Italian Historical Art Photographs

Black and white images capturing various forms of Italian art, including sculptures and paintings from different historical periods, highlighting intricate details and craftsmanship.

Campania Napoli Naples S. Lorenzo Maggiore074. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

George Henry Seeley, Autumn, 1910, photogravure on paper.

671 Archaïc female statue. A.M. Athens , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Tuscany Grosseto Sovana S. Maria. Hutzel, Max 1960-1990 Exterior views show that this 12th-century Romanesque church is accessbile through a portal on the Piazza del Pretorio. Interior views in the Medieval core collection include an 8th-9th century travertine ciborium, a holy water font, a marble scroll border of Christ displaying his wounds, and various paintings. Views in the Hutzel collection are of 15th and 16th century frescoes: the Madonna and Child, St. Barbara, St. Lucy, St. Sebastian, St. Roch, St. Mamiliano, Christ, St. Anthony and St. Lorenzo. Antiquities: A roman column Object Notes: Hutzel photo campaign date: November 22, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Campania Napoli Naples S. Lorenzo Maggiore074. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

The eternal one here "-said Alfred Nossiga (1864-1943) presented at the artist's individual exhibition at the Galerie des Champs-Elysées in parish in 1899; 1899 (1899-00-00-00-1899-00 -00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print; products from Wzkien / Paper / Paper, products from Wzkien / Paper / cardboard; height 23.0 cm, width 16.5 cm width ; Di 103406 MNW; all rights reserved.Nossig, Alfred (1864-1943), Nossig, Alfred (1864-1943)-reproduction, Rajchman, Aleksander (1855-1915)-collection, Polish (culture), sculpture (artist), Polish sculpture, eternal Jewish wandering (iconogr .)

974 balustrade of Nike temple. A. M. Athens , Balustrades, Antiquities, Goddesses, Bas-reliefs, Nike Greek deity. Nicholas Catsimpoolas Collection

Lazio Roma Subiaco Sacro Speco. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized

Travel photographs by Johann Victor Krämer around 1900 showing urban streets, rural landscapes, and buildings with detailed composition and perspective.

Lazio Latina Gaeta S. Francesco7. Hutzel, Max 1960-1990 Exterior views of neo-Gothic church, including detail views of main portal. Interior views emphasize ceiling's complicated nervature and main altar. View of Pieta fresco and crucifixion painting. Views of cloister. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Vallo di Nera S. Maria12. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait Norbert Goeneutte (French, 1854-1894). Portrait, 1894. Lithograph in bistre on wove paper, Image: 21 x 10 in. (53.3 x 25.4 cm). European Art 1894

Sculpture from Firminus from the cathedral de Notre-Dame in Amiens, c. 1875 - c. 1900 photograph Amienspublisher: Europe cardboard. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. saints Notre-Dame d'Amiens

Campania Caserta Capua Museo Campano03. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Spirit of the Storm. Louis Fleckenstein (American, 1866 - 1943)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)91. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Campania Caserta Caserta Palazzo Reale9. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale8. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Male figure in half (for a worship) And a leg ..

, new building belt - lightobelisk - detail, postcard, Brothers Kohn KG B, producer

Fantin-Latour workshop. 1895-1905. Anonymous photography. Paris, Carnavalet museum. Fantin-Latour workshop. To the left of a sofa, a small work table and above, hanging on the wall, platres. Workshop artist, study, exhibition workshops of artists small palace, foot, French artist, hand, modeling, molding, many, mutiny/camp (ind)/arm: pers, painter, French painter, foot, study, hand, studio

Shirtless Man with Arm Raised in Fascist Salute with Superimposed Cross, Circle, and Spray of Flowers. Artist: Mario Castagneri (Italian, 1892-1940). Dimensions: 23.0 x 28.8 cm (9 1/16 x 11 5/16 in.). Date: ca. 1930. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Rome S. Ignazio di Loyola08. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Study of a female nude model, squatted and on the back, in the studio of sculptor / painter Jacques de Lalaing, preliminary study for woman who heard on the edge of a pelvis, element for a fountain in Musee des Beaux Arts, Tournai and for circular Fountain, 1903..

