Japanese Woodblock Landscapes

Stunning woodblock prints showcasing serene landscapes, daily life, and natural elements, characterized by vibrant colors and traditional Japanese aesthetics.

Yamashita Quarter, Ueno (Ueno Yamashita) From the Series One hundred Views of Edo, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, The buildings and landscapes in this print are replicas from sites in Kyoto, to legitimize the new” capital of Edo. Throughout the print, Hiroshige adds details which balance each other out, for example, the red balcony of the Kiyomizudera temple is a bold contrast to the light pink blossoms and light hue of blue of Shinobazu Pond. The tall and lanky pine trees also counteract the bushy and blooming blossoms — the circular branch of the moon pine” sands out from the overall vertical composition. Various characters are depicted throughout the print, but there is one cheeky man in particular, who’s face is half covered, because he probably just visited a prostitute in Ueno, and does not want to be recognized., Japan, 1856, landscapes, Print, Print

海道五十三次　見附　天竜川舟渡し early 20th century Utagawa Hiroshige Japanese. 海道五十三次　見附　天竜川舟渡し 55676

Hiratsuka Nawate Road (Hiratsuka, Nawate michi), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido 1828-1839 Japan. Color woodblock print; oban . Utagawa Hiroshige

Kambara ca. 1838 Utagawa Hiroshige Japanese. Kambara. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. ca. 1838. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Yoshida; Toyokawa-Bashi, Toyokawa Bridge ca. 1838 Utagawa Hiroshige Japanese. Yoshida; Toyokawa-Bashi, Toyokawa Bridge 55160

Autumn Moon at Seto (Seto shugetsu), from the series "Eight Views of Kanazawa (Kanazawa hakkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1830-1841. Dimensions: 25.7 x 38.1 cm (10 1/8 x 15 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Print, Numazu Evening, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi); Ando Hiroshige (Japanese, 1797 - 1858); Japan; woodblock print (ukiyo-e) on mulberry paper (washi), ink with color ; 23.5 x 36.1 cm (9 1/4 x 14 3/16 in.)

Moto-Hachiman Shrine, Sunamura (Sunamura Moto-Hachiman), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1856 Japan. Color woodblock print; oban . Utagawa Hiroshige

Former Hachiman Shrine, Sunamura (Sunamura Moto-Hachiman) From the Series One Hundred Famous views of Edo, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, This birds eye view looks out onto Edo Bay from the Moto-Hachiman Shrine. Directly below is the torii, the gateway entrance to the shrine, and two prominent figures along the pathway. One figure is shown carrying a big yellow hat while the other is smoking a pipe. The path continues behind these detailed figures between the marshes and leads out beyond the bay. Further along the trail, three more distinct characters stand, surrounded by tall pines, and a lone fisherman is spotted rowing his boat through the reeds. Soon after this print was made, the land was drained for rice paddy fields and other farmland. Today it remains part of Tokyos Koto-Ku district., Japan, 1856, landscapes, Print, Print

Mitsuke, Tenryugawa funa watashi (Mitsuke Station, view of boats on the Tenryu River); print from the series: Gojusan tsugi meisho zue (Famous Views from 53 Stations). Utagawa, Hiroshige I (1797-1858), graphic artist

Yamashita Quarter, Ueno (Ueno Yamashita) From the Series One hundred Views of Edo, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, The buildings and landscapes in this print are replicas from sites in Kyoto, to legitimize the new” capital of Edo. Throughout the print, Hiroshige adds details which balance each other out, for example, the red balcony of the Kiyomizudera temple is a bold contrast to the light pink blossoms and light hue of blue of Shinobazu Pond. The tall and lanky pine trees also counteract the bushy and blooming blossoms — the circular branch of the moon pine” sands out from the overall vertical composition. Various characters are depicted throughout the print, but there is one cheeky man in particular, who’s face is half covered, because he probably just visited a prostitute in Ueno, and does not want to be recognized., Japan, 1856, landscapes, Print, Print

Numazu, Tasogare-zu Numazu (Station 13), Dusk scene. And, Hiroshige, 1797-1858. Prints. 1832. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Rivers , Japan, Pilgrims, Forests , Japan, Moon, Masks, Numazu-han (Japan)

海道五十三次　藤枝 early 20th century Utagawa Hiroshige Japanese. 海道五十三次　藤枝 55670

Illustration of a Chinese poem, from the series Picture Book of Chinese Poems (Toshi gafu no uchi) 1825-1849 Japan. Color woodblock print; chuban . Totoya Hokkei

Print, Fording the Sakawa River (Odawara), in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi); Ando Hiroshige (Japanese, 1797 - 1858); Japan; woodblock print in colored ink on paper; 24 x 36.4 cm (9 7/16 x 14 5/16 in.)

