Last Supper Depictions

Various artistic interpretations of the Last Supper featuring Christ and his disciples, focusing on themes of communion and announcement of betrayal.

Amsterdam, Luyken, Jan, Last Supper, recto - manuscript in brown ink, print, prints, verso - stamped, 113, height 119 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Christ prays for dinner, Theodoor Galle (Possible), 1581 - 1633 print The Holy Family at the table. Christ prays for eating. The print has a Latin caption and is part of a sixteen -part series with scenes from the life of the Holy Family. Antwerp paper engraving other occupations of the Holy Family

Early Christian community listens to a sermon, Jan Luyken, 1700 print In a room a group of early Christians is listening to the sermon of a priest. Amsterdam paper etching the early Christian Churches, e.g. Armenians, Copts, Syrians. preaching (in general)

Christ sits at table with the Emmaus disciples and breaks bread. In the foreground is a dog. In the background Christ walks with the two disciples to Emmaus, Meal at Emmaus Meals of Christ (series title), print maker: anonymous, Frans Floris (I), Crispijn van den Broeck, (rejected attribution), Antwerp, c. 1570, paper, etching, h 227 mm × w 232 mm

Eight singing men around a table, Jan Luyken, 1700 print There are eight men around a table. They sing prayers from a singing book. Cherubins appear in the clouds at the top of the sky. Amsterdam paper etching singing of psalms, hymns, etc.. cherubs, i.e. children's heads with wings

. The H. Erentrudis of Salzburg, the first Abdis of the Nonnberg monastery and the niece of the H. Rupert. She washes the hair of a child. Around her other children who are cared for by her monks. In the background, the H. Erentrudis brings food to a few hunger sufferers. The print has a Latin caption and is the fifteenth print of a 60-part series with the saints of Bavaria.

Oriental meal. Oriental dressed men and women sit on the floor. For them there are different dishes with food and three candlesticks with burning candles.

Ananias dopes Paul; Paul's life. Paul kneels on the floor and pinias dopped him by pouring water on his head. Print from a series of 10 prints with scenes from the life of the apostle Paul.

Christ at Maria and Martha. Christ visiting Maria and Martha, they are located in the interior of a kitchen that is very rich with foods such as poultry, fish and vegetables that are displayed on tables.

Birth of the holy dominus; Life and madrangles of the Holy Dominicus; Vita et miracula s.p. Dominicians. In the background, the mother of the Holy Dominician has a vision of a young dog with a burning torch on his head with which he burns the world. In the cradle next to her bed, the holy Dominicus is attacked by flies (symbolizing the devil). In the foreground the holy dominicus is washed. The print has a Latin inscription and caption and is part of a postal series for a book about the life of the Holy Dominicus.

Death bed of Maria, Philips Galle, after Pieter Bruegel (I), 1574 - 1598 print In a departure with gothic paneling, Maria lies on her deathbed, a candle in her hand, held by a priest. A monk with bell at the foot end. On the left a group of apostles and grieving figures. Left front the sleeping Johannes by the fire. Antwerp paper engraving the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

Étienne Parrocel drawing of the Easter Lamb, symbol of sacrifice, created with pen, brush, ink, wash, and chalk on brownish paper.

Worship by the shepherds, Titian (attributed to), Giovanni Britto, c. 1535 - c. 1540 print Under a shelter, the shepherds worship the Christ child that lies in a manger. Maria and Joseph are standing in the child. Two boys on the left and a landscape in the background. print maker: VeniceItaly paper adoration of the Christ-child by the shepherds; Mary and Joseph present. city-view, and landscape with man-made constructions

Daniel Nikolaus Chodowiecki, A Welcome Guest, 1777 1791 A Welcome Guest

. Some drunken bishops sleep out in a dormitory.

. An outdoor kitchen where there is a woman at a pot above the fire. In addition to her a long table where a man sticks sausage. On the left, Christ enters with his students. He is welcomed by Martha and Maria. A well in the background. The print has a caption with a Bible text (LUC. 10) and is the first print of a three-part series.

Wedding in Kana. Christ at the table with group of people, indicates six empty jugs.

