Landscapes and Seascapes in Prints

Etchings and engravings of serene landscapes and beach scenes from the 18th and 19th centuries, highlighting natural beauty and human activity.

Flood in Kessel, 1855, 1855 print View of the flooded village of Kessel, 24 March 1855. Part of the series of 24 prints about the flood of March 1855, by members of the Arti et Amicitiae Society. Edition for the victims of the flood. Netherlands paper etching flood Kessel

Figures on the beach, Charles Leickert, 1826 - 1907 print Beach face with walking figures, there are two sailing ships in the water. paper. etching beach. sailing-ship, sailing-boat

Etching by Jean Moyreau from 1739 showing individuals applying make-up at a fair, executed in copper engraving, featuring figures, fairground activities, and outdoor setting.

Edward Francis Finden, 1791-1857, British, The Castle Rhine, 1832-1834. Line engraving, engraver's proof.

Winter landscape with mill and figures, Johan Hendrik Hoffmeister, after Johannes Franciscus Hoppenbrouwers, 1837 - 1855 print Two figures are chopping a hole in the ice. On the right a horse and car and a hunter. print maker: Netherlandsprinter: The Hague paper landscapes in the temperate zone (+ landscape with figures, staffage). windmill in landscape. ice ~ freezing weather

Etching by Augustin Hirschvogel from 1545-1546 depicting Jonah thrown into the sea and the conversion of Paul, showing figures, gestures, and landscape elements.

The Castle Rhine, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, engraver's proof

An etching by Johann Wilhelm Baur around 1640 showing Bource Gemblacensis or Boueensis, depicting Austrian subjects.

Flood in Kessel, 1855, 1855 print View of the flooded village of Kessel, 24 March 1855. Part of the series of 24 prints about the flood of March 1855, by members of the Arti et Amicitiae Society. Edition for the victims of the flood. Netherlands paper etching flood Kessel

Cerkin of this Trinity in Kirek; Unknown, Niemirów, Leopold (1810-1883), Draeger, F. (Moscow; Litographic insole; Ca 1850-1860); 1856 (1856-00-00-1856-00-00);

Etching by Jean Jacques Le Veau showing a panoramic view of Naples and Chateau Neuf, produced between 1750 and 1786, highlighting cityscape and architectural features.

Landscape with painter at work, Jean Baptiste Madou, c. 1831 print Brussels paper. painter at work, in his studio - CC - out of doors. horse Brussels

St. Cloud, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, engraver's proof

Storming and conquest from Gaeta, 1707; Waltthätige Erobung der Vestung Gaeta. The storming and conquest of Gaeta from the Allied forces on behalf of King Charles III, September 30, 1707. The central representation of the fleet for the city in a richly decorated ornamental frame with a drapery at the top of a drapery with a face on the Italian coast. At the bottom of a cartouche with the description of the events in German, crowned by two electricity gods and a weapon with the CR by Carolus Rex. Fountains with figures on the sides. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Copper engraving by Schelte Adamsz. Bolswert depicting a landscape with peasants dancing, created around 1638, illustrating rural activity and 17th-century Flemish landscape art.

Copper engraving and etching by Peter Paul Benazech depicting a social meeting outdoors with figures interacting, architectural elements, and landscape, dated 1750-1783.

Print made by William John Cooke, 1797-1865, Irish, The Thames at Mortlake, 1836-1838. Line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Robert Wallis, 1794-1878, British, Bolton Abbey, 1834. Line engraving on thick, slightly textured, beige, wove paper, with beige, chine colle.

Rest by the Taouy River. Draeger, F. (Moskwa ; zakład litograficzny ; ca 1850-1860), lithography atelier, unknown, graphic artist, Niemirowski, Leopold (1810-1883), draughtsman, cartoonist

To; Romanowicz, Walenty; 30.III.1941 (1941-00-00-1941-00-00);

Artist at work in nature, Pierre Louis Dubourcq, 1841 print Cover for folder with five et tests. In a landscape, an artist is working under the protection of a parasol to nature. With a floral edge of sailing and ivy. paper etching working situations of artist - BB - out of doors

Merrick Abbey, Swaledale, J. C. Varrall, active 1815-1827, after Joseph Mallord William Turner, 1775-1851, British, 1818-1823, Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm), Chine collé: 10 9/16 × 16 inches (26.8 × 40.6 cm), and Image: 7 5/8 × 10 7/8 inches (19.4 × 27.6 cm)

Print by Wilhelm Alexander Wolfgang von Kobell from 1797 depicting a hay cart in motion with figures handling hay, animals, and rural landscape.

