down, Jan Steen (1663) Jan Havickszoon Steen (c. 1626 buried February 3, 1679) was a Dutch genre painter of the 17th century (also known as the Dutch Golden Age). Psychological insight, sense of humour and abundance of colour are marks of his trade.

The Little Nurse. Henry Nelson O'Neil (1817-1880). Oil on panel. Signed and dated 1861. 51 x 40.5cm

Duke of Orleans and Son 1725, French School

The Poultryman. Dating: 1827. Measurements: h 99 cm × w 124 cm; d 7.7 cm. Museum: Rijksmuseum, Amsterdam. Author: Ignace Brice.

TENIERS II, David, 'the Younger' (1610-1690). Beer drinkers. Flemish art. Oil on canvas. ITALY. PIEDMONT. Turin. Galleria Sabauda (Sabauda Gallery).

fine arts, Waldmueller, Ferdinand Georg (1793 - 1865), painting, ""Hansel's erste Ausfahrt"" (Hansel's First Ride), Municipal Museum, Wiesbaden, Germany,

The Sick Woman, by Jan Steen, circa 1663-6, oil on canvas, Rijksmuseum, Amsterdam, Netherlands, Europe,

Scene from Lubbert Lubbertze, ennobled peasant, an imitation by M. van Breda of George Dandin by Molière , Jacobus Buys, 1761

Interior A Sultana taking Coffee in the Harem 1742-1743 Italy. Oil on canvas . Giovanni Antonio Guardi

Game of Backgammon, 1640s. David Teniers (Flemish, 1610-1690). Oil on wood, transferred to canvas; framed: 82 x 102 x 9 cm (32 5/16 x 40 3/16 x 3 9/16 in.); unframed: 59 x 80.6 cm (23 1/4 x 31 3/4 in.).

The Interior of an Atelier of a Woman Painter. Artist: Marie Victoire Lemoine (French, Paris 1754-1820 Paris). Dimensions: 45 7/8 x 35 in. (116.5 x 88.9 cm). Date: 1789.The most important exhibitions in eighteenth-century Paris were the Salons, in general held every other year, and open only to artists associated with the Académie Royale de Peinture et de Sculpture. After the French Revolution the Académie was abolished, and meanwhile the Salon of 1791 was open to all contenders. This canvas, which is dated 1789, is by Marie Victoire Lemoine, one of many women artists who later emerged into public view. It is identified quite certainly with a painting she exhibited in 1796, and accordingly the title is drawn from the hand list for the exhibition. Museum: Metropolitan Museum of Art, New York, USA. Author: Marie Victoire Lemoine.

Genre Scene in an Inn (Backgammon Game) unknown

Jean Alaux / 'Ingres' Studio in Rome', 1818, Oil on canvas, 55.5 x 46 cm. Museum: Musée Ingres, MONTAUBAN, France.

Milton visiting Galileo when a prisoner of the Inquisition, Hart, Solomon Alexander (1806-1881)

The Distraint, Schwingen, Peter, 1846.

The five senses, The face, Jan Miense Molenaer, 1637

A woman by the window; Ostade, Adriaen Van (1610-1685); XVII century (1600-00-00-1699-00-00);The Krasińskie Ordination Library (Warsaw - 1844-1944) - collection, women, Dutch painting, genre painting

The Messenger, known as 'The Unwelcome Message', Gerard ter Borch, 1653

'Wandering Musician'. Holland, 1690s. Dimensions: 139x99 cm. Museum: State Hermitage, St. Petersburg. Author: Arent de Gelder ( ).

Trip to the attic; Ryckhals, François (post 1600-1647); 1637 (1637-00-00-1637-00-00);Dutch painting, figural scenes, genre scenes

Louis-Leopold Boilly, oil on canvas, 1786, 1761-1845, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 40x33

Advice to a Young Artist by Honoré Daumier c1865 68 Painting; oil on canvas; overall: 41.3 x 33 cm (16 1/4 x 13 in.) framed: 65.7 x 57.5 cm (25 7/8 x 22 5/8 in.);

Jean-Baptiste Mallet, Young French Marquise in Exile in Lausanne, French, 1759-1835, 1789, gouache on wove paper

At home by Alexei Ivanovich Korzukhin, Oil on canvas, 1870, 1835-1894, Russia, Moscow, State Tretyakov Gallery, 63x88, 7

Musical Company. This curious painting refuses to divulge its secrets. The image can be interpreted as an admonition to praise God with singing and music-making, but also as a risqué scene of seduction. The young womans gaudy garments and red shoes are in questionable taste, and the old woman looks suspiciously like a procuress. Perhaps the painting contains a warning against immoral conduct.

David Teniers / 'The Guard', 1640-1650, Flemish School, Oil on copper, 67 cm x 52 cm, P01812. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DAVID TENIERS THE YOUNGER.

JUEGOS DE NINOS. Author: FRANCISCO DE GOYA (1746-1828). Location: FUNDACION SANTAMARCA. MADRID. SPAIN.

'Sibyl of Samos'. Italy, 17th century. Dimensions: 115,5x95 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist. 17th century. Guercino (Giovanni Francesco Barbieri) (after).

Giuseppe Crespi (1665Ð 1747), nicknamed Lo Spagnuolo. Italian late Baroque painter of the Bolognese School. Searching for Fleas. 1715/20. Oil on canvas. Museum of Louvre. Paris.

A scholar in his Study. Painting. Oil on canvas. Height: 335 mm (13.18 in); Width: 310 mm (12.20 in). Author: Thomas Wyck.

The Reading Lesson. Francois Montauban van Swijndregt (1784-1865). Oil on panel. Dated 1837. 61 x 50cm.

of 3