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Interior Scenes with Figures

Intimate prints capturing human figures in domestic settings, focusing on reading, contemplation, and daily life. The atmospheres are soft and engaging.

Scenes of conjugal life, by Carlo Gripp.
Scenes of conjugal life, by Carlo Gripp.
338 assets in this story
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Georg IV., King of England.
4443-5948
THE COMPLIMENTS OF THE SEASON, 1871
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Original drawing for 'Maîtres de l'Affiche,' 1899, by Théophile Alexandre Steinlen (1859-1923), published by Imprimerie Chaix in Paris. Lithographs with a blind stamp in the bottom right corner of each page, modeled on the first drawing in Volume 1
6145-30296024
Mlle Théo, en Marchande de Parfums, dans la Grande Kermesse, Mlle, Theo, perfume dealer at the large fair , benefit event in favor of the flood victims of Szeged L´Ilustration, Journal Universel, After, Hippolyte Pauquet -, Drawer, Henri Thiriat, Xylographer
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1st French Empire. Meeting between Emperor Napoleon I and Empress consort Josephine. Engraving, 19th century. Author: Coppin.
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Countess of Paris and Princess Metternich, Carl von Stur -, caricaturist
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Title print for the series: the four times of day. A lady stands in the doorway of her house, on a platform with statue of a sphinx. In front of her is a kitchen maid with a bucket on her arm, being sent to market. Below the print a four-line verse in Dutch, De Morgen / Le Matin Die Manieren und das Leben derer Holländers, des Morgens, Middag, Nachmiddags und Abends (series title) The four times of day (series title), print maker: Pieter van den Berge, (mentioned on object), intermediary draughtsman: Pieter van den Berge, (mentioned on object), printer: Theodorus Danckerts (I), (mentioned on object), Amsterdam, 1702 - 1726, paper, etching, engraving, h 260 mm × w 170 mm
4409-65839
Gentlemen of Rome, 1510, from a fresco by Raphael, one kneeling in green and red striped skirt and bodice, black collar, sleeves and hat.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.
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Si n'était (sic) les tapis, bien des gens - compterient sans leur hôtesse ,. Paul Gavarni (1804-1866). Lithographs and Other Works
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God made the man in his image Pierre Numa Bassaget, says Numa (1802 -1872). Press cartoon. "God made the man to his image". Board published in "caricature" of April 12, 1832. Lithography. Paris, House of Balzac.
4409-17585875
What Shall We Do Next. Winslow Homer (American, 1836-1910); published by Harper's Bazar (American, founded 1867). Date: 1869. Dimensions: 231 x 348 mm (image); 281 x 410 mm (sheet). Wood engraving on paper. Origin: United States. Museum: The Chicago Art Institute, USA.
4443-21200959
Francisco de Goya (Spanish, 1746-1828). Hilan delgado. (They spin finely.), 1796-1797. From Los Caprichos, no. 44. Etching, aquatint, drypoint, and burin. Plate: 214 mm x 150 mm (8.43 in. x 5.91 in.). Second state.
6145-52339722
She did not mind death, but she could not stand pinching.. Rackham, Arthur (1867-1939). Illustrations. 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Spouses, Confrontations, Anger
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A Voice from the Cliff. Winslow Homer (American, 1836-1910). Wood engraving;
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'Cries of London' Plate 4: 'Do you want any Matches', Anthony Cardon, 1772-1813, Flemish, after Francis Wheatley, 1747-1801, British, 1794, Colored engraving with stipple, DON'T USE: 16 x 12in. (40.6 x 30.5cm)
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Rencontre de la payse. Dated: 1844. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
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Engraving depicting an example of wicker furniture
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Ranavalona III (1861 - 1917) last sovereign of the Kingdom of Madagascar. She ruled from July 30, 1883 to February 28, 1897 in a reign marked by ultimately futile efforts to resist the colonial designs of the government of France. Ranavalona tried to stave off colonization by strengthening trade and diplomatic relations with foreign powers throughout her reign.
6145-59001271
Janet-Langge (1815-1872) and Philibert Langlois. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Euphrasia and sleeping asleep at the feet of Raphaël and Emile". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work
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Une Baronne débaronnée. Honoré Daumier (France, Marseilles, 1808-1879). France, 1858. Prints; lithographs. Lithograph
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Going to the Park. Sir John Everett Millais; English, 1829-1896. Date: 1872. Dimensions: 185 × 131 mm (plate); 359 × 251 mm (sheet). Etching on cream chine, laid down on ivory wove paper (chine collé). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.
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Our Watering Places - The Empty Sleeve at Newport, 1865. Winslow Homer (American, 1836-1910). Wood engraving;
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. Engraving in black on ivory laid paper . Louis Surugue
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This is the house that Jack built.. Caldecott, Randolph (1846-1886). Illustrations. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Doors & doorways, Stone cutting, Chisels & mallets, Etiquette, Mothers & children
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The badinguette
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Sketch to illustrate "Not Honourably Discharged", 1904. William Leroy Jacobs (American, 1869-1917). Watercolor;
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'The 3 Customers', 1878, (c1918). Creator: Randolph Caldecott.
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Mr & Mrs E F Bunnell 1841 France. Cut paper silhouette . Auguste Edouart
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Fireguard. George du Maurier cartoon from Punch, London, 1888.
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Jacob Hogg, active 1751, British, The Hand Maid, 1785. Stipple engraving, colored.
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The Mask, Luigi Schiavonetti, 1765-1810, Italian, after Sir Joshua Reynolds RA, 1723-1792, British, 1790, Color printed etching and stipple engraving with hand coloring in watercolor on moderatley thick, slightly textured, cream wove paper, Sheet: 10 3/16 × 12 9/16 inches (25.9 × 31.9 cm), Plate: 9 1/16 × 10 3/8 inches (23 × 26.4 cm), and Image: 7 5/16 × 9 1/8 inches (18.6 × 23.2 cm)
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Walery Eljasz-Radzikowski (1841-1905), "He proud of the swordfish and sight he led Hardy ..."-illustration IV from the cycle to "Maria" by Antoni Malczewski (a watercolor reproduction); Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);
6145-29201790
The School Mistress 1747 Bernard Lepicié. The School Mistress. Bernard Lepicié (French, Paris 1698-1755 Paris). 1747. Engraving; first state of three. Louis Surugue (French, Paris ca. 1686-1762 Grand Vaux). Prints
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Father Abraham 1865 Jean Leon Gerome Ferris (1863 -1930 American)
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Elles ,. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings
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Charles Green, 1840-1898, British, The Visiting Card - Langham Sketching Club Subject, undated. Graphite, watercolor, white gouache, pen and brown ink on thick, smooth, white wove paper.
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A room is full of broken furniture and a young couple are arguing. Aquatint.
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A woman near a rock. She seems busy trying to capture the contours of the formation, Woman by a Rock Title page for: M. Stuart, Man, such as he appears on the known globe, 1803, print maker: Ludwig Gottlieb Portman, intermediary draughtsman: Jacques Kuyper, publisher: Johannes Allart, (mentioned on object), Amsterdam, 1803, paper, h 250 mm × w 162 mm