Italian Frescoes and Artworks

Captivating images of Renaissance and Baroque frescoes featuring angels and historical scenes. Documented artistry from Italy emphasizes intricate designs and cultural heritage.

Abruzzo L'Aquila L'Aquila Convent of the Clarisse1. Hutzel, Max 1960-1990 Exterior views of convent and portals, interior views of church with emphasis on choir fresco, and views of cloister. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Collescipoli S. Nicolo5. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni Palazzo Carrara6. Hutzel, Max 1960-1990 Post-medieval: Architecture (17th century); Frescoes (17th century); coffered wooden ceiling Antiquities: Roman sarcophagi, cinerary urn, gravestones, lions, and an inscribed plaque from Terni's amphitheater. (All located on the ground floor of the Palazzo Carrara). Object Notes: Unable to locate any negatives for these prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woman with a Cat 1900 France. Transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper . Paul Gauguin

Lazio Latina Sezze S. Lucia2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Convent of the Clarisse1. Hutzel, Max 1960-1990 Exterior views of convent and portals, interior views of church with emphasis on choir fresco, and views of cloister. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Sermoneta Castello Caetani9. Hutzel, Max 1960-1990 Post-medieval: Views of other architectural structures in proximity; architecture, architectural sculpture (17th century) interiors include furniture, wall paintings (16th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wm. Littlefield's mural at the Falmouth High School , Football, Football players. The Massachusetts WPA Federal Art Project Photograph Collection

Wrijfprent ,, c. 1900 Rubbing. China paper. ink Rubbing. China paper. ink

Wm. Littlefield's mural at the Falmouth High School , Football, Football players. The Massachusetts WPA Federal Art Project Photograph Collection

Breton Women beside a Fence (Bretonnes à la barrière). Dated: 1889. Dimensions: image: 16.2 x 21.5 cm (6 3/8 x 8 7/16 in.) sheet: 32.6 x 47.3 cm (12 13/16 x 18 5/8 in.). Medium: lithograph (zinc) in black on imitation japan paper. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Umbria Perugia Foligno Palazzo Trinci1. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A woodcut by Leonhard Beck from 1514-1516 showing the young white king learning light beard fencing and combat with similar weapons, part of the 'Weißkunig'.

Dancing women with grape bunches and Sater, Johannes Josephus Aarts, 1881 - 1931 print Three women, dressed in robes, dancing in a circle. Two of them hold a grape chocolas. The other makes a jerk with her head. A saater in the background. paper bunch of grapes. satyr(s) (in general). group dancing

Leonhard Beck's depiction of Saint Ida, part of the Sipp series commissioned during the reign of Emperor Maximilian I, created in 1518 on a wooden stick.

Noa Noa: Maruru (Offerings of Gratitude), 1893-94. Paul Gauguin (French, 1848-1903). Woodcut on pink paper; sheet: 20.6 x 36 cm (8 1/8 x 14 3/16 in.); image: 20.3 x 35.5 cm (8 x 14 in.).

Emilia-Romagna Ferrara Ferrara S. Francesco65. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rocs quarters thrown on Munckholm Arquebusiers Georges-Antoine Rochegrosse (1859-1938), French painter and illustrator. Rocs quarters thrown on the arquebusiers of Munckholm. Charcoal, lavis and white gouache. 1884. Paris, Victor Hugo House.

Sitting fantasy scenes, Johannes Josephus Aarts, 1881 - 1934 print A group of fantasy scenes are together. One of them has a bottle for themselves. In the background is a fantasy bees with a rod in his hand. paper surrealia, surrealistic representations. mis-shapen animals; monsters

WillemyNken lies with traces with a donkey and Duyfken reprimans her; Duyfkkens and Willemynkens Pilgrimagie to Loved Haren within Iervssalem.willemynken lies with traces with a donkey and Duyfken reprimanded her. A second scene in the landscape shows the two sisters at an inn where a woman and child assume a pouch. Later the two women wash at the river again to get rid of their sins.

