Intimate Domestic Scenes

Artworks focusing on personal moments, including women reading letters and relaxed figures in home settings, showcasing soft colors and a sense of tranquility.

Edgar Degas; French; 1834-1917; At the Milliner's; 1882; Pastel on pale gray wove paper.

Saints Boris and Gleb by Elena Dmitryevna Polenova, Oil on canvas, circa 1896, 1850-1898, Russia, St. Petersburg, State Russian Museum, 103x142,5

Woman Reading a Letter. Dating: c. 1663. Measurements: h 46.5 cm × w 39 cm × d 6.5 cm; h 70 cm × w 63 cm. Museum: Rijksmuseum, Amsterdam. Author: JOHANNES VERMEER.

Edgar Degas; French; 1834-1917; At the Milliner's; 1882; Pastel on pale gray wove paper.

The interrupted game, by Adriano Cecioni (1836-1886), painting.

Mossen Cinto leyendo. Author: RAMON CASAS.

This painting, titled The Print Collector, was done by the French classicist painter Jean-Louis-Ernest Meissonier (1815-1891). Meissonier is well known for his works that show Napoleon and his armies. Meissonier painted with such extreme care that th eminuteness of many of his pictures detracts in no measure from their effectiveness, but rather adds to it. It was said that he invented photography before photography was invented. From critical standpoint, his pictures lack vibrating life and softness of touch. Their microscopic exactitude results in a certain hardness that, added to their arid

An Artist in His Studio, John Singer Sargent, 1904, Museum of Fine Arts, Boston, Mass, USA, North America

fine arts, Spitzweg, Carl (1808 - 1885), painting, ""Der arme Poet"" (The Poor Poet), oil on canvas, 36 cm x 45 cm, 1839, Neue Pinakothek, Munich,

Milliners, c.1901, by Albert Marquet (1875 - 1947), French painter, associated with the Fauvist movement. Oil on canvas

Justice of the Peace by Zoshchenko, Mikhail Ivanovich (1857-1907) / State Tretyakov Gallery, Moscow / Russian Painting of 19th cen. / 1888 / Russia / Oil on canvas / Genre / 78x109

Claude Monet (b. 14 November 1840 in Paris as Oscar-Claude Monet, d. 5 December 1926) important French painter, Impressionist style. Here his work, Interior, after Dinner (1868-1869), Interior, after Dinner (1868-1869), A dark, cosy interior with people around an illuminated table

F.Bazille, L'atelier de Bazille, Detail

Sergei Dyagilev by Boris Michaylovich Kustodiev, Oil on canvas, 1910 Russian End of 19th - Early 20th cen. Russia, 1878-1927, Russia, St. Petersburg, tate Russian Museum,

Gitana, 1901. 101x81 cm. Colección paticular. Author: ISIDRE NONELL I MONTURIOL.

Comedy of Society; Comedie de Societe. Jacques Villon (1875-1963). Etching with aquatint. Signed and dated 1902. 50 x 41.8cm. Edition 38/50.

Charles BAUDELAIRE, 1821-67 French poet , reading, from L'atelier du peintre (the artist's studio)

The painter Alfred William Finch, James Ensor, 1880, painting, circa 1880s, Belgian Art

Harold Gilman, 1876-1919, British, Sylvia Darning, 1917. Oil on canvas.

James Jacques Joseph Tissot (French, 1836 - 1902), Hide and Seek, c. 1877, oil on wood

The intimate World by Yuon, Konstantin Fyodorovich (1875-1958) / State Open-air Museum of History, Architecture and Art, Pskov / Russian Painting, End of 19th - Early 20th cen. / 1910 / Russia / Watercolour and white colour on paper / Still Life / 36x96

FIGURA COSIENDO EN LA COCINA-1960-47X63-OELO/PAPEL. Author: GRAU SANTOS JULIAN 1937-. Location: FUNDACION MAPFRE VIDA, MADRID, SPAIN.

After the duel, 1872, by Antonio Mancini (1852-1930), oil on canvas.

