Landscapes and Historical Scenes

Various prints and engravings depicting landscapes and historical events, combining natural elements with human narratives reflecting cultural stories.

Charles-Jean-Louis Courtry (1846-1897) (According to Victor Hugo). "L'Éclair". Etching. 1868. Paris, house of Victor Hugo. 122591-22 Eat, 19th XIXth 19th 19th 19th 19th century, engraving

Copper engraving print titled 'The Climbers' by an unidentified monogrammist, created between the 16th and 17th century, showing figures climbing.

Print made by John Horsburgh, 1791-1869, British, Mayburgh, 1834. Line engraving on medium, slightly textured, cream wove paper with chine-collé.

Charles-Jean-Louis Courtry (1846-1897) (According to Victor Hugo). "L'Éclair". Etching. 1868. Paris, house of Victor Hugo. 122591-22 Eat, 19th XIXth 19th 19th 19th 19th century, engraving

Copper engraving and etching by Aegidius Sadeler the Younger created between 1590 and 1629 depicting landscapes containing biblical scenes, showing human figures, natural terrain, and religious narratives.

Etching by Pierre François Beaumont from 1735-1769 depicting hunters returning home from a hunt, showing figures, dogs, weapons, horses, and rural landscape.

Architecture fantasy, leaf 5..

Bas Bréau (Fontainebleau Forest) according to the image of Díaz de la Peña (1807 1876) from 1847, pl. 50. From Contemporary Artists , 3rd. Year, 1849 Mouilleron, Adolphe (1820 1881), imp. Bertaus, fl. CA 1830 1880, Diaz de la Peña, Narcisse Virgile (1807 1876)

Etching by Joseph Stephan depicting a village square with ruins, created in 1769, showing buildings, open space, and surrounding environment.

Birches and Oaks. Henri Joseph Harpignies; French, 1819-1916. Date: 1848. Dimensions: 178 × 117 mm (plate); 186 × 125 mm (primary support); 302 × 223 mm (secondary support). Etching on ivory China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Philosophers' Retreat. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1871. Dimensions: 217 × 145 mm (image); 570 × 398 mm (sheet). Transfer lithograph printed in brown on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Matthäus Merian the Elder from 1620-1622 depicting a mulate column along a mountain pass road, showing terrain, travelers, and architectural features.

Skaters on a frozen sail next to farmhouses, c. 1825 - c. 1829 Along the waterfront is a sailboat frozen in the ice. Page 79 Recto from a sketchbook with 95 sheets. paper. ink. pencil pen frost, freezing weather. cottage. skates (winter sports)

An etching by Jean Jacques Le Veau between 1750 and 1786 showing figures engaged in fishing at dawn.

View of a waterfall falling from high -lying building, Jean Jacques de Boissieu, after Bartholomeus Breenbergh, 1764 print France paper. etching waterfall

Edward Francis Finden, 1791-1857, British, Joppa, 1835-1836. Line engraving, engravers' proof, touched.

This etching by Claude Fessard, created between 1780 and 1786, depicts a perpendicular rock formation, highlighting natural geological features and the precision of 18th-century engraving techniques.

Remembrance of Italy. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1871. Dimensions: 132 × 181 mm (image); 400 × 571 mm (sheet). Transfer lithograph printed in brown on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Charles von Brühl illustrating Goethe's Götz von Berlichingen at Castle Jagsthausen, showing castle architecture, landscape, and figure of the protagonist, created in 1807.

Etching and copper engraving by Jean Jacques Aliamet around 1765 depicting Italian figures in a composed scene.

Tahoser suivant a la nage la barque de Poëri. Lahure A. & Cie (Paryż ; drukarnia ; fl. ca 1855-ca 1928), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Charpentier, Georges (1846-1905), publisher, Lecomte du Nouy, Jean (1842-1923), painter

Napoleon's grave in Sint Helena, Carel Christiaan Antony Last, 1842 - 1887 print The tombstone is under a mourning willow. The Hague paper. gravestone, tombstone Sint-Helena

William Miller, 1796-1882, British, Malmaison, 1835. Etching and engraving, engraver's proof.

