Landscape and Architectural Watercolors

Vibrant watercolor depictions of gardens, architecture, and serene landscapes, capturing historical and contemporary artistic styles.

In Laurence Manning's story 'The man who awoke', set 8000 years hence, everyone and everything will be controlled by the Great Brain, anti- cipating Orwell's Big Brother Date: 1933

Estate of Isaac P. Martin. Dated: c. 1936. Dimensions: overall: 51.1 x 37.9 cm (20 1/8 x 14 15/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Meyer Goldbaum and George Stonehill.

Sidewall, Block printed on paper, masonite support, Landscape scenes set within an elaborate frame in the Rococo or Renaissance style. a) shows a bridge and tower, while b) shows a large ship in a harbor. The scenes are printed in color and the framework, vases and flowering vines are in grisaille., possibly France, 1840s, Wallcoverings, Sidewall

Overdoor (France); block-printed on handmade paper

(PAISAJE INESTABLE) - SIGLO XXI. Author: DANIEL QUINTERO 1949-. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Tablinum in the House of Marcus Lucretius Fronto, Pompeii. Third Pompeian Style. Casa di Marco Lucrezio Frontone. Tablinum de la maison de Fronto, Region V.4. Troisieme style. Handcoloured pochoir (stencil) lithograph by Pierre Guzman from his own Decoration murale a Pompei, (Wall decoration at Pompeii), Editions Albert Morance), Paris, 1924.

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Scene tile, blue with landscape with house with shed, corner pattern spider, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

Selma Sandler, Bandbox, c 1953 Bandbox

Sant Miquel de Balansat,iglesia(ss.XIV-XVI).Fresco (s.XVIII).Ibiza.Islas Pitiusas.Baleares.España.

In Laurence Manning's story 'The man who awoke', set 8000 years hence, everyone and everything will be controlled by the Great Brain, anti- cipating Orwell's Big Brother Date: 1933

Virginia Richards, M Ward Estate, c 1936 M. Ward Estate

Hanging Made 1899-1901 England. Linen, plain weave; appliquÈd with linen, plain weave; embroidered with cotton in stem, buttonhole, and satin stitches . Haslemere Peasant Industries (Designer)

Drawing, Design for a Gazebo and Terrace Garden; Designed by André Vera (French, active Paris, 1881-1971), Paul Vera (French, active Paris, 1882-1957); France; brush and watercolor, graphite on cream tracing paper; 29.3 × 25.2 cm (11 9/16 × 9 15/16 in.) Mat: 45.7 × 35.6 cm (18 × 14 in.)

Port of Bastia on Corsica, Lodewijk Schelfhout, 1924 print A woman drives on a donkey over a path along the port of Bastia, in which some ships are moored. Left in the background the city of Bastia. paper drypoint city-view, and landscape with man-made constructions. harbour. riding a horse, ass, or mule; rider, horseman Bastia

Franz Josefs-Quila , Philipp , Kramers, Printer, Publisher

Femme sur la jetée, pl.11. Rysselberghe, Theodore van (1862-1926), graphic artist, Maison Moderne (Paryż ; wydawnictwo ; 1897-1903), publishing house

Stage design for the ballet The Fountain of Bahcesaray by B. Asafiev by Vasilyev, Alexander Alexandrovich (*1958) A. Pushkin Memorial Museum, St. Petersburg 2000 Watercolour, Gouache on Paper Russia Theatrical scenic painting Opera, Ballet, Theatre

Watercolour - Iswich on the Till George Heriot (1759-1839)

Stage design for the ballet Thamar by M.A. Balakirev by Bakst, Leon (1866-1924) Private Collection 1912 Russia Colour lithograph Graphic arts Opera, Ballet, Theatre

Country scene and Church, 18th century fresco, church of Sant Miquel de Balansat, Puig de Missa, 14th century, San Juan de Labritja municipality, Ibiza, Balearic Islands, Spain.

