Intricate Ornamental Designs

A collection of detailed prints showcasing various ornamental patterns, including floral designs and allegorical figures for architectural embellishments.

Seven motives, c. 1690 - c. 1700 print At the top you can see two rectangular panels. Among other things, two wreaths of leaves and flowers. Leaf from the second series of 6 blades with examples of ornaments for silversmiths. Amsterdam paper engraving ornament derived from plant forms

Plan of garden with two rectangular floores; Nouveux Liure de Greteres. The floorres have cut corners. Leaf from series designs for gardens with floorres.

Trumeaus puts Mercurius, who came to putti, Jean Berain (Le Vieux), 1670 - 1678 print Various trums consisting of panels and ornamental strips. Left panels with mercury, donkeys, two putti and tifles. In the middle panels with a crowned weapon with Fleurs-de-Lis, roosters, birds, a smoking vessel, a Mercury head, masks and ranks. On the right panels with venus, swans, a putto, dolphins and ranks. Left and right of the panels ornamental strips. paper engraving architectural detail. (story of) Mercury (Hermes). (story of) Venus (Aphrodite). cupids: 'amores', 'amoretti', 'putti' Louvre Museum

Designs of curling vegetal shapes, some set into borders or roundels. Prints. 1696. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Arabesques

Cartouche with text of bias between two saters in rolling; Bias Priamus / Malo Inter Inimicos / Iudicare Quae AMI / COS.; Flat decorations: cartouches with quotes from philosophers in a picture frame, grotesken, figures, garlands and trophies. At the bottom left and bottom right is a Sater that blows on a bazard. Belongs to series of 6 sheets.

Eight motifs with leaf raft, flowers and animals; Ornaments for silversmiths. Left and bottom right one around figure. Leaf from third series of 6 sheets with examples of ornaments for silversmiths.

Three balconies; Balcon's Style Louis XIV .. Balconies in the style of Louis XIV. Top left is listed: MOTIFS DECORATION, top right: Sculpture, Bottom right: 12 D.

Print, Designs for Ornament; Designed by Briceau (French, 16..-17..); France; engraving on laid paper

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (7) ca. 1600-1617 Theodor Bang German Frieze made up out of two parts. The upper tier is a narrow horizontal frieze with a symmetrical decorative pattern made up out meandering stylized vegetal rinceaux. Below is a wider field with rinceaux running along the upper border and two sides. In the middle is a motif with two flowers and simple strapwork. On either side of this motif, a bird is placed on a seperate rinceau. The birds are turned away from each other, but are looking back to meet each others gaze over their wings.. Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (7) 406539

Late gothic binding of a bible printed in 1472 and ornament of a Gothic communion cup.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Book covers, Bibles

Seven motives, c. 1690 - c. 1700 print At the top you can see two rectangular panels. Among other things, two wreaths of leaves and flowers. Leaf from the second series of 6 blades with examples of ornaments for silversmiths. Amsterdam paper engraving ornament derived from plant forms

Plan of garden with two rectangular parterres, Anonymous, After Daniël Marot (I), After 1703 - Before 1800 print The parterres have cut corners. Leaf from series designs for gardens with parterres. paper etching lay-out of garden

Designs for, among other things, six small rank ornaments and buckles. From series consisting of a title page and 9 sheets.

Print (France)

Print (France)

Decorative design, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush

Ornament sheet with grotesken, mythological figures, masks, putti and leaf vines in a frame

Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 4v) 1532 Peter Quentel German Published by Peter Guentel, Cologne.The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs.. Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 4v) 681446

Ornament print with a winged figure and masks on a wall, c. 1875 - c. 1900 photograph. photomontage cardboard. photographic support albumen print other fantasy ornament. ornament derived from architectural details. mask, mascaron ~ ornament. ornament ~ hybrid animals. fabulous beings with wings