Coming Through the Door. Artist: Clarence H. White (American, 1871-1925). Dimensions: 20.2 x 13.1cm (7 15/16 x 5 3/16in.)Mount: 21.4 x 31.9 cm (8 7/16 x 12 9/16 in.)Mount (2nd): 37.1 x 31.9 cm (14 5/8 x 12 9/16 in.). Date: 1898. Museum: Metropolitan Museum of Art, New York, USA.

The fine picture of justice by the French artist Pascal Dagnan-Bouveret. December 14, 1954.

Edward Steichen, The Black Vase, 1901, platinum print.

Abruzzo L'Aquila Sulmona Museo Civico0. Hutzel, Max 1960-1990 Museo Civico Treasures: these objects (Tesoro del Pio Istituto della SS. Annunziata and Tesoro della Cattedrale) are now housed in the security vault of a bank, not in the Museo Civico, as noted in Hutzel's photo campaign notes of August 1984. Views of the treasures include: a silver processional cross (14th century); gold, silver and enamel chalice (13th century), gold and silver crosier with sculpted figures depicting the Annunciation (13th century), a silver and gold reliquary with glass (13th century), a silver diadem (13th century), and a box-like silver and gold reliquary (15th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wel

Campania Caserta Caserta Palazzo Reale0. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

My Daughter, Mr Cabanel! Artist's working dates 1853-1898 Belgium. Drypoint on cream laid paper . Félicien Rops

Florence. Louis Fleckenstein (American, 1866 - 1943)

Title page with reproduction painting: Antoni Gawi Z: "W Drowiec" 1904, No. 8 (February 20), p. 141; W Drowiec (Warsaw; magazine; 1863-1906); 1904 (1895-00-00-1905-00-00);

Umbria Terni Narni S. Domenico16. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Female model, naked, sitting a three-quarter Female model, naked, three-quarter sitting ". 1840-1863. Daguerreotype. Museum of Fine Arts of the city of Paris, small palace.

Elisabethkirche, Sculpture of St. Elisabeth in the Elisabethkirche in Marburg, photograph, photo, photos, height 119 mm, width 49 mm, photographer, 1890 - 1920, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, photographic paper, photo paper, cardboard, daylight collodion silver print, names of historical buildings, sites, streets, etc. (Elisabethkirche), names of cities and villages (Marburg), piece of sculpture, reproduction of a piece of sculpture

Lazio Rieti Posta S. Rufina4. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, sculpture, metalwork (tabernacle), wooden statues, stucco decoration. This church has a greek cross plan and a Baroque interior. Object Notes: Posta environs. Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mary Cassatt at the Louvre: The Etruscan Gallery copper plate. Dated: 1879/1880. Dimensions: plate: 26.8 x 23.4 cm (10 9/16 x 9 3/16 in.). Medium: cancelled copper plate. Museum: National Gallery of Art, Washington DC. Author: EDGAR DEGAS.

Reproduction of a painting: Feliks Cichocki (1861-1921), A poor orphan ; from: "Wędrowiec", 1899, no. 28, p. 541. Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

Umbria Terni Narni S. Domenico45. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Ethiopian Monarch. F. Holland Day; American, 1864-1933. Date: 1897. Dimensions: 10.9 cm (image/paper diameter); 17.8 x 12.3 cm (first mount); 35.6 x 27.9 cm (second mount). Platinum print. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: F. Holland Day.

Pierrottos. Alice Boughton (American, 1865 - 1943)

Spring Morning, 1875. James Tissot (French, 1836-1902). Drypoint; sheet: 50.7 x 27.9 cm (19 15/16 x 11 in.).