Origin of the Seine with a woman who does the laundry, two men and cows, Léon Jean Baptiste Sabatier, 1829 print At the top left state: 1er. Lon. (= premiere Livraison). Paris paper. river. landscapes - HH - ideal landscapes (+ landscape with figures, staffage). cow Chanceaux. Seine

Venetian palaces on the water, Anonymous, After Melchior Küsel (I), After Johann Wilhelm Baur, c. 1700 - c. 1710 View of Venetian palaces on the water. Different gondolas and ships on the water. The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Venice View of Venetian palaces on the water. Different gondolas and ships on the water. The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Venice

Edward Alfred Goodall, 1819-1908, British, An Old Oak, 1834. Line engraving, engraver's proof on thick, moderately textured, beige, wove paper, with gray chine colle.

Barth Erwin (1880-1933), Luisenstadt Canal in Berlin (1926-1926): Perspective view with a side view of the final wall of the angel basin with elephant sculptures, stamp. Light break on the box, 60.9 x 90.8 cm (including scan edges) Barth Erwin (1880-1933): Luisenstädtischer Kanal, Berlin

Vue générale des Spéos de Phré et d'Athor, à Abousembil, prise de l'île. Artist: Maxime Du Camp (French, 1822-1894). Dimensions: Image: 5 1/4 × 8 7/16 in. (13.3 × 21.5 cm)Mount: 18 11/16 × 12 5/16 in. (47.5 × 31.2 cm). Date: March 29, 1850. Museum: Metropolitan Museum of Art, New York, USA.

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III dated 14 February 1741. It is dedicated on the first leaf to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara, Two recipes, one for varnish and the other for acid for etching

Captivity, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on medium, smooth, beige, wove paper, mounted on thick, slightly textured, cream, wove paper, Mount: 16 15/16 × 12 1/8 inches (43 × 30.8 cm), Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm), Plate: 11 3/8 × 6 1/8 inches (28.9 × 15.6 cm), and Image: 3 1/2 × 3 1/4 inches (8.9 × 8.3 cm)

Copper engraving and etching by Johann Sadeler the Elder showing Henoch and his family around a table, created between 1550 and 1600, depicting domestic scene, figures, and interaction.

Landscape with mill on Terp aan Water, Albertus Brondgeest, 1796 - 1849 print Landscape with a wooden mill on a terp on the water. On a stone wall is the weapon of the city of Amsterdam. Two fishermen are on the bank with rods. Netherlands paper. etching windmill in landscape. windmill

Landscape with tower, Claude Henri Watelet, After Rembrandt van Rijn, 1728 - 1786 print paper etching

Etching by Gabriel Perelle illustrating the four seasons, created in the 17th century.

Nubie. Ibsamboul, partie méridionale du spéos de d'Hathor.. Imprimerie Photographique de Blanquart-Evrard. Photographs, Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Hathor (Egyptian deity), Nubia, Archaeological sites , Egypt , Abû Sunbul, Sculpture , Egypt , Abû Sunbul, Rock-cut temples

Edward Goodall, 1795-1870, British, St. Anne's Hill, No. II, 1834. Line engraving and etching, 1st state on medium, slightly textured, beige wove paper.

Channel at the Poort van Nimy, Léon Dolez, 1875 - 1878 print paper etching / drypoint city-gate. canal Bergen (Belgium)

Villa d'Este in Tivoli. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Drawing, At the Mississippi in St. Louis.; Howard Russell Butler (American, 1856 - 1934); USA; black, white crayons. grey paper.; Sheet: 19 x 11.9 cm (7 1/2 x 4 11/16 in.)

Etching by Jan Gerritsz. van Bronckhorst depicting a scene around the money changer, 1623-1661.

Photo production of a print with a face of the waterfalls of Schaffhausen. Part of photo album from a journey through Switzerland, Austria and Germany by the Dutch Derkinderen family.