Horie and Nekozane, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1856. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Okazaki ca. 1840 Japan. Okazaki 37233

Cherry-tree Well at Benkei Moat outside Sakurada, c. 1844-1845, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 8 13/16 × 13 3/4 in. (22.4 × 34.9 cm) (image, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, Later edition with Tanaka censor seal.

View to the North from Asuka Hill (Asukayama kita no chobo), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1856. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Woodblock Print, Saka-no-shita, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi); Ando Hiroshige (Japanese, 1797 - 1858); Published by Hoeido firm; Japan; woodblock print (ukiyo-e) on mulberry paper (washi); 23.9 x 36.7 cm (9 7/16 x 14 7/16 in.)

The Mino province, from the series: Views of famous places in about sixty provinces /Rokuju yoshu meisho zue

Fujieda from the series 53 Stations of Tokaido, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, This scene shows fourteen people crossing the river on foot. Three people are on piggyback, and one is being carried in a seat. The others are treading through the water themselves., Japan, 1797-1858, landscapes, Print, Print

De Stenen Brug de Tenpo Bergen de Aji Rivier in Osaka, Yashima Gakutei, 1834 print Face on a high stone bridge over a river in a wide lake with boats; On the bridge people, looking over the railing to the boats. paper nishiki-e / color woodcut landscape with bridge, viaduct or aqueduct Osaka

Wada Station. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 15/32 x 14 1/4 in. (24.1 x 36.2 cm). Date: ca. 1835. Museum: Metropolitan Museum of Art, New York, USA.

Kanagawa, Daino kei Kanagawa Station 4, View from Dai. And, Hiroshige, 1797-1858. 1832. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Boats, Taverns (Inns) , Japan, Tearooms , Japan, Bays (Bodies of water), Travelers, Kanagawa-ku (Yokohama-shi, Japan)

View of Konodai and the Tone River (Konodai Tonegawa fukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1856. Dimensions: 34.2 x 22.4 cm (13 7/16 x 8 13/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Miya ca. 1838 Utagawa Hiroshige Japanese. Miya 36576

Morning Mist at Mishima ca. 1833 Utagawa Hiroshige Japanese. Morning Mist at Mishima 36520

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido). Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1832-1847. Dimensions: 17.1 × 22.9 cm (6 11/16 × 9 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Descending Geese at Hirakata (Hirakata rakugan), from the series Eight Views of Kanazawa (Kanazawa hakkei) 1830-1841 Japan. Color woodblock print; oban . Utagawa Hiroshige

A colored woodcut by Ando Hiroshige depicting an evening beach landscape, illustrating Japanese Edo-period coastal scenery and printmaking techniques.

Boats in Zig-zag Formation, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, This lively depiction of daily life on the traditional highway of Edo. In perfect unison are rowboats gliding in a pleasing zig-zag formation. Near the bottom of the print, workers have paused to admire the hard work and dedication these men are performing., Japan, 1797-1858, landscapes, Print, Print

Numazu: Twilight (Numazu, tasogare zu), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.2 x 35.8 cm (9 1/2 x 14 1/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Shinagawa Station; print from the series: Gojusan tsugi meisho zue (Famous Views from 53 Stations). Utagawa, Hiroshige I (1797-1858), graphic artist

Ueno in the Iga province, from the series: Views of famous places in about sixty provinces /Rokuju yoshu meisho zue

Spring View of the New Embankment at Shinobazu Pond (Shinobazu ike shin dote haru no kei), from the series "Newly Selected Famous Places in Edo (Shinsen Edo meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1834-1847. Dimensions: 24.4 x 36.7 cm (9 5/8 x 14 7/15 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Entrance To Enoshima in Sagami Province (Sagami Enoshima iriguchi), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei) 1858 Japan. Color woodblock print; oban . Utagawa Hiroshige

The Castle of Unuma. Artist: Keisai Eisen (Japanese, 1790-1848). Culture: Japan. Dimensions: 14 x 10 in. (35.6 x 25.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Author: KEISAI EISEN.