Ornament Designs Invented by J. Berain. Artist: Portrait of J. Berain designed by Joseph Vivien (French, Lyon before 1657-1734 Bonn). Artist and publisher: Jean Berain (French, Saint-Mihiel 1640-1711 Paris). Dedicatee: Jules Hardouin Mansart (French, Paris 1646-1708 Marly). Dimensions: Overall: 20 5/16 x 16 x 1 3/4 in. (51.6 x 40.6 x 4.5 cm). Engraver: M. Daigremont (French, active ca.1670-1700); Gérard Jean-Baptiste Scotin (French, Paris 1698-after 1755); Pierre Giffart (French, about 1637-1723); Juan Dolivar (Spanish, Zaragoza 1641-1692 Paris); Jean Le Pautre (French, Paris 1618-1682 Paris); Daniel Marot the Elder (French, Paris 1661-1752 The Hague); Jean Mariette (French, Saint Benoît 1660-1742 Paris); François Chauveau (French, Paris 1613-1676 Paris); François Le Moyne (French, Paris 1688-1737 Paris); Portrait of J. Berain engraved by Claude Duflos (French, Coucy-le-Chteau 1665-1727 Paris). Publisher: Jacques III Thuret (1669-1738). Date: 1711 or after.These designs by the archit

Print (England)

Bound Print, Panel Design of Grotesque Ornamentation; Designed by Jean Bérain the Elder (French, 1640-1711); Print Maker: Juan Dolívar (Spanish, active in France, 1641-1692); Published by Jacques Thuret (French, 1669-1738); France; engraving

Paris, Thuret, Jacques (III), France, Berain, Jean (le Vieux), Scotin, Gérard Jean Baptiste (I), Designs for gates and railings of wrought iron, Gate with corner pilaster, Halfway along the corner pilaster is located a lion's head. Fragment of sheet 1 from a series of 5 sheets. Second edition., print, ornamental print, prints, ornamental prints, height 316 mm, width 95 mm, French, 1671-12-24 - 1716-02-01, print maker, printmaker, 1711 - 1716, first quarter 18th century, paper, etching, etchings, Work conception, 1640-06-04 - 1711-01-25, after a design by, Publication (Event), Publication, 1669 - 1738, publisher

Two fencing, Johann Thomas Hauer, 1781 print Two designs for wrought iron fencing with garlands and leaf motifs. The lower fencing with the Sacred Heart surrounded by rays and grape bunches. Paris paper etching fence, wall, paling

Composition with Dancing Narren, Anonymous, After Jean Berain (Le Vieux), 1686 - 1724 print A decorative composition with braid and three trees. Three fools dance on a stage under the middle tree. Left and right leads a stairs down to a balustrade with an image of Bacchus and Apollo. Musicians are among the balustrades. In the middle of various fantasy animals and figures. In the middle of no 5. Augsburg paper etching frequently used ornamental compositions. group dancing. court jester, court fool

Grand Parterre du Jardin de la Royne mere a Luxembourg, in Traité du Jardinage selon les Raisons de la Nature et de l'Art. Artist: Possibly by Michel van Lochom (Flemish, Antwerp 1601-1647 Paris). Author: Written by Jacques Boyceau (French, active 1602-ca. 1633). Dimensions: Book: 16 15/16 × 11 7/16 × 1 1/2 in. (43 × 29 × 3.8 cm)Sheet (unfolded): 30 11/16 × 22 5/8 in. (78 × 57.5 cm)Plate: 30 1/4 × 21 7/8 in. (76.8 × 55.5 cm). Published in: Paris. Publisher: Michel van Lochom (Flemish, Antwerp 1601-1647 Paris). Date: 1638.Jacques Boyceau de la Baraudière's Traité du jardinage selon les raisons de la nature et de l'art, published in Paris in 1638, was the most important publication on the subject of garden architecture in the period prior to André Mollet's 1651 treatise. The title explains the content of the book, which combines practical information with aesthetic insight. It was through the dissemination of such print works that the latest French garden-artistic principles and new p

Four panels with arabesken, Charles Pierre Joseph Normand, 1803 print Four panels with arabesks. Upstairs: With two half -figures on either side of medallion with a running woman and a smoking vessel. Left center: with father time and an ellips shape with a standing woman with bowls in her hands. Right in the middle: with a sitting figure and three standing figures with a flower basket. Below: with two sitting figures with torches on either side of a vase. Paris paper engraving ornament ~ arabesque

Graphite drawing with labeling by Francesco Borromini showing a lattice design for the side window of Cappella Barberini in San Carlo alle Quattro Fontane, Rome, on fine paper, 1640-1641.

