← Artworks

Japanese Ukiyo-e Landscapes

Detailed prints depicting serene landscapes, travelers, and nature scenes from historical Japan, showcasing vibrant colors and intricate details.

Chiryu, Japanese Prints - Hiroshige
Chiryu, Japanese Prints - Hiroshige
325 assets in this story
1746-2350
The Temma bridge at Osaka, c. 1830, Katsushika Hokusai, (1760-1849/Japanese)
6145-54590889
Anonymous watercolor depicting a kidnapping scene with human figures in action, set in a landscape.
535-119
View of Mt. Fuji Katsushika Hokusai (1760-1849 Japanese)
4409-17563290
Matsuchi Hill seen from the Sumida River in the Eastern Capital (Toto Sumidagawa Matsuchiyama), from an untitled series of views of the provinces. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1854. Dimensions: 34 x 11 cm (13 3/8 x 4 5/16 in.). Color woodblock print; chu-tanzaku. Origin: Japan. Museum: The Chicago Art Institute, USA.
4408-4243
Floating World at Dusk, Japanese Prints - Hiroshige
6145-30187602
Evening Bell at Mii Temple (Mii no bansho), from an untitled series of Eight Views of Omi Japan. Color woodblock print; chuban . Utagawa Toyohiro
1899-18856047
Arai was born in 1873 and died in 1945. He worked with romantic scenes along beaches and rivers. Arai is known for Shin Hanga woodblock prints. Shin-hanga (版画, lit. 'new prints', 'new woodcut (block) prints') was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th-19th century). It maintained the traditional ukiyo-e collaborative system (hanmoto system) where the artist, carver, printer, and publisher engaged in division of labor, as opposed to the sōsaku-hanga (creative prints) movement which advocated the principles of 'self-drawn' (jiga), 'self-carved' (jikoku) and 'self-printed' (jizuri), according to which the artist, with the desire of expressing the self, is the sole creator of art. The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such
4266-14612
Fisherman on lake cliff by Katsushika Hokusai, colour woodcut, 1827-1830, 1760-1849, Russia, St Petersburg, State Hermitage, 26x38
4266-2464
Man making barrel by Katsushika Hokusai, color woodcut, 1830-1833, 1760-1849, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 25x37
4409-17427696
Ryogoku Bridge. Artist: Kuwagata Keisai (Japanese, 1764-1824). Culture: Japan. Dimensions: 11 5/8 x 16 5/8 in. (29.5 x 42.2 cm). Date: ca. 1780. Museum: Metropolitan Museum of Art, New York, USA. Author: KUWAGATA KEISAI.
6145-30165043
Ushimachi at Takanawa (Takanawa Ushimachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige
4409-17584555
Newly Published Perspective Picture of the Gate of the Palace of the Dragon King (Shinpan uki-e Ryugu karamon no zu). Utagawa Toyoharu; Japanese, 1735-1814. Date: 1767-1794. Dimensions: 25.4 x 39.3 cm (9 15/16 x 15 1/2 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.
4042-77970061
Nagakubo, Utagawa Hiroshige, late 1830's,
1899-18852866
Utagawa Kunisada II (川国定)(1823-1880) was a Japanese ukiyo-e printmaker, one of three to take the name 'Utagawa Kunisada'. A pupil of Utagawa Kunisada I, he signed much of his early work 'Baidō Kunimasa III'. He took the name Kunisada after marrying his master's eldest daughter in 1846. He changed his name once more following his master's death, to Toyokuni III. However, since there were three artists called Toyokuni before him, Kunisada II is confusingly often known as Toyokuni IV. Kunisada II is renowned for his prints. His favourite subjects were pleasure-houses and tea ceremonies. These themes are sometimes found together in some of his prints, as geishas usually acted as chaperones at tea-houses.
849-11521
Japanese Print (Overlooking The Village) By Yoshitoma Japanese Art(- ) David David Gallery, Philadelphia,Pennsylvania USA
6145-48510352
Scenic, Chinese Chippendale, ca. 1850; Printed by Desfossé et Karth (France); France; block-printed paper; 286 x 51.5 cm (112 5/8 x 20 1/4 in. )
4443-20307218
Yoshiwara yuki no asa, Morning snow at Yoshiwara., Ando, Hiroshige, 1797-1858, artist, between 1848 and 1854, 1 print : woodcut, color ; 24.6 x 36.7 cm., Print shows a snow covered community in the morning with porters carrying sedan chairs, probably containing male customers, down the main street leading away from the gated entrance to the yoshiwara.
1899-19137051
Japan: 'Moonlight Revelry at Dozo Sagami', ink and colour on paper, Kitagawa Utamaro (1753 - 1806), c. 1800
6145-58894828
The woods are full of them. The woods are full of them
6145-58828716
Folding Screen with the Arrival of a Portuguese Ship, anonymous, c. 1600 - c. 1625 One of two Namban screens, a left and a right half, each consisting of six panels. Performances of unloading the Portuguese ship and the procession of the Portuguese. Japan paper. dye painting One of two Namban screens, a left and a right half, each consisting of six panels. Performances of unloading the Portuguese ship and the procession of the Portuguese. Japan paper. dye painting
4409-17584562
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1825-1838. Dimensions: 25.4 x 37.6 cm (10 x 14 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.
6145-59223693
KAKI-KACHI Mountain, Kobayashi Eitaku, 1885 book Number 5 from the series: the Japanese fairy tale Kaki-Kachi Mountain, in English; Cover with title and image of decorated mole and konjin; Inside cover, preface; Ten magazines English text with illustrations; Cover, colophon. Tokyo paper color woodcut
4443-28740108
Inari Bridge and Minato Shrine, Teppōzu, 1857, 2nd month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 3/8 x 8 15/16 in. (34 x 22.7 cm) (image)14 1/4 × 9 3/4 in. (36.2 × 24.7 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
6145-51831218
Kambara, from the series Fifty-three Stations of the Tōkaidō Road Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Kambara, from the series Fifty-three Stations of the Tōkaidō Road, ca. 1834 or later. Color woodblock print on paper, Sheet: 9 7/8 x 14 3/4 in. (25.1 x 37.5 cm). Asian Art ca. 1834 or later
866-5072
One Hundred Famous Views of Edo Ando Hiroshige (1797-1858 Japanese) Christie's Images