Japanese Woodblock Prints

Color woodblock prints depicting traditional Japanese women in elegant kimonos, showcasing intricate details and historical themes.

Prostitute Cooling under a Willow Tree, 18th century, Katsukawa Shunchō, Japanese, fl.c.1780 - 1795, 26 7/8 × 4 1/2 in. (68.3 × 11.5 cm) (image, sheet, hashira-e), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century

A Young Komuso ca. 1768 Suzuki Harunobu Japanese. A Young Komuso 36637

Cup of the Arc de Triomphe and Winter Promenade in the Louvre enclosure and the Tuileries Jacques-Charles Bonnard (1765-1818). Cup of the Arc de Triomphe and Winter Promenade in the Louvre enclosure and the Tuileries gathered. Pencil, feather, ink of China and wash.

Vijf beroepen.Five glasses with images of professions in a wooden mount. The appeal depicted is also always mentioned on the glass. Extremely left: 'Plate Drucker', with hands and feet a plate press. To the right: 'Plate cutter', at a table by the window with a few prints on the wall. In the middle: 'Glasse Maker', with a diamond in his hand, a large window flat on a table for him. To the right: 'Pastaij is Soet', a pie breeder puts a pie in the oven. Extreme right: 'Mason', with trowel and brick in hand, bent over a layer of wall. Images seem to go back in part to the prints of Jan and Caspar Luyken, but are not directly copied or transmitted here. The published professions and the composition of the images deviate too much from the original prints.

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Ton vault, composed of oak planks, painted with grotesken and acanthus vranks, expired female figures with underclines that end in claws and volutes, anonymous, c. 1600 Vault consisting of approximately 150 panels of different sizes. Parts 149 to 154, parts 267 to 273, parts 275 to 280, parts 44 to 47, parts 86 to 95, parts 155 to 162 and parts 75 to 85. Northern Netherlands wood (plant material). oak (wood). paint (coating) The Hague Vault consisting of approximately 150 panels of different sizes. Parts 149 to 154, parts 267 to 273, parts 275 to 280, parts 44 to 47, parts 86 to 95, parts 155 to 162 and parts 75 to 85. Northern Netherlands wood (plant material). oak (wood). paint (coating) The Hague

Ton vault, composed of oak planks, painted with grotesken and acanthus vranks, expired female figures with underclines that end in claws and volutes, anonymous, c. 1600 Vault consisting of approximately 150 panels of different sizes. Parts 117 to 122, parts 101 to 106, parts 55, 56, 58 and 2, parts 123 to 126, parts 131 to 141, parts 59/60, 57, 53 and 54, and parts 142 to 148. Northern Netherlands wood (plant material). oak (wood). paint (coating) The Hague Vault consisting of approximately 150 panels of different sizes. Parts 117 to 122, parts 101 to 106, parts 55, 56, 58 and 2, parts 123 to 126, parts 131 to 141, parts 59/60, 57, 53 and 54, and parts 142 to 148. Northern Netherlands wood (plant material). oak (wood). paint (coating) The Hague

Five scenes from classical mythology, anonymous, c. 1700 - c. 1790 Five glasses with scenes from classical mythology in a wooden stress. The glass on the left: Orpheus plays on a Renaissance violin, around him are listening to a deer and two dogs. The glass to the right: man with spear and in classic armor, in fight with a dragon. The middle glass: man with a red canvas overflowed with sword a female figure with wings instead of arms (probably a harpij, chased by Boreas or Jason). The glass to the right: a woman, with a frightened child in her arms, points to men with kikvorshooefden in a pool with reeds. (Probably the landmen who were turned into frogs by the goddess Latona after they had insulted her.) The glass on the far right: Hercules catches the bull of Crete. Hercules has worked the head of the bull against the ground and has his knee on his neck. Netherlands oak (wood). glass Five glasses with scenes from classical mythology in a wooden stress. The glass on the left: Orpheus p

Women Holding Boy who is Reaching Out to Young Man Below 1771-1781 Japan. Color woodblock print; hashira-e . Kitao Shigemasa

Panel, wood (oak), France, ca. 1780, architecture, Decorative Arts, Panel

Nine Dragon Wall in Beihai Park, Beijing

Alchemical devices. Watercolour after George Ripley.

The Five Tiger Generals of the Tales of the Water Margin (Suikoden Goko Shogun) 1816-1833 Japan. Color woodblock prints with metallic pigments; surimono shikishiban pentaptych . Yashima Gakutei

Illuminated Border with Flowers 1300-1500 Europe. Manuscript cutting in tempera, colored inks and gold leaf on vellum . Unknown illuminator

Utagawa Kuniyoshi 1798-1861. Battle on Mount Yoshino (Yoshinoyama kassen). about 1851. Oban vertical.