Unknown architect, bronze door for a museum. Monthly competition November 1880 (11,1880): View (corner section); Scale bar. Pencil on cardboard, 64.6 x 43 cm (including scan edges) N.N. : Bronzetür für ein Museum. Monatskonkurrenz November 1880

Wilkinson Tracing, Designs for ornament, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Arabic with putti and agricultural attributes, Jean Baptiste Fay, 1784 - 1796 print Two vertical panels with arabesks. Left with ceres, blowjob, ears, a putto, horns of abundance, scythe, rake and sickles. Right with birds, ears, a putto, shepherd rods, threshing flles and a basket with flowers. Paris paper etching / engraving ornament ~ arabesque. cupids: 'amores', 'amoretti', 'putti'. agricultural implements

Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 4v). Dimensions: Overall: 5 11/16 x 8 1/16 in. (14.5 x 20.5 cm). Publisher: Peter Quentel (German, active Cologne, 1518-46) , Cologne. Date: 1532.Published by Peter Guentel, Cologne.The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs. Museum: Metropolitan Museum of Art, New York, USA.

Ornamented Metal Hinge from Watch Tower, Frankfurt am Main. Artist: Anonymous, British, 19th century. Dimensions: sheet: 7 1/16 x 11 5/8 in. (18 x 29.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Leaf and flower motifs and braid, Jean Baptiste Echantillon, 1784 - 1785 print Six vertical strips of embroidery with leaf and floral motifs and braid. On the right two strips among each other. Lyon paper etching embroidery (ornamentation)

Decorated Cartel with Commerce Motifs, Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Jacques Chéreau, French, 1688-1776, Engraving on paper, Decorated Cartel with Commerce Motifs., France, 1748-1776, Print, Print

Lace maternity beater Image of a maternity beater (title on object), A lace maternity beater. Used around 1750 in Haarlem to hang on the door under the door knocker to soften the sound of the knocker and to indicate that a child was born in the house. Above left: Pl. VIII, lace, door-knocker, doorbell, anonymous, in or before 1776, paper, etching, h 191 mm × w 166 mm

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (9). Artist: Theodor Bang (German, active in Nuremberg (fl.1606)). Dimensions: Sheet: 2 15/16 x 8 11/16 in. (7.4 x 22 cm). Publisher: Balthasar Caymox (German, Bersse () 1561-1635 Nuremberg). Date: ca. 1600-1617.Frieze made up out of two horizontal borders. The lower border is four times as wide as the upper border which is decorated with a pattern of meandering vegetal rinceaux and flowers. The lower border has rinceaux and strapwork hanging from the upper edge with a large central motif in the middle. On either side, a hanging stylized flower calyx and a garland with fruit are visible. Museum: Metropolitan Museum of Art, New York, USA.

Connecticut-type Hadley Chest-Detail of Central Panel. Dated: c. 1936. Dimensions: overall: 54.5 x 71 cm (21 7/16 x 27 15/16 in.) Original IAD Object: 45 1/2"long; 19 1/4"wide; 39 1/2"high. Medium: pen and ink and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Martin Partyka.

Newes Modelbuch in Kupffer (Page 15r) 1604 Johann Sibmacher German Designed by Johann Sibmacher, German, active 1590-1611.2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.. Newes Modelbuch in Kupffer (Page 15r) 682051

Picture frames with medallions. Two picture frames with leaf motifs and six medallions with scenes with figures.

Design for Garden Parterres with Scroll Motifs and Boxwood Arbor, in 'Nouveaux Livre de Parterres,' in Oeuvres Du Sr. D. Marot..., The Hague: Chez Pierre Husson, c.1702, Daniel Marot, French, active in the Netherlands and England, 1661-1752, Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on cream laid paper, Symmetrical arrangement of parterres de broderie in four sections around a central fountain/parterre; each section consisting of a scroll pattern with leaf and floral motifs (broderie) in between; borders interspersed with urns and topiary. Along left side, boxwood tunnel., France, ca. 1702, architecture, Print, Print

Three ornamental motifs in rococco style. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 19 x 13 1/4 in. (48.2 x 33.7 cm). Date: 1889. Museum: Metropolitan Museum of Art, New York, USA.

Three knife lifting; Knife lifts with leaf refints, flowers and birds. The middle lift has been awarded a button.

Drawing (Italy); pen and brown ink with traces of graphite support: off-white wove paper

Four layouts of a flowerbed (parterre), fifth on top. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Freiberg, Dom. Moritz Monument (1595; H. Kleckke, H. Weber)

Wind instrument with three spouts; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Vase, panel with Mercury and an ornamental altar room; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Drawing, Design for a Motif off a Woven or Embroidery Fabric; France; graphite, compass, brush and yellow watercolor, brush and red paint on paper; 28.7 × 22 cm (11 5/16 × 8 11/16 in.)

