Japanese Ukiyo-e Woodblock Prints

A collection of vivid woodblock prints depicting scenic landscapes, cherry blossoms, and historical travels in Japan during the Edo period.

The Sixty-nine Stations of the Kiso Kaid ( Kiso Kaid Rokujky-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige (1797-1858) and Keisai Eisen (1790-1848). There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints). The common name for the Kiso Kaid is 'Nakasend' or 'Central Mountain Highway', so this series is salso commonly referred to as the Sixty-nine Stations of the Nakasend. The Nakasend was one of the Five Routes constructed under Tokugawa Ieyasu, a series of roads linking the historical capitol of Edo with the rest of Japan. The Nakasend connected Edo with the then-capital of Kyoto. It was an alternate route to the Tkaid and travelled through the central part of Honsh, thus giving rise to its name, which means 'Central Mountain Road'. Along this road, there were sixty-nine different post stations (-shuku or -juku), which prov

Asukayama Hana Zakari ca. 1844 Japan. Asukayama Hana Zakari. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. ca. 1844. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Miya. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm). Date: ca. 1838. Museum: Metropolitan Museum of Art, New York, USA.

Tōkaidō gojo santsugi. Shirasuka. Plate No 33. From the series: Fifty-three stations of the Tōkaidō Road. woodblocks, works on paper

The Sixty-nine Stations of the Kiso Kaid ( Kiso Kaid Rokujky-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige (1797-1858) and Keisai Eisen (1790-1848). There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints). The common name for the Kiso Kaid is 'Nakasend' or 'Central Mountain Highway', so this series is salso commonly referred to as the Sixty-nine Stations of the Nakasend. The Nakasend was one of the Five Routes constructed under Tokugawa Ieyasu, a series of roads linking the historical capitol of Edo with the rest of Japan. The Nakasend connected Edo with the then-capital of Kyoto. It was an alternate route to the Tkaid and travelled through the central part of Honsh, thus giving rise to its name, which means 'Central Mountain Road'. Along this road, there were sixty-nine different post stations (-shuku or -juku), which prov

SIXTY NINE STAGES OF THE KISO ROAD /KISOKUJUKYU TSUGI NO UCHI Eisen, Keisai (1790 1848), HIROSHIGE, Ichiryusai (1797 1858)

Yui The Yui River (Yui, Yuigawa), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido) 1832-1847 Japan. Color woodblock print; chuban . Utagawa Hiroshige

Mishima, from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Mishima), also known as the Kyōka (Witty Verse) Tōkaidō ca. 1838 Utagawa Hiroshige Japanese. Mishima, from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Mishima), also known as the Kyōka (Witty Verse) Tōkaidō 36556

Fujisawa: Yugyo Temple (Fujisawa, Yugyoji), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.1 x 36.8 cm (9 1/2 x 14 1/2 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Fujiwara; Yugyoji ca. 1834 Utagawa Hiroshige Japanese. Fujiwara; Yugyoji 36928

Precincts of the Shiba Shinmei Shrine (Shiba Shinmei keidai), from the series Famous Places in the Eastern Capital (Toto meisho) 1827-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

No 25 Yawata, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi) 1830-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

The Sixty-nine Stations of the Kiso Kaid ( Kiso Kaid Rokujky-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige (1797-1858) and Keisai Eisen (1790-1848). There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints). The common name for the Kiso Kaid is 'Nakasend' or 'Central Mountain Highway', so this series is salso commonly referred to as the Sixty-nine Stations of the Nakasend. The Nakasend was one of the Five Routes constructed under Tokugawa Ieyasu, a series of roads linking the historical capitol of Edo with the rest of Japan. The Nakasend connected Edo with the then-capital of Kyoto. It was an alternate route to the Tkaid and travelled through the central part of Honsh, thus giving rise to its name, which means 'Central Mountain Road'. Along this road, there were sixty-nine different post stations (-shuku or -juku), which prov

Shimizu Harbor in Suruga Province (Sunshu Shimizu minato), from the series "Harbors of Japan (Nihon minato zukushi)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1835-1849. Dimensions: 25.7 x 7.5 cm (10 1/8 x 14 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Aerial View of Hara, Suruga Province (Suruga haru no fukei), from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” 1860 Japan. Color woodblock print . Utagawa Hiroshige II (Shigenobu)

No. 56: Mieji, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1830-1843. Dimensions: 23.9 x 36.3 cm (9 3/8 x 14 1/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Sunset Glow at Seta, from the series Eight Views of Ōmi (Ōmi hakkei) ca. 1834-35 Utagawa Hiroshige Japanese. Sunset Glow at Seta, from the series Eight Views of Ōmi (Ōmi hakkei) 49930

Autumn Moon at Ishiyama. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: H. 6 5/8 in. (16.8 cm); W. 9 in. (22.9 cm). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA.