Village view with river, Rodolphe Bresdin, 1861 print Village face with a river. On the right on the shore houses are in a row along the river that runs into the village with a bend on the left. In the foreground are fishermen with rods in the shallow water. paper etching village

Evening 1864 France. Etching and roulette on light gray China paper laid down on ivory wove paper . Charles Émile Jacque

With her Child. Anders Zorn; Swedish, 1860-1920. Date: 1890. Dimensions: 122 x 85 mm (image); 124 x 86 mm (plate); 303 x 237 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Four bathing women in an arcadian landscape, Salomon Gesner, 1767 - 1768 print paper etching public baths - AA - in the open air. landscapes in the temperate zone - HH - ideal landscapes (+ landscape with figures, staffage)

Etching by Johann Adam von Bartsch from 1803 showing a person in a state of fear during a thunderstorm.

UIT Corinne Van Madame de Staël, Edouard Schuler, After François Gérard, 1816 - 1882 print paper. steel engraving literary characters and objects

Print made by Henry Le Keux, 1787-1868, British, Abbotsford, 1834. Line engraving, published state on medium, slightly textured, cream wove paper with chine-collé.

Tahoser Suivant a la Nage La Barque de Poeri; Jasi Ski, Feliks Stanis -1905); 1889 (1889-00-00-1889-00-00);La Petite Bibliotheque Charpentier (Paris - Publishing Series - 1876 -Ca 1906), Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972) - collection, French (culture), French graphics, Polish graphics, reproductive graphics, reproductive graphics, Poland (culture), purchase (provenance)

Etching by Jean Moyreau from around 1757 showing a Flemish drinking scene with individuals gathered around a table enjoying beverages in a social setting.

Brunnen, from Picturesque Selections. James Duffield Harding, (English, 1798-1863); Published by W. Kent and Co. Date: 1860. Dimensions: 383 × 273 mm (image, primary support); 540 × 434 mm (secondary support). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print made by Edward Goodall, 1795-1870, British, Marengo, 1830. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

The Old Soldier's Thatched Cottage, Akaroa, 1845. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1866. Dimensions: 81 × 76 mm (image); 81 × 76 mm (plate); 106 × 100 mm (sheet). Etching and drypoint in warm black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sepolcro delle tre fratelli Curiati in Albano. Tomb of the three Curiatii Brothers in Albano.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1748. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Ruins , Italy, Tombs & sepulchral monuments , Italy

W. R. Smith, active 1819-1851, Roslin Castle, 1834. Line engraving, engraver's proof.

Two seconds to romantic literature ambush; Finding the wounded Johannot, Alfred (1800 1837), Johannot, Tony (1803 1852)

William Miller, 1796-1882, British, Stirling, 1836. Etching and engraving, engraver's proof.

Print (France)

In Laren, Jan van Essen, 1864 - 1936 print A woman wears a bag on her back on a path. To the left of the Pas a hedge, two trees on the right. In the background a house with smoking chimney. paper. etching carrying something on the head or on the shoulders. road, path Laren

Lazio Roma Monterotondo Palazzo del Municipio9. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Death and the Young Mother, from Revue Fantaisiste 1861 France. Etching and roulette on cream China paper laid down on white wove paper . Rodolphe Bresdin

Wishes, plate three from A Glove Made 1881 Germany. Etching and aquatint on ivory chine collÈ on off-white wove paper . Max Klinger

Copper engraving by Hendrick Goltzius, 1580-1617, depicting the Adoration of the Kings with the three Magi presenting gifts to the infant Jesus.

