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Landscapes and Nature Studies

A series of sketches and drawings depicting serene landscapes, from rural scenes to natural settings, emphasizing gentle lines and earthy tones.

Salmon Fisher (Le pecheur du saumon), etching, Bliss 1923, no. 223, Alphonse Legros (artist) French, 1837 - 1911
Salmon Fisher (Le pecheur du saumon), etching, Bliss 1923, no. 223, Alphonse Legros (artist) French, 1837 - 1911
245 assets in this story
6145-30324043
Samuel Davis, 1757-1819, British, Cleft in a Formation of Rocks, undated. Watercolor and pen and black ink with wash over graphite on medium, slightly textured, cream wove paper.
4443-73250076
Amsterdam, Maaskamp, Evert, Meulen, Roelof van der, Local des ci devant bains à Scheveningen, Beach at Scheveningen, verso - stamped, The dunes and the beach at Scheveningen with sailing ships at sea. In the foreground a man and a woman., print, prints, height 188 mm, width 226 mm, 1806-12-21 - 1833-01-11, print maker, printmaker, 1816 - 1833, paper, papier, etching, etchings, aquatint, hand coloring, Publication (Event), Publication, Noord-Nederlands, 1769-09-27 - 1834-01-31, publisher
4409-17373138
Village Fair. Artist: Master of the Hermitage Sketchbook (Netherlandish, 16th century). Dimensions: sheet: 7 1/2 x 11 1/4 in. (19.1 x 28.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
6145-29086610
Aspects of Nature: The Island, 1898. Henri Rivière (French, 1864-1951), Printed by Verneau. Color lithograph; sheet: 64.2 x 90 cm (25 1/4 x 35 7/16 in.); image: 54.5 x 83 cm (21 7/16 x 32 11/16 in.).
6145-58837825
View of Bornos, 1596 View of the city of Bornos. Left in the foreground a hunter with hunting dogs. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Bornos View of the city of Bornos. Left in the foreground a hunter with hunting dogs. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Bornos
4409-17536128
The stopping place. Draughtsman: Jan van Goyen. Dating: 1606 - 1656. Measurements: h 111 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam.
4443-73209804
The Hague, Royal Dutch Lithography of CW Mieling, Schiedges, Petrus Paulus (I), Sailing ship on dry land by moonlight, verso - stamped, A sailing ship lies on the shore along the water. Two rowing boats on the water and ships are sailing in the background. Houses on the left and a mill in the background., print, prints, height 363 mm, width 460 mm, Dutch, 1813-06-07 - 1876-12-01, print maker, printmaker, 1852 - 1852, paper, papier, toonlithografie, Work conception, after own design by, printer, drukker
4443-19594612
Two Men in Punts, attributed to Peter DeWint, 1784-1849, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 4 1/2 × 7 1/2 inches (11.4 × 19 cm), boats, fishermen, fishing, genre subject, hats, men, punts, river
4443-20306673
Kanbara, Katsushika, Hokusai, 1760-1849, artist, 1804., 1 print : woodcut, color ; 11.1 x 16.3 cm., Print shows fishermen pulling ashore large fish nets.
4443-22035099
Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816
6145-30323955
Rev. Edward Thomas Daniell, 1804-1842, British, Summit of Mount Sinai or Jebel Musa, 1840. Watercolor, gouache and graphite on moderately thick, slightly textured, beige wove paper, monted on, thick, slightly textured, cream, wove paper.
6145-48511202
Frieze (USA); machine-printed paper; 120 x 49 cm (47 1/4 x 19 5/16 in.)
4443-73180511
Sabatier, Léon Jean-Baptiste, inventor: Lauvergue, Pyterlahti kivilouhimo, timing: (1000 - 2000), stone drawing, graphics, image width 41.3 cm, image height 26.6 cm
6145-29712291
Valentia, Ireland, from the Harbor, Opposite Knight's-town, at the Period of Laying the Cable of 1857 1865-66 Robert Charles Dudley British One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the long, arduous process in a series of watercolors and oils, here showing Foilhommerum Bay, Ireland, chosen in 1857 as the site for the cable to enter the ocean from the east. In 1892 Field do
866-3534
The Watermill Henri Rousseau (1844-1910 French) Christie's Images, London, England
6145-29189936
Perspective Print: Shinobazu Pond Utagawa Toyoharu Japanese. Perspective Print: Shinobazu Pond 55765
6145-51841406
Louis Icart, War Refugees, c. 1916, etching with monotype effects and hand-coloring on paper.
6145-43125765
Chlumetz in Budweiser circles, drawn by Count Eduard Belcredi, aftermathed by Joan. Venuto.
6145-29154894
Pitched It Sheer into the River.. Where It Still Is Seen in the Summer 1889 Frederic Remington American In 1888 Remington was commissioned to illustrate The Song of Hiawatha, the epic poem by Henry Wadsworth Longfellow, for a deluxe edition published in 1891. By then a sophisticated practitioner of the grisaille technique, Remington executed twenty-two black-and-white oil paintings, one for each of the poems cantos. This depiction accompanies canto 6, which describes Hiawathas two closest friends: Chibiabos, the musician, and Kwasind, the strong man. The jagged boulder in the river alludes to one of Kwasinds feats of strength. Taunted with accusations of laziness, he threw a huge rock into the Pauwating River, where it remained visible above the waterline during the summer months.. Pitched It Sheer into the River.. Where It Still Is Seen in the Summer 11864
6145-30342848
Print made by Bradshaw & Blacklock, active ca.1850, British, Ben Nevis, after 1850. Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card.