Nocturnal attack in the eleventh deed of the Chushingura play, Utagawa Kuniyoshi, 1834 - 1835 print View of snow -covered Moronao castle besieged by 47 Ronin (Samurai without master); at full moon. Japan paper nishiki-e / color woodcut city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). rope-ladder

After Supper. Artist: Horace Pippin (American, West Chester, Pennsylvania 1888-1946 West Chester, Pennsylvania). Dimensions: 14 x 22 1/8 in. (35.6 x 56.2 cm). Date: ca. 1935. Museum: Metropolitan Museum of Art, New York, USA.

Virginia Richards, Eliza B Jumel Estate, c 1936 Eliza B. Jumel Estate

Chagall, Marc (1887-1985) Private Collection Graphic arts 28,4x38 Mythology, Allegory and Literature Illustration for the poem The Dead Souls by N. Gogol

Bandbox Design (Deaf and Dumb Asylum). Dated: c. 1939. Dimensions: overall: 39.4 x 53.9 cm (15 1/2 x 21 1/4 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Martin Partyka.

Map of the Maarsseveen Heerlijkheid, consisting of four parts, Philibert Bouttats, After Jan van der Heyden, 1690 - 1691 print Map of a part of the Maarsseveen glory. On the left a large banderole with a face on Goudestein, a country estate in the glory. A few pairs and a shepherd walk along the river Vecht. Boots and swimming swans on the river. The allegorical figure of fame comes from behind the banderol. She blows on a trumpet with a banner and drives away a devil. The rest of the print consists of a map of Maarsseveen. In the left under corner a legend with the weapon of Maarsseveen above it. To the left of a bowl. At the bottom left and right images of an arcadian landscape with putti, hard -working farmers and shepherds. Two hunting scenes in the top right corner. paper etching / engraving maps of cities. armorial bearing, heraldry. coat of arms (as symbol of the state, etc.). ribbon, scroll, banderole ~ ornament. pastorals, Arcadian scenes. hunting, chase. farm or solitary hou

Scroll III.. 1501 - 1599. Illustrations, Manuscripts. Spencer Collection

One of Seven Engraved Reproductions from 'Roger's Italy', M. H. Long, after Joseph Mallord William Turner, 1775-1851, British, 1884, Engraving

Considering Quillfeefuf-Sur-Seines, Anonymous, After Christophe Tassin, 1638 print This print is part of an album. publisher: ParisThe Hague paper engraving / etching city-view in general; 'veduta' Quillebeuf-sur-Seine

Print, "Baxter" Print: Gems of the Great Exhibition of 1851, Gem No. 2; Published by George Baxter (1804 - 1867); England; lithograph, with woodblock-printed oil ink support: white wove paper laid down on white wove paper; 11.9 x 23.6 cm (4 11/16 x 9 5/16 in.) mount: 21.9 x 32.9 Mat: 35.6 x 45.7 cm (14 x 18 in.)

A Town at the Time of Emperor Nicholas I, Dobuzhinsky, Mstislav Valerianovich (1875-1957)

Summer House by Henry McCarter, oil on canvas, 1886-1942, USA, Pennsylvania, Philadelphia, David David Gallery

Scene tile, blue with landscape with houses and (fire) Tower, corner motif spider, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

On a palace terrace hangs a swing from a vaulted arch, on the swing sits a young woman with a tampoera, next to the swing stands Krishna, both with a halo around the head, left and right in front of and between the thick foliage of trees are women encouraging the couple, in the background a park with banana trees and dark green trees against a colorful evening sky with twice two slender cypresses. The scene is bordered with a narrow golden edge, Love Couple on Swing, draughtsman: anonymous, Kishangar, c. 1810, paper, brush, h 305 mm × w 213 mm

Face from the dunes on Koog in Texel, Jan Toorop, 1917 drawing paper. chalk. watercolor (paint) brush city-view, and landscape with man-made constructions Koog. Texel

Throne room, Tuileries Palace (Anc.), 1st arrondissement, Paris. Throne room, Tuileries Palace. Tuileries Palace. "Hall of the Throne, Paris (IER ARR.)". Anonymous photography. Seamless stereoscopic view and colored with pin holes ("Diorama effect"). Between 1860 and 1870.

