Japanese Woodblock Prints

Stunning landscapes from Japan showcasing serene natural scenes and cultural landmarks, characterized by vibrant colors and intricate details.

Kanagawa, Japanese Prints - Nature

Zenkoji Temple and the Ferry at Kawaguchi (Kawaguchi no watashi Zenkoji), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Otsu Distant View of Otsu and the Lake from the Kannon Hall of Mii Temple (Otsu, Miidera Kannondo yori Otsu no machi kosui chobo), no 54 from the series Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue), also known as the Vertical Tokaido 1855 Japan. Color woodblock print; oban . Utagawa Hiroshige

Kanagawa, Japanese Prints - Nature

Sanuki Province: Distant View of Mount Zozu (Sanuki, Zozusan enbo), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1855. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Okabe: Góra Utsu (WAKABE, USSU NO YAMA), No. 22 from the series "Pi tentDembiński, Stanisław (1891-1940) - collection, wybe, Tokido, Utsu, gift for the museum, Japanese art, MNW collection, Oban

Precints of the Akiba Shrine, Ukeji (Ukeji Akiba no keidai), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Oiso Tora's Rain (Oiso, Tora ga ame), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido 1828-1839 Japan. Color woodblock print; oban . Utagawa Hiroshige

De Yodo Rivier in Maanlicht, Katsushika Hokusai, 1831-1835 print View of the Yodo River with ferries of ferries downstream and upstream; In the foreground the Osaka Castle; Bergen and a full moon in the background. paper nishiki-e / color woodcut river. ferry. full moon

Mitsuke; No. 29. Mitsuke: one of the fifty-three noted places on Tokaido, painted by Hiroshige; De Tôkaidô van Hiroshige; Hiroshige no fude Tôkaidô.A two-men boat puts on a headland, travelers in the distance to another boat.

Numazu Evening, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797-1858, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Center, full moon rising in the center over village towards which three pilgrims pass along road bordering river. One with grotesque mask distinctive of pilgrims to the Shinto Shrine of Kompira in Province of Sanuki. Left, thick pine woods., Japan, ca. 1834, landscapes, Print, Print

Kakegawa, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido) 1832-1847 Japan. Color woodblock print; chuban . Utagawa Hiroshige

Minosaki in Bungo Province (Bungo, Minosaki), section of sheet no 17 from the series Cutout Pictures of the Provinces (Kunizukushi harimaze zue) 1852 Japan. Color woodblock print; section of harimaze sheet . Utagawa Hiroshige

Shingawa: Sunrise, Hiroshige, 1833

Otsu Teahouse Fountain, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797-1858, Woodblock print (ukiyo-e) on mulberry paper (washi), Three bullock carts, one with bales of rice, the others with charcoal (), come down street toward teahouse. Left, teahouse in front of which is fountain. Center, pine trees and green hill outlined in distance., Japan, ca. 1834, landscapes, Print, Print

Kanagawa. Utagawa Kunisada II (Japan, 1823-1880). Japan, circa 1860. Prints; woodblocks. Color woodblock print

Odawara: Fishermen's Huts Along the Coast, no. 10 from the series Collection of Illustrations of Famous Places near the Fifty-Three Stations Along the Tokaido. Date: seventh month 1855. Dimensions: 36 cm x 23 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.

Yui; No. 17. Yui: one of the fifty-three noted places on Tokaido, painted by Hiroshige; De Tôkaidô van Hiroshige; Hiroshige no fude Tôkaidô.A face over the Sagura bay with the Fuji mountain in the distance.

Sakanoshita Sakanoshita Station 49, (Fudesuta Mountain). And, Hiroshige, 1797-1858. Prints. 1832. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Mountains, Cliffs, Travelers

Raftsmen on river by Utagawa Hiroshige, colour woodcut, 1856-1858, 1797-1858, Russia, St Petersburg, State Hermitage, 39x26

Nagakubo: No. 29 from Sixty-nine Stations of the KisoHighway. Artist: Utagawa Hiroshige, Japanese, 1797-1858

Akasaka Kiri-Ratake Uchu Yu Kei ca. 1859 Utagawa Hiroshige II Japanese. Akasaka Kiri-Ratake Uchu Yu Kei 55713

Ocean View, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, This scene depicts a birds-eye view overlooking the ocean. Two pairs of people are enjoying the beautiful spring day. A couple of men are having a discussion and point towards the ships while two women assisted by canes are walking towards the shrine., Japan, 1797-1858, landscapes, Print, Print