Edge with a vase with flowers, anonymous, after Paul Birckenhultz, 1571 - 1639 print There is a Friesje with a snail on either side of the middle flower. One of 3 sheets. Copies to the prints of the series described under Orn Cat I-317. Germany (possibly) paper engraving vase ~ ornament

Etching by Jean Le Pautre illustrating a frieze decorated with foliage motifs, representing 17th-century ornamental design practices.

An etching by Jean Le Pautre from 1659 depicting decorative ornaments with trophies and coats of arms, showing heraldry and ornamental arrangement.

Michel Alfred (1843-1913), Ornament frieze (approx. 1864-1868): Subs view of a vegetable frieze with a chart, braided, chain and heart form ornamentation. Coal and pencil on cardboard, 51.7 x 45.4 cm (including scan edges) Michel Alfred (1843-1913): Ornamentfries

Umbria Terni Amelia Palazzo Petrignani9. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

France, Androuet, Jacques, Two sheets with grotesques, Grotesques with mythical creatures, garlands, candelabra and mascarons, Two wide candelabra on either side of a narrow, The left candelabra consists of a pedestal, a narrow frieze, a crouching satyr on a vase, and two winged seahorses on the edge of a bowl., print, ornament print, prints, ornament prints, height 105 mm, width 72 mm, print maker, printmaker, 1500 - 1600, 16th century, paper, papier, etching, etchings, Work conception, French, 1515 - 1584, after print by, Publication (Event), Publication, publisher

Two parterres. Left with a shell motif at the top and a sculpture in the center. On the right with a round fountain at the top, Plan of garden with parterres Parterre de l'Hotel de S.Poenge , print maker: anonymous, André Le Nôtre, (mentioned on object), 1650 - 1700, paper, etching, h 280 mm × w 244 mm

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 19 (recto). Dimensions: Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm). Published in: Venice. Publisher: Cesare Vecellio (Italian, Pieve di Cadore 1521-1601 Venice) , Venice. Date: 1601.Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with a central rectangle containing the upper portion of a flower, which emanates from an element outside of the rectangle (top center); the entire rectangle is surrounded by a curving stem of multiple types of leaves. Bottom register is decorated with 3 squares, each is ornamented with a different floral motif. Museum: Metropolitan Museum of Art, New York, USA.

Pilaster IV, from the Loggie Di Rafaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Teseo, Lodovico (1731-1782); 1774 (1774-00-00-1774-00-00);

Two Grotesek designs: P Yciny on side by side, in the left under Baladachim, a medallion with a performance of the throne Athens; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);Athena (mitol.), Magdalenaea (collection), Minerva (mitol.), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, canopies, antique deities, decorations, grotesque (ornament), heroes, heroes, medallions, paintings in composition, victim (iconogr.), Ornaments, projects, birds, frames (projects)

Messenheft with grotesken, at the top of a rectangle with the wedding in Canaan; Lifts of knives with grotesken on black fonds. Messen lift whose crowning has been decorated with a marine man. One of 4 sheets, each with one design for the front of a lifting, flanked by two half designs for the rear. The texts on the rear relate to the performances at the front.

Pointed with flower vase among dotted volutes, Adriaen Muntinck, c. 1611 print Decoration for the edge of a cup, with a Frisian at the top, decorated with flowers and leaf vines. Two snails crawl at the bottom. Page 2 from series of 12. Groningen (possibly) paper engraving

Print (France)

Vase, panel with mercury and an ornamental altar room, Pietro Ruga, after Lorenzo Roccheggiani, 1817 print Print is part of an album. paper etching ornaments ~ art. vase ~ ornament. panelling. (story of) Mercury (Hermes). altar. cupids: 'amores', 'amoretti', 'putti'

La Vera Perfettione del Disegno di varie sorti di recami, page 11 (recto) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers that are printed upon a grid. Top register is decorated with a pattern of black 'X's and sideways 'S' motifs. Bottom register is decorated in the center with a female figure encircles by a flower and its stem that is flanked on either side by a flower that has 2 curving leaves and cornucopias; directly below this image is a curving vine of leaves and acorns.. La Vera Perfettione del Disegno di varie sorti di recami, page 11 (recto) 662366

Rand with a vase in the middle, anonymous, after Paul Birckenhultz, 1571 - 1639 print In the middle a vase with flowers between two insects. One of 3 sheets. Copies to the prints of the series described under Orn Cat I-317. Germany (possibly) paper engraving

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 103 (recto). Dimensions: Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm). Published in: Venice. Publisher: Cesare Vecellio (Italian, Pieve di Cadore 1521-1601 Venice) , Venice. Date: 1601.Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design composed of 4 horizontal registers. First register is decorated with 3 flowers; the left and right flowers have stems in the shape of dolphins and the middle flower has stems that form an 'S'- shape. Second register is decorated with an alternating pattern of circles and diamonds ornamented with a flower. Third register is decorated with an alternating pattern of 2 different types of flowers, one type with curving stems and one without. Fourth register is decorated with an alternating pattern of ovals and squares ornamented with a flower. Museum: Metropolitan Museum of Art, New York, USA.

