Italian Religious Art

Frescoes and sketches depicting biblical scenes and saints, showcasing intricate details and rich historical context in various Italian churches.

Elsheimer, Adam, Soutman, Pieter Claesz., Saint Lawrence, verso lower right - stamped, Saint Lawrence stands with his arms outstretched, while a poorly dressed young man unties the knot from the cord of his dalmatic. An old man behind him points to the side, where the fire is stoked under the grate on which Lawrence will be tortured. Two richly dressed men, one in Eastern costume, the other in Western clothing, look at Lawrence. An angel floats above them. In the background, two Romans sit under a baladachin. On the left a statue of a male nude., print, prints, height 257 mm, width 203 mm, Northern Netherlands, 1601 - 1657-08-16, print maker, printmaker, 1616 - 1657, paper, papier, ink, inkt, etching, etchings, engraving, engraving (printing process), pen, Work conception, 1578-03-18 - 1610-12-11

Lazio Viterbo Vitorchiano Madonna di S. Nicola9. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima S. Agostino6. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sketchbook Folio, The Madonna and Child Enthroned with Saints; Study after Panetti or Costa; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper; 30.7 x 21.9 cm (12 1/16 x 8 5/8 in.)

No more Prussia and no more Oestreich, Allegorical representation, Bauer, dealer, craftsman, worker, bourgeois man, soldier, pastor and officer pay homage to the allegorical shapes of Germania and Libertas, including a portrait of the archduke Johann , Arnz , Comp, Lithography Institute

Lazio Viterbo Viterbo S. Maria della Verita, Cloister39. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Federico Barocci, Vision of Saint Francis, 1581 Vision of Saint Francis

Ecce Homo, from The EngravedPassion. Artist: Albrecht Dürer, German, 1471-1528

Elsheimer, Adam, Soutman, Pieter Claesz., Saint Lawrence, verso lower right - stamped, Saint Lawrence stands with his arms outstretched, while a poorly dressed young man unties the knot from the cord of his dalmatic. An old man behind him points to the side, where the fire is stoked under the grate on which Lawrence will be tortured. Two richly dressed men, one in Eastern costume, the other in Western clothing, look at Lawrence. An angel floats above them. In the background, two Romans sit under a baladachin. On the left a statue of a male nude., print, prints, height 257 mm, width 203 mm, Northern Netherlands, 1601 - 1657-08-16, print maker, printmaker, 1616 - 1657, paper, papier, ink, inkt, etching, etchings, engraving, engraving (printing process), pen, Work conception, 1578-03-18 - 1610-12-11

Copper engraving and etching by Peter Floding from 1761 depicting Adolpha Frederick in a leadership portrait with military and formal elements.

Wszyscy Święci w MNK Wenzel, Giovanni (1791 1880), Bigioli, Filippo (1798 1878)

Tuscany Grosseto Massa Marittima S. Agostino8. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

14th century. Duchess on the go. The squirrel runs a horse, ladies accompany. (Drawing taken from the legend of St. Jadwiga), from: Tygodnik Ilustrowany, 7.06.1862, No. 141 Styfi, Jan (1841 1921), Kossak, Juliusz (1824 1899)

Marches Macerata Castelsantangelo sul Nera S. Stefano0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Lazio Roma Velletri S. Clemente, Cathedral44. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche66. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Perugia Galleria Nazionale dell'Umbria4. Hutzel, Max 1960-1990 Views of Umbrian painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Depicts the handover of keys to Peter, drawn with feather and gray wash, showing figures, gestures, and ceremonial arrangement, dated 1727-1730.

The Music Master - The Maids of Elfen-Mere - Proof, 1855. After: Dante Gabriel Rossetti. Engraved by Dalziel Brothers.. Proof of an illustration by Rossetti created to illustrate a ballad by William Allingham.