Writer at work by Viktor Bogdanovich Aden, oil on canvas, 1908, 1880-1942, Ukraine, Berdyansk, Regional Art Museum, 204x243

Blatti, L.A. (First H. of 20th) State M. Ciurlionis Art Museum, Kaunas Early 20th cen. 66x80,5 Oil on playwood Modern Germany

'Paul Alexis Reading a Manuscript to Emile Zola', 1869-1870, Oil on canvas, 130 x 160 cm. Author: PAUL CEZANNE. Location: MUSEO DE ARTE DE SAO PAULO ASSIS CHATEAUBRIAND. SAO PAULO. BRASILIEN.

Reconcilable Differences. Henri-Adolphe Laissement (1854-1921). Oil on canvas. 89 x 117cm

Women on a Cafe Terrace in the Evening, Femmes a la terrasse d'un cafe le soir, by Edgar Degas, 1877, Musee D'Orsay Art Gallery, Paris, France, Europe

A Writer Trimming his Pen, Jan Ekels, II, 1784

The Artist's Studio. Dated: c. 1868. Dimensions: overall: 61.8 x 40 cm (24 5/16 x 15 3/4 in.) framed: 78.4 x 56.5 cm (30 7/8 x 22 1/4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

La Loge by Pierre Bonnard, Oil on canvas, 1908, 1867-1947, France, Paris, Musee d'Orsay

M. Henry Nocq, Toulouse-Lautrec, Henri de, 1897

'An Artist showing his Work', c1850, (1912).Artist: Jean Louis Ernest Meissonier

Maxime Dethomas oil on cardboard; 1896 Henri De Toulouse-Lautrec; French; 1864 - 1901

Luncheon in the Studio, Manet, Edouard, 1868.

Yeats at Petitpas 1910 John Sloan Painting; oil on canvas; overall: 66.2 × 81.28 cm (26 1/16 × 32 in.) framed: 80.96 × 96.36 × 6.51 cm (31 7/8 × 37 15/16 × 2 9/16 in.);

Paintings by James Abbott McNeill Whistler * July 11, 1834 in Lowell, Massachusetts July 17, 1903 in Chelsea, London, American painter, portrait of the artist's mother, historical, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Harmony in Green and Rose: The Music Room. Date/Period: From 1860 until 1861. Painting. Oil on canvas. Height: 96.3 cm (37.9 in); Width: 71.7 cm (28.2 in). Author: JAMES ABBOTT MCNEILL WHISTLER.

'Corner of a Café-Concert', c. 1878-1880, Oil on canvas, 77,5 x 97,1 cm. Author: EDUARD MANET (1832-1883). Location: NATIONAL GALLERY. LONDON. ENGLAND.

Edouard Manet / In the Cafe / 1878

Henriette Browne, The Sisters of Mercy, detail, 1859 ,oil on canvas, Hamburger Kunsthalle, Hamburgo.

France, Paris, Edouard Manet's Le déjeuner sur l'herbe, 1863, in Musée d'Orsay

Studio Interior. Date/Period: Ca. 1883. Painting. Oil on canvas. Height: 725 mm (28.54 in); Width: 925 mm (36.41 in). Author: Ramon Casas i Carbó.

The caption for this image reads: The consul and his party were making merry. Omoo or A Narrative of Adventures in the South Seas, is a novel by the American novelist Herman Melville. Published in 1847, it was a sequel to Melvilles novel Typee. Based on his own experiences in the South Pacific, this episodic novel, in a more comical vein than that of Typee, tells of the narrators participation in a mutiny on a whale ship and his subsequent wanderings in Tahiti with the ships former doctor, Long Ghost. Herman Melville (1819-1891) was an American novelist, short story writer, and poet of

The Organ Rehearsal, by Henry Lerolle, 1885, French painting, oil on canvas. Singer in the choir loft of the church of Saint-François-Xavier in Paris is precisely rendered. The artist includes his self-portrait (2nd from left); his sister; brother-in-law, composer Ernest Chausson, at the organ; and his bareheaded wife (BSLOC_2017_9_70)

Masquerade, Somov, Konstantin Andreyevich (1869-1939)

The Cemetery or the Office', 1980, by Jean-Marie Poumeyrol (born 1946); French artist whose work consisted of erotica and hallucinogenic art and landscapes as well. He is an exponent of the fantastic realism movement. A lock is a hydraulic structure located in a canal or a watercourse to make it navigable

Copying in the Louvre. oil on canvas. Date: (1900-1902). Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

Two Men. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 10 5/8 x 8 1/8 in. (27 x 20.6 cm). Date: ca. 1865-69.Degas often depicted individuals off-guard in their own environment in order to reveal characteristic gestures and poses that convey a sense of the sitter's personality or identity. The setting of this informal scene may be an artist's studio. The man on the right is possibly the painter Émile Lévy, who was a student at the French Academy in Rome when Degas met him in the late 1850s. No name has been proposed for the man on the left. Museum: Metropolitan Museum of Art, New York, USA.