Mayburgh, Print made by John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on medium, slightly textured, cream wove paper with chine-collé

Busy street in Berlin, 1885 - 1943 print paper drypoint street. tram. city-view in general; 'veduta' Berlin

Edward Francis Finden, 1791-1857, British, Bacharach on the Rhine, 1832-1834. Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, with gray, chine colle.

Karl Julius von Leypold, Schloss Lauter zwischen Creutznach u Zweibrücken an d Lauter Schloss Lauter zwischen Creutznach u. Zweibrücken an d. Lauter

Landscape with mill and farmers at work on land, Henri de Braekeleer, 1875 print paper etching village. windmill in landscape. harvest

Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768, The Wagon Passing over a Bridge and The Little Monument (under a Tree), from the series Vedute (Views), Etching, platemark: 11.9 × 8.4 cm (4 11/16 × 3 5/16 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints

Edward Alfred Goodall, 1819-1908, British, Shipbuilding (An Old Oak Dead), 1834. Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, mounted on, very thick, slightly textured, cream, wove paper.

Print made by John Cousen, 1804-1880, British, Whitby, c. 1844. Line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Abbotsford, Print made by Henry Le Keux, 1787-1868, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, published state on medium, slightly textured, cream wove paper with chine-collé, Sheet: 8 1/8 x 5 7/8in. (20.6 x 14.9cm)

Our peculiar domestic institutions.. Illustrations. 1840. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division. Antislavery movements, Slavery , United States

Landscape with a clay pussy, c. 1800 - c. 1825 print This print is part of an album. paper etching / engraving barn. industries ~ clay, sand, chalk, etc.

Koch Friedrich (1828-1922), travel studies from Sicily 1851-53 (May 29, 1852): Taormina: Palazzo Corvajo (Details). Ink, pencil on paper, 39.5 x 34.6 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Sizilien 1851-53

Tours - looking backwards, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

The Old Oaken Bucket. Original caption: The Old Oaken Bucket - "Along the South Shore").- Harpers New Monthly Magazine. June - Nov. Dec.-May 1878, Vol. 57 p. 11.

Johan Aagaard (1818-1879), letterhead with Frederiksborg and hunting and harvesting motif, 1846

Cartoon at the General Music Festival in Haarlem, 1850, 1850 print Cartoon in the General Music Festival of the Society for the Promotion of Toonkunst in Haarlem, 13-15 June 1850. Central the performance of the new oratorium 'Elias' by Felix Mendelssohn-Bartholdy, with caption 'The Auditorium of the Oratorium'. Eight smaller humorous scenes around it. At the top a portrait of J.J. Viotta pulled a train by a steam locomotive in the shape of a drum. print maker: Netherlandsafter design by: Netherlandspublisher: Amsterdam paper large group of musicians, orchestra. choir. interior of church. steam locomotive Haarlem

Ice Entertainment on the Maas in Rotterdam, in the distance the factory in Feijenoord, 1855, 1861 Ice Entertainment on the Maas in Rotterdam, in the distance the factory in Feijenoord. Sixth plate in a book with six plates about the ice cream entertainment on the Maas in Rotterdam in February 1855. Reissued this copy in 1861 for the benefit of the victims of the flood. print maker: Netherlandsprinter: Netherlandspublisher: Rotterdampublisher: Leiden paper Mesh. Rotterdam. Feijenoord Ice Entertainment on the Maas in Rotterdam, in the distance the factory in Feijenoord. Sixth plate in a book with six plates about the ice cream entertainment on the Maas in Rotterdam in February 1855. Reissued this copy in 1861 for the benefit of the victims of the flood. print maker: Netherlandsprinter: Netherlandspublisher: Rotterdampublisher: Leiden paper Mesh. Rotterdam. Feijenoord

San Francisco. Charles Meryon (French, 1821-1868); printed by Auguste Delâtre (French, 1822-1907). Date: 1855-1856. Dimensions: 183 × 960 mm (image); 240 × 999 mm (plate); 317 × 1,031 mm (sheet). Etching and drypoint on grayish ivory paper. Origin: France. Museum: The Chicago Art Institute, USA.

Jean Moyreau engraved and etched between 1710 and 1762 a ring race scene, depicting riders, horses, and spectators in competition.