Design for the title page of the Treurspel Arzases, Jan Punt, 1732 drawing paper. ink. chalk. pencil pen / brush group of actors, troupe; actors on the stage. (scenes from) specific works of literature (with AUTHOR, Title)

Final scene from The awakening of the arts, Festival for the celebration of Beethovens hundred years of birthdays by Julius Rodenberg from Illustrirte Zeitung, Johann Paul Adolf Kießling -, artist

Umbria Perugia Perugia Galleria Nazionale dell'Umbria4. Hutzel, Max 1960-1990 Views of Umbrian painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata San Severino Marche Chiesa delle Clarisse9. Hutzel, Max 1960-1990 Exterior views of the 15th-century church with its 17th century baroque facade. Interior views of the main altar, four side chapels, two transept chapels, 19th century dome frescoes and a conch fresco of Saul's Conversion on the way to Damascus. The altar (17th century), of marble intarsia is held up by four putti. The Rococo altarpiece bears the inscription Altare Gregorianum Perpetuum. Views also of a gilt organ (17th century), pulpit, and marble holy water font (1598). Object Notes: There are two prints for almost every negative; one set of prints was previously identified as S. Maria del Glorioso. General Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in I

William, Duke of Gulik and Cleves, submits to Charles V and cedes Zutphen and Gelre to him, 1543, Jacobus Buys, 1794 - 1796, William, Duke of Gulik and Cleves, submits to Charles V and cedes Zutphen and Gelre to him, 1543. Design for a print., draughtsman: Jacobus Buys, 1794 - 1796, paper, pen, brush, h 158 mm × w 102 mm

Ludwig Xiv., King of France.

Penelope, wife of Odysseus, has promised to re-marry when she finishes her weaving : so each night she undoes what she has done during the day...

Print made by unknown artist, nineteenth century, Caractacus before Claudius, 1816. Etching and line engraving on thin, slightly textured, cream laid paper.

The Bredius case, Marius Bauer, After Rembrandt van Rijn, 1897 print Cartoon on the disagreement between Abraham Bredius and Victor de Stuers regarding the appointment of Waller in the Mauritshuis. The body of the Dead Bredius tired by the press, left F.G. Waller with the hat in hand, the Stuers and Minister Van Houten are watching on the right. Published in the addition of 'De Kroniek' of February 21, 1897. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper political caricatures and satires. the mourning over the dead Christ Netherlands. Mauritshuis

Woodcut depicting the White King consulting his captains and soldiers from sixteen nations before waging war on the new Green King, from the Weißkunig series of Emperor Maximilian I, by Hans Burgkmair, 1514-1516, wooden stick.

The Music Master - The Maids of Elfen-Mere - Proof, 1854-55. After: Dante Gabriel Rossetti. Engraver: Dalziel Brothers

Lazio Sermoneta S. Francesco8. Hutzel, Max 1960-1990 Medieval: Architecture (13-16th century); fresco (13th century). Post-medieval: Altar, wood (late Baroque), wall painting (15th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Norcia S. Agostino3. Hutzel, Max 1960-1990 Three prints of the exterior; the rest of the coverage is of the interior nave, altar, choir, crucifix, paintings, frescoes, and sacristy. Other prints form part of the numerical sequence for S. Agostino, even though the two monuments have never been part of the same complex. Coverage is primarily of the carved wood ceiling and the sculpture embedded in it. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print made by Anker Smith, 1759-1819, British, Alfred in the Danish Camp, 1816. Etching and line engraving on thin, slightly textured, cream laid paper.

William Blake, Job Accepting Charity, 1825 Job Accepting Charity

A drawing by Martino Altomonte depicting the review of the youth of Naim, on an altarpiece from 1731 in Wiener Karlskirche, executed with gray brush and pen, highlighted in white over a yellowish tone.

Umbria Perugia Bevagna Pinacoteca F. Torti. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ancona Sassoferrato S. Francesco. Hutzel, Max 1960-1990 Exterior views of this gothic church show a buttressed nave and west facade portal with a pointed arch. Taken from the belfry is a panoramic view of Sassoferrato. Views of the interior focus on various altar paintings and the main altar cross (14th century) attributed to da Rimini or Baronzio. Object Notes: Hutzel photo campaign date: March 17, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)76. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Wszyscy Święci w MNK Wenzel, Giovanni (1791 1880), Bigioli, Filippo (1798 1878)

Louis III et Carloman donnent aux eveques du Royaume l'assurance de leur Fidelite en 882 ca. 1791 Nicolas Lejeune French. Louis III et Carloman donnent aux eveques du Royaume l'assurance de leur Fidelite en 882 357586

Amsterdam, Luyken, Jan, Stone tablet with the precepts of Moses, verso - stamped, print, prints, height 141 mm, width 89 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1705 - 1705, paper, papier, etching, etchings