海道五十三次之内　荒井 early 20th century Utagawa Hiroshige Japanese. 海道五十三次之内　荒井 55675

No. 60, Imasu, c. 1835-1838, Utagawa Hiroshige; Publisher: Iseya Rihei, Japanese, 1797 - 1858, 8 1/2 × 13 11/16 in. (21.6 × 34.7 cm) (image, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Snowy Morning from Koishikawa (Koishikawa yuki no ashita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei) 1825-1837 Japan. Color woodblock print; oban . Katsushika Hokusai

Print, Yugoyoji Temple (Fugisawa), in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi); Ando Hiroshige (Japanese, 1797 - 1858); Japan; woodblock print in colored ink on paper; 24 x 36.9 cm (9 7/16 x 14 1/2 in.)

Ishibe, from the series The Fifty-three Stations of the Tōkaidō Road early 20th century Utagawa Hiroshige Japanese. Ishibe, from the series The Fifty-three Stations of the Tōkaidō Road 55699

Otomo Kihan ca. 1836 Utagawa Hiroshige Japanese. Otomo Kihan 36511

The Hanging-cloud Bridge at Mount Gyodo near Ashikaga (Ashikaga Gyodozan kumo no kakehashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyo kiran). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: H. 9 1/2 in. (24.1 cm); W. 14 1/16 in. (35.7 cm). Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA.

Hodogaya: Distant View of the Kamakura Mountains from the Rest House near the Boundary Tree (Hodogaya, Kyoboku tateba Kamakura yama enbo), no. 5 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1855. Dimensions: 35.7 x 23.5 cm (14 1/16 x 9 1/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Shinobazu Pond in Falling Snow (Shinobazu ike setchu no zu), section of a sheet from the series Famous Views in the Eastern Capital (Toto meisho) 1840-1849 Japan. Color woodblock print; section of harimaze sheet . Utagawa Hiroshige

Numazu. Utagawa Hiroshige (Japan, Edo, 1797-1858). circa 1840-1842. Prints; woodblocks. Color woodblock print

Tamba province, from the series : Views of famous places in about sixty several provinces /promise Yoshu Meisho zue

Oumayagashi, No. 105 from One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Oumayagashi, No. 105 from One Hundred Famous Views of Edo, December, 1857. Woodblock color print, sheet: 14 x 9 3/4 in. (35.5 x 24.7 cm). Asian Art December, 1857

Shichirigahama in Sagami Province (Soshu Shichirigahama), from the series "Famous Places of Japan (Honcho meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1832-1844. Dimensions: 23.3 x 35.9 cm (9 3/16 x 14 1/18 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Pages from the illustrated book "Panoramic Views along the Banks of the Sumida River (Ehon Sumidagawa ryogan ichiran)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1801-1806. Dimensions: 23.4 x 46.6 cm. Color woodblock print; 3 pages from illustrated book. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Precincts of the Shiba Shinmei Shrine (Shiba Shinmei keidai), from the series Famous Places in the Eastern Capital (Toto meisho) 1827-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Hamamatsu The Famous Murmuring Pines (Hamamatsu, meisho zazanza no matsu), no 30 from the series Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue), also known as the Vertical Tokaido 1855 Japan. Color woodblock print; oban . Utagawa Hiroshige

Yokkaichi: The hurricane. A man racing after his hat, bowled along by the wind, and another crossing a small bridge over a stream, his coat blown about him. Yokkaichi Station was not only a port, but also a thriving market town. The name Yokkaichi literally means 'fourth day market' and is derived from the traditional market held on the fourth day of each month at this town. Travellers had to cross a series of tiny bridges built over the small rivers flowing through low level land along the seashore. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art name of Ichiyusai Hiroshige. The Ti kaidi (East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendi, the Ti kaidi travelled along

Horie and Nekozane, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)” 1856 Japan. Color woodblock print; oban . Utagawa Hiroshige

Sugatami Bridge, Omokage Bridge, and Jariba at Takata. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, 1857, 1st month. Prints; woodblocks. Color woodblock print

