Japanese Woodblock Prints

Captivating scenes from Japanese culture, depicting women in traditional clothing amidst nature, showcasing beauty and artistic detail.

Time to Relax, Japanese Prints

A Woman as Ebisu, from the series "Seven Women as the Gods of Good Fortune for the Hanagasa Poetry Club (Hanagasaren shichifukujin)". Katsukawa Shuntei; Japanese, 1770-1824. Date: 1815-1820. Dimensions: 19.4 x 17.1 cm (7 5/8 x 6 11/16 in.). Color woodblock print; shikishiban, surimono. Origin: Japan. Museum: The Chicago Art Institute, USA.

The Four Seasons in Southern Edo: A Summer Scene (Minami shiki; Natsu no kei) late 1780s Utagawa Toyokuni I Japanese. The Four Seasons in Southern Edo: A Summer Scene (Minami shiki; Natsu no kei) 56054

Actors in a confrontation in a large chamber. Colour woodcut by Kunikazu, early 1860s.

Blind man play, 1792 - 1796 print Blindfolded man in black kimono, blind man playing with three women and a girl in the garden of the Kankanro Theehuis; In the background a face on Nakanocho, the main street of the Yoshiwara. Tokyo paper color woodcut blind-man's buff

Ukifune; Mitate Ukifune; Genji and Murasaki`s famous places in Edo; Edo Murasaki Meisho Genji. Woman (ukifune) standing under snowy umbrella, in boat, in winter landscape.

Actor Segawa Kikujiro in the role of Senju no Mae, Actor in women's role, snowy umbrella in left hand, standing in the snow in front of bamboo gate, next to flowering plum tree., Kiyomasu (II), Torii (mentioned on object), Japan, 1731 - 1735, paper, copper powder, h 317 mm × w 146 mm

MotHer Carrying Her Baby Girl to the Miya Mairi ca. 1784 Torii Kiyonaga Japanese. MotHer Carrying Her Baby Girl to the Miya Mairi 54663

Two Girls and Child on Temple Bridge, 1787-1867. Kikukawa Eizan (Japanese, 1787-1867). Color woodblock print; sheet: 26.1 x 37.8 cm (10 1/4 x 14 7/8 in.).

Fukagawa Hachiman Shrine (Fukagawa Hachimangu), from the series "Famous Places in Edo (Edo meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1854. Dimensions: 25.7 x 37.4 cm (10 1/8 x 14 11/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Love couple at tea set, Isoda Kôryûsai, 1770 - 1775 print Copulating couple, half naked, lying on Futon; on the ground a teapot and a tray with bowls; Behind them a folding screen on which flowers. paper color woodcut coitus, cohabiting, sexual intercourse

Interior Scene on a Snowy Day, from the illustrated book "Picture Book: Flowers of the Four Seasons (Ehon shiki no hana)," vol. 2. Kitagawa Utamaro ; Japanese, 1753 ()-1806. Date: 1801. Dimensions: . Color woodblock print; double-page illustration from book. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Women at Takanawa Beach. Artist: Utagawa Toyokuni I (Japanese, 1769-1825). Culture: Japan. Dimensions: 15 13/16 x 9 3/8 in. (40.2 x 23.8 cm). Date: ca. 1790s.Utagawa Toyokuni, Kuniyoshi's teacher, was the most influential artist of the Utagawa school. Toyokuni's tall, elegant women share the ideals of beauty codified in the late eighteenth century by Utamaro and Kiyonobu. In this print, the center sheet of a triptych, three women and two boys are walking along the Takanawa Beach, a sightseeing spot near Shinagawa in Edo (Tokyo). Museum: Metropolitan Museum of Art, New York, USA.

Sleeping woman, Isoda Kôryûsai, 1770 - 1775 print Man, the love with sleeping wife; Through open windows view of a temple and hills. paper color woodcut coitus, cohabiting, sexual intercourse

The Actors Segawa Kikunojo III as the ghost of Yatsuhashi, Sawamura Sojuro III as Soga no Juro, and Ichikawa Danjuro V as the ghost of Seigen, in the play Sono Omokage Matsu ni Sakura, performed at the Nakamura Theater in the first month, 1783 1783 Japan. Woodblock print; oban, keyblock proof impression . Torii Kiyonaga

Scene from the Play Yoshitsune and the Thousand Cherry Trees (Yoshitsune senbon zakura). Artist: Katsukawa Shunko (Japanese, 1743-1812). Culture: Japan. Dimensions: 12 7/16 x 5 3/4 in. (31.6 x 14.6 cm). Date: 8th or 9th month, 1784. Museum: Metropolitan Museum of Art, New York, USA.

