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Italian Art and Architecture Studies

Photographs highlighting various aspects of Italian historical art and architecture, featuring frescoes, sculptures, and structural details from multiple time periods.

Μηλα Εσπερίδων. Grèce. Hercule Ouranophore (Mycènes) , Architectural decorations & ornaments, Supernatural beings, Athena Greek deity, Heracles Greek mythological character, Atlas Greek deity. Nicholas Catsimpoolas Collection
Μηλα Εσπερίδων. Grèce. Hercule Ouranophore (Mycènes) , Architectural decorations & ornaments, Supernatural beings, Athena Greek deity, Heracles Greek mythological character, Atlas Greek deity. Nicholas Catsimpoolas Collection
164 assets in this story
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Lazio Roma Anzio Villa Spigarelli0. Hutzel, Max 1960-1990 Post-medieval: A 19th century neoclassical villa built on the imperial villa said to be of Nero which was in ancient Antium (modern Anzio). The park and villa incorporate antiquities such as architectural fragments, sarcophagi, urns, and statuary found on the site. Antiquities: possible nymphaeum, urns, sarcophagi, sculpture, architectural framents, mosaics, portrait busts, terracottta sculpture fragments, Pompeian third style wall paintings, portrait bust in Julio-Claudian family style Object Notes: Hutzel gives a short history of the villa and park, commenting that no proper history has been written on the site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and th
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Anefo photo collection. Photography competition World Press Photo in the Gemeentemuseum in The Hague; Two of the photos submitted. December 6, 1965. The Hague, South Holland
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Campania Caserta Capua Museo Campano30. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an
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Lazio Viterbo Acquapendente S. Sepolcro, Cathedral0. Hutzel, Max 1960-1990 Exterior and interior views. Marble reliefs by Agostino di Duccio, altarpiece by Beneventano, wooden choir by Mario Tedescho; statues, friezes, views of crypt's columns and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Photo collection Government information service. The War Memorial for Putten by sculptor Mari Andriessen for the placement in the memorial court. undated. Gelderland, Putten
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Basilicata Matera Matera Chiesa del Purgatorio7. Hutzel, Max 1960-1990 Post-medieval: Built 1747, architecture, architectural sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Roma Genazzano Santuario della Madonna del Buon Consiglio3. Hutzel, Max 1960-1990 Exterior views of neoclassical facade (1844), romanesque bell-tower and 15th century portal. Views of richly ornate baroque interior: gilt stucco ceiling decoration, balustrade by Bernini, altarpieces, ceiling painting of the Madonna of the Good Counsel, marble stoup with a statue of John the Baptist and a marble ciborium. Object Notes: Hutzel photo campaign date: May 4, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Viterbo Viterbo S. Lorenzo, Cathedral01. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic
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Abruzzo L'Aquila Celano Museum55. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Marches Macerata Matelica S. Francesco8. Hutzel, Max 1960-1990 Exterior views of the Baroque architecture of the church; interior views of the 15th-century painted altarpieces (ie. Madonna and Child with Saints, the Last Supper, the Crucifixion and the Deposition from the Cross), sculpture and decorative arts. Object Notes: Hutzel photo campaign date: March 19, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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The Clownish Joshua. Louis Fleckenstein (American, 1866 - 1943)
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Soanes Museum, 1900-1926, France, by Samuel Hurst Seager. Gift of S. Hurst Seager, 1926.
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Hülsen Julius, Bogenschlagstein, Saalgasse 3, Frankfurt/Main. (From: Stone masks at Bämälern Alt-Frankfurt, ed. By Julius Hülsen, Frankfurt/Main 1905.) (1905-1905): View. Light pressure on paper, 30.4 x 40.5 cm (including scan edges)
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Toti Dal Monte. December 9 1935.
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Emilia-Romagna Modena Nonantola Abbazia di Nonantola8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Abruzzo L'Aquila Tagliacozzo SS. Cosma e Damiano2. Hutzel, Max 1960-1990 Exterior views: facade (15th century), portal leading to courtyard (1452), facade portals and windows. Interior views: ribbed vaulting, baroque altars lining the the sides of the cruciform church, apse fresco, gilt baroque tabernacle in the form of a temple (18th century), tabernacle statues, pulpit, Orsini coat-of-arms, details of altar paintings, and the tomb of General Conte Resta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Roma Frascati Episcopal Palace. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geogr
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Lazio Roma Subiaco Rocca Abbaziale4. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Fine antique bronze head, found on the Acropolis , Antiquities, Sculpture. Nicholas Catsimpoolas Collection
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Lazio Viterbo Gallese Palazzo Ducale3. Hutzel, Max 1960-1990 Post-medieval: Medieval architecture, converted into residential palazzo in the 16th century; architectural sculpture; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Image of Pharaoh Hor I in the Museum of Cairo, Anonymous, c. 1895 - in or before 1905 photograph Part of Reisalbum with photos of sights in Greece and Egypt. Cairo paper permanent exhibition, museum. monument, statue Cairo
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Lazio Viterbo Bagnaia Villa Lante53. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Vase with landscape scenes. Culture: China. Dimensions: H. 29 in. (73.7 cm). Date: late 17th century.This idyllic landscape enjoyed by scholar-gentlemen directly recalls contemporaneous court paintings that evoke tenth- and eleventh-century traditions. Museum: Metropolitan Museum of Art, New York, USA.
