Landscape Sketches and Drawings

Graphite and watercolor sketches depicting natural landscapes with hills, trees, and water, capturing serene sceneries and varying perspectives.

Fishing Trawler, Winslow Homer, American, 1836-1910, Charcoal on paper, Horizontal view of a fishing trawler with a long trail of smoke and a large cloud across upper left corner., USA, ca. 1881, seascapes, Drawing, Drawing

Porters Pass looking up. drawings, works on paper

Rev. William Gilpin, (), 1724-1804, British, Landscape, between 1762 and 1783. Graphite on moderately thick, moderately textured, beige, laid paper.

William Brockedon, 1787-1854, British, Totnes from Breakheart. Graphite.

Capt. Thomas Hastings, 1778-1854, British, In Lord Yarborough's Grounds, Appuldurcombe, 1826. Graphite on medium, slightly textured, cream wove paper.

Mill at the Rottekade, 1868 Page 26 Recto from a sketchbook with 63 sheets. South-Holland paper. watercolor (paint). pencil brush windmill in landscape. barn

Near Saint Lawrence, 14 January 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 7 1/2 inches (12.1 × 19.1 cm)

Sir Robert Smirke the younger, 1781-1867, British, Arcadia, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Warrior and Dog Resting by Rocky Rapids 1769-1822 Germany. Pen and brown ink, over red chalk, on buff laid paper, laid down on board . Franz Kobell

George Romney, 1734-1802, British, Landscape, undated. Graphite on medium, slightly textured, cream laid paper.

Fishing Trawler, Winslow Homer, American, 1836-1910, Charcoal on paper, Horizontal view of a fishing trawler with a long trail of smoke and a large cloud across upper left corner., USA, ca. 1881, seascapes, Drawing, Drawing

Alessio de Marchis's red chalk and brush sketch depicts a view of S. Stefano Rotondo near Rome, including an ox led by a man, combining architectural and pastoral elements.

Glass-Furnace, Murano, 1879 - 1880 by James McNeill Whistler (1834-1903). Etchings., 1879 - 1880

Sir Robert Smirke the younger, 1781-1867, British, Figures in a Sailboat, With a Temple in the Distance, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Landscape, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 x 7 1/8 inches (11.4 x 18.1 cm), clouds, figure study, horizontal, landscape, trees

Pejzaż nadwodny. Bilińska-Bohdanowiczowa, Anna (1854-1893), draughtsman, cartoonist

Rev. William Gilpin, 1724-1804, British, Three Figures in a Landscape, 1766. Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige, laid paper.

Henry Swinburne, 1743-1803, British, Welden, Germany, 1779. Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Pencil and brush drawing by Joseph Victor von Scheffel from 1853 showing a Roman landscape with women at a fountain, executed with gray-laved pencil and white highlights on brownish paper.

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Mount Palatine, 1783. Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card.

Capt. Thomas Hastings, 1778-1854, British, Sandown Bay, Isle of Wight, 1829. Graphite on medium, slightly textured, cream wove paper.

Farm Building Surrounded by Trees.This oil sketch probably came from Segers studio estate. The composition may have served as preparation for the adjacent etching (Kupferstich-Kabinett, Dresden, A 49377) and therefore was not a final product, but rather working material.

A River Landscape with the Baptism of the Eunuch ca. 1605-25 Hendrick Hondius I Netherlandish In this large drawing by Hendrick Hondius, a sundrenched river landscape, rich with detail, serves as the setting for the baptism of the eunuch, an episode related in the New Testament book Acts of the Apostles (8:26-40). In this biblical passage, the apostle Philip, guided by an angel of the Lord, encounters a eunuch from the court of Queen Candace of Ethiopia in the midst of reading the book of Isaiah. Philip joins the man in his chariot and tells him about the gospel of Christ, inspiring the eunuch to ask to be baptized when they pass by water. The baptism of the eunuch was a relatively popular subject in the Northern Netherlands in the seventeenth century, particularly among landscape specialists. David Vinckboons, for example, produced at least two paintings in which the episode is embedded within a lush view of land and water. His 1605 version, sold in Cologne in 2017 (Lempertz, May 20,

Series of sketches by Ferdinand Georg Waldmüller executed in pencil, showing varied subjects and compositions

Entrance of Bradley Vale, 29 May 1833, Capt. Thomas Hastings, 1778-1854, British, 1833, Graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)

Bresdin, Rodolphe, La Sainte Famille à la perche, Rest on the Flight into Egypt, verso middle - stamped, Mary with child and Joseph sit on the bank of a water among the reeds in a rocky landscape. At the feet of Mary lies a dog., print, prints, height 65 mm, width 123 mm, height 159 mm, width 225 mm, French, 1822-08-13 - 1885-01-14, print maker, printmaker, 1858 - 1858, third quarter 19th century, chine collé, etching, etchings, Work conception, after own design by

Picturesque Landscape, Henry Swinburne, 1743-1803, British, undated, Gray wash, black wash, graphite, pen and gray ink on medium, slightly textured, cream, wove paper, mounted on moderately thick, slightly textured, cream, wove, Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm) and Sheet: 8 3/4 × 13 inches (22.2 × 33 cm)

. A draftsman is sitting on a bench for a farm. Two people lean on the bottom door.