Soto Sakurada, Benkei Bori, Sakura-no-i ca. 1842 Utagawa Hiroshige Japanese. Soto Sakurada, Benkei Bori, Sakura-no-i 37069

Crossing The Shinjugawa River in Honjo /Honjo Shuku Shinjugawa WatashiBa, Board 10 from the Series: The Kisokaido Road /Kisoji NO EKI Eisen, Keisai (1790 1848)

Asakusa River, Great Riverbank, Miyato River (Asakusagawa Okawabata Miyatogawa), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1857. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Drum Bridge and Yuhi Hill at Meguro (Meguro Taikobashi Yuhi-no-oka), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Rain at the Togano Gate Hasegawa Sadanobu Japanese. Rain at the Togano Gate 55415

Temple Gardens in Nippori (Nippori jiin no rinsen), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Omi Province: Lake Biwa and Ishiyama Temple (Omi, Biwako Ishiyamadera), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1853. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Woodblock Print, Ferry at Rokugo, in The Fifty-Three Stations of the Tokaido Road (Kawasaki, Rokugo Watashi-bune Tokaido Gojusan Tsugi-no Uchi); Ando Hiroshige (Japanese, 1797 - 1858); Japan; woodblock print (ukiyo-e) on mulberry paper (washi); 24.1 x 36.1 cm (9 1/2 x 14 3/16 in.)

Noge in Yokohama, Bushu Province (Bushu Yokohama Noge) from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” 1826-1869 Japan. Color woodblock print . Utagawa Hiroshige II (Shigenobu)

Utagawa Hiroshige (川広重, 1797 - October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重). The Tōkaidō (東海道 East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendō, the Tōkaidō travelled along the sea coast of eastern Honshū, hence the route's name.

View of Iris Gardens at Horikiri. Artist: Utagawa Hiroshige II (Japanese, 1829-1869). Culture: Japan. Dimensions: Image: 8 3/8 x 11 1/4 in. (21.3 x 28.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Evening Bell at Ikegami (Ikegami no bansho), from the series Eight Views in the Environs of Edo (Edo kinko hakkei no uchi) 1832-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Utagawa Hiroshige, Plum Garden, Kamata , 1857, Ansei 4, 2nd month, color woodblock print.

Spring View of the New Embankment at Shinobazu Pond (Shinobazu ike shin dote haru no kei), from the series Newly Selected Famous Places in Edo (Shinsen Edo meisho) 1834-1847 Japan. Color woodblock print; oban . Utagawa Hiroshige

Utagawa Hiroshige, The Sea at Tsukuda in Edo, 1858, Ansei 5, 4th Month, color woodblock print on paper.

View of the Fuji River seen fron Iwabuchi in Kanbara, 1841-1842, Utagawa Hiroshige, Japanese, 1797 - 1858, 7 15/16 x 12 3/8 in. (20.2 x 31.5 cm) (image)8 7/16 x 13 1/8 in. (21.5 x 33.3 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

OKabe: The narrow ivy-hearted road on Mount Utsu, sheet 22 from the series: Pictures of the 53 stations of the Tōkaido. .

ESCENAS DE LA VIDA JAPONESA - GRABADO SIGLO XIX. Author: UTAGAWA HIROSHIGE O ANDO TOKUTARO. Location: PRIVATE COLLECTION. France.

Wedding journey of Konami, from the series: Kanadehon Chusingura; 8th act Kunisada, UTAGAWA (1786 1864)

The Sixty-nine Stations of the Kiso Kaid ( Kiso Kaid Rokujky-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige (1797-1858) and Keisai Eisen (1790-1848). There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints). The common name for the Kiso Kaid is 'Nakasend' or 'Central Mountain Highway', so this series is salso commonly referred to as the Sixty-nine Stations of the Nakasend. The Nakasend was one of the Five Routes constructed under Tokugawa Ieyasu, a series of roads linking the historical capitol of Edo with the rest of Japan. The Nakasend connected Edo with the then-capital of Kyoto. It was an alternate route to the Tkaid and travelled through the central part of Honsh, thus giving rise to its name, which means 'Central Mountain Road'. Along this road, there were sixty-nine different post stations (-shuku or -juku), which prov

Aoi Slope, Outside Toranomon Gate, No. 113 from One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Aoi Slope, Outside Toranomon Gate, No. 113 from One Hundred Famous Views of Edo, 11th month of 1857. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm). Why are two half-naked figures out on such a chilly night It was customary for artisan apprentices to engage in kan-mairi, wintry nighttime visits to temples and shrines where they would bathe in icy water to temper their bodies and offer prayers to the gods for the refinement of their skills. These two apprentices are returning from a visit to Konpira Shrine, which lay directly behind and to the right. Like the bundled figures on Aoi Slope to the left, they carry lanterns; the lantern of the shorter apprentice bears the name of the shrine god, Konpira Daigongen. The other apprentice also holds a small bell, which he rings as they hurry bravely through the cold. Asian Art 11th month of 1857

Toto, Ryogoku, from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 14 15/32 x 9 15/32 in. (36.8 x 24.1 cm). Date: 4th month, Horse year 1858. Museum: Metropolitan Museum of Art, New York, USA.