Three balcony seats; Diferent ballcons; Nouveau Liure de Serrurie. The middle railing is decorated with a crowned monogram in a list of leaf raft. Leaf 2 from series of 6 sheets with gates and handrails in wrought iron ..

Print, Title Page; Designed by Jean-Baptiste Fay (active 1780 - 1790); Published by Louis-Joseph Mondhare (French, 1734-1799), Pierre Jean (French, 1754-1829); France; etching on laid paper

Quast Ferdinand von (1807-1877), wrought-iron grids from a museum in Auxerre, the cemetery gate in Cravant/Yonne and from Cluny (1854): Three details of ornamentation with dimensions (after or through drawings from Didron, Annales Archéologiques, 1854). Ink on transparent, 35 x 28.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Schmiedeeiserne Gitter aus einem Museum in Auxerre, dem Friedhofstor in Cravant/Yonne und aus Cluny

Print, Designs for Decorative Ironwork, Plate 95 from Divers dessins de balcons a plusieurs usages (Variety of Balcony Designs); Designed by Claude René Gabriel Poulleau (French, b.1749); Engraved by Jacques Chéreau (French, 1688-1776); engraving on paper

Print (Germany)

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (2) ca. 1600-1617 Theodor Bang German Frieze with a decorative pattern made up out of very delicate, stylized vegetal rinceaux combined with flowers and fruit. There is a central motif from which therinceaux meander outwards. The pomegranate-like fruits on the two sides are identical, although mirrored diagonally.. Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (2). Theodor Bang (German, active in Nuremberg (fl.1606)). ca. 1600-1617. Etching. Balthasar Caymox (German, Bersse () 1561-1635 Nuremberg)

Project for ceiling decoration. Date/Period: 1650/1675. Brush and gray wash, pen and ink, pencil and white heightening. Author: UNKNOWN.

Etching by Jacques Callot depicting the 1631 siege of the St. Martin citadel on the Île de Ré, including defensive structures and soldiers.

Print, Repeating Pattern Designs for Borders; Designed by Jean-Baptiste Fay (active 1780 - 1790); Published by Louis-Joseph Mondhare (French, 1734-1799), Pierre Jean (French, 1754-1829); France; etching on laid paper

Augsburg, Wolf, Jeremias, Berain, Jean (le Vieux), Compositions with Chinese figures, verso - stamped, A decorative composition consisting of three panels with wickerwork. On the left a fountain in the form of a vase carried by a bearded head with oars. Below that two half-figures a shell with initials of Louis XIV. At the bottom a tablet with a merman on a dolphin. In the middle a Chinese man is worshipped by two Chinese figures. At the top sit two monkeys. At the bottom a medallion with portrait and two caryatids. On the right birds, caryatids, a smoking vessel and a sphinx., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 354 mm, width 246 mm, print maker, prentmaker, 1686 - 1724, paper, papier, etching, etsen, Work conception, French, 1640-06-04 - 1711-01-25, after design by, Publication (Event), Publication, German, 1673 - 1724, publisher

Three triangular parterres separated by paths and above them a circular fountain. To the left are tree-lined avenues. Above the fountain two parterres with a fountain and a vase, separated at upper left by a fence, Map of garden with triangular parterres, print maker: anonymous, André Le Nôtre, (possibly), 1650 - 1700, paper, etching, h 378 mm × w 246 mm

Seven balusters or terms with fantasy decorations; Livre D 'Architecture Contenant Plusieurs Beaux Ornementz (...). Horizontal leaf. Leaf Z from second edition of series, consisting of 24 sheets.