Sketch of the Solfatara at Pozzuoli, outside Naples, c. 1611 drawing Pozzuoli paper. ink

Piramide van Gains, 1696 In the foreground two travelers. Leaf 87 Recto from a sketchbook with 91 sheets. paper. ink. watercolor (paint) pen / brush landscape with ruins. pyramid (historical grave form) Piramide van Cestius

Sketch from the Walls of San Gimignano. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 119 x 160 mm (image/plate); 121 x 161 mm (sheet). Drypoint in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

On the advance to Fishers Hill, 1864 September 22, drawing on tan paper pencil, 22.8 x 29.2 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Gavarnie, France, Henry Swinburne, 1743-1803, British, undated, Pen and gray ink on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm) and Sheet: 4 9/16 × 7 3/16 inches (11.6 × 18.3 cm)

Edward Lear, Sketches in Italy (recto), 1839 1845 Sketches in Italy recto

Goyen, Jan van, Schreuder, Bernhard, View of a village with a well on the left, verso - stamped, print, drawings, height 150 mm, width 262 mm, - 1780-10-16, print maker, printmaker, 1767 - 1780, paper, papier, pictorial drawing, crayon method, transfer, Dutch, 1596-01-13 - 1656-04-27, intermediary draughtsman

Florence From the Road Towards Perugia, 5 Mile Distant, Sir Robert Smirke the younger, 1781-1867, British, 1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)

James Ward, 1769-1859, British, Fishguard, Pembrokeshire, South Wales, undated. Graphite on medium, smooth, beige wove paper mounted on medium, slightly textured, laid paper.

From the Russian Minister's Villa, Portici, 3 September, John Robert Cozens, 1752-1797, British, undated, Graphite and varnish on thin, slightly textured, cream laid paper, Sheet: 6 5/8 x 10 1/4 inches (16.8 x 26 cm), architectural subject, buildings, Grand Tour, landscape, mountains, trees, villa, Europe, Italy

Landscape with Saint John the Evangelist. Artist: Virgil Solis (German, () 1514-1562 Nuremberg). Dimensions: sheet 7-3/4 x 14-5/8 in. (19.6 x 37 cm). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA. Author: Virgil Solis.

Johan B�low (1751-1828), Memorial Memorial with Vase and Source, 1751-1828

Landscapes and trees ca. 1679 Gong Xian Chinese By the mid-1670s Gong Xians confidence as a painter had taught him to avoid an overly skillful or popular style. He wrote:“Nowadays when people paint they do only what appeals to the common eye; I alone do not seek to please the present.” In this album, both paintings and inscriptions attest to Gongs striving after a spiritual communion with earlier masters while creating a pictorial vocabulary all his own. Departing from his densely textured, monumental landscape style of the 1660s, Gong moved toward a sparser manner in which each brushstroke is made to function calligraphically as well as descriptively, embodying both expressive and representational meaning. The albums format—paintings accompanied by art-historical comments—reminds us that Gong Xian taught painting for a living. Listen to experts illuminate this artwork's story Listen Play or pause #7625. Landscapes and Trees Supported by Bloomberg Philanthropies We're sorry, the tra

John Robert Cozens, 1752-1797, British, Between Bolzano and Trent, June 8, undated. Graphite and varnish on thin, slightly textured, cream laid paper.

Repin, Ilja Jefimoviš, work, Juhla Venäläinen Kirjalisuuden Seurassa, 1892, pencil drawing, drawing, 30 cm x 41 cm, Ilya Yefimovich Repin 1844 - 1930, Ukrainian-born Russian painter.

Isaac Weld, 1774-1856, Irish, Campagna/ Rome, 1818. Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, blued white, wove paper.

Print made by William Miller, 1796-1882, British, Modern Italy, 1842. Etching and line engraving; earliest engraver's proof on thick, slighty textured, cream wove paper.

Aquarium with paradise fish. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 320 mm × w 435 mm. Museum: Rijksmuseum, Amsterdam.

Góra nad rzeką Mahaveli Ganga na Sri Lance. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Design for a Stage Set at the Opéra, Paris (recto); Design for a doorway (verso) 1828-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris (recto); Design for a doorway (verso) 357864

Towing a Barge in the Snow, from the album The Silver World. Kitagawa Utamaro ; Japanese, 1753 ()-1806. Date: 1785-1795. Dimensions: 38.6 x 26.1 cm. Woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Capt. Thomas Hastings, 1778-1854, British, Rydal Cottage from the Bridge, 8 February 1836, 1836. Graphite on medium, slightly textured, cream wove paper.

