Italian Art Documentation

Photographic documentation capturing various historical art forms in Italy, including architecture, sculptures, and paintings from different periods.

Portrait of woman

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

SIN IDENTIFICAR - 1950. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Untitled. Robert Motherwell (American, 1915-1991); printed by Bill Goldston at Universal Limited Art Editions (American, c. 1945); published by Spanish Refugee Aid Inc., New York (American, 1953-2006). Date: 1972. Dimensions: 400 x 200 mm (image); 585 x 458 mm (sheet). Lithograph in black from one stone on pale pink wove handmade paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Abduction, plate nine from A Glove Made 1881 Germany. Etching and aquatint on ivory chine collÈ on off-white wove paper . Max Klinger

Painting T1971-E10; Peinture T1971-E10. Hans Hartung (1904-1989). Acrylic on canvas. Signed and dated 1971. 73 x 91.5cm.

Josef Albers, upwards, - aufwärts -, 1926, wire glass and metal, Valencia, Spain.

Zen Studies, plate three from Cold Mountain Series. Brice Marden; American, born 1938. Date: 1990. Dimensions: 521 x 669 mm (image); 698 x 895 mm (sheet). Etching and aquatint on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Composition C (No. III with Red, Yellow and Blue), Piet Mondrian, 1935,

Portrait of a Soendanese man, c. 1921 This man worked as a servant in Hotel Bellevue, where Willem Witsen stayed when he was in Buitenzorg. copper (metal)

Fragment of Gothic interior. Jabłczyński, Feliks (1865-1928), graphic artist

ANAMNE II - 1990 - OLEO/LIENZO - 239X179 CM. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Drawing, Textile Design: Cook; Designed by Maria Trinkl (Austrian, b. 1896, active 20th century); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 5.1 × 20.3 cm (2 × 8 in.) Mat: 55.9 × 40.6 cm (22 × 16 in.)

MONTAÑA- LLAC-2000- TECNICA MIXTA CON FUSTA-200x175CM. Author: ANTONI TAPIES (1923-2012). Location: FUNDACION ANTONI TAPIES. Barcelona. SPAIN.

Southwest Blues. Helen Frankenthaler; American, 1928-2011. Date: 1969. Dimensions: 380 x 84 mm. Ink tapouts on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

SIN TITULO - SIGLO XXI. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Wood Carving - Flower. Dated: c. 1939. Dimensions: overall: 35.5 x 26.9 cm (14 x 10 9/16 in.) Original IAD Object: 6" in diameter. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Lionel Ritchey.

Color Study for Homage to the Square, abundance, 1967, oil on masonite, Josef Albers, Bauhaus

Reflection of woodcuts; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Joseph Lister, 1st Baron Lister. Ink silhouette by J. J. Lister, 1837.

He Tried to Count the Stars, plate 28 from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 222 x 290 mm (image); 231 x 298 mm (plate); 750 x 550 mm (sheet). Color photo-etching from five plates on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Jonathan Hammer / 'KOVNO' (from a portfolio of 12 etchings), 2009, 75,5 x 55 cm. Museum: COLECCION PRIVADA.

El nacimiento de Ubu. Museum: VIUDA DE M. TRIADE VERVE FRANCIA. Author: JOAN MIRO Y FERRA.

Drawing, Textile Design: Orpheus; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); Austria; brush and watercolor on paper; 5.7 × 12.1 cm (2 1/4 × 4 3/4 in.) Mat: 32.7 × 45.1 cm (12 7/8 × 17 3/4 in.)

selfridges

Fonteinmarmer in Blauw, Anonymous, 1700 - 1850 marbled paper Fountain marble in blue. Used as a cover. paper. paint (coating) marbled paper

Campania Caserta Capua Museo Campano00. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Warhol, Andy (1928-1987) © Museum of Modern Art, New York Painting 292x292 Still Life Ten-Foot Flowers

Unknown architect, a fallen monument in Jauer. Monthly competition March 1877 (03.1877): 2 floor plans, cross -section; 2 scale strips. Tusche watercolor on the box, supplemented with pencil, 47.4 x 33.4 cm (including scan edges) N.N. : Gefallenendenkmal, Jauer. Monatskonkurrenz März 1877

Anonymous, drawing by Victor Hugo (dummy title). Houses of Victor Hugo Paris - Guernsey.

Unidentified figure study for mural project at the Pennsylvania state capitol building, Harrisburg,1902-1911. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Circles of Confusion I. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1966. Dimensions: 730 x 550 mm (image); 755 x 560 mm (sheet). Color lithograph, with ink and graphite additions, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Antique sculpture from Hermes in the Museo Vaticano; Unreadable. Roma - Museo Vaticano. ... (Scultura Antica).