View of a company on a river where carpets are manufactured, 1631 - 1661 print View of a company on a river where carpets are manufactured. Print is part of an album. print maker: Parispublisher: ParisThe Hague paper etching tapestry weaver, gobelin maker France

Drawing, Study for a Monumental Garden on Two Levels; Designed by André Vera (French, active Paris, 1881-1971), Paul Vera (French, active Paris, 1882-1957); France; pen, brush and black ink, graphite on tracing paper; 34.4 × 44.8 cm (13 9/16 × 17 5/8 in.) Mat: 40.6 × 55.9 cm (16 × 22 in.)

Kasamatsu Shirō, Snow Country, 1959, color woodblock print.

View of Boston from the Hospital at Chelsea (valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 148 × 199 mm. Watercolor on embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Delftware (glased earthenware). Pottery factory in Bolsward. Horse mill for grinding clay. Atrributed to Dirk Danser (1698-1763). c. 1745-1765. Rijksmuseum. Amsterdam. Netherlands.

Russian Soviet propaganda poster for an exhibition. 1964

Scene tile, blue with landscape with castle ruin, corner motif spider, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

Noah's Ark was, according to the biblical book of Genesis, a buoyant box built by the patriarch Noah, painting by Ivar Arosenius, Historic, digitally restored reproduction from an original of the time

Chlid Art Competition (Color Transperency). Photographs of Marshall Plan Programs, Exhibits, and Personnel

Illustration by Franz M. Melchers (Dutch, 1868-1944), from 'Poems' by Thomas Braun. 1897

Color monotype by Karl Julius Heinrich Revy depicting Salzburg, including buildings, hills, and urban landscape.

Hafen; Tüpke-Grande, Helene (1871-1946); 1903 (1895-00-00-1905-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, worpswede (Germany - artistic colony), fishing boats, modernism (style), ports

George Stonehill and Gilbert Sackerman and William Merklin, Hayes and Thompson Estate, c 1936 Hayes and Thompson Estate

Peep-Show Picture, View of the Castel de St. Angelo and St. Peter's, Rome, Lithograph with brush and watercolor on paper, pricked, Two small boats are seen in the Tiber. Figures silhouetted in them and in the left foreground. Full moon cut out. St. Peter's and lights on the Ponte S. Angelo pricked., Augsberg, Germany, ca. 1790, Peep-show print, Peep-show print

Illustration by Franz M. Melchers (Dutch, 1868-1944), from 'Poems' by Thomas Braun. 1897

Decoration designs for court celebrations; after. XIX-the beginning of the 20th century (1846-00-00-1855-00-00);

Man with crossbow shooting at the butts (marks) in a school of archery, 16th century. Handcoloured lithograph by Joseph Strutt from his own Sports and Pastimes of the People of England, Chatto and Windus, London, 1876.

Port by Pimenov, Yuri Ivanovich (1903-1977)/ Private Collection/ 1931/ Russia/ Watercolour, gouache, ink and pen on paper/ Soviet Art/ 47,5x36/ Genre,History

Tandefelt, Heikki, work name: Olavinlinna, etching, graphics, plate width 23.7 cm, plate height 31.8 cm, leaf width 36, 9 cm, leaf height 48 cm

M. Ward Estate. Dated: c. 1936. Dimensions: overall: 51 x 38 cm (20 1/16 x 14 15/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Helen Miller and William Merklin.