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Emilia-Romagna Forli Rimini Palazzo Comunale, Museo e Pinacoteca Comunale04. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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The tale of Foo Wong , Heads Anatomy, Decapitations. The Massachusetts WPA Federal Art Project Photograph Collection
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Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche16. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Abruzzo Pescara Cugnoli S. Stefano, Parish church0. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture (13th-14th century); sculpture; ambone Post-medieval: Architecture and architectural sculpture; painting; sculpture; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche90. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Emilia-Romagna Ferrara Ferrara Museo del Duomo. Hutzel, Max 1960-1990 Medieval: 12th and 13th century sculpture, including carved sarcophagus, equestrian statue (possibly representing Guglielmo III degli Adelardi, and images of saints German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia25. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Figure Head of original "Penguin" 1876 -1922 Garden Island. November 03, 1931.
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Shepherd (one of a pair) ca. 1760-65 Derby Porcelain Manufactory. Shepherd (one of a pair) 205344
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Two sphinxes, found on the Acropolis , Antiquities, Sculpture, Sphinxes. Nicholas Catsimpoolas Collection
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A photograph of the Jack Blandifer the Quarter Jack, the main jack of the clock in Wells Cathedral. He strikes the hours with his hands and the quarters with his feet. Dated 20th century
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Umbria Perugia Norcia Castellina. Hutzel, Max 1960-1990 Views of exterior and courtyard; views of sculptures, frescoes, and crosses in museum collection (housed in the Castlellina). General Notes: Some of the objects belong in the Palazzo Comunale museum; these have been reassigned numbers in that monument sequence. A number of prints, last noted as stored in Medieval section, are now missing, but we have the negatives which, where possible, have been assigned numbers corresponding to the Hutzel guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, sit
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Image of a clay model of the statue to be manufactured by Stef Uitwaal "The Traffic" for the Leidsekade (Artillerie Bridge) in Utrecht.
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Print of a man killed by a volcanic eruption with amphora in Pompeii, anonymous, c. 1865 - c. 1875 photograph Part of Reisalbum with photos of sights in Naples and the surrounding area. Pompeii paper. photographic support albumen print adult man Pompeii
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The Martyrdom of Saint Adrian; The Martyrdom of Two Saints, Possibly Ache and Acheul. Artist: Northern French Painter (ca. 1480). Dimensions: Each, including added strips, 22 7/8 x 11 in. (58.1 x 27.9 cm).In the left panel Saint Adrian, an officer in the Roman army who converted to Christianity, is martyred as Emperor Maximilian and Adrian's fellow officers look on. The panel on the right probably depicts the martyrdom of the brothers Ache and Acheul, who, according to their legend, were martyred at Amiens with wooden swords for refusing to sacrifice to the gods. These pictures were part of an altarpiece from the Augustinian abbey of Eaucourt, Arras, where Ache and Acheul were particularly venerated. They reflect the style of Simon Marmion, the leading painter of northern France in the second half of the fifteenth century, and that of the Netherlander Dieric Bouts.On the basis of the costumes, they can be dated about 1480. There are serious paint losses in both pictures. Museum: Metr
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Campania Caserta Aversa S. Francesco8. Hutzel, Max 1960-1990 Post-medieval: Built in 6th century, remodelled in 1645 and 1830. Lower part of the campanile belongs to the original construction. Interior has series of works in the Francesco de Mura school; "Adoration of the Shepherds" by Pietro da Cortona c. 1650; "Ecstasy of S. Francesco" by Ribera, 1649; "Madonna and Child" Byzantine 13th century. Attached is a medieval cloister with fragments of frescoes. Object Notes: TCI states that in 1980 plans were afoot to create a small museum in the monastery to house sculpture, paintings, and other works from the diocese. Not reflected in Hutzel's photo campaign. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as w
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Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile18. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as
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Lazio Roma Santa Severa Castello5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes. This site, including 3 sets of walls which encircle the castle and the surrounding town, was inhabited as early as the 7th century B.C. This site was first recorded as being used as a fortress in 1068, and through successive rebuildings has retained the form of the castle. Antiquities: Roman sculpture and inscriptions; excavation in progress of ancient site adjacent to the castle. Object Notes: One print has extra negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organi
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Scandinavia. Artist: László Moholy-Nagy (American (born Hungary), Borsod 1895-1946 Chicago, Illinois). Dimensions: 23.5 x 17.1 cm (9 1/4 x 6 3/4 in.). Date: 1930.Moholy-Nagy was a central figure at the Bauhaus in Weimar and Dessau from 1923 to 1928 and at the New Bauhaus (later the Institute of Design) in Chicago from 1937 until his death. As both an artist and educator, Moholy-Nagy used photography as a means of challenging conventions of visual perception and representation. In this overhead view of a ship's gangplank, the unusual vantage point transforms the visual field into a relatively flat, abstract composition, structured by dynamic diagonals and punctuated by the bright white circles of the sailors' hats. Museum: Metropolitan Museum of Art, New York, USA.