Landscape, George Hendrik Breitner, 1881 - 1883 Landscape. Page 60 and Page 61 from a sketchbook with 43 sheets. South-Holland j: paper. pencil

Rijn, Rembrandt van, The little hunter, Landscape with shepherd and dog, verso lower left, print, prints, height 128 mm, width 158 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1655, third quarter 17th century, third quarter of the 17th century, paper, papier, etching, drypoint, dry needle, Work conception, after own design by

Farm House along a River, two figures at left. Artist: Attributed to Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). Dimensions: 8 9/16 x 13 1/8 in. (21.7 x 33.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

A black chalk drawing by Jan Josefsz. van Goyen depicting a river scene with a rowboat, showing a cut and a crack at the bottom left, with brownish discoloration.

View of the rocks (so -called Rätselhat Felsen) with the outline of the human figure; Thoma, Hans (1839-1924); 1870 (1870-00-00-1870-00-00);

Design for room wall with paintings by: Duivendrechtse Brug and Krimpen aan de Lek, Jurriaan Andriessen, 1752 - 1819, paper, watercolor (paint), ink, graphite (mineral), brush, h 245 mm × w 429 mm

View of the Road Near Borchetta, Henry Swinburne, 1743-1803, British, undated, Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm) and Sheet: 3 1/2 × 5 13/16 inches (8.9 × 14.8 cm)

Inferno XXVII, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Edward Lear, 1812-1888, British, La Cava, 19 July 1838, 1838. Graphite on moderately thick, moderately textured, gray wove paper.

Thomas Girtin, 1775-1802, British, A Village in a Wood, ca. 1796. Graphite on medium, slightly textured, cream wove paper.

Landscape after Durer. Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris). Dimensions: sheet: 12 1/16 x 17 3/16 in. (30.6 x 43.7 cm)plate: 7 11/16 x 10 3/16 in. (19.5 x 25.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Drawing (Italy)

At Rome Richard Cooper II British, Scottish 1774-75 Born in Edinburgh, Cooper II trained as an engraver under his father, then studied in Paris with Jacques Philippe le Bas (1707-1783). He made these drawings during a visit to Italy in 1771-76 and, until recently, they were preserved in an album that descended in the family. Interestingly, each composition relates closely to a drawing in a sketchbook that Joseph Wright of Derby (1734-1797) used in Rome in 1774-75 (57.102.1(1-44)). These visual links suggest that the two artists sketched together and took it in turns to use an optical instrument. While the outlines of their related compositions are close was then developed in markedly different ways. This counterproof relates to Wright's sketchbook page 57.102.1(26). View more. At Rome. Richard Cooper II (British, Edinburgh, Scotland 1740-1822 Eltham, Kent). 1774-75. Counterproof of an iron gall ink drawing, with graphite. Drawings

Kompleks pałacowy na zboczu góry. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Project Graraal Mandara 2015 Carnavalet Museum, Collection Drawings

Rudolf II of Habsburg (German Emperor), Haarlem, Matham, Jacob, Goltzius, Hendrick, Gauw, Gerrit, Landscape with the Fall of Icarus, verso lower left - stamped, In a wide hilly landscape shepherds and their flock watch as Icarus flies too close to the sun. The heat melts his wings, causing him to fall to the ground. His father Daedalus flies beneath him., print, prints, height 441 mm, width 354 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1603 - 1603, paper, papier, engraving, engraving (printing process), - 1638-01-26, Work conception, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, publisher, uitgever, 1552-07-18 - 1612-01-20, verlener van privilege

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Landscape Composition, 1801. Graphite on medium, moderately textured, cream laid paper.

Figuren op een rotsachtige verhoging bij een beek.One of the figures carries a drawing folder under the arm. Another sits on a tripod and probably has a drawing sheet on your lap. There is a dog next to the figures. Leaf 41 Verso from a sketchbook with 46 sheets.

The Frankenslag in 1855, Willem Carel Nakken, 1855, paper, pencil, brush, h 229 mm × w 306 mm

Landscapes and cityscapes with figures, 1840 Mainly landscapes with hunters. Page 30 Verso from a sketchbook with 33 sheets. paper. pencil pen landscapes (+ landscape with figures, staffage). city-view, and landscape with man-made constructions. hunter. road, path

View of Clovelly, Devon. Artist: Samuel Palmer (British, London 1805-1881 Redhill, Surrey). Dimensions: sheet: 10 5/8 x 14 15/16 in. (27 x 38 cm). Date: ca. 1848-49. Museum: Metropolitan Museum of Art, New York, USA.