Josef Albers, Skycrapers on Transparent yellow, 1929, wire glass and metal, Valencia, Spain.

Josef Albers Josef Albers, golden rose, - Goldrosa -, 1926, glass plate with sandblast and black paint, Valencia, Spain Copyright: xZoonar.com/Tolox 21630088

Antoni Tapies / 'Variacions sobre un tema musical 1, 1987, Lithograph, 53,5 x 70 cm. Museum: COLECCION PRIVADA.

Josef Albers, Skycrapers on Transparent yellow, 1929, wire glass and metal, Valencia, Spain.

Tumbler. Dated: c. 1937. Dimensions: overall: 30.4 x 22.9 cm (11 15/16 x 9 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Tarantino.

Book cover with floral pattern 18th century Anonymous. Book cover with floral pattern. Anonymous , Italian, 18th century. 18th century. Relief print (wood or metal). Prints

Proof for La Chine (colorversion). Artist: Theodore Roussel, French, active Britain, 1847-1926

isa toshihiko' kataezome' displayed at the Kyoto State Guest House, Kyoto, Japan. During the Edo period (1603 - 1868) a Garden House and multiple mansions of aristocrats stood in the north-eastern part such as of the Yanagihara family and Kushige family. The Kyoto Imperial Palace is in the northern part of Kyoto-Gyoen National Garden. It was constructed in 1331 and the Emperors lived there until 1869. There are also Sento Imperial Palace gardens. In 1994, to commemorate the twelve-hundredth (1200th) anniversary of the establishment of the ancient capital of Heian-kyo there was growing momentum toward building a Japanese-style guest house in Kyoto. In October 1994, approval was obtained from the Cabinet of Japan for "the construction of a guest house facility.

Landmark. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 1050 x 683 mm (image); 1078 x 766 mm (sheet). Lithograph in black and peach on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

MAGELONE - 2005 - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Lazio Latina Sezze Antiquarium Comunale37. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

They Worked through the Night, plate one from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 247 x 290 mm (image/plate); 752 x 550 mm (sheet). Color photo-etching from five plates on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Anefo photo collection. Amsterdam buys art in Museum Fodor. Painting by A. F. J. Buytendijk is supported. November 16, 1967. Amsterdam, Noord-Holland

Nice France, Sculpture Musuem of Modern Art

Campania Caserta Capua Museo Campano03. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

DE AHI VENGO VII 2007, ACRILICO Y OLEO/TELA 190x190. Author: SUSY GOMEZ 1964/. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Emily Kam Ngwarray, Ntang Altyerr (Seeds of Abundance), 1990, acrylic paint on canvas, Australian Indigenous artist from the Utopia community, located in the Northern Territory.

Wall tiles from the funerary apartments of king Djoser ca. 2630-2611 B.C. Old Kingdom Djoser was the first king of Dynasty 3 at the beginning of the Old Kingdom. His Step Pyramid and the surrounding mostly solid dummy structures are the earliest preserved stone buildings in Egypt. They represent an attempt to create an eternal royal residence of durable materials for the afterlife.Tiles mounted between sculpted limestone ledges decorated the walls of the galleries underneath Djoser's Step Pyramid and underneath a building in his complex called the Southern Tomb. The decoration was meant to imitate the reed matting that covered the walls of his palace.. Wall tiles from the funerary apartments of king Djoser. ca. 2630-2611 B.C.. faience. Old Kingdom. From Egypt, Memphite Region, Saqqara, Djoser Pyramid precinct. Dynasty 3

Night Smoke. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1968-1970. Dimensions: 443 x 339 mm. Lithograph in black on buff newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Diane Raised II. Larry Rivers (American, 1923-2002); printed by Ben Berns (American, born Netherlands, 1936-2007), Frank Akers (American, born 1936), and H. Glenn Lee (American, active c. 1970-c. 1985); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 452 x 600 mm (image); 550 x 750 mm (sheet). Lithograph in silver metallic ink on black wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

In Memoriam, Spectrum V, Ellsworth Kelly, 1969, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Study of a leg last quarter 19th-early 20th century Auguste Rodin French. Study of a leg. Auguste Rodin (French, Paris 1840-1917 Meudon). French. last quarter 19th-early 20th century. Cast plaster. Sculpture

The Temptation of Saint Anthony: Entourage and Parade of the Queen of Sheba: Musicians and Flagbearers (page 43), c. 1898. Henri Rivière (French, 1864-1951). Book with 47 line blocks (some photo mechanical), hand-colored with stencils; overall: 25 x 32.8 x 1.5 cm (9 13/16 x 12 15/16 x 9/16 in.).