PIÑOLE , NICANOR. PINTOR ESPAÑOL. GIJON 1880 - 1979. ARTE SIGLO XX. ESPAÑA. " CASAMIENTO IN ARTICULO MORTIS " AÑO 1904. MUSEO DE BELLAS ARTES DE OVIEDO.

Norway, Oslo, At the table in a cafe

Man Winding Yarn, Gogh, Vincent, van (1853-1890)

School of Painting, 1871, by Giacomo Favretto (1849-1887), oil on canvas, 52x62 cm.

'Madeleine', 1892, Oil on canvas, 117 x 90 cm. Author: RAMON CASAS Y CARBO (1866-1932). Location: MONASTERIO DE STA MARIA DE MONTSERRAT-MUSEO. MONTSERRAT. Barcelona. SPAIN. Madeleine. BOISGUILLAUME MADELEINE.

A Lady of the Manor by Makovsky, Konstantin Yegorovich (1839-1915)/ Regional Art Museum, Sumy/ 1886/ Russia/ Oil on canvas/ Realism/ 83x63/ Genre

A study in grey, 1870, by Santo Bertelli (1840-1892), oil on canvas.

LA COCINA O EL LABORATORIO DEL MOULIN DE LA GALETTE-. Author: SANTIAGO RUSIÑOL (1861-1931). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Ensor in front of his easel, James Ensor, 1890, painting, circa 1890, Belgian Art

Great expectations/1894. Museum: NORTHAMPTON ART GALLERY / NORTHAMPTO / G. BRETAÑA. Author: ERIC FORBES ROBERTSON.

The Ten Cent Breakfast. Date/Period: 1887. Painting. Oil on canvas. Height: 374.65 mm (14.75 in); Width: 546.10 mm (21.50 in). Author: Willard Metcalf.

Le dejeuner dans l'atelier, edouard manet

Young flute player / Boy playing the flute. Date/Period: Early 1630s. Painting. Oil on canvas. Height: 73 cm (28.7 in); Width: 62 cm (24.4 in). Author: Judith Leyster.

fine arts, Manet, Edouard, (1832 -1883), painting, ""Le dejeuner dans l` atelier"", (""breakfast at the studio""), 1868, oil on canvas, 118 cm x 154 cm, New Pinakothek, Munich,

Oboznenko, Dmitri Georgievich (1930-2002) A. Pushkin Memorial Museum, St. Petersburg 1998 165x132 Oil on canvas Modern Russia

Le dÄpart de l'enfant prodigue (the return of the prodigal son), 1880

Joaquin Sorolla/ Types of Salamanca, Oil, 1912.

By candlelight. Krzyżanowski, Konrad (1872-1922), painter

Joaquim Mir/ Inside, oil on canvas. Museum: Museo Abelló, Sant Vicenç de Mollet, Barcelona.

Man Reading The Newspaper (Diptych); Hombre Leyendo El Periodico (Diptych). Fernando Davila (b.1953). Oil on canvas. Signed and dated 1983. 168 x 223cm.

'La partie de baccara (Le baccara)', 1950, Oil on canvas, 38 x 46 cm. Author: RAOUL DUFY (1877-1953). Location: MUSEO DE ARTE MODERNO DE LA VILLA DE PARIS. France.

Self Portrait With Wife Mary as Model 1902 Franz von Stuck (1863-1928 German) Private collection

An examination in a country school by Nesterov, Mikhail Vasilyevich (1862-1942)/ State Tretyakov Gallery, Moscow/ 1884/ Russia/ Oil on canvas/ Symbolism/ 41,5x60/ Genre

Andrew Wyeth (1917-2009). American painter. Albert's Son, 1959. National Gallery. Oslo. Norway.

Entre dues llums. Colección particular. Author: FELIU MESTRES.