Iyo Province Saijo (Iyo, Saijo), from the series Famous Places in the Sixty Provinces (Rokujuyoshu meisho zue) 1855 Japan. Color woodblock print; oban . Utagawa Hiroshige

Nissaka, Sayo Nakayama ca. 1834 Utagawa Hiroshige Japanese. Nissaka, Sayo Nakayama 36947

Returning boats in Otomi /Otomi, Kihan, from the series: Eight views from Kanazawa /Kanazawa Hakkei

Mouth of the Nakawaga River (Nakagawaguchi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)” 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

The Moon Crossing Bridge at Arashiyama in Yamashiro Province, 1853 - 1856, Woodcuts, Color, Paper / Sheet 13 3/4 x 9 7/16 in. (35 x 23.9 cm)

Okitsu; No. 18. Okitsu: one of the fifty-three noted places on Tokaido, painted by Hiroshige; De Tôkaidô van Hiroshige; Hiroshige no fude Tôkaidô.At the Okitsu River two Sumo wrestlers are worn in their supporting baskets by their servants.

Futakawa Futakawa Station 34, Monkey Plateau. And, Hiroshige, 1797-1858. Prints. 1832. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Signs (Notices), Tearooms , Japan, Pine , Japan, Travelers, Futakawa-son, Japan

Takinogawa at Oji (Oji Takinogawa), from the series "Famous Places in the Eastern Capital (Toto meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1834-1847. Dimensions: 21.3 x 33.1 cm (8 3/8 x 13 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Yase no Sato. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 10 7/32 x 15 1/8 in. (26.0 x 38.4 cm). Date: ca. 1834. Museum: Metropolitan Museum of Art, New York, USA.

Moonlight on the Yodo River (Yodogawa), from the series Snow, Moon and Flowers (Setsugekka) 1828-1838 Japan. Color woodblock print; oban . Katsushika Hokusai

Hongan-ji Temple at Asakusa in Edo, 1830-1833, Katsushika Hokusai; Publisher: Nishimuraya Yohachi, Japanese, 1760 - 1849, 9 1/2 × 14 5/8 in. (24.1 × 37.1 cm) (image, sheet, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

54, City View of Ōtsu Seen from Mii Temple, Ōtsu, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 7/16 x 8 7/8 in. (34.1 x 22.5 cm) (image)14 1/4 x 9 1/8 in. (36.2 x 23.1 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Reproduction of: View of Kawasaki (Kawasaki no zu), no. 3 from the series "The Fifty-three Stations of the Tokaido Road" (Tokaido gojusan tsugi no uchi). Utagawa, Kunisada I (1786-1864), graphic artist

Kanbara, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido) 1832-1847 Japan. Color woodblock print; chuban . Utagawa Hiroshige

Poem by Ōnakatomi no Yoshinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 1839 Katsushika Hokusai Japanese. Poem by Ōnakatomi no Yoshinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 36488

Autumn Moon over the Matsuchiyama Hill, 1861, 11th lunar month, Utagawa Hiroshige II; Publisher: Hiranoya Shinzō, Japanese, 1826 - 1869, 13 3/8 × 9 1/16 in. (34 × 23 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Reflections of the Moon in the Rice Fields of Sarashina in Shinshu ca. 1832 Utagawa Hiroshige Japanese. Reflections of the Moon in the Rice Fields of Sarashina in Shinshu. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. ca. 1832. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Kyoto: Sanju Ohashi no zu. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm). Date: ca. 1838. Museum: Metropolitan Museum of Art, New York, USA.

Miya, from the series The Fifty-three Stations of the Tōkaidō Road early 20th century Utagawa Hiroshige Japanese. Miya, from the series The Fifty-three Stations of the Tōkaidō Road 55689

Salt Farm at Takatsuyama, Iwami Province, 1853, 12th month, Utagawa Hiroshige; Publisher: Koshimuraya Heisuke, Japanese, 1797 - 1858, 13 3/8 × 8 15/16 in. (34 × 22.7 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Ryogoku Bridge in the Eastern Capital (Toto Ryogoku), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei) 1858 Japan. Color woodblock print; oban . Utagawa Hiroshige

Hakone, View of the Lake, c. 1832-1833, Utagawa Hiroshige; Publisher: Takenouchi Magohachi, Japanese, 1797 - 1858, 9 1/4 × 14 3/16 in. (23.5 × 36.1 cm) (sheet, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Bales Being Loaded into a Boat. By Ando Hiroshige