Umbria Perugia Todi Pinacoteca0. Hutzel, Max 1960-1990 Views are mainly of Renaissance paintings and frescoes, and also medieval statues. Among the paintings: a copy of Guido Reni's Susanna and the Elders; a Madonna and Child with Saints by Polinori; St. Bernardino Tomitano da Feltre bu lo Spagna. Antiquities: Roman bust and architectural fragments from the Etruscan and Roman periods excavated in the territory of Todi. Object Notes: Photos were taken in 1960. General Notes: The Pinacoteca civica, the Museo etrusco-romano and the Archivio comunale are all housed in the Palazzo del Capitano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque m

Lazio Roma Frascati Episcopal Palace46. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo

Mummified body of Pharaoh Sethi I..

Abruzzo L'Aquila Celano Museum09. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Atri S. Maria Assunta, Cathedral0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (11-15th century); sculpture; wall paintings (15th century), terracotta Roman grave relief Post-medieval: Frescos, architecture, sculpture, metalwork (reliquary and tabernacle) Exterior and interior views; extensive, detailed coverage of choir frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Benevento Sant'Agata de' Goti Chiesa dell'Annunziata6. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th centuries). Post-medieval: Marble portal (1563), with bas-relief in lunette; paintings on panel and canvas; frescos (14-15th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Acquapendente S. Sepolcro, Cathedral7. Hutzel, Max 1960-1990 Exterior and interior views. Marble reliefs by Agostino di Duccio, altarpiece by Beneventano, wooden choir by Mario Tedescho; statues, friezes, views of crypt's columns and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drifts. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 1020 x 680 mm (image); 1076 x 760 mm (sheet). Photolithograph in black from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Tuscany Siena Montalcino Museo Diocesano4. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata San Severino Marche Chiesa delle Clarisse7. Hutzel, Max 1960-1990 Exterior views of the 15th-century church with its 17th century baroque facade. Interior views of the main altar, four side chapels, two transept chapels, 19th century dome frescoes and a conch fresco of Saul's Conversion on the way to Damascus. The altar (17th century), of marble intarsia is held up by four putti. The Rococo altarpiece bears the inscription Altare Gregorianum Perpetuum. Views also of a gilt organ (17th century), pulpit, and marble holy water font (1598). Object Notes: There are two prints for almost every negative; one set of prints was previously identified as S. Maria del Glorioso. General Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in I

Amazone , Equestrian statues, Antiquities, Amazons. Nicholas Catsimpoolas Collection

Lazio Rieti Magliano Sabina S. Pietro. Hutzel, Max 1960-1990 Exterior views of Romanesque facade and apse. Views of Lombard Romanesque interior, with special attention to columns. Frescoes of Virgin by Antoniazzo Romano and an unidentified bas relief of the Virgin and Child with saints. Antiquities: Columns and capitals of various styles. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Still life by Victor Angerer showing Ambras collection pieces and a Danube female model by Hans Gasser, produced with light pressure on painted paper in 1882.

Lazio Rieti Toffia S. Lorenzo6. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Fresco fragments, sculpture, painting, stucco, architecture Antiquities: Architectural fragments, sculptural fragments Object Notes: Already existing in the 10th century, it became for some time, after the devastating incursion of the Saracens, cathedral and seat of the bishops of Sabina. Actual structure dates from the late 1200's and is decorated in the interior with votiv frescoes. Some objects are conserved from the Roman era: inscriptions, relief fragments, tomb sculpture fragments. See TCI, Lazio, p. 481 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

`Tors kobiety` Female torso - Sculpture by Olga Niewska en face view of sculpture, at the workshop. unknown, photographer

Fylgia (depicted name).Fylgia (depicted name)

Orphan. Artist: James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). Dimensions: sheet: 22 1/16 x 12 1/16 in. (56.1 x 30.7 cm)plate: 22 x 11 5/16 in. (55.9 x 28.7 cm). Date: ca. 1879.Tissot used printmaking as a means of disseminating his painted compositions, in this case one that he exhibited in London in 1879. The etching shows his companion from that decade, Kathleen Newton, and her daughter acting parts in a rather morbid drama. This and a group of trial proofs are the only known impressions, and the painting is now lost. We do not know why Tissot abandoned the plate, but a burnishing of the child's head in one impression suggests he may not have been content with the way the figure had been etched. Museum: Metropolitan Museum of Art, New York, USA.