'Untitled'. Collection of Georges Matcheret and Nadiya Volkonskaya. Russia, Moscow, 1994. Dimensions: 202x161 mm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Flowd pattern, Anonymous, 1860 - 1930 decorated paper Japan Japanese paper (handmade paper). paint (coating) ornament derived from plant forms

Panel ca. 1800 French. Panel 229488

Josef Albers, Within a Thin Interval, 1967, Berlin, Federal Republic of Germany.

Untitled, from De Bungalow Ynyswidden. Jeroen Henneman; Dutch, born 1942. Date: 1972. Dimensions: . Color screenprint on white wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Installation by WE-Designs/ LAByrinth Project for Hong Kong. London Design Biennale 2018, London, United Kingdom. Architect: Various , 2019.

Engraving depicting specimens of Welsitschia in West Africa. Dated 19th century

Artwork 'Autel - Rouge, Blanc, Noir' mounted on the wall. Frith Street Gallery - Chen Zen, London, United Kingdom. Architect: Guy Stansfeld Architects Limited, 2015.

AUTORRETRATO - 1991 - ACERO CORTEN Y MARMOL -77,5X36X57 CM. Author: ANDREU ALFARO (1929-2012). Location: MUSEO BEELDEN SCHEVENI. LA HAYA. HOLANDA.

LA LUZ QUE SE APAGA -1997- CERA/OLEO. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo51. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Attic Red-Figure Kylix Fragment. Attributed to the Foundry Painter (Greek (Attic), active 500 - 470 B.C.) about 480-470 B.C.

Attic Red-Figure Column Krater/Stamnos Fragment. Unknown

Anefo photo collection. Commonge Volkskrant; Work of graphic artist Richard Hamilton. February 2, 1971

Salonek. Dated: 1898. Dimensions: image: 34 x 20 cm (13 3/8 x 7 7/8 in.) support: 44 x 26.7 cm (17 5/16 x 10 1/2 in.). Medium: gouache. Museum: National Gallery of Art, Washington DC. Author: Karel Vitezslav Masek.

Astelia pumila (G. Forster) Gaudichaud-Beaupre, by Sydney Parkinson. Gift of the British Museum, 1895.

Julio Larraz / 'Her best Friend' , 2007, Lithograph, 85x70 cm. Museum: COLECCION PRIVADA.

Gerard Malanga, from Face of the Poet. Alex Katz (American, born 1927); printed by Prawat Laucheron; published by Brooke Alexander, Inc. and Marlborough Graphics, Inc. Date: 1978. Dimensions: 152 x 115 mm (image/plate); 368 x 483 mm (sheet). Color aquatint on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

(SIN TITULO). Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Roll Down. James Rosenquist (American, born 1933); printed by Donn Steward (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1966. Dimensions: 973 x 732 mm. Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Anefo photo collection. Exhibition "Feminist art, international" in the Haags Gemeentemuseum. Work called "the phallus screw" by Judith Bernstein. November 14, 1979. The Hague, South Holland

Lazio Latina Sezze Antiquarium Comunale52. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

TAUTON II - 2000 - 131x92. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Bronze statue of Satyr head; G 45A. Bronze Satyrop. Athens National Museum.; Greece. The photo is part of the photo series from Greece collected by Richard Polak.

Artwork by Mehdi Moutashar (1943-) an Iraqi Post-war & Contemporary painter

Osprey, draughtsman: Hendrik J. Slijper, 1974, paper, d 60 mm

Animal tile with bird, blue decor on white ground, no corner fill, marked, wall tile tile sculpture ceramic earthenware enamel tinglage, in shape made baked glazed painted baked Wall tile with blue decor on white fond. Animal tile with the central representation standing bird with the head to the right around the neck, collar of stuffed feathers, possibly ruff yellow shard. Scraped earthenware Slightly slanted sides. Marked at the back In blue paint on the back marked: two letters too incomplete to be able to mention Rotterdam City Triangle Zandstraat indigenous pottery Probably from the vicinity of the Zandstraat Rotterdam.

Juin (June). Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1857. Prints; lithographs. Lithograph

Fragment (France); Company: F. Schumacher & Co. (United States); silk, cotton; Warp x Weft: 69 x 67 cm (27 3/16 x 26 3/8 in.)

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