Young Woman Climbing Stone Stairs to a Shinto Temple. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 10 in. (25.4 cm); W. 8 in. (20.3 cm). Museum: Metropolitan Museum of Art, New York, USA.

Young girl under the mosquito net. .

Geisha at Annual Festival. Utagawa Kuninaga (Japan,-1829). circa 1800. Prints; woodblocks. Color woodblock print

The actor Nakamura Shikan as Tōyama Jinzaburo. Donation Gerhard Schack

Early Spring' by Harunobu Suzuki (1725-1770). Woodcut colour. Print of a man sitting on a veranda, turned to look at a woman standing in a doorway.

Three women and a boy under lanterns, Kitao Masanobu (attributed to), 1780 - 1785 print Through an open window with four lanterns hanging, a face in a room with two women, standing, talking with a sitting third woman; In the background a boy, pointing aside. Japan paper color woodcut adult woman. youth, adolescent. lantern

Disagreement between an eight-year-old boy and Confucius Hasai no ko to Kôshi no mondô (title on object) Additional stories from Uji (series title) Uji shûi Monogatari (series title on object), The Chinese philosopher Confucius (Kôshi) in conversation with a little boy standing in front of him. Behind them a waterfall and rising sun. On the left rocks and branches of a pine. With two poems. This image refers to the story of the boy who asked Confucius what was further away, the city of Lo Yang, or the place where the sun goes down. After the philosopher had given him the obvious answer, the boy objected that you can see the place where the sun goes down, but not the city of Lo Yang, waterfall, Yashima Gakutei (mentioned on object), Japan, c. 1829, paper, colour woodcut, h 204 mm × w 176 mm

Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century

The parlor of a brothel in the pleasure quarters 1784-1806 Japan. Color woodblock print; right sheet of oban triptych . Utagawa Toyokuni I

Three women and male servant, 1730, (1924). Creator: Nishikawa Sukenobu.

Yuki no ashita, Tomorrow's snow., Utagawa, Toyokuni, 1786-1865, artist, between 1818 and 1830, 1 print : woodcut, color ; 37 x 24.2 cm., Print shows an upper class woman standing near a well and two women, possibly servants, getting water at the well.

Scene from a Drama, probably "Musume Dojoji". Artist: Torii Kiyonobu (Japanese, 1664-1729). Culture: Japan. Dimensions: H. 12 1/8 in. (30.8 cm); 5 5/8 in. (14.3 cm). Date: ca. 1744. Museum: Metropolitan Museum of Art, New York, USA.

Squeaking a Ground Cherry, from the series Seven Fashionable Useless Habits (Furyu nakute nana kuse) ca. 1798 Katsushika Hokusai Japanese. Squeaking a Ground Cherry, from the series Seven Fashionable Useless Habits (Furyu nakute nana kuse). Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. ca. 1798. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Two oirans assisted by four kaburos and one shinzo

The Dog of Mido Kanapaku (Mido Kanapuko Dono no Inu), from A Collection of Tales from Uji Yashima Gakutei (Japanese, 1786-1868). The Dog of Mido Kanapaku (Mido Kanapuko Dono no Inu), from A Collection of Tales from Uji, ca. 1830. Color woodblock print on paper, 8 1/4 x 7 1/8 in. (21.0 x 18.1 cm). Asian Art ca. 1830

Uranosuke Plays Blind Man's Buff with the Women of the Ichiriki Joroya ca. 1790 Torii Kiyonaga Japanese. Uranosuke Plays Blind Man's Buff with the Women of the Ichiriki Joroya 37178

Kunisada, B, work, Characters Tosuke and Fujiya in the play Toshitoku Soga matsushimadai (The Auspicious Year of the Soga Brothers), 1857, color woodcut, graphic

Tsukioka Yoshitoshi (1839 - 9 June 1892) one of the last great masters of the classical Japanese colour woodcut, here the work Bon Festival Moon

Japan, Chichibuya Shôzaemon, Shuncho, Katsukawa, Admiring the cherry blossoms at Asukayama, bottom left - stamped, Three women in the Asuka hills; two looking sideways at a blossoming cherry tree, a third holding blossoms in her hands., print, prent, prints, prenten, Japan (collection), height 365 mm, width 251 mm, Japanese, print maker, prentmaker, 1785 - 1790, fourth quarter 18th century, paper, papier, colour woodcut, colour woodblock, Publication (Event), Publication, publisher

Illustration of the Oigawa River, from the series Fifty-Three Stations of the Tokaido, left sheet of a triptych. Date: 1849-1853. Dimensions: 37 cm x 25 cm. Museum: Van Gogh Museum, Amsterdam. Author: Utagawa Kunimasa.