Lovis Corinth, Martyrium (Martyrdom), 1921 Martyrium (Martyrdom)

Engelen with the passion tools from Michelangelo's Last Judgment, Domenico del Barbiere, After Michelangelo, 1541 - 1565 print A group of floating angels with the passion tools from Michelangelo's final judgment. paper engraving Last Judgement. angels. 'Arma Christi'

Gustave Doré (1832-1883), designer and François Rouget (1811-1886), engraver. "Truasterie." Illustration for Honoré de Balzac, "Les Contes Dranitiques", Paris: Société Générale de Librairie, 1855 ". Paris, Maison de Balzac. 101791-10 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Lazio Roma Rome SS. Giovanni e Paolo1. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Umbria Perugia Perugia Convent S. Pietro9. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore21. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

LO MISMO - ALBUM E - 1814-17 - PINCEL CON AGUADA GRIS Y NEGRA - 261x187 mm. Author: FRANCISCO DE GOYA. Location: MUSEO DEL LOUVRE-DIBUJOS. France.

Hungarian Revolutionary poster 'Humanity' 1919 by Bela Uitz (1887 - 1972) a Hungarian painter and graphic artist, one of the most talented artists of Hungarian activism.

Lazio Viterbo Viterbo S. Francesco4. Hutzel, Max 1960-1990 Interior views only of gothic church largely reconstructed after WWII bombing. No general views of interior, but many views of stained glass windows, frescoes, tombs, mosaic work, capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Seated Woman and Other Sketches. Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 4 7/16 x 7 in. (11.2 x 17.8 cm)plate: 4 1/8 x 6 13/16 in. (10.5 x 17.3 cm). Date: ca. 1630-33. Museum: Metropolitan Museum of Art, New York, USA.

Vision 1939 Joseph Vogel American Vogel worked for the Graphic Arts Division of the Federal Art Project, a New Deal initiative that put artists to work during the Great Depression. The Divisions New York workshop fostered a vibrant community of leftist printmakers. There, Vogel created Vision, a Surrealist montage of abstracted figures that conveys the horrors of an impending world war. A prophetic figure at left faces figures, including a horse, whose ribcages are exposed; at right, a figure hangs from a noose. Vogel made Vision after returning from Spain, where he had moved for a brief period to support the Popular Front during the Spanish Civil War. While in Spain, Vogel saw Picassos mural Guernica (1937), whose blend of abstract style and political subject matter made a profound impact on the artist.. Vision. Joseph Vogel (American, 1911-1995). 1939. Lithograph. WPA. Prints

An old man having a shower accompanied by two other figures ca. 1900 José Guadalupe Posada. An old man having a shower accompanied by two other figures. José Guadalupe Posada (Mexican, 1851-1913). ca. 1900. Metal-plate engraving. Prints

El ball de les Aguiles, Hermen Anglada Camarasa, pencil on paper, pollensa museum, Majorca, Balearic Islands, Spain.

Howard Visiting a Prison, George Romney, 1734-1802, British, undated, Gray and brown wash over graphite on medium, moderately textured, cream laid paper, Sheet: 14 1/2 x 21 1/4 inches (36.8 x 54 cm), cloth, correctional institution, historical subject, men, nudes, prison, prisoners, women

Lorrain, Claude, Femme assise, Seated woman, verso bottom center - stamped, A seated woman and some hatchings. Center piece from a larger plate., print, prints, height 75 mm, width 90 mm, French, 1600 - 1682-11-23, print maker, printmaker, 1630 - 1633, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

John Baptist Jackson after Veronese, The Finding of Moses, 1741 The Finding of Moses

Emblem with Fatherert Time as a symbol for passing by time, Anonymous, After Boëtius Adamsz. Bolswert, 1623 print Father Time with Hourglass and Zeis symbolizes the passing of time, something that the believing Christian must constantly be aware of. Antwerp paper engraving the life of man. allegorical representations of the effects of time. Father Time, man with wings and scythe

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory25. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A woodcut by Leonhard Beck from 1516-1518 depicting Saint Adalbertus (Ethelbertus), one of the saints linked to Emperor Maximilian I's family and court.

Arthur B Davies, Angled Beauty, 1918 Angled Beauty

Gewelfdecoratie uit Pallazzo Barberini; Plafondschilderingen in de salon van het Palazzo Barberini; Barberinae Aulae Fornix.Part of the vault decor in the Salon of Palazzo Barberini with Minerva in battle with the giants. Text in Latin in undermarge.