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Capt. Thomas Hastings, 1778-1854, British, Whippingham, Isle of Wight, 1829. Graphite on medium, slightly textured, cream wove paper.

Joseph Anton Kochs 1799 drawing depicts Hüon striking a hermit, executed in black-brown pen with pencil grid, showing action and figures.

Sketches in Italy recto. Dated: 1839/1845. Dimensions: overall: 22.3 x 29.3 cm (8 3/4 x 11 9/16 in.). Medium: black chalk and graphite with gray and white washes on light brown wove paper. Museum: National Gallery of Art, Washington DC. Author: Edward Lear.

Saddleback, Capt. Thomas Hastings, 1778-1854, British, 1836, Graphite on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm) and Binding: 10 5/8 inches (27 cm)

Two women for a few houses (from portfolio with 26 landscape drawings). .

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

A collection of pencil sketches by Ferdinand Georg Waldmüller created in 1827, showing various subjects, figures, and studies in a sketchbook format.

Frais-Vallon, Autumn. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1912. Dimensions: 200 × 299 mm (image/plate); 226 × 323 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: sheet: 11 1/8 x 21 13/16 in. (28.2 x 55.4 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Face from the sea at the Fort Nassau, Central Moluccas. Face from the sea at the Fort Nassau, with the Fort Belgica in the background on the island of Banda Neira, Central Moluccas.

Paradisio I, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Depicts a landscape with a pointed rock and a grated tree, executed as a blue ink etching on yellowish paper with pink highlights, showing natural features, rocks, vegetation, and horizon by Hercules Pietersz. Seghers, 1st half 17th century.

Decoration for a Plate: A Stream 1870 Félix Bracquemond French. Decoration for a Plate: A Stream. Félix Bracquemond (French, Paris 1833-1914 Sèvres). 1870. Etching, aquatint. Prints

Maori Leap on the Taieri River, 1865, by Nicholas Chevalier. Gift of Mrs Caroline Chevalier, the artist's widow, England, 1912.

Landscape with a view of the Tivoli temple. Vien, Joseph-Marie (1716-1809), draughtsman, cartoonist

The Guinguettes of Plessis-Robinson, September 1851

Mountainous Landscape with Castles and Waterfalls. Dated: c. 1606. Dimensions: overall: 35.5 x 49.4 cm (14 x 19 7/16 in.). Medium: black, ocher, red, and blue chalks, with traces of white heightening on gray-green laid paper. Museum: National Gallery of Art, Washington DC. Author: Roelandt Savery.

Bad Godesberg on the Rhine.Leaf 40 Verso and 41 Recto from a Sketchbook with 42 Sheets.

Alessio de Marchiss red chalk and bister drawing depicts a mountainous landscape in Campagna with two farm buildings.

Winslow Homer, Rebel Works at Yorktown, 1862 Rebel Works at Yorktown

Print made by Charles Golding Constable, 1821-1879, British, Coastal Scene, undated. Etching on moderately thick, slightly textured, beige card, laid on thick, slightly textured, beige card.

Abklatsch of the chalk drawing on page 25, 1906 - 1907 Page 24 from a sketchbook with 43 sheets. paper

The Return of the Fagot Gatherer (2nd state). Alphonse Legros (French, 1837-1911). Lithograph;

George Chinnery, 1774-1852, British, Thatched Building in a Wood, 1814. Black ink, brown ink and gray wash on medium, slightly textured, cream laid paper.

Edward Lear, 1812-1888, British, Luxor, 1867. Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper.

Outing to Zhang Gong's Grotto. Artist: Shitao (Zhu Ruoji) (Chinese, 1642-1707). Culture: China. Dimensions: Image: 18 1/16 x 112 3/4 in. (45.9 x 286.4 cm)Overall with mounting: 18 7/16 x 363 11/16 in. (46.8 x 923.8 cm). Date: ca. 1700.Zhang Gong's grotto, a famous scenic spot and once the abode of Zhang Daoling (Zhang Gong; 2nd century A.D.), a patriarch of the Daoist church, is located near Lake Tai in Jiangsu Province, not far from the pottery center of Yixing. According to Daoist beliefs, such grottoes are wellsprings of nature's creative force and offer the potential for rejuvenation and renewal.Shitao's painting of the grotto, done at the peak of his artistic powers, about 1700, is one of his most sumptuous masterpieces. Following an earlier composition by Shen Zhou (1427-1509), Shitao painted as if he were reenacting the cosmic process of creation: by building up layers of energized brushwork in flowery hues of sky blue, pale green, orange, and fuchsia, he transformed Shen Zhou's

Heneage Finch fourth Earl of Aylesford, 1751-1812, British, Landscape with a Bridge, 1790 to 1795. Pen, brown ink, brown wash, and gray wash on medium, slightly textured, cream laid paper.

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