Scene tile, blue with landscape with house and barn with smoking chimney, corner motif spider, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

Damm building, by Konstantin Fyodorovich Bogayevsky, oil on canvas, 1932, 1872-1943, Russia, Donetsk , Regional Art Museum, 55x110

Launching of Hot Air Balloons, Japanese Prints - Yokohama Namban - Foreigners

Model of a Side-Wheeler. Dated: 1935/1942. Dimensions: overall: 39 x 48.8 cm (15 3/8 x 19 3/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: William Pollman.

Kozhin, Mikhail Vladimirovich (1886-1966) State Central M. Glinka Museum of Music, Moscow 1945 43x60 Watercolour, Gouache on cardboard

Barth Erwin (1880-1933), place on Marly in Lübeck (1907): Perspective view of the space with a view towards the cathedral and Aegidienkirche (direction of view "e"). Watercolor on the box, 54.2 x 42.6 cm (including scan edges) Barth Erwin (1880-1933): Platz auf Marly, Lübeck

Stage design for the opera The Tsar's bride by N. Rimsky-Korsakov by Vrubel, Mikhail Alexandrovich (1856-1910)/ State Tretyakov Gallery, Moscow/ 1899/ Russia/ Watercolour on paper/ Symbolism/ 22,4x32,9/ Opera, Ballet, Theatre

$Cimeti \ `ere a ballancourt; Jasi Ski, Feliks Stanis Aw (1862-1901), 1908 (print); around 1896-1897 (block) (1895-00-00-1908-00-00);Art Nouveau (style), Ballancourt-Sur -ssonne (France), Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, cemeteries, French (culture), French graphics, Polish graphics, city landscapes , Poland (culture), purchase (provenance)$

Pottery tile with bridge, spinnekop corner decoration, in manganese on white ground, wall tile tile visualization earth discovery ceramics earthenware glaze tin glaze, in form made glazed baked earthenware tile with bridge spinnekop corner decoration in manganese on white background. Presentation is ditch with bridge on the left of which village center with church on the right three sailing ships Presentation depicted archeology Rotterdam City Triangle Schiedamsedijk Soil discovery: Schiedamsedijk east side Rotterdam 1939.

Scene with Bovines and Demons (verso), Page of Calligraphy (recto), Folio from a Bhagavata Purana (Ancient Stories of the Lord). India, Andhra Pradesh, Golconda (), 1675-1700. Drawings; watercolors. Opaque watercolor, gold, and ink on paper

Scroll III.. 1501 - 1599. Illustrations, Manuscripts. Spencer Collection

Lisbon before the 1755 earthquake, mural at the Church of Santa Luzia in the typical Azulejos blue glazed tiles in Lisbon, Portugal, Europe

Decoration designs for court celebrations; after. XIX-the beginning of the 20th century (1846-00-00-1855-00-00);

Italy - Tuscany region - Florence. Palazzo Vecchio, Hall of the Geographical Maps. Map of the course of Nile river in Lower Nubia, oil painting by Stefano Buonsignori 1575-1584.

Two Joined Panels: The Views of Lyon. France, Paris. Date: 1821. Dimensions: 170.2 × 103.5 cm (67 × 40 3/4 in.). Block-printed, color on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Purvitis (Purwitt), Wilhelm (1872 1945)

Clutch. Culture: Mexican. Date: 1830-50.Despite the disproportionate figures of the man and the ducks on the face of this bag, overall the design displays an excellent use of color and good grasp of perspective. Probably of professional make, it is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country thro

Print; 1917-32-29

Drawing, Elevation of the Belmont Menagerie, Newport, Rhode Island; Whitney Warren Jr. (American, 1864-1943); USA; graphite, brush and brown, black, green, blue, red, and yellow watercolor, white gouache, on thin cream illustration board; 13.3 x 27.1 cm (5 1/4 x 10 11/16 in.)