SKETCHES ON THANKSGIVING DAY, LONDON, 1872 engraving

Woodcut from Dürers workshop showing History No. 4 image for the honorary gate of Emperor Maximilian I, carved on pear wood in 1515.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo01. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Bergsturz, Bl. 20, Zelt, Op. XIV. Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), printing house, Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house

Umbria Terni Narni S. Giovenale, Cathedral45. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints 1898-1899 France. Wood-block print in black ink on thin ivory Japanese paper . Paul Gauguin

Umbria Terni Narni S. Domenico25. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

'Composition Study (V). Sketch for «Guernica»', 1937, Oil and graphite on plywood, 60 x 73 cm, DE00062. Author: PABLO PICASSO (1881-1973). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Sinking steamship and Neptune with three-span in the waves, draughtsman: Lourens Alma Tadema, 1846 - 1912, paper, pen, h 153 mm × w 195 mm

Work entitled Natcafe by Edvard Munch (1863-1944). This work was produced in 1901.

Pencil sketches by Anton Romako depicting masts and flags, showing structural and decorative elements of maritime scenes.

Breton Women Harvesting (Bretonnes faisant la moisson). Dimensions: 24.5 cm x 32.7 cm, 24 cm x 29.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: EMILE BERNARD.

Ridiculous Dream', 1819-1823 Artist: Francisco Goya. Plate 3 of 'Proverbs', published in 1864. 'Proverbs' is an album of twenty-two prints which is the last major series of prints by Francisco Goya.

Soviet Propaganda Magazine Interior, Bezbozhnik u Stanka (Atheist at his Bench) Magazine, Illustration by Dimitry Moor, 1920's

A cartoon commenting on British seaside resorts, each given prominence it earned by the number of visitors it attracted. Illustrated by Edward Linley Sambourne (1844-1910) an English cartoonist and illustrator. Dated 19th century

The Temptation of Saint Anthony: Saint Anthony Praying with Witches in Sky (page 9), c. 1898. Henri Rivière (French, 1864-1951). Book with 47 line blocks (some photo mechanical), hand-colored with stencils; overall: 25 x 32.8 x 1.5 cm (9 13/16 x 12 15/16 x 9/16 in.).

Aufruhr (Uprising). From: Ein Weberaufstand (A weavers' revolt). prints, etchings, aquatints, works on paper

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Ung beautiful evening of Esté." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-1 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Houses with thatched roofs. Completed in 1890.

Emilia-Romagna Ferrara Argenta S. Domenico0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Drawing, Neptune Riding over the Sea in a Chariot; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on off white laid paper; 15.5 x 27.6 cm (6 1/8 x 10 7/8 in.)

Ikarus Icarus Marr, Carl von, 1858-1936. 1905. still image. Art reproductions. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Chariots, Muses (Greek deities), Wings (Anatomy), Mythology, Greek, Apollo (Greek deity), Sun in art, Icarus (Greek mythology)

Lazio Roma Subiaco Rocca Abbaziale0. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Millefleurs ground with shepherds and shepherdesses. unknown c. 1500-1535 Tapestry Dimensions: H 7'10" x W 10'7" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 3/30/1917; sold to S. W. Straus 5/24/1923. France, Puy-de-Dôme, Villeneuve-Lembron, Château de Villeneuve-Lembron. Inscriptions: Inscription in central field on banderole: par cy pacce rigaut Inscriptions: Inscription in central field on dog: rigaut In center, 2 shepherds holding coat of arms & banderole, surrounded by 5 couples of shepherds & shepherdesses & young male shepherd; surrounded by sheep, lambs & dogs; coats of arms emblazoned on sheep (lower R corner) & dog has inscription Fragment of tapestry; borders missing (Cavallo). This tapestry was rewoven in areas c.1921 by French & Co. The changes are apparent in the reweaving of the men's hands (Dimitrova). French & Co. stock sheet in archive, 4090 also lists: 18895/13

'The Triumph of Cupid', 19th century.Artist: George Cruikshank

Chalon, Christina, Leiden, Mare, Pieter de, Seated mother and child, verso center - stamped, print, prints, height 97 mm, width 49 mm, Northern Netherlands, 1758-01-30 - 1796-06, print maker, printmaker, 1777 - 1779, paper, papier, etching, etchings, 1748 - 1808-12-13, intermediary draughtsman

Lazio Rieti Rieti S. Domenico5. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: 16th century archiecture, frescos (16th century) of the Last Judgement German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculptors at work in Ancient Rome. Date: BCE

Favorsky, Vladimir Andreevich (1886-1964) State Tretyakov Gallery, Moscow 1924 Woodcut Book design Russia Bible Book Art

Anonymous (Copy after Goya y Lucientes, Francisco de) / 'And still they don't go! Capricho 59'. Mid-XIXcentury. Wash, Pencil, Pencil, Indian ink, Grey ink, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.