Representation of shoki and a lion; Signed Masayasu.

Henri Camille Danger (1857-1937). "The Bear. At night. The Dragon - Sketch for the North Entrance Show of the Paris City Hall". Ink and oil on canvas. 1892. Museum of Fine Arts of the City of Paris, Petit Palais. 143989-3 oil on canvas

Sidewall, Arthur & Robert, Block-printed on handmade paper, Arabesque intermediate panel. Contains butterfly, coiled snakes, peacock feathers, vase with floral bouquet, altar, and cameo motifs. Applied border on four sides., France, ca. 1790, Wallcoverings, Sidewall

The Five Tiger Generals of the Tales of the Water Margin (Suikoden Goko Shogun). Yashima Gakutei; Japanese, 1786 ()-1868. Date: 1816-1833. Dimensions: 21.1 x 18.9 cm (8 5/16 x 7 7/16 in.)Composite: 21.2 x 94.3 cm (8 5/16 x 37 1/8 in.). Color woodblock prints with metallic pigments; surimono shikishiban pentaptych. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Parody of Kabuki Drama "Chushingura", Act VII Katsukawa Shunei (Japanese, 1762-1819). Parody of Kabuki Drama "Chushingura", Act VII, ca. 1780-1790. Woodblock print, 24 3/8 x 4 1/2 (61.9 x 11.4 cm). Asian Art ca. 1780-1790

December, with the Sign of Capricorn. December met het teken van de Steenbok. Painter: Jan Kamphuijsen. Designer: Giambattista Maderni (possibly). Dating: 1790 - 1791. Measurements: h 335 cm × w 30 cm. Museum: Rijksmuseum, Amsterdam.

Frieze (Austria); block-printed; 119 x 19 cm (46 7/8 x 7 1/2 in.)

Two Women Viewing Cherry Blossoms 1775-1785 Japan. Color woodblock print; hashira-e . Torii Kiyonaga

Tale of the Wisteria Robe Tale of the Wisteria Robe, 15th century. Ink on mica-flecked paper, 6 5/8 x 405 1/4 in. (16.8 x 1029.3 cm). Asian Art 15th century

Dansende dwergen.Four glasses in a wooden mount with handle. A dancing dwarf is painted on each glass.

AZULEJOS CON VISTAS DE SEVILLA - 1699 - 14 x 141 cm. Author: ANONYMOUS. Location: PRIVATE COLLECTION. SPAIN.

Genius of suffering and, a cardboard for stained glass for the Wawel cathedral; Mehoffer, Józef (1869-1946); 1911 (1911-00-00-1911-00-00);Angel, Old Testament, State Art collections - collection, Wawel, Kraków, town, stained glass window, project

Mural paintings from the Mexican jungle, discovered by Giles G. Healey at Bonampak, Chiapas State, Southern Mexico in 1946. Giles Greville Healey (1901-1980) volunteered for a two-year expedition to South America to collect curare for medicinal purposes, during which he accomplished extensive cartographic work on the Orinoco River for the Royal Geographical Society.

Drawing, Vigilance, Design for a Stained Glass Window; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, gouache, graphite on tracing paper; 45.7 × 11.3 cm (18 × 4 7/16 in.); 1914-38-362

Band, Medium: linen, silk Technique: lampas (two interconnected structures: plain weave and plain weave), Narrow band patterned with lions facing a fountain, alternating with a flowering plant in an urn., Italy, 16th century, woven textiles, Band

Crivelli, Carlo (c. 1435-c. 1495) National Gallery, London Painting Bible Predella of La Madonna della Rondine (The Madonna of the Swallow)

City of Rimini , Cities & towns, Waterfronts

Slaughtering and dismembering oxen for the butchery. L'Hôte, Nestor (1804-1842). still image. Prints. 1844 - 1889. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Egypt , Antiquities, Butchers , Egypt, Egyptian language , Writing, Hieroglyphic, Egyptians , To 499, Knives , To 499

Courtesan Playing a Hand Drum. Isoda Koryusai; Japanese, 1735-1790. Date: 1770-1780. Dimensions: 23 1/4 x 4 1/4 in. Color woodblock print; hashira-e. Origin: Japan. Museum: The Chicago Art Institute, USA.