Sunset in Seta, board 7 from the series: Eight views of Omi /Omi Hakkei

Kanaya, Oigawa Em Gan ca. 1834 Utagawa Hiroshige Japanese. Kanaya, Oigawa Em Gan. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. ca. 1834. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Mitsuke, 1906 A boat with two men constructs a headland, the travelers in the distance transfer to another boat. cardboard color woodcut

海道五十三次　蒲原 early 20th century Utagawa Hiroshige Japanese. 海道五十三次　蒲原 55663

Maisaka: widok imagiri (maisaka, imagiri shinkei), nr 31 z serii "pi dziesi tczy stacje na go Cu tôkaidô" (tôkaidô gojûsan tsugi no uchi)A gift for the museum

Distant View of Miho Beach from Ejiri. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 15/32 x 14 in. (24.1 x 35.6 cm). Date: ca. 1834. Museum: Metropolitan Museum of Art, New York, USA.

Miya, from the series The Fifty-three Stations of the Tokaido Road. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 7 x 9 in. (17.8 x 22.9 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Evening Bell at Shomyo (Shomyo bansho), from the series Eight Views of Kanazawa (Kanazawa hakkei) 1830-1841 Japan. Color woodblock print; oban . Utagawa Hiroshige

Maizaka Station ca. 1838 Utagawa Hiroshige Japanese. Maizaka Station 36569

HET DORP YASE, HIROSHIGE (I), Utagawa, 1833-1837 print Three women, different materials and objects on their heads, walking between green hills; In the background a man pull a horse and the roofs of the village of Yase. Women from Yase were known for transporting loads on their heads. Japan paper nishiki-e / color woodcut carrying something on the head or on the shoulders. coast. walking

The Sixty-nine Stations of the Kiso Kaid ( Kiso Kaid Rokujky-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige (1797-1858) and Keisai Eisen (1790-1848). There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints). The common name for the Kiso Kaid is 'Nakasend' or 'Central Mountain Highway', so this series is salso commonly referred to as the Sixty-nine Stations of the Nakasend. The Nakasend was one of the Five Routes constructed under Tokugawa Ieyasu, a series of roads linking the historical capitol of Edo with the rest of Japan. The Nakasend connected Edo with the then-capital of Kyoto. It was an alternate route to the Tkaid and travelled through the central part of Honsh, thus giving rise to its name, which means 'Central Mountain Road'. Along this road, there were sixty-nine different post stations (-shuku or -juku), which prov

Santono Station ca. 1835 Utagawa Hiroshige Japanese. Santono Station 55275

Minakuchi, board 51 from the series: Fifty three stages of the Tokaido road , the third version of the so called Reisho Tokaido

Otsu: Hashirii Teahouse (Otsu, Hashirii chaya), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.1 x 37.5 cm (9 1/2 x 14 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Maple Leaves at Kaian Temple (Kaianji benikaede), section of a sheet from the series Cutout Pictures of Famous Places in Edo (Edo meisho harimaze zue) 1857 Japan. Color woodblock print; section of harimaze sheet . Utagawa Hiroshige

Okitsu The Okitsu River (Okitsu, Okitsugawa), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido 1828-1839 Japan. Color woodblock print; oban . Utagawa Hiroshige

Kyoto The Great Bridge at Sanjo (Kyo, Sanjo Ohashi zu), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido) 1832-1847 Japan. Color woodblock print; chuban . Utagawa Hiroshige

Women at a lake, Katsukawa Shunsen, 1820 - 1830 print Three women at a roof on the shore of a lake; Two women sitting on a bunch of Sprokkelhout, the third a child so much; Along the lake two oxen sleeping under a line on which a shuttling basket. print maker: Japanpublisher: Tokyo paper nishiki-e / color woodcut lake. adult woman (+ three persons)

Okabe, Japanese Prints - Hiroshige

Fujisawa: Mount Fuji on the Left from the Nanki Pine Grove (Fujisawa, Nanki no Matsubara hidari no Fuji), no. 7 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1855. Dimensions: 37 x 25.1 cm (14 9/16 x 9 7/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Utagawa Hiroshige; Sanoya Kihei / Shiba Shinmei Keidai, 1832-1838, Japanese School, Paper, 250 mm x 375 mm, G05656. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Myoken Temple in Yanagishima (Yanagishima Myoken), from the series "Famous Places in the Eastern Capital (Toto meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1832-1843. Dimensions: 14 1/2 x 5 in. Color woodblock print; chutanzaku. Origin: Japan. Museum: The Chicago Art Institute, USA.