City view with Mount Fuji by Utagawa Hiroshige, color woodcut, 1858, 1797-1858, Russia, St Petersburg, State Hermitage

Gathering Shellfish at Low Tide at Susaki (Susaki shiohigari), from the series "Famous Places in Edo (Koto meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1827-1839. Dimensions: 25 x 38 cm (9 13/16 x 14 15/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Ejiri Distant View of Miho (Ejiri, Miho enbo), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido 1828-1839 Japan. Color woodblock print; oban . Utagawa Hiroshige

Sunshu Kiyomi-dera Yoshiwara Shuku En Kei: Raku Gan ca. 1830 Utagawa Toyoshige Japanese. Sunshu Kiyomi-dera Yoshiwara Shuku En Kei: Raku Gan 36697

Shinagawa: East Squelting (Hinode), second version, No. 2 from the series "Pi Tosze T Three stations on itDembiński, Stanisław (1891-1940) - collection, fifty -three stations at Tokido, cycle, Tokido, Dar for the Museum, Japanese art, MNW collection, Oban

Yokohama at Noge in Musashi Province, 1858, 4th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 3/4 × 8 3/4 in. (34.9 × 22.2 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Mount Atago, Shiba, No. 21 in One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Mount Atago, Shiba, No. 21 in One Hundred Famous Views of Edo, 8th month of 1857. Woodblock print, Image: 13 3/8 x 8 7/8 in. (34 x 22.5 cm). Hiroshige dramatically interrupts this view from Mount Atago in the district of Shiba southwest of Edo with a figure holding an immense rice paddle. The inscription over the artist's signature to the left identifies the figure as the central actor in the "Heaping Rice Ceremony" performed at the Atago Shrine on the third day of the New Year. In real life, this man was the proprietor of the Atagoya teahouse at the top of Mount Atago. Here however he is dressed in an elaborate costume emblematic of the New Year and of prayers for its bounty. Asian Art 8th month of 1857

Yoshida, from the series The Fifty-three Stations of the Tokaido Road. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 7 x 9 in. (17.8 x 22.9 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Spread, 1906 Travelers walk along a river, the rear wears a red tengu mask on the back. cardboard color woodcut

Tiger Rain at Oiso Station. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 15/32 x 14 in. (24.1 x 35.6 cm). Date: ca. 1834. Museum: Metropolitan Museum of Art, New York, USA.

Ferry Port at Imagiri Beach, Maisaka, 1841-1842, Utagawa Hiroshige, Japanese, 1797 - 1858, 7 13/16 x 12 7/16 in. (19.9 x 31.6 cm) (image)8 7/8 x 13 9/16 in. (22.6 x 34.4 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Entrance to the Cave at Enoshima Island in Sagami Province, Number 15. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, 1853, 8th month. Prints; woodblocks. Color woodblock print

The Taiko (Drum) Bridge and the Yuhi Mound at Meguro 1857 Utagawa Hiroshige Japanese. The Taiko (Drum) Bridge and the Yuhi Mound at Meguro 56933

Mikawa Province: Horai Temple in the Mountains (Mikawa, Horaiji sangan), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1853. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Suzugamori, 1863, 4th lunar month, Utagawa Hiroshige II; Publisher: Daikokuya Kinnosuke, Japanese, 1826 - 1869, 12 15/16 × 8 13/16 in. (32.9 × 22.4 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Shimada, Japanese Prints - Hiroshige

Abalone Divers off the Coast of Ise, from an Untitled Landscape Series, early 1830s. Utagawa Kunisada (Japanese, 1786-1865). Color woodblock print; overall: 27.4 x 40 cm (10 13/16 x 15 3/4 in.). Prolific printmaker Utagawa Kunisada produced this seascape of abalone fishing as part of a series of untitled landscape prints in the early Tenp era (1830-44). In the coastal city of Ise on Japan’s main island of Honshu, female divers called ama traditionally did the physically demanding job of harvesting shellfish such as abalone. These marine snails are valuable for their edible flesh, and their iridescent inner shell is a source of mother-of-pearl. This print depicts three stages of the harvest: One diver plunges into the water, another holds her breath while prying an abalone off the rocks with a blade, and a third ama conveys her successful harvest to the beaming fishermen on the boat.