LA CASETA DE LOS ALBAÑILES III-1990-24X120 CM-PASTEL/PAPEL. Author: MARTA CARDENAS. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Delaunay-Terk, Sonia (1885-1979) State Hermitage, St. Petersburg Graphic arts 198x36,5 Poster and Graphic design Illustration for the poem La Prose du Transsib_rien et de la petite Jehanne de France by Blaise Cendrars

Orphrey Band 15th century German. Orphrey Band 463284

Fragment (Japan)

Painted lantern slide - Chasing the pig, painted lantern slide, 1825-50

Dansende en muziekmakende dwergen.Four glass plates in wooden mount with handle. Extremely left: Dwarf plays leaf on a horn, in the background is a cat and dancing mice. To the right: dancing dwarling couple. To the right: dancing dwarling couple. Extreme right: Dancing dwarf with very large collar.

The Rape of the Sabines n.d. Jacques Gamelin French. The Rape of the Sabines 337159

Section of a Narrative Scroll and Two Cloth Wrappings and Box , ca. 1600. Handscroll, ink and colors on paper, silk crepe, lacquered wood, .1 Painting: 52 3/8 x 12 3/8 in. (133 x 31.4 cm). Asian Art ca. 1600

'The Triumph of Faith', 1510-1511, (1937). Artist: Titian

Kabuki Stars Before a Gracious Waterfall (Arigataki megumi no hanagata) 1883 Japan. Color woodblock print; oban pentaptych . Toyohara Kunichika

Ouka no Oiran dochu, Oiran parading beneath cherry blossoms., Utagawa, Toyokuni, 1769-1825, artist, between 1789 and 1793, 1 print : woodcut, color ; 65.4 x 11.5 cm., Print shows a woman standing beneath a parasol with branches of cherry blossoms above.

June with the sign of Cancer, Jan Kamphuijsen, 1791 painting As the inscription below states, the subject of this painting is the month of June. The sign of the constellation Cancer is depicted on a relief with a black stock. Mercury, protective god of June, can be recognized by the Pegasus, Cadaceus and Beurs. De Haan symbolizes his awake, the RAM refers to his role as protector of shepherds and herds and the racket with shuttle to his patronage of the sport. De Haan has been taken over from the carpet series Le Douze Mois Grotesques designed by Claude III Audran (1658-1734), which was put into print by Jean Audran (1667-1756). On the print with the months of May and June, at May, apart from a rooster, a ram, merchandise and rackets can also be seen, of which Maderna has painted his own interpretation. A second source of inspiration was Le Antichità di Ercolano Esposte (Naples 1757-1792). The woman with the tambourine has been copied in detail (dl. 1 (1757), p. 109). This is the only

Scene from the Bayeux Tapestry. Josef Albert (German, 1825 - 1886)

Vijf afbeeldingen van vechtkunst.Five glasses with images in a wooden mount. The glasses show caricatural figures that demonstrate different combatts with sword and knots. The background is black painted.

Young Samurai with Hawk on His Wrist, c. 1767-1768, Suzuki Harunobu, Japanese, 1725 - 1770, 27 15/16 × 5 1/4 in. (70.9 × 13.4 cm) (image, sheet, hashira-e), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century, Training predatory birds for hunting was a significant pastime of the Japanese aristocracy and a favorite painting subject. Master falconers (takajō) received a special rank within the samurai hierarchy during the Edo period (1603-1868). In this visual parody, Suzuki Harunobu depicts a falconer as an urban dandy (wakashu) with elegant green jacket, purple-and-pink striped kimono, and red-and-white striped sash. The raptor is probably a Northern Goshawk.

Scenes from the Tale of Genji Genji monogartari. Date/Period: Early 17th century. Decorative Arts. Pair of six-panel screens, colour, gold, silver on paper. Height: 154 mm (6.06 in); Width: 348 mm (13.70 in). Author: UNKNOWN.

Five scenes from classical mythology, anonymous, c. 1700 - c. 1790 Five glasses with scenes from classical mythology in a wooden stress. On the glass on the far left: a running man and woman, both with a raised hand with a stone in it. On the stones in the background a human face and a human torso. A third stone flies through the air in the background. Deucalion and Pyrrha are probably depicted here. They throw stones over their shoulders, from which new people grow. (Ovidius, Metamorphosen, book I 313-415). The glass to the right: Jason, with spear in classic armor, fights the dragon that monitors the Golden Fleece. The golden fleece itself hangs in the tree where the dragon has wrapped itself. The middle glass: Jason and the fire -breathing bulls. Jason, on the left, protects herself against the fire from the nostrils of the two bulls with a bunch of herbs. The glass to the right: Athena turns Arachne into a spider. On the left a loom, on the right the goddess who points to the spide

Marriage of Henry VII 1700-1799 England. Pen and brown ink and brush and brown wash on cream wove paper, pieced together and laid down on board . Thomas Stothard

One of a Pair of Ramma (Transom) Panels from the Hooden 1888-1898 Japan. Wood with polychromy; panel . Takamura Kôun

Japan, Shigemasa, Kitao, Female warrior Tomoe Gozen in armor with sword on horse, bottom right - stamped, print, prints, Japan (collection), height 674 mm, width 118 mm, Japanese, 1739 - 1820, print maker, printmaker, 1770 - 1780, third quarter 18th century, fourth quarter 18th century, paper, color woodcut

Border (France); block-printed on handmade paper; 99 x 25 cm (39 x 9 13/16 in.)