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07/05/1972. Transfer of the statue of Christopher Columbus, in the plaza of his name, to its new location on the old site of the mint.
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Infant Ceres 1849-50; carved 1853 Erastus Dow Palmer American "Infant Ceres" was the first sculpture in the round that Palmer modeled after turning away from his work as a cameo cutter. It is based on one of his children, logically, his two-year-old daughter Fanny, who was born in 1848. She is presented in the guise of the infant Ceres, the Roman goddess of agriculture and abundance. The hair, decorated with a thin fillet, is pulled back and adorned with blossoms. Sheaves of wheat, Ceress identifying attribute, encircle the figure and are tied in front.. Infant Ceres 15591
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Image of a collar stone representing a women's head in the station hall of the N.S. station Zandvoort in Zandvoort.
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Bird cage. Boucher, François (French, 1703-1770) (designed after) painter c. 1760 Tapestry Dimensions: H 4'2" x W 4'8" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. received from Mrs. Grace B. Everett, invoiced 11/18/1936; returned 12/1/1942. Cherubim playing with bird-cage river bank, cherub with captive bird on end of ribbon (L) Borders missing. French & Co. stock sheet in archive, 18782-b Badin, La Manufacture de Tapisseries (1909), 76 Related Works: Compositionally similar tapestry (same cartoon): GCPA 0241318, 0241319, "La Cage" Maurice Fénaille coll. (Badin, p. 76)
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Figurehead of IMPERATOR
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st, city park - bouquet monument, postcard, Unknown
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Egypt. Narmer, c. 31st. century B.C. (). Egyptian king of the Early Dynastic Period. Considered as the unifier of Egypt and founder of the First Dynasty. 19th century engraving by M. Weber.
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Elsevier photo collection. Fisherman monument IJmuiden Han Wezelaar. June 7, 1955. Noord-Holland
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Right: A 12- foot statue of David Livingstone has been completed by Mr. W. Reid Dick, the well-known English sculptor, at his St. John's Wod Studio. The statue is to be shipped to Rhodesia shortly, and will be erected at the Victoria Falls. The photograph shows Mr. Reid Dick with the giant statue, in his studio, during the last stage of the work. October 16, 1933.
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Three men with Statue of Freedom on top of the U.S. Capitol ca. 1909.
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Sardinia Nuoro Bosa Cathedral1. Hutzel, Max 1960-1990 Medieval: Architecture, originally 12th and 13th centuries, largely rebuilt in the 18th century in Piedmontese Baroque style. Post-medieval: Architecture, 18th century; 16th century wooden sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Statue by local artist. Cimarron, New Mexico 1939. still image. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. New Mexico , Cimarron, New Mexico , Colfax County
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Anefo photo collection. Sculptor André van der Linden turns up a piece of artwork from a dead tree. Van der Linden busy with his tree. April 8, 1971. Amsterdam, Noord-Holland
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Low angle view of sculpture at Pre Rup temple, Krong Siem Reap, Siem Reap, Cambodia
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1975, Paris, gallery. papier-mache sculpture.
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Artist George Segal (born 1934) with his sculptures. New Jersey, early 1970s.
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Anefo photo collection. Designer Jeanne Kouwenaar-Bijlo (from mountains) with the image for the fallen in the Second World War, entitled Stedidagend in Alkmaar. March 29, 1950. Alkmaar, Noord-Holland
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Mauke, 1914, Mauke, by William Saunderson Cooper. Gift of Andrew Cooper, 2001.
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Mexican Terracotta Figurine, Huaxtec Culture, Aztec Period, c15th century. Artist: Unknown.
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12/31/1929. Fountain of the Retiro Gardens in Churriana (Málaga).
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At Cairo (Egypt). Lying fragment of a pharaoh statue in Memphis
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Oleg Konstantinovich Komov (1932 - 1994) was a prominent Soviet-Russian sculptor and graphics artist