Miyako Shell probably 1821 Katsushika Hokusai Japanese. Miyako Shell 54195

Ishiyakushi, Ishiyakushi Ji ca. 1834 Utagawa Hiroshige Japanese. Ishiyakushi, Ishiyakushi Ji 36966

Totsuka Teahouse, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, Here is a spritely scene of travelers outside a teahouse of the town of Totsuka. From Edo (Tokyo) to Totsuka at the time, was about one days journey. There is a man gingerly mounting off his horse. On the left of him, a female maidservant, finely dressed is greeting the visitors after their long voyage. There is a man on the right, standing next to the horse, is a porter, with his back facing us. Next to him is a woman who is carrying a large bundle, still balanced on her back. On the right side is an elderly man, nimbly balancing many bundles on his body while crossing the bridge. A milestone next to the bridge says, “For Kamakura, Turn Left.” The animated indigo streaks on the foreground indicate that nightfall is swiftly approaching., Japan, ca. 1834, seascapes, Print, Print

The Opening Scene (Daijo), from the series Sugawara's Secrets (Sugawara denju) 1825-1849 Japan. Color woodblock print; oban . Utagawa Sadahide

Province Iyo / Iyo, Saijo, board 57. From the series: Views of famous places in sixty several provinces / year of Yoshu Meisho ZUE HIROSHIGE, UTAGAWA (1797 1858)

Pine Groves of Miho in Suruga Province. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 13 3/8 x 8 3/4 in. (34 x 22.2 cm). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.

海道五十三次　掛川 early 20th century Utagawa Hiroshige Japanese. 海道五十三次　掛川 55674

Ishiyama no ShugetsuAutumn Full Moon at Ishiyama. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: Image: 9 3/4 × 14 3/4 in. (24.8 × 37.5 cm). Date: 1797-1858. Museum: Metropolitan Museum of Art, New York, USA.

Salt Farm at Takatsuyama, Iwami Province, 1853, 12th month, Utagawa Hiroshige; Publisher: Koshimuraya Heisuke, Japanese, 1797 - 1858, 13 7/16 × 8 15/16 in. (34.2 × 22.7 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Tea house in Hakusen district ca. 1835-42 Utagawa Hiroshige Japanese. Tea house in Hakusen district 45316

The Riverbank at Sukiya in the Eastern Capital (Toto Sukiyagashi), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1858. Dimensions: 36.2 x 24.8 cm (14 1/4 x 9 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Kanagawa: View of a street along the top of a cliff overlooking Yedo Bay, and female touts trying to drag travellers into the resthouses. This station was on a cliff overlooking a magnificent seascape of Edo Bay. One side of the highway was lined with two storied teahouses which commanded views of the beautiful bay. The land has been reclaimed from the bay seen in the picture and now forms a part of Yokohama City. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art name of Ichiyusai Hiroshige. The Ti kaidi (East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendi, the Ti kaidi travelled along the sea coast of eastern Honshu, hence the route's name.

Toto ochanomizu, Ochanomizu in the eastern capitol., Ando, Hiroshige, 1797-1858, artist, Tokyo : Tsuta-ya Kichizo, 1858., 1 print : woodcut, color ; 35.9 x 24.5 cm., Japanese print shows a view of Mount Fuji from the Tea-Water Canal in Tokyo, with an enclosed water conduit traversing the canal and boats laden with goods passing under the conduit.

18, Foot of the Mount Satta by the Okitsu River, Okitsu, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 9/16 x 8 7/8 in. (34.4 x 22.5 cm) (image)14 1/4 x 9 1/2 in. (36.2 x 24.1 cm) (plate), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Yoshiwara Mount Fuji on the Left (Yoshiwara, hidari Fuji), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido 1828-1839 Japan. Color woodblock print; oban . Utagawa Hiroshige

Yase no Sato ca. 1834 Utagawa Hiroshige Japanese. Yase no Sato 36516

View from terrace by Utagawa Hiroshige, colour woodcut, 1856-1858, 1797-1858, Russia, St Petersburg, State Hermitage, 39x26

Nihon Embankment at Yoshiwara,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Yoshiwara, Nihonzutsumi) 1857 Utagawa Hiroshige Japanese. Nihon Embankment at Yoshiwara,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Yoshiwara, Nihonzutsumi). Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. 1857. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Okitsu: The Okitsu River (Okitsu, Okitsugawa), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.3 x 36.2 cm (9 9/16 x 14 1/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Yawata, Hut on the Hill at the River, Board 25 from the Series: Sixty Nine Stages of The Kiso Kaido Roado Kaido Kaido Rokujukyukujukujukujukyujukyujukyujukyu NO Uchi NO Uchi

Amanohashidate in Tango Province (Tango Amanohashidate), from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei) 1859 Japan. Color woodblock print; oban . Utagawa Hiroshige II (Shigenobu)

Yamato hasedera, Hasedera in Yamato Province., Utagawa, Hiroshige, 1826-1869, artist, 1859., 1 print : woodcut, color ; 35.7 x 23.8 cm., Print shows a bird's-eye view of the Hasedera temple in the Yamato Province.