Russian repulse at Silistria, 19th century, (1888). Artist: Unknown

Selected images from Hokusai's Manga, 1835, Woodcuts

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

The arch with a shell ornament. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Prisons, Capricci

THE DEVELOPMENT OF MEDICINE - SKETCH - 1932-1941 - O / L - 1.34 x 1.45 m - PAINTED FOR THE RCA VESTIBLE IN THE ROCKEFELLER CENTER OF NEW YORK. Author: SERT JOSE MARIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Engraving depicting Charles Genêt's plan for a flying machine. Dated 19th Century

Abruzzo L'Aquila Celano S. Maria Valleverde8. Hutzel, Max 1960-1990 Medieval: Sarcophagus (Early Christian); stoups (9-10th centuries) Post-medieval: Architecture; architectural sculpture; sculpture; frescoes; intarsia; miniatures German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese03. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mexico.Aguascalientes.Engraving of Jose Guadalupe Posada (1852/1913).

Work entitled Grief March by the Norwegian artist Edvard Munch (1863-1944). This work was produced in 1897.

Gestel and wife with flower arrangement for Paul Fierens. Draughtsman: Leo Gestel. Dating: 1937. Measurements: h 154 mm × w 103 mm. Museum: Rijksmuseum, Amsterdam.

Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures. Painting. Watercolor. Height: 203 mm (7.99 in); Width: 295 mm (11.61 in). Author: JOHN FLAXMAN.

Paul Gauguin, Wayside Shrine in Brittany (Le calvaire Breton), in or after 1895 Wayside Shrine in Brittany (Le calvaire Breton)

The Tale of Tom Thumb, the dwarf: Cow eating Tom as his mother is milking; Tom riding a butterfly; Falling into a bowl of milk pudding at King Arthurs Court; Being killed by the spider. Illustration from a childrens picture book c1800.

Figures with sailing trees on a floating platform, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint poling, punting

Working outside a mine, xylograph from a medieval manuscript, 16th Century.

Work entitled Swamp by the Norwegian artist Edvard Munch (1863-1944). This work was produced in 1903.

Winslow Homer, Saved, 1889 Saved

Untitled Sketch vignette for Gestel biography by Van der Pluym, view of Woerden with a hand reaching for a winged palette. Untitled Sketch face on Woerden with hand and flying palette. Draughtsman: Leo Gestel. Dating: 1935 - 1936. Measurements: h 132 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.

Cloud study with sun. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 88 mm × w 120 mm. Museum: Rijksmuseum, Amsterdam.

Prison, Imaginary Prisons, Giovanni Battista Piranesi, 1760-1761, Museum Berggruen, Berlin, Germany, Europe

Cartoon, The Inventor's Dream. An inventor dreams of fantastic new weaponry for delivery next spring. Date: 1917

Umbria Terni Porano Torre S. Severo5. Hutzel, Max 1960-1990 Post-medieval: An example of a grand aristocratic residence of the late Renaissance aristocracy, built by Cardinal Simoncelli. The palace was never completed, and is now in a state of great disrepair. No written or visual documentation exists for this site prior to Hutzel's campaign and attributions for the frescoes have not been made. Exterior views; interior views of frescoes and stucco work on ceilings and walls Object Notes: Site not recorded in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

HERRE LOUY EN SEVILLA - 1978 - AGUADA DE TINTA CHINA Y LAPIZ. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

De Visschers Johannes F.E. Ten Klooster (Dutch, 1873-1940).. Linocut, 14 13/16 x 19 5/8 in. (37.7 x 49.8 cm). European Art

Hans Burgkmair, known as the old (1473-1531). Der Weisse Koenig: the seat of a stronghold (Dornik-Eger 29). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, emperor, history, illustration, serious board, triumph, 16th 16th XVI 16th 16th 16th century, xylography, engraving

Campania Caserta Caserta Palazzo Reale34. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Excerpt from the Leipziger Illustrated Zeitung No, of January , page , Ascension of an Austrian-Hungarian border gendarge train through a karst gorge, After, Victor Schramm -, drawer

Souvenir of a Castle in Vosges 1857 Victor Hugo French. Souvenir of a Castle in Vosges 400924

The man who made up his mind not to catch the flu by William Heath Robinson. Please note: Credit must appear as Courtesy of the estate of Mrs J.C.Robinson/Pollinger Ltd/ILN/Mary Evans 1927

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