Blooming Wisteria in Kameido, from the Series: Famous Places in Edo. HIROSHIGE, Ichiryusai (1797 1858)

GRABADO JAPONES - SAMURAIS. Location: PRIVATE COLLECTION. France.

The actors Ichikawa Ebizo V as Goshogun Kanki and Ichikawa Danjuro VIII as Watonai Sankan in the play "Kokusanya Kassen," performed at the Nakamura Theater in the fifth month, 1850. Utagawa Kunisada I (Toyokuni III); Japanese, 1786-1864. Date: 1850. Dimensions: 36.5 x 24.6 cm (14 3/8 x 9 11/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Man and woman in fight. A woman falls on the floor during a fight with a man with a bow in his hand. The man is actor Sawamura Gennosuke II (1802-53) and the woman actor Segawa Kikunojô v (1802-32). It may be about Kabuki playmatsuochikara Tomoe No Fujinami, raised in 1831 in the Kawarazaki Theater in Edo. Left part of a diptiek, possible center leaf of a triptych. With three poems.

Sangatsuyayoi? hanazumo shigatsuuduki? shaka tanjo, The third month: Going to see a sumo match; the fourth month: Buddha's birthday., Katsushika, Hokusai, 1760-1849, artist, 1791 or 1792, 1 print : woodcut, color ; 21.9 x 15.4 cm., Print shows three women dancing.

Love pair spied, Katshushika Huuntai (possibbly), 1813 print A woman spies a love couple through the crack of a screen, left on the show. On the right she is depicted herself and also sees the viewer the copulating couple, through the same crack. Right a second woman who spies the Postal. paper color woodcut lovers spied upon. man and woman cohabiting

Women Parading in an Imitation of the Cortege of a Daimyo. Artist: Utagawa Toyokuni I (Japanese, 1769-1825). Culture: Japan. Dimensions: 15 7/32 x 50 1/2 in. (38.7 x 128.3 cm). Date: ca. 1797. Museum: Metropolitan Museum of Art, New York, USA.

Erotic Print Kitagawa Utamaro Japanese. Erotic Print 56711

Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his kyoka poetry and surimono woodblock works.

The Actors Yamashita Mangiku and Otani Hiroji lll, from an untitled series of prints showing Actors in private life 1778-1788 Japan. Color woodblock print; hosoban . Torii Kiyonaga

Man and Two Women at the Sea Shore, 1769-1825. Utagawa Toyokuni (Japanese, 1769-1825). Color woodblock print;

Tokyo, Yamaguchiya Tobei, Japan, Sadahide, Utagawa, Ikiutsushi ikoku jinbutsu, Lifelike depictions of foreigners, Orandafujin kyosho aijido no zu, Dutch woman with glass and beloved child, below print - stamped, Woman in pink dress, standing with glass in left hand, looking at maid, sitting with child in her arms; against blue background. (Yokohama-e), print, prent, prints, Japan (collection), height 371 mm, width 254 mm, Japanese, 1807 - 1873, print maker, printmaker, 1860 - 1860, third quarter 19th century, paper, colour woodcut, Publication (Event), Publication, publisher

Courtesan District of Edo 1756-1829 Chbunsai Eishi Japanese. Courtesan District of Edo. Chbunsai Eishi (Japanese, 1756-1829). Japan. 1756-1829. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

. A few businesses love. His paragraph has already penetrated inside. On the abacus are probably the long and short months indicated.

Blind man play, 1792 - 1796 print Courtisane with loved one, looking at a fishing servant in a pond; In the background a watching Courtisane standing in front of the Kankanro Theehuis. Tokyo paper color woodcut blind-man's buff

Outdoor Amusements at the Kankanro Teahouse in Yoshiwara 1789-1799 Japan. Color woodblock print; left sheet of oban triptych . Torii Kiyonaga

Scenes in a brothel. Interior of a brothel in which the love is being skilled by different couples.

Satomi Jirotaro Yoshishige (from the series Stories of Beauty and Bravery (Biyu Suikoden) by Yoshitoshi, Tsukioka (1839-1892) / Private Collection / 1866-1867 / Japan / Colour woodcut / Mythology, Allegory and Literature /

The Actor Iwai Hanshiro. Artist: Kinchodo Sekiga. Culture: Japan. Dimensions: 12 1/2 x 5 1/2 in. (31.8 x 14 cm). Date: 1780-1790. Museum: Metropolitan Museum of Art, New York, USA.