Head of a horse with a bridle, James Newman Hodges, Guy Head, 1796 - 1821

Portia, part of Memorial by Sir Bertram Mackennal K.CV.O, RA. October 6, 1949. (Photo by Monger & Marchant).

Gloss collodion photograph by Johann Victor Krämer showing a female nude in the studio, produced around 1900.

Lazio Roma Rome S. Sebastiano and Catacumbas3. Hutzel, Max 1960-1990 Medieval: Fresco paintings from chapel of Onorio III, "Sebastiano ad Catacumbas" (13th century, c. 1216-1227). Post-medieval: 17th century architecture (1609, architectural sculpture, sculpture, painting, fresco painting, stucco. On via Appia. General Notes: Missing 15-17, and 38-41. 94 prints total according to H. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche37. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study of a feminine nude model, sitting on stage and seen diagonally from aside, in the studio of sculptor / painter Jacques de Lalaing, preliminary study for grave monument Fernand SCRIBE 1898 in Ghent graveyard.

Krakow National Museum Ochtervelt Jakub, Watercolor from the collections of Erazm Barącz unknown

Lazio Latina Cori S. Oliva46. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore07. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

The Model. Louis Fleckenstein (American, 1866 - 1943)

Abruzzo L'Aquila S. Giuliano S. Giuliano1. Hutzel, Max 1960-1990 Two exterior views and numerous interior views, including altars, sacristy, and paintings; several views of the cloister with intensive coverage of the lunette frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La fiumana, draft in charcoal and pastel, giuseppe pellizza da volpedo

Madrid, January 1959. Salvador Dalí's index indicates on the famous painting by Velázquez what the painter from Portlligat considers a path of painting for the future.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo82. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lazio Rieti Casperia S. Giovanni Battista5. Hutzel, Max 1960-1990 Medieval: Architecture. Campanile dating from the 12th century, with two registers of double-arched windows and a loggia on the uppermost register. Post-medieval: Architecture, painting, sculpture. In the apse, painting of the Baptism of Christ, by Iacopo Siculo dated to 1524. On the predella is depicted Christ and the Apostles. Statue of Christ holding lamb and book with seven seals, Crucifix of marble. Views of campnile, fountain in piazza in front of church, and interior views of nave, crucifix, cupola, choir, paintings and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance

Tanya Litho HC 2/18. Robert Rauschenberg (American, 1925-2008); fabricated by Otsuka Ohmi Ceramics Co. (Japanese, 20th century). Date: 1982. Dimensions: 570 x 382 x 14 mm. Photoscreenprint in warm brown on white glazed porcelain tile. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo23. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Abklatsch of the chalk drawing on page 17 Verso, c. 1840 Page 18 Recto from a sketchbook with 24 sheets. paper

Campania Benevento Sant'Agata de' Goti Cathedral9. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture (10th-12th centuries); frescos (14th century); stoup. Post-medieval: Baroque additions to exterior and complete remodel of interior, including extensive stucco work; elaborately carved wooden choir stalls (17th century); paintings on canvas; tessellated pavement; sculpture; inscription; crucifix Antiquities: Corinthian columns reused in portico and crypt German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria in Cosmedin4. Hutzel, Max 1960-1990 Medieval: Architecture, mosaics, sculpture, sculptural relief. Post-medieval: Painting (frescoes), sculpture Object Notes: Basilica is famous for "Bocca della Verita" relief in the exterior forecourt. The basilica was erected in the 6th century and enlarged by Hadrian in the 8th century. It dates back to the arrival of Greeks in Rome, persecuted in Greece by the Iconoclasts of the Orient. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Luxury

Blancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: statue in front of the Central Palace of the Colonies, Paris (Title Faitice), 1889. Platinum draw. Carnavalet museum, history of Paris.