The oak under the waves; Namimakashiwa; A comparison of Genroku poems and shells; Genroku Kasen Kaiawase. A man is sailed in a rowing boat under an overhanging pine. This is the famous Shubi pine, the 'Rendezvous' pine on the western shore of the Sumida River, on the way to the Yoshiwara, the pleasure quarter of Edo (the current Tokyo). With three poems.

Odawara: A daimyo's cortege being carried across the River Sakawa; the background a mass of high, jagged hills, the most distant printed from colour-blocks only. This station flourished in its position at the entrance to Hakone pass, the most arduous part of the highway. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art name of Ichiyusai Hiroshige. The Ti kaidi (East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendi, the Ti kaidi travelled along the sea coast of eastern Honshu, hence the route's name.

GRABADO JAPONES - SIGLO XIX. Author: UTAGAWA HIROSHIGE O ANDO TOKUTARO. Location: PRIVATE COLLECTION. France.

The elegant Prince Genji in Suma; Furyu Genji Suma. Beach with rocks and a calm sea with sailing ships; In the surf people and row boats.

Clearing Weather at Shibaura. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 10 x 15 in. (25.4 x 38.1 cm). Date: ca. 1838. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Utagawa Hiroshige, Japanese, 1797-1858, Mariko Tea Shop, from the series Fifty-three Stations of theTokaido, 19thcentury, Polychrome woodblock print, sheet: 9 3/8 × 14 3/16 in. (23.8 × 36cm), Japan, Japanese, Edo period(1615-1868), Works on Paper -Prints

Wisteria in Full Bloom in the Precincts of the Kameido Tenmangu Shrine (Kameido Tenmangu keidai fuji hanazakari no zu), from the series Newly Selected Famous Places in Edo (Shinsen Edo meisho) 1834-1847 Japan. Color woodblock print; oban . Utagawa Hiroshige

Yui: The Dangerous Satta Pass, no. 17 from the series Collection of Illustrations of Famous Places near the Fifty-Three Stations Along the Tokaido. Date: seventh month 1855. Dimensions: 36 cm x 23 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.

The Ōgiya at Ōji ca. 1835-42 Utagawa Hiroshige Japanese. The Ōgiya at Ōji 45318

Seishu Awabi-tori no Zu. Artist: Utagawa Kunisada (Japanese, 1786-1865). Culture: Japan. Dimensions: 9 15/32 x 14 3/8 in. (24.1 x 36.5 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.

Zoshigaya no Zu (Myoga-ya). Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: H. 9 7/16 in. (24 cm); W. 14 3/16 in. (36 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.

Poem by Tenchi Tennō, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 1839 Katsushika Hokusai Japanese. Poem by Tenchi Tennō, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 55306

Yazashi ga ura and the Coast of Ninety Ninety Nine Ri in the Kazusa province, board 19 from the series: Views of famous places in about sixty provinces /Rokuju yoshu meisho zue

Evening view of the eight famous sites at Kanazawa in Musashi Province (Uyokanazawa hassshoyakei) #1, Japanese Prints - Hiroshige

In the Kameido Tenjin Shrine Compound 1856 Utagawa Hiroshige Japanese Buy a print Custom framed to suit your space. In the Kameido Tenjin Shrine Compound. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. 1856. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Fukuroi, 1906 Servants rest with a shelter and boiling water in a kettle above a fire. cardboard color woodcut

Banana Garden at Nakashima (Nakashima shoen), from the series "Eight Views of the Ryukyu Islands (Ryukyu hakkei)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1827-1837. Dimensions: 10 3/8 x 15 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

The Ide Jewel River in Yamashiro Province (Yamashiro Ide), from the series "Six Jewel Rivers in the Various Provinces (Shokoku Mu Tamagawa)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1857. Dimensions: 35.5 x 24 cm (14 x 9 7/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

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