Clement VIII, Rudolf II of Habsburg (German Emperor), Sadeler, Johann (I), Bassano, Jacopo, Venice, Adoration of the Shepherds with sleeping shepherd boy, verso lower left - stamped, On the left in front of a stable with a thatched roof Mary and Joseph together with the Christ child lying in the manger. Three shepherds around it. On the right a sleeping shepherd boy. From heaven a sunbeam with a Latin text shines on the Christ Child., print, prints, height 217 mm, width 292 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1599 - 1599, paper, engraving, engraving (printing process), Italian, 1515 - 1592-02-14, after, after painting by, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege, 1536 - 1605

Cheerful company at the table (the worldly life of Maria Magdalena), Bartholomeus Willemsz. Dolendo, c. 1580 - c. 1620 print Maria Magdalena has been presented in an early 16th-century costume, a halo around her head. She sits at a table with food, in the company of two men and a woman. There are two servants next to the table. The sitting woman plays Luit, while a man holds a songbook and sings. In the background, the Ten Hemel was presented by Mary Magdalena in a rocky landscape. With caption from Genesis 6. paper engraving life of St. Mary Magdalene before her conversion, e.g. dancing, hunting. lute, and special forms of lute, e.g.: theorbo - CC - out of doors. vocal music, singing - CC - out of doors. private festivities, merry company - AA - in the open air, 'fíªte champíªtre'. head-gear: hat (+ men's clothes). head-gear: cap (+ women's clothes). dress, gown (+ women's clothes). dog

Lutheran pastors at the bust of Martin Luther, Anonymous, 1600 - 1700 print Allegorical show about the victory of the true leather of Martin Luther. The bust of Martin Luther is central to a column. Under his portrait are symbol: the swan. On the left a victorious warrior with the Christ monogram on his chest. Roman-Catholic clergy are on the floor: a man with a mask and a blindfolded man with a dagger and the keys of Peter. Behind them the Sint Pieter in Rome. On the right fame that blows the praise and truth in jet wreath and with book in his hands. Under the bust of Luther two Lutheran pastors with books and writing springs at a table. With them is a man at a scroll in Aäronitian priestly robe. Possibly a title page. paper etching / engraving the Roman Catholic Church vs. Protestantism; (Reformation and Counter Reformation). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

The Last Supper, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after unknown artist, undated, Engraving

End of the game Om Schenckenschans, 1635-1636, 1636 print Cartoon on the battle for Schenckenshans in the years 1635-1636. The end of the game around the Schans. Frederik Hendrik and the Cardinal Infant Ferdinand Dice at a table around the fort. The stadholder throws the winning throw. The Cardinal Infant scratches the head, Count Johan van Nassau looks at the stones through binoculars. On the left the pope, the bishop Cologne, the king of Spain and the emperor leave. On the right Cardinal Richelieu is watching. Left in the background, the Kleefse farmers dance from joy. A priest and a nun appear from under the table. On the right in the background the conquest of the fort by the State Army on April 29, 1636. The print includes a separate text sheet. Northern Netherlands paper engraving / etching political caricatures and satires. dice-games. capture of city (after the siege) Schenkhans

Meal and hospitality with the Germans; The Maaltyden and Gasteryen of the German. Interior of a community house where Germanic families cook, eat and drink.

Abraham and the three angels; Abraham gassed three angels. The three angels visit Abraham and he brings them to the table. They promise him that he and Sara will get a son. Abraham hears the news kneeling. Sara listens a wall from behind.

White, Peter de, unknown, Sadeler, Johann (I), Coeni domini, Last Supper, verso lower left - stamped, Christ and his disciples around a rectangular table. John with his head on Christ's shoulder. Judas, center front, with a money bag at his belt, symbol of his betrayal. The print has a Latin caption with a verse from the Bible (Luke 22)., print, prent, prints, prenten, height 264 mm, width 392 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1560 - 1600, paper, papier, engraving, engraving (printing process), 1548 - 1628-03

Last Supper, Michel Natalis, After Abraham Van Diepenbeeck, 1640 - 1642 print With the twelve apostles, Christ sits at a long table at the Last Supper and says that they will lose him weight in the coming night. You can see how the apostles react to this message. Before the bank, Judas, his right hand, is on a bag of money. The Supper takes place in the interior of a church. Above Christ are in a niche the stone leglines of Moses. Presentation to mat. 26: 31-35. At the bottom of the margin a two -line text in Latin. Antwerp paper engraving announcement of the betrayal of Christ, and the reaction of the apostles. the new tables of the law (Exodus 34) (+ variant)

Copper engraving print from the late 15th century depicting the Last Supper, showing Christ, apostles, table, and food arrangement.