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche37. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Peill, Matthias, Germany, Ladomin, Franciscus, Portrait of Marcus von Aviano and thirteen representations of his miraculous deeds, verso - stamped, The Capuchin monk Marcus von Aviano at the age of 49 kneeling and praying before an altar. Surrounding this are scenes of miraculous healings performed by Marcus von Aviano in the year 1681, in Antwerp, Brussels, Aachen and Mungen (possibly Munich). Two columns of text in Dutch in the lower margin., print, prent, prints, prenten, Frederik Muller Historieplaten, height 530 mm, width 423 mm, German, print maker, printmaker, 1681 - 1681, paper, papier, etching, etchings, engraving, engraving (printing process), Dutch, writer

Duke with personification of a city, Pieter de Jode, 1648 print A Duke on a throne. There are various symbols on the canopy above the throne. The duke is flanked by a statue of justice (Justitia) and of caution (prudentia). With his right hand, he hands a paper to a female personification of a city. She was crowned with a wall crown. A lion with the coat of arms of the dukes of Brabant is at her feet. Antwerp paper engraving personification of a city, town-patron(ess). ruler, sovereign

Lazio Viterbo Bagnaia Villa Lante72. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wszyscy Święci w MNK Salmon, Louis Adolphe (1806 1895), Bigioli, Filippo (1798 1878)

Queen Margaret Resigning the Duke of York, Print made by Thomas Milton, 1743-1827, British, after Robert Smirke, 1752-1845, British, Published by J. Stratford, active 1792-1813, British, 1811, Etching and line engraving on thin, slightly textured, cream wove paper, Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm), Plate: 11 7/8 × 7 5/8 inches (30.2 × 19.4 cm), and Image: 9 7/8 × 6 1/4 inches (25.1 × 15.9 cm), frame (furnishing), historical subject

Psyche as goddess worshiped by the people, Antonio da Trento, Niccolò Vicentino, 1520 - 1602 print On a Stadsplein the people make sacrifices to the King's Daughter Psyche. Italy paper Psyche, worshipped as a goddess, incurs Venus' anger. square, place, circus, etc.

Marches Pesaro Fossombrone S. Aldebrando. Hutzel, Max 1960-1990 Post-medieval: 17th century Baroque architecture and frescos from the first half of the 15th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut by Leonhard Beck depicting Saint Rumoldus from the Sipp, magic, and sister-in-law of Emperor Maximilian I, executed on wooden stick in 1517.

Tuscany Grosseto Massa Marittima S. Agostino8. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chodowiecki, Daniel Nikolaus, Geyser, Christian Gottlieb, Presentation from the history of the Dutch stadtholders, With caption in German and French. Numbered at top right: 10., print, prent, prints, prenten, height 107 mm, width 62 mm, 1742-08-20 - 1803-03-24, print maker, prentmaker, 1796 - 1796, paper, papier, etching, etsen, Duits, 1726-10-16 - 1801-02-07, intermediary draughtsman

Godefridus from Kappenberg.

Saint Camilo de Lelis 1871-1913 México. Double-sided relief engraving on paper . José Guadalupe Posada

Monument erected to the memory of Donizetti. engraving 1855

Reproduction of the third part of the print series The Triumph from Christ to Joos Lambrecht, Simonau & Tooey, after Joos Lambrecht, After Titiaan, 1857 - 1875 photomechanical print Belgium paper photolithograph (Asser process) print, e.g.: engraving, etching, lithograph

H. Titus; De H. Titus Bisschop van Kreta. Aldaar in hoogen Ouderdom, in vreede gesturven.Saint Titus holds a portrait of the king of Crete that supports a map of this island. Titus stands on a base where his deathbed has been displayed on the front. PRENT In the middle of labeled: II. Part FOL: 91.

The stairs of the old age, 1761 - 1804 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge an allegorical representation with different objects, including a column base, a skull, a crown and a miter. Under the show a twelve -line verse in two columns. Amsterdam paper letterpress printing the ages of man represented by a staircase

Franca wild vonine, Heilige.

The Treasury.

Allegorical representation of reason; The reason. Speed is with an altar, with a rein to her arm and a sword on her lap. She supports her feet on a globe. It is flanked by two allegorical figures. Upstairs looks peace from the clouds. At the bottom left, a figure with a broken sword and a mining torch turns away. Under the print the title.