20 Heller from St. Wolfgang,Notgeld. Artist: Unknown

SIN IDENTIFICAR- LAPIZ Y CARBONCILLO SOBRE PAPEL. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Town Scene 19th Century Artist Unknown Tapestry

Clutch 1830-50 Mexican Despite the disproportionate figures of the man and the ducks on the face of this bag, overall the design displays an excellent use of color and good grasp of perspective. Probably of professional make, it is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The

Restoration Drawing: Wall Painting Around Window, with Grille. Dated: c. 1939. Dimensions: overall: 35.6 x 24.3 cm (14 x 9 9/16 in.) Original IAD Object: Window recess approx: 7'x11'. Exter. dims. of grille: 4'1"x4'10". Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Geoffrey Holt and Harry Mann Waddell.

Édouard Vuillard, Landscapes and Interiors: Through the Fields, 1899, lithograph on paper.

'Untitled'. Collection of Georges Matcheret and Nadiya Volkonskaya. 1980-1990s. Dimensions: 199x163 mm. Museum: State Hermitage, St. Petersburg. Author: Vladimir Sokolov.

Landscape: Window Overlooking the Woods. Edouard Vuillard; French, 1868-1940. Date: 1899. Dimensions: 96 1/8 × 149 in. (249.2 × 378.5 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, View of Naples (or vicinity); Italy; brush and gouache on paper

Watercolor cityscape. Quick sketch. Line Art. Colour pencils. Saint-Petersburg, Russia. Griboyedov Canal. The concept of autumn and spring. For an album cover for drawing, an album for drawing.. Watercolor cityscape. Line Art. Colour pencils.

China: Qingming Shang Tu or 'Along the River During the Qingming Festival' (detail), Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

From the Estacade (De l'Estacade). Dimensions: 28.4 cm x 22.8 cm, 17 cm x 21.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: George Auriol.

Doorway, Stone. Dated: c. 1940. Dimensions: overall: 35.7 x 26.5 cm (14 1/16 x 10 7/16 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Juanita Donahoo.

Stage Design, by Sergei Vasilyevich Malyutin, Gouache and Tempera on cardboard, 1902, 1859-1937, Russia, Moscow , State Central M. Glinka Museum of Music, 70x40

Colored woodcut by Rudolf Junk 1914 depicting a country house, showing architecture, landscape, and environment, similar to his previous works.

Russian State Library, Moscow Kukryniksy (Art Group) (20th century) Book Art The town Glupov. Illustration for the novel "The History of a Town" by M. Saltykov-Shchedrin Mythology, Allegory and Literature 18862 Colour lithograph Book design

Stage design for the ballet Corsair by A. Adam, Korovin, Konstantin Alexeyevich (1861-1939)

Banknote for 20 FRANCS; France, 1980 Banque de France, Paris

The Victor, mill in Amsterdam. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 278 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

From the Quai de Javel (Du Quai de Javel (baraque d'aiguilleur)). Dimensions: 28.4 cm x 22.8 cm, 17 cm x 21.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: George Auriol.

Drawing, Elevation of the Maritime Fountain, for the Place de la Concorde, Paris; Designed by Jacques Ignace Hittorff (German, 1792-1867); France; pen and black ink, brush and watercolor, highlighted with white gouache on paper; 98.9 x 127.6 cm (38 15/16 x 50 1/4 in.)

Akimov, Nikolai Pavlovich (1901-1968) State Central A. Bakhrushin Theatre Museum, Moscow 1954 Gouache on paper

Mural painting, historic Villa San Marco, Castellammare di Stabia, Campania, Italy, Europe

Stage design for the ballet Esmeralda by A. Simon by Korovin, Konstantin Alexeyevich (1861-1939)/ M. Kroshitsky Art Museum, Sevastopol/ 1902/ Russia/ Tempera on cardboard/ Theatrical scenic painting/ 46,5x62,5/ Opera, Ballet, Theatre

Artist postcard for the Adriatic Exhibition Vienna , Porta Marcella by Lussin, Kilophot K, Publishing House, Hans Kalmsteiner -,

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