N.N., glass window. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (1890-1902): View. Print on paper, 33.5 x 25.5 cm (including scan edges)

Bound Print, Garden Design; Designed by Jean Bérain the Elder (French, 1640-1711); Published by Jacques Thuret (French, 1669-1738); France; engraving

Arabic with Sikkels, Birds, Waaier and Vases, Jean Baptiste Fay, 1784 - 1796 print Four vertical panels with arabesks and sickles, ears, birds, mirror, fan and vases. Paris paper etching / engraving ornament ~ arabesque. agricultural implements: sickle. birds. fan. vase ~ ornament

Design for iron work balcony, with alternate. Dimensions: sheet: 3 5/8 x 7 5/16 in. (9.2 x 18.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: Spanish. Dimensions: Overall: 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 65 (recto). Dedicatee: Catherine de Bourbon (French, 1558-1604). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm). Publisher: Jean Le Clerc , Paris. Date: 1603.Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and is decorated with a tree that has round fruit and leaves. In the center of the tree sits a bird that eats a piece of fruit. Below the tree on the ground are 2 reclining dogs. Museum: Metropolitan Museum of Art, New York, USA.

Munich. two drawings of floral ornament in church window. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Design for a decorative motif featuring griffins and swags of fruit 1830-97 Jules-Edmond-Charles Lachaise French. Design for a decorative motif featuring griffins and swags of fruit 385112

Design by Aldegräver; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 13.5 x 4.4 cm (5 5,16 x 1 3,4 in.)

Hehl Johannes, glass window. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (1890-1902): View. Pressure on paper, 33.6 x 24.4 cm (including scan edges)

Design for a Ceiling with the Arms of Pope Clement XI, Pen and sepia, brush and watercolor on paper, Ceiling divided into panels. At bottom center, an anchor and two palm branches fastened together by a ribbons. Opposite to this, a crucifix and rustre tied with a ribbon. Coat-of-arms at center., Italy, 1700-1721, interiors, Drawing, Drawing

Stairoets Van de Hertog van Ossuna, 1713; Half of the embroidery (...) of the first caribuster; First of the magnificent carosses of Monseigneur The Duke of Ossuna ambassador Extraordinary and first plenipotentiary of Her Majesty Catholic Philippe: V. for peace made for the public stars of His Excellency to Utrecht mdccxiii.leaf with oven compartmental compartment with examples of the ornaments in Embroidery and Marquee for the Golden Carerage. Part Of a Series Of 7 Flats With The Stickers' Test Of The Spanish sent The Duke of Ossuna, Used At His Public Entry in Utrecht for The Peace Negotiations in 1713. Numbered at The Bottom Right: 6.

Vestigia delle Terme di Tito. The decoration of the vault called in Fondo Giallo, in room 24; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, antiquity, purchase (provenance)

Designs for Gothic tracery ca. 1805 () Anonymous. Designs for Gothic tracery 390053

Schick Carl, pressure decorations for the magazine art and trade, 1880-1882 (1880-1882): View Ornament. Pressure on paper, 29 x 21.1 cm (including scan edges)

VIIZING THE CHECKS MET GROTECTS A ROCALS, LORRANS WORKING, AFTER Paul Dator (I), 1687 - 1725 print Four lids for powder or tobacco boxes. print maker: Germanyafter design by: Neurenberg (possibly)publisher: Neurenberg paper etching container of metal: bucket, can, canister, drum, tin. ornament ~ grotesque

Miraculous statue of Christ from the Dominican Church in Chashniki. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Piotrowski, Jan Onufry (fl. 1754-1765), graphic artist

Print (Italy)

Twee onalyly Panelen, Pietro Ruga, After Lorenzo Roccheggiani, 1817 print Print is part of an album. paper etching ornaments ~ art. panelling

Ceilings with garlands, flower motifs and medallions, Jean François de Neufforge, 1763 print A ceiling with garlands and rosettes in the corners. Below that a ceiling with rosettes, putti with garlands and in the corners of oval medallions with two portraits. Print number 303. Paris paper etching (decorated) ceiling. ornament ~ festoon, garland. flowers ~ ornament. ornament ~ medallion

Three consoles with fantasy decorations, Anonymous, After Rutger Kasemann, 1622 print The top of the consoles is depicted from the front and aside, the bottom in perspective. In addition to each console, a revolt of a smaller console can be seen in addition to details of pedestals, cornices and two pinnacles. Leaf V from the second edition of Series, consisting of 24 magazines. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Paris paper etching

Seven balusters or terms with fantasy decorations, Anonymous, After Rutger Kasemann, 1622 print Horizontal leaf. Leaf Z from the second edition of Series, consisting of 24 magazines. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Paris paper etching

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