Bernhard Rode's drawing depicts Coriolanus being overcome by his mother, executed with leading handle, spring, and brown brush with lavated shading.

Speculum Romanae Magnificentiae: Trophies of Marius late 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clien

Adoration by the Kings Jésus adoré par les Mages , print maker: Alexis François Girard, (mentioned on object), after: Peter Paul Rubens, (mentioned on object), printer: Chardon ainé & Aze., (mentioned on object), 1797 - 1870, paper, etching, h 659 mm × w 488 mm

Votive board for the 70th birthday Serious Haeckels

Lazio Roma Rome Abbazia delle Tre Fontane (S. Maria Scala Coeli, S. Paolo alle Tre Fontane, SS. Vincenzo e Anastasio)2. Hutzel, Max 1960-1990 Exterior of facade of 16th c. church by Giac. della Porta. Views of the octagonal interior, including ceiling, apse mosaic, and crypt with 12th c. floor. Exterior views of facade and flank of 5th c. church, renovated in 16th c. by Giac. della Porta. Interior views of three edicolas with fountains and relief sculptures of St. Paul's head. Views of paintings depicting the life of St. Paul. Exterior views of portico, cloister garden and facade of church founded in 625 and renovated 1221. Interior views of Romanesque interior, the nave, altar and remains of 16th c. frescoes. Antiquities: Views of Roman floor mosaics of the four seasons, Roman fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thoroug

Jan de Beer depicts the marriage of Maria (Sposalizio) using black and white ink on gray-tinted paper, showing Mary, Joseph, figures, architectural background, and spatial arrangement with partial background revisions around 1515-1520.

Scene from Ancient History. Dated: 16th century. Dimensions: Overall: 17.3 x 44.7 cm (6 13/16 x 17 5/8 in.) support: 18.7 x 45.8 cm (7 3/8 x 18 1/16 in.). Medium: pen and brown and black ink with gray wash. Museum: National Gallery of Art, Washington DC. Author: Netherlandish 16th Century after Polidoro da Caravaggio.

Umbria Perugia S. Mamiliano S. Biagio5. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (Hutzel attributes to Mezzastris School); painting by Iacopo Siculo (1530); sculpture including statues, busts, baptismal font, monstrance German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese257. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Polish image images By nature and lithograph M. Fajans, an allegorical title card for notebook VII; Fajans, Maksymilian (1825-1890), Nanteuil, Célestin François (1813-1873), Lemertcier, Rose Joseph (Paris 1852 (1852-00-00-1856-00-00);

Bliżej Kultury unknown

Lazio Viterbo Caprarola S. Maria della Consolazione8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, coffering, woodworking, intaglio, fresco painting, painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chodowiecki, Netherlands, Brasser, Leendert, Lady being courted by gentleman, verso bottom center - stamped, print, book illustration, prints, height 150 mm, width 96 mm, 1727-11-19 - 1793-06-14, print maker, printmaker, 1727 - 1793, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

The capture of Paul Taferelen from the Acts of the Apostles (title series), draughtsman: Pieter Fransz. de Grebber, (attributed to), 1610 - 1652, paper, h 311 mm × w 200 mm

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile1. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

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Lazio Roma Rome Gesu e Maria7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco, gilding General Notes: Located next to S. Giacomo in Augusta, built by Rainaldi in 1675. Church was built for the Bolognetti family, and has come to be called "church of the beautiful tomb monuments" (Hutzel notes), making it resemble a Baroque theater. Restoration of fresco cycle depicting life and death of a martyr from 13th century Roman school. Site has been sent in duplicate. One set of negatives (37) and two sets of prints (72). There should be one more print, but no. 15 from the original set is missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

'The Earl of Somerset Summoned for Execution', 1838. Artist: Unknown.

Alinari, Fratelli, No. 3003 Firenze - Galleria Pitti, Photo reproduction of painting Madonna del Baldacchino by Raphael, Galleria Pitti, Florence, No. 3003 FIRENZE - Galleria Pitti Madonna del Baldacchino (Raffaello), photograph, foto, foto's, height 250 mm, width 192 mm, Italian, photographer, 1870 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Tuscany Siena Montalcino Museo Diocesano1. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bathsheba at Solomon. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 358 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.

Johann Tribus depicted the Glory of the Holy Koloman using pen and brush in gray-brown with laved technique, showing the saint with surrounding figures.