Louis de Chatillon, 1st set of the sacraments: Last Rites, c. 1665, ink on paper.

Last conversations of Jesus Christ with his students, 1773 print Leaf with a large performance of the Last Supper. A caption in two columns in the lower margin. Numbered bottom left: N. 160. print maker: Netherlandspublisher: Turnhout paper letterpress printing the episode of the Last Supper

Christ and the apostles during the Last Supper, Boëtius Adamsz. Bolswert, after Peter Paul Rubens, 1590 - 1633 print Christ and the apostles are around the table during the Last Supper. Christ expresses his blessing about the bread and wine. In the margin under a line of Latin Bible text from Marcus 14 Netherlands paper engraving institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25)

Pope receives a disposal money. The pope is sitting on his throne and receives money for the releases he provides. On a table for the throne, money is counted and men and women are waiting for their turn right. Book illustration in rectangular picture frame with fine ornaments. The print is printed with multiple logs. At the top of the magazine the relief of the publication is: und Antichristi, the word antichristus is below.

Parable of the unjust steward.

Handing out food on the poor, Jan Luyken, 1700 print After a meal, the first Christians hand out the remaining food to the poor of the community. Amsterdam paper etching the early Christian Churches, e.g. Armenians, Copts, Syrians. charitable works. the poor. evening meal, dinner, supper

Jacques Callot, The Feast of the Pharisees, 1618 The Feast of the Pharisees

Jesus with Mary and Martha. 1511 - 1515. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ in the house of Martha and Maria, Johann Sadeler (I), after Jacopo Bassano, 1643 - 1666 print An outdoor kitchen where on the left a woman is standing by a pot above the fire. Next to her a long table where a man slices cuts. On the left, Christ comes in with his students. He is welcomed by Martha and Maria. A well in the background. The print has a inscription with a Bible text (Luc. 10) and is the first print of a three -part series. print maker: Italypublisher: Amsterdam paper engraving Christ in the house of Martha and Mary (Luke 10:38-42). kitchen-interior. kitchen-interior with foodstuffs in foreground (Dutch: 'keukenstuk'). well

Maria Magdalena washes the feet of Christ, Anonymous, Urs Graf, 1506 print paper Christ's feet are anointed by Mary (Magdalene)

Prayer for meals. A prosperous family in praying attitude around a set table in a departure. The parents are, the children stand. Olive sprouts are depicted behind them. The theme of the meal prayer was related to Psalm 128, in which children with olive sprouts are compared. The fertile vine, symbol for the housewife, is right against the wall, behind the mother's chair, visualized. In the foreground a small child with a birthplace in which a baby. Through a doorway view in the kitchen where a maid is busy.

The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom right plate) 1546 Léon Davent French. The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom right plate) 337395

Eating shutters for an inn; The regrettable fate of the blind and the poor. Three blind eating at a table for an inn. The worth and worthy. A dog is killed under the table on its bone. On the left a blind child with a walking stick. In the margin a caption in Latin.

Death of the Virgin. Medium: engraving proof. Museum: National Gallery of Art, Washington DC. Author: Hans Wechtlin I.

. Christ and his students around a rectangular table. Johannes with his head on Christ's shoulder. Judas, centrally at the front, with a money pouch on his belt, symbol of his betrayal. The print has a Latin caption with a verse from the Bible (Luc. 22).