People Fleeing from a Fire, 1615-1868. Japan, Edo period (1615-1868). Handscroll: color and gold on paper; overall: 35 x 264.8 cm (13 3/4 x 104 1/4 in.).

Josef Selleny's watercolor depicts a panoramic view of Messina, showing urban structures and surrounding landscape.

1870. Seat Paris: VIEW OF FERTIFICATIONS. Charles Camille Chazal (1825-1875). 1870. Seat Paris: VIEW OF FERTIFICATIONS. Gouache on paper, 1870. Paris, Carnavalet museum.

Deraisme, Pierre -Georges (n.1859 - D.1932), dog necklace (main title), 1902. Graphite, gouache on film -coated paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Les aventures du chevalier Jaufre et de la belle Brunissende, 1856, after Gustave Doré; Translator: Mary Lafon; Publisher: Librairie Nouvelle, Paris, French, 1832-1883, 10 3/8 x 7in. (26.4 x 17.8cm), Wood engravings; letterpess, France, 19th century

Vijf taferelen uit de Klassieke mythologie.Five glasses with scenes from classical mythology in a wooden mount. On the glass front left: a running man and woman, both with a raised hand with a stone in it. On the stones in the background a human face and a human outer. A third stone flies in the background through the air. Deucalion and Pyrrha are probably shown here. They throw stones over their shoulders, where new people grow out. (Ovid, Metamorphosen, book I 313-415). The glass to the right of this: Jason, with spear into classical armor, fight the dragon that guilders fleece. The golden fleece itself hangs in the tree where the dragon has wrapped around it. The middle glass: Jason and the fire-breathing bulls. Jason, left, protects herself against the fire from the nostrils of the two bulls with a bunch of herbs. The glass right: Athena changes arachne in a spider. On the left a loom, on the right the goddess who points to the spider in a web above the spinning wheel. The glass ex

Persian ornament

Liberté, Egalité, Fraternité Félicien Rops Belgian. Liberté, Egalité, Fraternité 336709

Panorama sculpture Amberger Buergerskulptur in Kaiser-Ludwig-Ring, Amberg, Upper Palatinate, Bavaria, Germany, Europe

Bonad (Sweden); hand painted on canvas; 320 x 28 cm (126 x 11 in.)

A Miraculous Tale: A Sutra Illustration A Miraculous Tale: A Sutra Illustration, 18th-19th century. Handscroll, ink and color on paper, 12 1/2 x 26 in. (31.8 x 66 cm). Asian Art 18th-19th century

Toverlantaarnplaatjes.A magic lantern plate on which four men are depicted in uniform.

Oblong performance on a predella. In the middle Moses and the Tablets of the Law, the Curse of the Withered Fig Tree, and the Parable of the Widow's Mite., painter: Lodovico Mazzolino, 1525 - 1530, panel, h 8.6 cm × w 67 cm × t 2.0 cm, d 6.3 cm

Beauty and a White Dog at a Shrine 1764-1770 Japan. Color woodblock print; hashira-e . Suzuki Harunobu

Border (France); block-printed and flocked; 50 x 8.5 cm (19 11/16 x 3 3/8 in.)

Azulejos de oficios, siglo XVIII. Museu d'Història de Catalunya.

Border (France); block-printed and flocked; 168 x 24 cm (66 1/8 x 9 7/16 in.)

Hunting cupids, by Unknown, 62 - 79, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, From Herculaneum. Whole artwork. Putti winged cupids wings infant child arch.

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Pictured here is burial of Baldur, his corpse placed on a ship to burn, a giantess pushing the boat, and Balder's wife on pyre.

Design for a vignette for the Navy, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush other ornament derived from animal forms. bony fishes: flying fish. land forces (+ marines)

Design for vignette in the commemorative book for Queen Wilhelmina from 1923: Traffic. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 90 mm × w 424 mm. Museum: Rijksmuseum, Amsterdam.

Design for a book bridge for: Louis Couperus, from white cities under Blue Air, 1912-1913, Karel Sluijterman, in Or Before 1912 - 1913 drawing paper. India ink (ink). deck paint. pencil pen / brush architecture. foliage, tendrils, branches ~ ornament

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