Les Cousines de la Colonelle. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1882. Prints; etchings. Etching on mounted China () paper

Marches Macerata Ussita Parrocchiale. Hutzel, Max 1960-1990 Medieval: Architectural fragments. Post-medieval: Architecture, architectural sculpture, painting, fresco fragments, sculpture, sculptural fragments Object Notes: See article on site provided by Hutzel. Also see TCI, Marche, p. 529 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Prediking from Brugman, 1463; Eloquence from Brugman. Preaction of Johannes Brugman in the open air on a city square, 1463.

Rembrandt van Rijn (1606-1669), manufacturing in the temple, About 1639

Grafmonument for Graaf Moritz Alexander van der Mark. Grafmonument for Graaf Moritz Alexander van der Mark, 1793. Alexander was the illegitimate favorite son of Friedrich Wilhelm II, king of Prussia. When the boy, eight years old, suddenly died, many names that the child was poisoned commissioned by the Hofkliek around the woman and legitimate children of Friedrich Wilhelm. The deceased child has been suggested lying on a sarcophagus and a mattress, his head supporting a helmet and a pillow. His small sword has gone out of his hand. The relief on the sarcophagus shows how chronos, god of time, the counter-stripping boy leaving at Athena, goddess of science and arts and the war flow, and leads to the underworld. In the upper zone, the three arrange goddesses are presented, with the old atropos in the middle, which determines the length of the dial wire.

Gustaaf Adolf van Zweden gets a sign from above when he enters Landshut, Daniel Nikolaus Chodowiecki, 1796 print Berlin paper etching History. city-gate. lightning, flash of lightning, thunderbolt. riding a horse, ass, or mule; rider, horseman

Allegory of the official acceptance of Archduchess Maria Anna van Austria as governor, 1744, 1744 drawing Allegory of the official acceptance of Archduchess Maria Anna of Austria as governors about the Austrian Netherlands. The governors standing next to her throne under a throne sky with the Virgin of the Southern Netherlands with the Lion for her. In the background a wall with niches with statues of the five governors that preceded Maria Anna. In the air the Habsburg eagle with weapon and document (the appointment earnings). The inscription at the top refers incorrect to Maria Theresia. Design for a performance on the Triumph arch set up on Muntplein in Brussels at the festive entry of Maria Anna and Karel Alexander in 1744. Brussels paper. ink. deck paint. pencil. chalk pen / brush offering ruler's position: presentation of crown or other symbols of authority (before coronation)

Axel theodor kittendorff (1821-1868); Lorency Frollich (1820-1908), Rolf Og Viggo, 1852

Two scenes from the life of King Louis IX, Dominique Sornique (Attributed to), 1729 - 1733 print On the left, King Louis IX bones picks up and on the right he gives a leper to eat. Paris paper engraving / etching historical persons. king

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Unknown

An ornate garden obelisk flanked by women with writing materials and blank tablets. Etching by J. Goeree after S. Schynvoet, early 18th century.

Theatrvm pictorivm : in quo exhibentur ipsius manu delineatæ, eiusque cur in æs incise picturæ, archetipæ Italicæ, quas ipse ser.mus Archdux in pinacothecam suam Bruxellis collegit 1684 David Teniers the Younger Engraved armorial title vignette: coat of arms of Leopold Wilhelm held by puttiTeniers made copies of the paintings from which the engravings were executedEngraved dedicatory page from a painting by Teniers is plate 1 dated 1658, calling the collection: Hoc Amphitheatrum pictuarumThe engravings of the paintings are from many engravers: I. Troyen, N. v. Hoij, L. Vosterman, P. Lisebetius, L. Popels, etc. Theatrvm pictorivm : in quo exhibentur ipsius manu delineatæ, eiusque cur in æs incise picturæ, archetipæ Italicæ, quas ipse ser.mus Archdux in pinacothecam suam Bruxellis collegit. David Teniers the Younger (Flemish, Antwerp 1610-1690 Brussels). 1684. Antwerp. Jan van Troyen (Flemish, Brussels ca. 1610-after 1666)

Umbria Perugia Bevagna SS. Domenico e Giacomo5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo97. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Sacro Speco0. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

"Wooden stick artwork by Leonhard Beck from 1518 depicting Sancta Ediltrudis, one of the saints from the Sipp, highlighting detailed figure and historical context."

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