The pope, a Jew and a Muslim card with the devil: Der Teuffel Hat Das Best im Spill ...; Pugillus Facetarium iconographicarum ... Strasbourg 1608. For a round table in a room, the pope, a Jew and Islamite are playing with the devil. Text in the margin: HOC Luda Lucro..in Orcum; Der Teuffel Hatt Dasz Best im Spill / Gwint, Jagt Sie All Drey in the Hell. (Not numbered). Print from: Pugillis Facetarium .... Strasburg.

Rudolf II of Habsburg (German Emperor), Clement VIII, Sadeler, Johann (I), Bassano, Jacopo, Italy, Kitchen pieces after Jacopo Bassano, Christ in the house of Martha and Mary, verso lower left - stamped, An outdoor kitchen where on the left a woman stands at a pot over the fire. Next to her a long table where a man cuts slices of sausage. On the left Christ enters with his disciples. He is welcomed by Martha and Mary. In the background a well. The print has an inscription with a Bible text (Luke 10) and is the first print in a three-part series.., print, prints, height 224 mm, width 286 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1598 - 1598, paper, engraving, engraving (printing process), Italian, 1515 - 1592-02-14, after, after painting by, Publication (Event), Publication, publisher, 1536 - 1605, granter of privilege, 1552-07-18 - 1612-01-20

. On the left for a stable with thatched roof Mary and Joseph together with the Christ child lies in the manger. Three shepherd around it. On the right a sleeping shepherd boy. A sunbeam shines from heaven with a Latin text on the Christ child.

Deceiver punishes the grinding of nose and ears. A deceiver, mentioned in the verse heyn plump, is punished because it is measured donkey ears and he is placed on a grinding stone with his nose. On the left the people sees. There is a bat in the foreground and a comb.

The Last Supper, from Das Plenarium 1517 Hans Schäufelein German. The Last Supper, from Das Plenarium 670703

Christ and the Cijntning. Confrontation in the temple between Christ and the Pharisees and Herodians, asking him if they have to pay the emperor tax, as a test.

Victim of possession or sorcery (no. 6), ca. 1658. Two loosely cut performances of an interior with a person suffering from a form of falling illness or madness, interpreted as possessure or sedary. A man on his knees in a group. Numbered: 7.

Laetste conversations from Jesus Christ with his students. Leaf with a large representation of the last supper. In the undermaster a caption in two columns. Numbered bottom left: N. 160.

Last Supper. Christ and his twelve disciples are seated around a table. Through a window in the background view of a landscape.

Last Supper, Jacques Callot, 1619 - 1624 print In a spacious, classic -looking room, Christ is sitting at a long table with his disciples. A few other people stand around them. This print is part of the unfinished press series 'The Great Passion', consisting of 7 scenes from the suffering story. Florence paper etching / engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Last Supper, Aegidius Sadeler (II), After Jacopo Tintoretto, 1580 - 1629 print Christ is sitting with his students at a rectangular table. They eat and drink. The print has a Latin caption on this Bible story. paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Confectionery with those involved in the Schmalkaldic Association, Peter Troschel, c. 1630 - in or after 1670 print Germany paper engraving historical persons. pergola. garden fountain. celebration meal, feast, banquet. armorial bearing, heraldry. dog. bunch of grapes

The Adoration of the Shepherds, Surrounded by Moses and Five Prophets 1588 Jacob Matham Netherlandish. The Adoration of the Shepherds, Surrounded by Moses and Five Prophets 399817

The meal in Emmaus, Samuel van Hoogstraten, 1658 - 1663 drawing Christ and his disciples in Emmaus. paper. ink pen / brush the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Willem III sworn in as Captain General, 1672, Anonymous, After Romeyn de Hooghe, 1672 - 1685 print Presentation of the appointment of Prince William III as Captain General on the Dutch armed forces, 25 February 1672. The moment the prince takes the oath to the clerk of the States General, Gaspar Fagel. Two small scenes in the background show the pastry and fireworks held in honor of the prince's appointment. Northern Netherlands paper etching swearing an oath (with two fingers raised). taking the oath ~ military service

Leiden, Vliet, Jan Georg van, Passion of Christ, Last Supper, verso lower left - stamped, print, prints, height 213 mm, width 169 mm, Northern Netherlands, 1610 - 1668, print maker, printmaker, 1628 - 1637, paper, papier, etching, etchings, engraving, engraving (printing process)

Two monks groped a woman. Two monks are sitting at a table with drinks and sticks. They touch the young woman together between them.