Etching by Robert Sayer, 1776, depicting a philosopher in contemplation, showing a seated figure with thoughtful gestures in late 18th-century European style.

Bliej Kultury unknown

Lazio Roma Rome S. Girolamo degli Illirici2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco Object Notes: Constructed under Sisto V in 1588 by Longhi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Ignazio di Loyola9. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Sehnsucht; Klinger, Max (1857-1920); 1909 (1909-00-00-1909-00-00);Partage Plus, Sachs, Carl (1858-1943), Sachs, Carl (1858-1943) - collections, Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, female acts, lovers, love, modernism (style), Sea (symbol.), Men, love scenes

Lazio Rieti Labro S. Maria1. Hutzel, Max 1960-1990 Medieval: Architectural fragments, sculptural fragments. Post-medieval: Architecture, architectural sculpture, fresco painting, painting, sculpture, sculptural fragments Object Notes: In 1508, the church was built over the remains of a castle, preceding that of the Vitelleschi. No information provided by Hutzel. See TCI, Lazio, p.456. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

First bouquet (after a painting by Hermann Theodor Schultz). W. Korn & Co. (Berlin ; drukarnia ; ca 1861-), printing house, Hartung, graphic artist, Schulz, Hermann Theodor (1816-1862), painter

Francisco Goya (1746-1828) was a Spanish painter and printmaker. Considered the most important Spanish artists of the time, he is honored as one of the last of the Old Masters and one of the first of the Moderns. His early paintings were optimistic and jolly, as the years passed, his works became very pessimistic. A highly regarded portrait painter, Goya did this portrait of himself as an artist in a studio in 1785, when he was in his about 39.

Study of a feminine nude model, seen from the front and leaning on a column with a jug above the head, in the studio of sculptor / painter Jacques de Lalaing, preliminary study for circular fountain, 1903..

Dans l'escalier. Paul Bergon (French, 1863 - 1912)

Umbria Perugia Trevi Palazzo Communale, Pinacoteca2. Hutzel, Max 1960-1990 Views of the 15th century facade of the Palazzo Communale and the Piazza Mazzini. Views of the fine collection of Umbrian painting, sculpture, metal work and Deruta Maiolica in the Pinacoteca. Of special note is a sculptural group which is an excellent example of the great 19th century sculptor Cesare Aureli. The photos also show the encycolpedic collection of Umbrian paintings (14th-16th centuries) highlighted by works of Giovanni Spagna, Giusto di Grand and Pinturricchio. Object Notes: Hutzel shot this campaign in 1984. General Notes: Prints H-35, 37, 46 and 48 were erroneously attributted to Benozzo Gozzoli by Hutzel. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including object

Chaliapin as Mephistopheles. Kowalski, Leon (1870-1937), graphic artist

Friuli-Venezia Giulia Udine Gemona del Friuli Cathedral3. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture (1290-1337) Object Notes: Photographed during the restoration following the earthquake of the early 1980's. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Piedipaterno sul Nera Romitorio3. Hutzel, Max 1960-1990 Post-medieval: Architecture; fragments of votive frescoes by Umbria School artist (15th century, 17th century); pascal candle; pulpit German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Pitigliano SS. Pietro e Paolo, Cathedral. Hutzel, Max 1960-1990 Medieval: 14th century campanile. Post-medieval: 16th and 18th century architecture including baroque facade (modifications of original medieval structure), architectural sculpture, paintings on canvas, elaborate Baroque altar with sculpture, travertine pilaster monument bearing Orsini arms and emblem (located in piazza in front of cathedral) Object Notes: No negatives for second set of prints German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ESCULTURA-URSULA-BRONCE 1965. Author: JULIO LOPEZ HERNANDEZ (1930-2018). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Photo production of a painting by Cinderella by Eugène Joseph Lejeune, Goupil & Cie., Goupil & Cie., After Eugène Joseph Lejeune, 1866 - 1884 photograph Paris paper. cardboard albumen print tales and fairy tales (with TITLE)

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