Ejiri, Miho embō Ejiri (Station 19), View of Miho. And, Hiroshige, 1797-1858. Prints. 1832. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Mountains , Japan, Boats, Harbors , Japan, Forests , Japan

Ando Hiroshige (1797-1858). "Fifty-three stations of the Tokaido (route connecting Edo to Kyoto): 46th station, Shôno", Japan, Edo era (1600-1867). Print. Paris, Cernuschi museum. 26381-1 On foot, tree, Edo time, print, shape, movement, sea, shadow, landscape, shono, station, tokaido, goods transport, transport, transporter, route

Ejiri: distant sight of Miho (ejiri, miho enbô), No. 19 from the series "Pi tenth three stations on him on himA gift for the museum

Binshaik wipes the snow, Utagawa Kuniyoshi, c. 1840 print Boy wipes the snow barefoot, behind him a lake with a few houses. On the left in the foreground a mother with child on the chest and child next to her. paper color woodcut snow

Yoshino, from the series Snow, Moon and Flowers (Setsugekka) 1828-1838 Japan. Color woodblock print; oban . Katsushika Hokusai

Rain for the gate of the Togano-o temple; Toganoo Monzen Uchu; Famous faces on the capital; Miyako Meisho No Uchi. Mountain landscape in the rain. A traveler on the bridge over the Kiyotaki river in Kyoto; In the background the Jingoji temple.

The Riverbank at Sukiya in the Eastern Capital. Utagawa Hiroshige (Japan, Edo, 1797-1858). 1858, 4th month. Prints; woodblocks. Color woodblock print

The story of Mōso looking for bamboo shoots for a sick mother / Mōso, from a series: twenty four examples of filial love a mirror for children / nijūshikō dōji kagami Utagawa, kuniyoshi (1797 1861)

Hamamatsu, Fuyugare no zu Hamamatsu (Station 30), Winter scene. And, Hiroshige, 1797-1858. Prints. 1832. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Villages , Japan, Women , Japan, Hamamatsu-shi (Japan), Winter , Japan, Castles & palaces , Japan, Contract laborers , Japan, Rice paddies, Travelers, Infants , Japan, Bonfires

Nissosaka, 1906 A steep road in the mountains near Nissaka. Travelers look at a stone that is placed in memory of a murder. cardboard color woodcut

Italy, Genoa, night landscape by Ando Hiroshige (1797-1858), woodcut

Shohei Bridge, Seido Temple and Kanda River 1857 Utagawa Hiroshige Japanese. Shohei Bridge, Seido Temple and Kanda River 53679

Maisaka, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi) 1801-1811 Japan. Color woodblock print; chuban . Katsushika Hokusai

Otsu, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido) 1832-1847 Japan. Color woodblock print; chuban . Utagawa Hiroshige

Windswept by Utagawa Hiroshige, color woodcut, 1856-1858, 1797-1858, Russia, St. Petersburg, State Hermitage, 39x26

Inaba Province Karo, Koyama (Inaba, Karo Koyama), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue) 1853 Japan. Color woodblock print; oban . Utagawa Hiroshige

The Lake at Chuzenji in Shimotsuke Province (Shimotsuke Chuzenji kosui), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)". Utagawa Hiroshige II (Shigenobu); Japanese, 1826-1869. Date: 1860. Dimensions: 35.9 x 24.1 cm (14 1/8 x 9 1/2 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Sunset Glow at Koganei Bridge (Koganei-bashi sekisho), from the series Eight Views in the Environs of Edo (Edo kinko hakkei no uchi) 1832-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Distanced View of Mugen Mountain and Night Weeping Stone at Sayo Monatain-Pass, Nissaka, 1841-1842, Utagawa Hiroshige, Japanese, 1797 - 1858, 7 11/16 x 12 7/16 in. (19.5 x 31.6 cm) (image)8 11/16 x 12 15/16 in. (22 x 32.9 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Landscape with a rider. View of the villages of Okabe, Fujieda, Shimada and Kanaya / Okabe, Fujieda, Shimada, Kanaya, from the series: famous views of fifty three stops at the Tōkaidō / Tōkaidō Gojniec Gojniac Gojūsan team of the year Shuku Meisho Utagawa, kuniyoshi (1797 1861)