Conversation with Nikodemus, Jacques de Bie, After Maerten de Vos, 1598 - 1618 print The interior of a house. The Pharise Nikodemus is in conversation with Christ in the middle of the night (John 3: 1-21). The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving Christ talking with Nicodemus at night (John 3:1-21)

Last supper (middle leaf). Christ is in the midst of his disciples during the last supper. Johannes is against his chest. The disciples next to him react surprised at his statement that one of them will betray him. On the table candles and food. A dog with a bone under the table. In the background the representation of Christ in the court of Getsemane.

Daniel in the lion's den. Engraving.

Last Supper, Marco Dente, After Marcantonio Raimondi, After Rafaël, 1498 - 1532 print Christ and his twelve disciples sitting around a table. Through a window in the background view of a landscape. Italy paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

EVANGELIARIO - SANTA CENA - SIGLO XVI. Author: JERONIMO NADAL (1507-1580). Location: MONASTERIO DE YUSO. SAN MILLAN DE LA COGOLLA. LA RIOJA. SPAIN. JESUS.

Last Supper, Anonymous, 1500 - 1549 print Christ with his students at the Last Supper. Modena paper Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Last Supper, Jan Harmensz. Muller, 1594 print Christ is in the middle of his disciples during the Last Supper. The disciples respond surprised to his statement that one of them will betray him. Judas keeps the bag with silver pieces behind his back. In the background the representation of Christ in the Hof of Getsemane. In the middle of the margin a reference to the Bible text in Latin. Amsterdam paper engraving announcement of the betrayal of Christ, and the reaction of the apostles

Christ and the Woman of Samaria. 1501 - 1600. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Wael, Cornelis de, The lamentable fate of the blind and the poor, Beggars at a market stall, verso lower left - stamped, Three blind men beg for alms from a man selling bread at the market. On the left a woman carrying freshly baked bread on a plate. In the margin a caption in Latin., print, prints, height 82 mm, width 112 mm, Work conception, Three poor people on the

Begants at a market stall, Anonymous, After Cornelis de Wael, 1629 print Three blind begging a alms with a man who sells bread on the market. On the left a woman who wears freshly baked bread on a plate. In the margin a caption in Latin. paper engraving giving alms or other charity, e.g.: handing out food. blind, blindness. beggar. bread, loaf

The 1906 caption reads: " A Feat - a cultural image from the Late Middle Ages. The image is a miniature that was in the breviarium of Cardinal Grimani. A breviarium is a book of the prayers, hymns, psalms, and readings for the canonical hours, which is also known as the divine office. The original is in the library at Saint Marks in Venice.."

The Great Passion: Last Supper by Albrecht Dürer, 1471-1528, artist. Published: 1510. Jesus Christ seated at table with the Apostles.

Meal during the Feast of Tabernacles, ca. 1720-1725, Anonymous, After Bernard Picart, 1724 print A Jewish family celebrates the meal during the Feast of Tabernacles, ca. 1720-1725. Part of a series of illustrations of religious customs. paper etching / engraving 'Sukkot', Feast of the Tabernacles

. Christ and his students around a rectangular table. Johannes with his head on Christ's shoulder. Judas, centrally at the front, with a money pouch on his belt, symbol of his betrayal. The print has a Latin caption with a verse from the Bible (Luc. 22).

Meal during the Feast of Tabernacles, ca. 1720-1725; Repas des Juifs Pendant La Fête des Tentes. A Jewish family celebrates the meal during the Feast of Tabernacles, CA. 1720-1725. Part of a series of illustrations of religious use.

Innkeeper, 17th century French engraving

Saint Lazarus. Coloured etching.

"Jesus said,-one of you that eateth with me shall betray me."

Joseph's banquet in honor of his brothers. Book of Genesis. Chapter 43. Engraving. Colored.

Lord's Supper Album of engravings Payne, Albert Henry (1812 1902), Leonardo da Vinci (1452 1519)

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