The tombstone of Kazimierz Małachowski in Chantilly (illustration in: L. Zienkowicz, Esquisse Sur La Vie de Kasimir Malachowski ...); Porret, Henri Désiré (1800-1867), Oleszczyński, Władysław (1808-1866), David d'Angers, Pierre-Jean (1788-1856); 1847 (1847-00-00-1847-00-00);

Venice, the Rialto, Moonlight, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, 1st state on moderately thick, slightly textured, beige, wove paper, Sheet: 11 5/8 × 6 1/2 inches (29.5 × 16.5 cm) and Image: 3 1/2 × 4 inches (8.9 × 10.2 cm)

Ehrenbreitstein (Vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving

View of the Cour de la Fontaine in the Palace of Fontainebleau, 1726, 1726 print View of the Cour de la Fontaine in the Fontainebleau palace. Plate no. 64 In part III of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching palace Palais de Fontainebleau

Print (Germany)

Engraving by Jeanne Françoise Ozanne depicting the Port to the Prince in the Isle of Santo Domingo, shown from anchorage, created between 1776 and 1795.

Sketchbook Peter Frederick Rothermel (American, 1817-1895). Sketchbook, 1857. Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 5 11/16 x 8 5/8 x 3/8 in. (14.4 x 21.9 x 1 cm). This forty-two-page sketchbook contains drawings by the history painter Peter Frederick Rothermel of scenes in Genazzano, Italy, forty miles east of Rome. He documented the local architecture, sculpture, landscape, and people, while also including sketches for narrative subjects. The costumes and daily life of the townfolk are captured in several skillful figure studies, including this image of a man leaning against a stone wall. American Art 1857

Windmill. Mycielski, Jan Kazimierz (1864-1913), graphic artist

Plaster Unloaders, plate three from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

Heins, Armand, Brussels, Reproduction of an engraving of the Exposition Nationale of 1880 in Brussels, incorporating four photographic views of the exhibition, by Armand Heins, recto - handwritten, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 238 mm, width 247 mm, maker, producer, 1881 - 1882, paper, papier, collotype, Work conception, 1856-08-01 - 1938-12-25

Toby's Cos Cob , Houses, Bars, Organs, Organ grinders. Childe Hassam (1859-1935). Prints and Drawings

Nieu Amsterdam, een stedeken in Noord Amerikaes Nieu Hollant, op het eilant Mankattan, namaels Nieu Jork genaemt, toen het geraekte in 't gebiet der Engelschen = Amstelodamum recens, postea Anglis illud possidentibus dictum Eboracum novum, Hollandiae novae, id est Americae Mexicanae sive septentronalis oppidulum Amstelodamum recens, postea Anglis illud possidentibus dictum Eboracum novum .... Maps. 1702. Lionel Pincus and Princess Firyal Map Division. New York (N.Y.) , Early works to 1800, Manhattan (New York, N.Y.) , Early works to 1800

Vincennes, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving

Place de la République, à Rouen (avec tramway).. 1886. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. City & town life, Rouen (France), Street railroads

Pouzzoles.. Giorgio Sommer (Italian, born Germany, 1834 - 1914)

Print, Goatherds in Landscape with Ruins; After Jean-Baptiste Huët (1745 - 1811); France; aquatint in brick-red ink on paper; 32.2 × 24 cm (12 11/16 × 9 7/16 in.)

Johnnie Armstrong' s Tower (Vignette), Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and line engraving on medium, slightly textured, cream wove paper with chine-collé

Bare tree at the yard of a Utrecht canal. Draughtsman: Charles Donker. Dating: Aug-1996. Measurements: h 195 mm × w 258 mm. Museum: Rijksmuseum, Amsterdam.

Snow face on Paris, Henri Charles Guérard, 1856 - 1897 print parchment (animal material) etching snow. city-view in general; 'veduta'. dock crane Paris

Demolition of the Rue des Francs-Bourgeois Saint Marcel 1873 France. Etching, with aquatint, in black on ivory laid paper . Johan Barthold Jongkind

Feest Van Coutances, Te Normandië, Louis-Adolphe Hervier, 1848 print paper. etching beach. public festivities. village (+ city(-scape) with figures, staffage) Coutances

Egyptian Winemaking- harvest, pressing grapes.