Satire and nymph; Reinhart, Johann Christian (1761-1847); 1799 (1799-00-00-1799-00-00);Satyr (mitol.), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, landscapes, nymphs (mitol.), Landscapes, mythological scenes, relaying, water

Musique et poésie , Poets, Fictitious characters, Dreaming. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Etching by Franz Gabet depicting a group of town buildings on the water, created between 1785 and 1847, showing architectural structures, water reflections, and surrounding landscape.

View of Le Puy-en-Velay, Joseph Pennell, 1897 print London paper landscapes. city-view, and landscape with man-made constructions Le Puy-en-Velay

Fall of the Walls of Jericho, from Illustrations of the Bible. John Martin; English, 1789-1854. Date: 1834. Dimensions: 190 × 290 mm (image); 268 × 357 mm (plate); 329 × 416 mm (sheet). Mezzotint in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

An etching by Joseph Mössmer from 1800-1845 showing a water landscape with an ancient round temple and three women drawing water at the riverbank.

An etching by Johann Elias Ridinger depicting Adam speaking to Eve, showing human figures, gesture, posture, facial expressions, and naturalistic landscape, created between 1730 and 1760.

Landscape with rocks and water. Draughtsman: Alexander Ver Huell. Dating: 1882. Measurements: h 120 mm × w 88 mm. Museum: Rijksmuseum, Amsterdam.

Dunstaffnage, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Etching and engraving, engraver's proof

Depicts a cave interior or entrance, created as an etching between 1777 and 1835.

Etching and copper engraving by Elisabeth Cousinet from the 18th century, depicting a storm scene.

Etching by Jean Moyreau showing the Marêchal family, produced in 1741.

The Village of Chanaz (Savoie). Artist: Adolphe Appian (French, Lyon 1818-1898 Lyon). Dimensions: Plate: 6 1/4 × 9 3/16 in. (15.8 × 23.4 cm)Sheet: 9 1/4 × 11 5/16 in. (23.5 × 28.8 cm). Publisher: Alfred Cadart (French, 1825-1875). Date: 1866. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Robert Wallis, 1794-1878, British, A Farewell - Lake of Como II, 1830. Etching and line engraving on medium, slightly textured, cream wove paper.

Etching by Thomas Major titled 'The Winter,' created between 1730 and 1799, depicting a winter landscape with seasonal features in 18th-century style.

Allegory on the death of Napoleon

Fishermen on a waterfront, c. 1825 - c. 1829 Page 63 Recto from a sketchbook with 95 sheets. paper. pencil. watercolor (paint). ink brush / pen landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). fishing (sports). windmill in landscape

Landscape With a windmill, a figure from the Gleichen-Russwurn series. RadiRengen. Weimar 1888; Gleichen-Russworm, Heinrich-Ludwig von (1836-1901); 1888 (1850-00-00-1900-00-00);

Copper engraving by Schelte Adamsz. Bolswert (1635-1687) depicting the journey to Emmaus, showing figures walking through a landscape, trees, and rural terrain in 17th-century Europe.

Norwegian Seacoast During a Storm. Johan Christian Clausen Dahl; Norwegian, 1788-1857. Date: 1819. Dimensions: 245 x 195 mm (plate); 277 x 378 mm (sheet). Etching on off-white wove paper. Origin: Norway. Museum: The Chicago Art Institute, FLORENCIA, USA.

Holy Family with Deer. Rodolphe Bresdin; French, 1825-1885. Date: 1871. Dimensions: 263 × 200 mm (image/chine); 440 × 315 mm (sheet). Lithograph (etching transfer) on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Entrance to the Narrow Pass 1794 Germany. Etching and aquatint in sanguine on ivory wove paper . Jacob Wilhelm Mechau

Copper engraving and etching by Jacob Matham illustrating a summer scene, produced between 1590 and 1631.

Robinson; Romanowicz, Walenty; IX.1942 (1942-00-00-1942-00-00);

Woman working in the garden; Gleichen-Russworm, Heinrich-Ludwig von (1836-1901), Felsing, Wilhelm (CA 1850-1943); 1888 (1850-00-00-1900-00-00);

Therese Holbein von Holbeinsberg etching titled 'Trauma,' created 1814, depicting an emotionally charged scene with human figures and landscape elements.