The Actors Ichikawa Danzo III as I no Hayata Tadazumi (right), and Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as Yatsurugi Zaemon (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770. Katsukawa Shunsho ; Japanese, 1726-1792. Date: 1765-1775. Dimensions: 32.1 x 15.3 cm (12 5/8 x 6 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Beautiful Women of the Present Day, 1890, Woodcuts, Color, Paper / Sheet 14 9/16 x 9 13/16 in. (37 x 25 cm)

Judanme, Act ten of the Kanadehon Chushingura., Katsukawa, Shunʼei, 1762-1819, artist, 1807., 1 print : woodcut, color ; 37.3 x 25.5 cm., Print shows Amakawaya Gihei, with writing materials, and his father-in-law, who is seeking a letter of divorce from Gihei so he can marry off his daughter to another man, or it may show Yuranosuke returning the letter to Gihei, rewarding him for his loyalty; also shows a young man and a woman in the background.

Utagawa Hiroshige (1797 - October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige, and by the art name of Ichiyūsai Hiroshige. Among many masterpieces, Hiroshige is particularly remembered for 'The Sixty-nine Stations of the Kisokaidō' (1834-1842) and 'Thirty-six Views of Mount Fuji' (1852-1858).

At the Front of the IbarakiyaTeahouse. Artist: Suzuki Harunobu, Japanese, 1725-1770

The Actor Ichikawa Yaozo III with a geisha, from an untitled series of prints showing Actors in private life. Torii Kiyonaga; Japanese, 1752-1815. Date: 1778-1789. Dimensions: 29.2 x 14.5 cm. Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Snow. Utagawa Kunisada (Toyokuni III) (Japan, Edo, 1786-1865). Japan, 1855, 12th month. Prints; woodblocks. Color woodblock print

Four Seasons in the South - Summer View (Minami shiki natsu no kei). Utagawa Toyokuni I ; Japanese, 1769-1825. Date: 1784-1798. Dimensions: 14 1/2 x 9 1/2 in. Color woodblock print; center sheet of oban triptych. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Honorable Mr Cat Made 1903 United States. Color woodcut on cream Japanese paper . Helen Hyde

Actor Sawamura Sojuro III as Oboshi Yuranosuke. Actor in the role of Oboshi Yuranosuke, the captain of the 47 Ronin, with impeller in right hand; In the background a tree and the suggestion of the Ichiriki teahouse.

Landscape with a woman with a branch in the hand. .

Masaki. Chōbunsai Eishi (Japan, 1756-1829). early to mid-1780s. Prints; woodblocks. Color woodblock print

'Young Lady and Maid', c1745-1770.Artist: Suzuki Harunobu

Moon-Viewing Party, from the illustrated book Picture Book Flowers of the Four Seasons (Ehon shiki no hana), vol 2 1801 Japan. Color woodblock print; double-page illustration from book . Kitagawa Utamaro

Dog playing with flower wagon, 1896 - 1897 print Woman sitting at a folding screen on which painting of cranes, looking at dog playing with flower wagon. paper color woodcut sitting on the ground - AA - female human figure. screen, folding screen. dog

Geisha (Geigi), from the series Three Amusements of Contemporary Beauties ( Tosei bijin san’yu ) 1795-1805 Japan. Color woodblock print; naga-oban . Kitagawa Utamaro

Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

. Man sitting on a stone with a vase on a wooden table. This print is only known as a B copy.

Geisha and lover at detached folding screen, 1799 print Man in blue-white striped kimono and socks on, bare the lower body of a geisha to penetrate her. A detached space screen in the background. Eighth of thirteen prints from the album Negai No Itoguchi (also translated with: The Prelude to Desire). paper color woodcut coitus, cohabiting, sexual intercourse

The Actor Nakamura Noshio I in a "Shak-kyo Odori" (Stone Bridge Dance), in the Play Onna Aruji Hatsuyuki no Sekai, Performed at the Morita Theater in the Eleventh Month, 1773. Katsukawa Shunsho ; Japanese, 1726-1792. Date: 1768-1778. Dimensions: 32.7 x 14.2 cm (12 7/8 x 5 9/16 in.). Color woodblock print; hosoban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Illustration of English People (Igirisujin no zu) 1st month, 1861 Ichiryūsai Yoshitoyo Japanese. Illustration of English People (Igirisujin no zu) 73538

Distrustful fog at my mother. Woman against the background of the slope / mama no teijo, from the series: eight views compared to virtuous women / Kenjo Hakkei Utagawa, kuniyoshi (1797 1861)