The Artist's Studio, 1869. By Jozef Cornelius Correns

Sonntagnachmittag, woodcut from the yearbook Moderne Kunst in Meisterholzschnitten, Modern Art in Master Woodcuts, 1900

Ferdinand Huyck writes the initials of Henriëtte Blak on the window. Design for a print.

Return from the Christening Jean Georges Vibert (1840-1904/French) Oil on wood panel The Cummer Museum of Art and Gardens, Jacksonville, Florida

On the Stairs. John Koch (1909-1978). Oil on canvas. 31.7 x 24.2cm.

Seated od woman. 1st half 20th c. Artist's legacy. Oil on canvas. SPAIN. ANDALUSIA. Càdiz. Museo de Càdiz.

With a Friend and a Samovar, in Peterhof by Ivan Abramovich Klukvin, oil on canvas, 1837, (1818-1860), Russia, Tver, Tver Regional Art Gallery

DE NITTIS, Giuseppe (1846-1884). Horse Races in the Bois de Boulogne. 1881. Central panel. Impressionism. Pastel. ITALY. LAZIO. Rome. Galleria Nazionale d'Arte Moderna (National Gallery of Modern Art).

Griensteidl Cafe in Vienna, 1896, by Reinhold Volkel, Austria 19th Century. Watercolour.

At the Station', c1870-1900. Artist: Giuseppe Ricci. Giuseppe Ricci was an Italian painter, often painting indoor genre themes.

Portrait de Leon Frederic, standing half length at His Easel. Leon Henri Marie Frederic (1865-1940). Oil on canvas. Dated 1900. 120 x 90cm.

Olof Sager-Nelson (1868-1896). Swedish painter. Foster-Brothers, 1894. National Museum. Stockholm. Sweden.

fine arts, Kersting, Georg Friedrich, (1785 - 1847), painting, ""Caspar David Friedrich in seinem Atelier"", (""Caspar David Friedrich in his studio""), 1811, oil on canvasm, 54 cm x 42 cm, hall of arts, Mannheim,

Harmony in Purple and Gold: Golden Screen, 1864. James Abbott McNeill Whistler (1834-1903) American-born artist. European woman in kimono seated on floor, folding screen in background, looking at Japanese woodblock prints.

'Self Portrait', 1909, (1926). Artist: Henry Tonks

The North-West Passage, detail, John Everett Millais, 1874,

Vanity Fair - Americans. 'Barnum'. Mr. P.T. Barnum. 16 November 1889, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1889, Chromolithograph

The battle painter Juergen Sonne (1801-1890) in his studio, painting by Ditlev Blunck, Historical, digitally restored reproduction of a historical work of art

Caprice in Purple and Gold, The Golden Screen', by James Abbott McNeill Whistler, 1864. From the collection of the Freer Gallery of Art, Washington, DC, U.S.A.

Austria, 20th century. Vienna. Caf_ Interior. Watercolour

Portrait de Kerr-Xavier Roussel by Édouard Vuillard (1868-1940). Glue painting on canvas, 1933. Vuillard was a French painter and printmaker who was associated with the Nabis.

"Municipal guards", 1984, oil on canvas (46 x 33 cm). Museu del Modernisme Català. Author: RAMON CASAS.

Anonymous. Portrait of François Vincent Raspail (1794-1878), chemist and politician, on his deathbed. Oil on canvas. 1873-1883. Paris, Carnavalet museum. 76083-31 Corpse, chemist, tricolor scarf, French politician, deathbed, portrait, oil on canvas

Evening by Lamplight, Evening under the lamp, Soiree Sous La Lampe, Pierre Bonnard, 1921,

Sandor Gestelner / 'The Grandfather's Lesson'. 1893. Oil on canvas. Museum: Museo del Prado, Madrid, España.

This painting, titled A Fisherman, was done by the Swedish artist Anders Zorn (1860-1920) painted this work in St. Ives, in Cornwall, England. Born in Sweden, he traveled and then settled in England in 1885 and set up a studio. He studied river scenes in England and waves effects in Sweden, and in the latter study he gave proof of his capacity for solving technical problems and of translating his mastery into the work of his brush. He was able to transfer the sea to his canvas with that fresh, destrous touch that is characteristic of his work.

Going to Market, Brittany by Laval, Charles (1862-1894) / Indianapolis Museum of Art / Postimpressionism / 1888 / France / Oil on canvas / Genre /

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