Dividing Pool at Mitsumata. Utagawa Hiroshige (Japan, Edo, 1797-1858). 1857, 2nd month. Prints; woodblocks. Color woodblock print

Waterfall - Agematsu. By Ando Hiroshige

The Parting Depth of the Three-pronged River (Mitsumata Wakarenofuchi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Evening View of Takanawa (Takanawa no yukei), from the series Famous Places in the Eastern Capital (Toto meisho) 1827-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Kuwana: Ferryboats at Shichiri (Kuwana, Shichiri no watashibune), no. 43 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1855. Dimensions: 36.5 x 24.4 cm (14 3/8 x 9 5/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Shimada, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido) 1832-1847 Japan. Color woodblock print; chuban . Utagawa Hiroshige

. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 7 x 9 in. (17.8 x 22.9 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

The Tomigaoka Hachiman Shrine at Fukagawa (Fukagawa Tomigaoka Hachiman), from the series Famous Places in Edo (Koto meisho) 1827-1839 Japan. Color woodblock print; oban . Utagawa Hiroshige

Picture of Twilight at the Drum Bridge in Meguro, from the series 100 Views of Famous Places in Edo, 1857. Utagawa Hiroshige (Japanese, 1797-1858). Color woodblock print; sheet: 23.2 x 36.1 cm (9 1/8 x 14 3/16 in.).

View of Fuji from on the Oigawa River, board 26. From the series: thirty six views of Fuji / Fuji Sanju Rokkei HIROSHIGE, Ichiryusai (1797 1858)

Goyu: Motono Plain and Motosaka Pass (Goyu, Motonogahara Motozaka goe), no. 36 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1855. Dimensions: 37.8 x 26 cm (14 7/8 x 10 1/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Shinagawa Station, Sunrise, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, Hirogshige: Plate 2. Shinagawa, Sunrise (hinode; subtitle of second state: shook detachi (Daimyos Departue) A street along the seashore lined with six figures in procession - with two bowmen and two porters. Alongside the merchant shops are tall ships with their sails set. Another ship under the bank and a group of three or four anchored., Japan, ca. 1834, seascapes, Print, Print

SIXTY NINE STAGES OF THE KISO ROAD /KISOKUJUKYU TSUGI NO UCHI Eisen, Keisai (1790 1848), HIROSHIGE, Ichiryusai (1797 1858)

Print, Hodogaya (Shinkame Bridge), in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi); Ando Hiroshige (Japanese, 1797 - 1858); Japan; woodblock print in colored ink on paper; 24 x 36.5 cm (9 7/16 x 14 3/8 in.)

Gotenyama, Shinagawa, No. 28 in One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Gotenyama, Shinagawa, No. 28 in One Hundred Famous Views of Edo, 4th month of 1856. Woodblock print, Image: 13 11/16 x 9 in. (34.8 x 22.9 cm). Gotenyama, or Palace Hill, was the southernmost projection of the Shinagawa heights. It overlooked the Meguro River to the south and the Tokaido highway to the east as the road passed through the narrow settlement of Shinagawa, gateway to the city of Edo. The palace for which it was named was ascribed to Ota Dokan, the fourteenth-century founder of Edo, and was the suburban retreat of the early Tokugawa shoguns. After the shogunal villa burned, Gotenyama became one of the city's most popular flower-viewing sites. Asian Art 4th month of 1856

Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The series continues with summer. Summer amusements of the Fourth, Fifth, and Sixth Months are represented in numbers 43 through 72. Evening outings in pleasure boats on the Sumida River were taken along the many famous bridges of Edo, where endless varieties of entertainment were offered. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art name of Ichiyusai Hiroshige.

No 26 Mochizuki, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi) 1830-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Shizukuri in Iki Province, 1856, 3rd month, Utagawa Hiroshige; Publisher: Koshimuraya Heisuke, Japanese, 1797 - 1858, 13 3/8 × 8 13/16 in. (34 × 22.4 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Enshu akiba enkei fukuroi no tako, Distant view of Akiba of Enshu: kites of Fukuroi., Utagawa, Hiroshige, 1826-1869, artist, 1859., 1 print : woodcut, color ; 35.8 x 23.7 cm., People flying kites with open fields and mountains in the distance.