Rest Stop, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, Dividing the print in half is the river that holds two ships sailing downstream. On the bottom left side shows a rest stop, probably along the Tokaido. Here soldiers can rest along and regain their strength with tea or sustenance. Along the Tokaido are 53 stops. It would take on average two weeks for military men to travel to and from Edo. This depiction does not appear to be busy., Japan, 1797-1858, landscapes, Print, Print

No 26 Mochizuki, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi) 1830-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Tatsukushi in Tosa on Sikoku Island (Tosa Tatsukushi); print from the series: Shokoku rokuju hakkei (68 Views from Various Provinces). Utagawa, Hiroshige II (1826-1869), graphic artist

Otsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido). Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1832-1847. Dimensions: 16.8 × 22.8 cm (6 5/8 × 8 15/16 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Ochanomizu probably late 19th century Utagawa Hiroshige Japanese. Ochanomizu 55635

Ochanomizu dated 11th month, Ox year, 1853 Utagawa Hiroshige Japanese. Ochanomizu. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. dated 11th month, Ox year, 1853. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Yoshiwara, Hara, and Kambara, no. 4 from the series "Cutouts of the Fifty-three Stations (Gojusan tsugi harimaze)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1852. Dimensions: 37.3 x 25 cm (14 5/8 x 9 7/8 in.). Color woodblock print; oban, harimaze. Origin: Japan. Museum: The Chicago Art Institute, USA.

Yui, Japanese Prints - Hiroshige

Futami Bay in Ise Province (Ise Futamigaura), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1857-1858. Dimensions: 34.7 x 23 cm (13 11/16 x 9 1/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Autumn Moon of the Jewel River, View of Fishermen Catching Sweetfish (Tamagawa shugetsu, Tamagawa ayukumi no zu), from the series Eight VIews of Famous Places (Meisho hakkei) 1828-1839 Japan. Color woodblock print; oban . Utagawa Toyoshige (Toyokuni II)

25, O-i River, Kanaya, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 7/16 x 8 7/8 in. (34.2 x 22.5 cm) (image)14 3/4 x 10 in. (37.4 x 25.4 cm) (plate), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido). Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1832-1847. Dimensions: 17 x 23.1 cm (6 11/16 x 9 1/16 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Shin Yoshiwara Nihon Tsutsumi Emonzaka Akatsuki. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/5 x 14 7/16 in. (25.9 x 36.7 cm). Date: ca. 1835. Museum: Metropolitan Museum of Art, New York, USA.

52, Guests of an Inn in Ishibe, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 7/16 x 8 13/16 in. (34.1 x 22.4 cm) (image)14 1/4 x 9 3/4 in. (36.2 x 24.8 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

A Distant View of Snow on the Sumida River in Edo, early 1830s. Ikeda Eisen (Japanese, 1790-1848). Color woodblock print; sheet: 21.6 x 34.8 cm (8 1/2 x 13 11/16 in.).

Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido). Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1832-1847. Dimensions: 17.1 × 22.8 cm (6 11/16 × 8 15/16 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Shono: The Remains of the Shiratori Mound, no. 46 from the series Collection of Illustrations of Famous Places near the Fifty-Three Stations Along the Tokaido. Date: 1865. Dimensions: 36 cm x 23 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.

fine arts, Hiroshige Utagawa (1797 - 1858), the Inakawa bridge in Noriji on the Kisokaido, woodcut, made together with Keisai Eisen (1790 - 1848), circa 1840, 22x34,4 cm, Austrian Museum for Applied Arts, Vienna,

Ferry boat crossing the Sumida River, from the album Friends of the Three Capitals (Santo no tomoe) 1832 Japan. Color woodblock print; double-page illustration from album . Totoya Hokkei

SIXTY NINE STAGES OF THE KISO ROAD /KISOKUJUKYU TSUGI NO UCHI Eisen, Keisai (1790 1848), HIROSHIGE, Ichiryusai (1797 1858)

GEZICHT OP DE GOHYAKU RAKAN TEMPEL, UTAGAWA YOSHITORA, 1855 print Rice fields with the gohyaku rakan temple in the background; In the foreground three rice planting women, a farmer and a man on horseback. print maker: Japanpublisher: Tokyo paper nishiki-e / color woodcut sawahs, rice paddies. riding a horse, ass, or mule; rider, horseman. soil cultivation

Shimada The Oi River (Shimada, Oigawa)No 24, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido 1842-1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

of 3