The Actor Segawa Kikunojo I as Hanjo in the play Tsumagoi Sumidagawa, performed at the Nakamura Theater in the third month, 1733 1733 Japan. Hand-colored woodblock print; hosoban, urushi-e . Torii Kiyomasu II

Taira no Korimachi Waking Up, Utagawa Kunisada, 1843

The Actors Segawa Kikunojo III as Princess Hatsune (Hatsune Hime) (right), and Ichikawa Monnosuke II as Miyukinosuke Yukinari, in the Play Otokoyama Furisode Genji, Performed at the Kiri Theater in the Eleventh Month, 1785 1780-1790 Japan. Color woodblock print; oban . Katsukawa Shunko I

After the love act, clean a man and a woman with their genitals with Hanagami (papers). The dialogue is: "Don't make such a noise with that paper. Be quiet, otherwise they wake up and notice it". A range behind them.

Chiyoda Castle (Album of Women) 1895 Yōshū (Hashimoto) Chikanobu Japanese. Chiyoda Castle (Album of Women) 55850

Gathering Fruit. Dated: c. 1893. Dimensions: plate: 42.23 × 29.85 cm (16 5/8 × 11 3/4 in.) sheet: 45.2 x 32.1 cm (17 13/16 x 12 5/8 in.). Medium: drypoint and softground etching in black. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

Women watching fireworks at Sumida River 1790-1801 Japan. Color woodblock print; oban triptych . Kitagawa Utamaro

Three Young Ladies by the Seashore. Artist: Utagawa Toyokuni I (Japanese, 1769-1825). Culture: Japan. Dimensions: H. 14 5/8 in. (37.1 cm); W. 10 1/8 in. (25.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Jo and Uba Greeting the Rising Sun. Utagawa Toyoharu; Japanese, 1735-1814. Date: 1765-1786. Dimensions: 10 1/4 x 7 3/4 in. Color woodblock print, chuban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Futamigaura, Kitagawa, Utamaro, 1753-1806, artist, [between 1801 and 1804, 1 print : woodcut, color ; 38.4 x 26.3 cm., Print shows three women walking in the surf at the edge of a beach at Futamigaura, with view of one of the Meotoiwa (wedded rocks) and the knotted ropes in the background.

Cotton-Goods Lane, Odenma-cho, No. 7 in One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Cotton-Goods Lane, Odenma-cho, No. 7 in One Hundred Famous Views of Edo, 4th month of 1858. Woodblock print, Image: 13 3/8 x 9 in. (34 x 22.9 cm). The quietness of the street tells us it is late night or early morning. We are in the heart of the city in the sector popularly known as Momendana ("cotton shops"). Scholars have surmised that the two geisha are returning home after an evening out, their slight disarray and sense of tipsiness enhanced by the concern in the attendant's arched eyebrow. Nearby, behind the lifted cloth curtain, two merchants sit among piles of cotton fabric, closing up their business. Asian Art 4th month of 1858

Night View of Matsuchiyama and the San'ya Canal, 1857, 8th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 5/16 x 8 7/8 in. (33.8 x 22.5 cm) (image)14 1/8 × 9 9/16 in. (35.8 × 24.3 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Visual Parody of Fujiwara no Teika's Poem 'Crossing the Sano', 1765, Suzuki Harunobu, Japanese, 1725 - 1770, 11 × 8 1/8 in. (28 × 20.6 cm) (image, sheet, vertical chūban), Woodblock print (nishiki-e); ink and color on paper with embossing, Japan, 18th century, Calender print of the year Meiwa 2 (1765) with the numbers for the long months on the side of the bridge.

Suzuki Harunobu (c. 1725 July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties. Like many artists of his day, Harunobu also produced a number of shunga, or erotic images. During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.

'Kiyo and the Priest', 1912. Anchin falls in love with the beautiful Kiyohime, daughter of a wealthy landlord. He overcomes his passion, refrains from further meetings and is pursued by Kiyo in the form of a large serpent. From "Myths & Legends of Japan", by F. Harland Davis. George G. Harrap & Company, London, 1912

Badhuis in Hakone, c. 1827 print Interior of Badhuis. Various naked men and women are the love in and around the bath. paper color woodcut public baths. coitus, cohabiting, sexual intercourse

Gazette du Bon Ton, 1921 - No. 5, PL. 34: Les Amants De Torquate. Two lovers under a tree at the water. The woman wears a shot with scalloped zoom and a belt a belt. Shelf 34 from Gazette du Bon Ton 1921, No. 5. Explanation about the clothing on page "Explication des Planches Hors-Texte. CONTUES DANCE CE NUMÉRO.

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