View of Enoshima in the Province of Soshu. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/5 x 4 29/32 in. (25.9 x 12.5 cm). Date: ca. 1835. Museum: Metropolitan Museum of Art, New York, USA.

Hiratsuka; Banyugawa Funa Watashi no Zu ca. 1842 Utagawa Hiroshige Japanese. Hiratsuka; Banyugawa Funa Watashi no Zu. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. ca. 1842. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Hodogaya Station and Shinkame Bridge ca. 1834 Utagawa Hiroshige Japanese. Hodogaya Station and Shinkame Bridge 36926

Sakanoshita: The Kannon in the Cave, no. 49 from the series Collection of Illustrations of Famous Places near the Fifty-Three Stations Along the Tokaido. Date: seventh month 1855. Dimensions: 36 cm x 23 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.

Fuchu: The Second Block of the Miroku Quarter near the Abe River, no. 20 from the series Collection of Illustrations of Famous Places near the Fifty-Three Stations Along the Tokaido, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, A night scene of colorfully adorned villagers contrasts the black rooftops. Located in the forefront, is a man on horseback greeted by two well-dressed women. Hiroshige illuminates the sharp geometric angles with scenes from the inside of restaurants. Beyond the village is a mountain with a crescent moon climbing behind. A low cloud highlighted with purple connects the landscape to the architecture., Japan, 1797-1858, landscapes, Print, Print

Fujieda, Ando, Hiroshige, 1797-1858, artist, ca. 1855, 1 print : woodcut, color ; 36 x 24.7 cm., Print shows a group of pilgrims crossing a shallow river, one being carried in a sedan chair, and three borne on the backs of others, at the 23rd station on the Tokaido Road.

Kanagawa; No. 4. Kanagawa: one of the fifty-three noted places from Tokaido. Painted by Hiroshige.; De Tôkaidô van Hiroshige; Hiroshige no fude Tôkaidô.Kanagawa with houses at Edo Bay. Women try to get travelers in their retirement homes.

Moon at Takanawa (Takanawa no tsuki), from the series "Three Views of Famous Places in Edo (Edo meisho mittsu no nagame)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1834-1847. Dimensions: 24.4 x 36.9 cm (9 9/16 x 14 1/2 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Kai Province Monkey Bridge (Kai, Saruhashi), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue) 1853-1856 Japan. Color woodblock print; oban . Utagawa Hiroshige

No 29 Wada, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi) 1830-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Bai Juyi, c. 1833, Katsushika Hokusai; Publisher: Moriya Jihei, Japanese, 1760 - 1849, 19 3/8 × 8 9/16 in. (49.2 × 21.8 cm) (image, sheet, vertical nagaban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

WiśnioWe Sady in Dangozaka / Sendagi Dangozak Hanayashiki, Board 16. From The Series: One Hundred Famous Views Edo / Meisho EDO Hyakkei HIROSHIGE, Ichiryusai (1797 1858)

Okabe: Utsu Mountain (Okabe, Utsu no yama), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.1 x 35.8 cm (9 1/2 x 14 1/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Shiba Shinmeisha Uchi (Shatetsu-ro) ca. 1840 Japan. Shiba Shinmeisha Uchi (Shatetsu-ro) 55051

The Outskirts of Koshigaya in Musashi Province, 1858, 4th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 5/16 × 8 9/16 in. (33.8 × 21.8 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Goten-yama Hill, Shinagawa, 1856, 4th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 7/16 x 8 7/8 in. (34.1 x 22.5 cm) (image)13 3/4 × 9 3/16 in. (34.9 × 23.4 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Asakusa Imado. Artist: Utagawa Kuniyoshi (Japanese, 1797-1861). Culture: Japan. Dimensions: 10 1/2 x 15 1/8 in. (26.7 x 38.4 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.

Tago Bay in Suruga Province (Suruga Tago-no-ura), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1852. Dimensions: 17.8 x 25 cm (7 x 9 13/16 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Ochanomizu in the Eastern Capital (Toto Ochanomizu), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei) 1858 Japan. Color woodblock print; oban . Utagawa Hiroshige

Old Story of Miyako-dori Gulls and the Sumida River, 19th century, Utagawa Hiroshige; Publisher: Wakasaya Yoichi, Japanese, 1797 - 1858, 13 7/16 x 8 7/8 in. (34.2 x 22.5 cm) (sheet, trimmed), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

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