Gertrude of Wyomimg - The Valley (Vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Engraving

Two men in conversation, Noah van der Meer (II), After Dirk Jan van der Laan, 1785 print Two men in conversation for a few rocks. There is a leg hat on the floor. Amsterdam paper etching speaking. rock-formations

Six Cows at a Watering Place. Charles Émile Jacque; French, 1813-1894. Date: 1848. Dimensions: 95 × 123 mm (image/chine/plate); 243 × 319 mm (sheet). Drypoint and roulette on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Italian landscape with two figures on a rock and a monastery in the background, Joseph Meganck (attributed to), 1817 - 1888 print paper etching landscapes (+ landscape with figures, staffage). abbey, monastery, convent ~ Roman Catholic church. rocks

John Horsburgh, 1791-1869, British, Calais, 1836. Line engraving, first published state.

Print made by James T. Willmore, 1800-1863, British, Lochmaben Castle, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Čína, XI.-XII. st. Ma-lin: Shromáždění geniů nad mořem.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

St. Catherine's Hill, near Guildford, Surrey, James H. Kernot, active early 19th century, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Copper engraving and etching by Jacob Matham depicting a carnival scene in winter, created between 1590 and 1631, showing figures and seasonal activity.

Whitby, Print made by John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, c. 1844, Line engraving; engraver's proof on medium, slightly textured, cream wove paper

Landscape with pedestrian and castle; Landscapes, three series. Landscape with in the foreground two people sitting along a path that look at woman with basket on the head. A castle on the water in the background. Third print from the series of six.

Etching by Philipp Jakob Loutherbourg the Younger from 1776 depicting M. Weston, showing figure, facial features, and attire.

"Copper engraving and etching by Adrian Zingg depicting a shipwreck, showing damaged vessels, figures, water, and surrounding landscape between 1750 and 1816."

Etching and copper engraving depicting women washing clothes by a river with a herd nearby, showing figures, animals, and landscape. Produced between 1638 and 1658, emphasizing daily life and composition.

Robert Wallis, 1794-1878, British, Stone Henge, Wiltshire, 1829. Line engraving, open etching.

Face the ship De Bucentaur of Venice, Anonymous, Israel Silvestre, After 1631 - In or After 1691 print. copy paper etching ship's portrait Venice

Offered by the author / for the execution of J. F. of members of national betrayal (IT)

Edward Goodall, 1795-1870, British, O'Connor's Child, 1837. Line engraving, engraver's proof.

Fort Augustus, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Etching and engraving,, first published state

Foundation of Batavia, 1619. The Foundation of Batavia on Java by the VOC in 1619. Part of the Steel enriches group to the paintings of the historic gallery of the Society Arti et Amicitiae.

The Sparrow Aviary 1843 Charles-François Daubigny French. The Sparrow Aviary 336837

Etching by Jean Pelletier from 1750-1790 depicting women engaged in hunting, showing figures, attire, gestures, and outdoor activity.

Etching by Max Klinger depicting the scene of expulsion, showing figures, gestures, and spatial arrangement, created around 1898.

Shooting Woodcock 1864 France. Etching, drypoint and roulette on light gray China paper laid down on ivory wove paper . Charles Émile Jacque

Hougoment, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, engraver's proof, touched

Edward Goodall, 1795-1870, British, Rolandseck (Vignette), 1837. Line engraving.

Charles Melchior Descourtis after Nicolas Antoine Taunay, Noce de Village (Village Wedding), 1785 Noce de Village (Village Wedding)

Copper engraving and etching by Adler-Mésnard from 1880 showing a landscape with bathers and a snake.

Print made by John Henry Robinson, 1796-1871, British, The Tarentella, 1830. Etching and line engraving on medium, slightly textured, cream wove paper.

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