6145-30352549
John Robert Cozens, 1752-1797, British, The Pagliaro in the Myrtle Plantation at Sir William Hamilton's Villa, Portici, ca. 1783. Graphite and varnish on thin, slightly textured, cream laid paper.
6145-59548607
Photo production of the Abendmesse painting by Carl Arnold, Gustav Schauer, after Carl Arnold, c. 1870 - c. 1880 cabinet photograph Berlin photographic support. cardboard albumen print going to church
4266-24466
Picket On The Danube by Vereshchagin, Vasili Vasilyevich (1842-1904) Museum of Russian Art, Kiev 1878-1879 Oil on canvas 120x200 Russia Realism Genre,History Painting
4443-73182923
Kleineh, Oscar, work, 7 small seascapes, two sailing ship drawings and one sailing boat drawing glued on the same paper, drawing, 27.5 cm x 39, 5 cm
4409-17218848
Juan Bautista Porcar, "Salnitres", 1932.
4409-17453397
Sioux Village - Lac du Cygne. Dated: 1861/1869. Dimensions: overall: 46.5 x 61.1 cm (18 5/16 x 24 1/16 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.
4443-73179463
Enckell, Magnus, work, Boy and sail, 1908, lithography, graphics, image width 54 cm, picture height 72.5 cm, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.
4409-17352889
La Bocca. Artist: Henry Victor Burgy (French, died 1901). Dimensions: Sheet: 9 1/2 x 12 3/4 in. (24.1 x 32.4cm). Date: 1882. Museum: Metropolitan Museum of Art, New York, USA.
6145-48509874
Drawing, Designs for Souvenir Fans for the 1867 Paris Exposition Universelle; France; transparent watercolor and white gouache on white wove paper; 11.3 x 32.6 cm (4 7/16 x 12 13/16 in.)
4409-17464603
Kiowa Indians Gathering Wild Grapes. Dated: 1861/1869. Dimensions: overall: 46.6 x 62.8 cm (18 3/8 x 24 3/4 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.
6145-55951016
Stepping Stones. 1923. Set design drawings. Billy Rose Theatre Division. Theater , New York (State) , New York, Theater , Production and direction, Burnside, R. H. (Robert Hubberthorne), 1873-1952. Stepping stones
6145-29880572
Max Klinger, Märztage III (March Days III), 1883 Märztage III (March Days III)
6176-67078054
'Sphinx and Pyramids, Giza II', 1820-1876. Artist: George Sand
4445R-6961
Painting
4443-19601732
Dieppe, France, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm) and Sheet: 2 11/16 × 8 5/16 inches (6.8 × 21.1 cm)
6145-54583055
Thirty-Six Views of the Eiffel Tower: From the Quai de Grenelle, 1902. Henri Rivière (French, 1864-1951), Printed by Verneau. Color lithograph; sheet: 22.3 x 27 cm (8 3/4 x 10 5/8 in.); image: 17 x 21.2 cm (6 11/16 x 8 3/8 in.).
6145-43660663
Mauzoleum grobowe w okolicach Delhi. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist
4443-19621319
From the Inn at Terracina, John Robert Cozens, 1752-1797, British, ca. 1783, Graphite and varnish on thin, slightly textured, cream laid paper, Sheet: 7 3/8 x 10 inches (18.7 x 25.4 cm), arches, buildings, hills, landscape, rocks (landforms), trees, Europe, Italy, Terracina
4409-17590623
Untitled. Artist Unknown. Date: 1860-1869. Dimensions: 18.5 × 23.9 cm (image, sight). Calotype negative. Origin: . Museum: The Chicago Art Institute, Chicago, USA.
6145-52485822
Sol's clock, Washington Park, Chicago, Ill. U.S.A. The floral sundial, Washington Park, Chicago, Ill. U.S.A. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Illinois, Chicago (Ill.)
6145-48459733
Quast Ferdinand von (1807-1877), Pyramidfeld in Gizeh (1845): Perspective view with Sphinx and a tent camp (after or by nomination according to M. Weidenbach, Illustrirte Zeitung, 1845, No. 90, p. 185). Ink on transparent, 26.6 x 40.9 cm (including scan edges) Quast Ferdinand von (1807-1877): Pyramidenfeld, Gizeh
6145-30352691
John Robert Cozens, 1752-1797, British, From the Inn at Terracina, ca. 1783. Graphite and varnish on thin, slightly textured, cream laid paper.
4409-17450041
Galley under Construction. Dimensions: overall: 22.2 x 37.1 cm (8 3/4 x 14 5/8 in.). Medium: pen and brown ink with brown wash over black chalk. Museum: National Gallery of Art, Washington DC. Author: Attributed to Pietro Ciafferi.
6145-29093667
(Moonlight) Clairs de Lune: Front Cover, 1897. Henri Rivière (French, 1864-1951). Book with 13 photo mechanical reproductions (half tone); overall: 24.5 x 32.5 x 1 cm (9 5/8 x 12 13/16 x 3/8 in.).
6145-59446264
Detail of a face on Naples in a nutshell perspective, Alessandro Baratta, 1629 print Detail of a face on Naples with the Gulf of Naples, behind it the Gulf of Pozzuoli and the Solatara volcano. In the distance, the islands of Procida and Ischia may be. Naples paper engraving / etching city-view in general; 'veduta'. volcano Naples. Solfatara. Pozzuoli. Procida, island of. Ischia, island of