View of the Maas. Draughtsman: Julius Jacobus van de Sande Bakhuyzen. Draughtsman: Hendrikus van de Sande Bakhuyzen. Dating: 1835 - 1925 and/or 1805 - 1860. Measurements: h 257 mm × w 394 mm. Museum: Rijksmuseum, Amsterdam.

Fountain with vase; Recueil des Fontaines, Chinoises. A figure is bent over the edge of a fountain. On top of the fountain is a vase with flowers.

Monument for Amsterdam (No. 2), 1787, Anonymous, 1788 print Leaf with six performances of the events in Amsterdam at the time of the Patriots in the summer of 1787. Four square scenes with the fat rack of the armed citizens to Utrecht, the remotion of nine councils, the guardhouse on the Koningsplein and the Burgerwacht on Kattenburg. Central two medallions with a portrait of goldbank and the election of two mayors. Patriotic counterpart of the first Orangist print entitled "Monument for Amsterdam". Northern Netherlands paper etching / engraving Amsterdam

Lagoon - Noon. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 136 x 201 mm (plate); 170 x 227 mm (sheet). Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Illustration for elementary Latin language grammar J.M.F. Schulzy Chodowiecki, Daniel Nikolaus (1726 1801)

The Windmill, from Old English Masters. Timothy Cole (American, born England, 1852-1931); after John Crome (English, 1768-1821). Date: 1899. Dimensions: 435 x 345 mm (sheet). Wood engraving on chine paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Harbor of a thousand masts , Harbors, Boats, Waterfronts. Childe Hassam (1859-1935). Prints and Drawings

18th-century copper engraving and etching by Richard Saint-Non showing detailed landscapes, architecture, and cultural sites of Naples and Sicily, created in 1781.

Fight at the lock of Vreeswijk, 1585, 1587 - c. 1591 print Fights at the Oude Sluis in Vreeswijk where the Vaartse Rijn comes from Utrecht in De Lek, June 23, 1585. The houses on the eastern bank of the Vaartsche Rijn were set on fire. In the foreground the leak. With caption of 12 lines in German. Nummered at the bottom left: 222. The print is part of an album. Cologne paper etching battle (+ land forces) Vreeswijk. Vaartsche Rijn. Oude Sluis. Leak

Barth Erwin (1880-1933), Volkspark Rehberge in Berlin-Wedding (1927-1927): Perspective view of the Rathenaubrunnen by Prof. Kolbe, stamp. Pressure on cardboard, 74.4 x 61.7 cm (including scan edges) Barth Erwin (1880-1933): Volkspark Rehberge, Berlin-Wedding

Moonstone, Guardstones, and Steps. Henry W. Cave (English, 1854 - 1913)

Print made by James T. Willmore, 1800-1863, British, Lochmaben Castle, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Ship with agamemnon, menelaos and vulcanus; Agamennone et menelao argn condoti da vvlcano; Argonaut ships for the fight at the Arno during the wedding party of Cosimo II the 'Medici in Florence in 1608; Le Magnifique Carousel Fait sur Le Fleuve de l'Arne à Florence Pour Le Mariage du Grand Duc. A ship with sailing, sitting on the stern Agamemnon and Menelaos and is vulcanus on a bows.

Figures Promenading on a Point of Land; Water and Boats in the Foreground. Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 7 3/4 x 27 7/16 in. (19.7 x 69.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

The old toll bridge , Toll bridges. Childe Hassam (1859-1935). Prints and Drawings

Lithophane of a Winter Landscape, biscuit, Horizontal rectangle with impressed design showing a landscape with chalet and two figures in foreground. Snow-covered mountains and body of water in background. Possibly a German landscape., Germany, 1825-1900, ceramics, Decorative Arts, lithophane, lithophane

Copper engraving and etching by Adriaen Collaert from 1560-1618 illustrating human activities, seasonal labor, leisure, and social gatherings across the year.

Junction of the Greta and Tees at Rokeby, John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1823, Line engraving, engraver's proof on moderately thick, moderately textured, cream, laid paper, Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm), Plate: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), and Image: 7 5/16 × 10 11/16 inches (18.6 × 27.1 cm)

Two prints on a sheet of paper: above two sheep lying down, below one sheep lying down, Two representations with sheep, print maker: Jan Matthias Cok, Amsterdam, 1735 - 1771, paper, etching, h 65 mm - w 80 mm - h 70 mm - w 80 mm

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