Lighthouses and Scenic Landscapes

Dramatic prints depicting lighthouses amid turbulent seas and serene landscapes, showcasing the power of nature and architectural elements.

Evening gathering in front of a cathedral, Félix Hilaire Buhot, 1857 - 1898, draughtsman: Félix Hilaire Buhot, 1857 - 1898, paper, pen, h 386 mm × w 228 mm

The Eddystone Lighthouse, Print made by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1829 to 1834, Mezzotint; engraver's proof

Evening gathering in front of a cathedral, Félix Hilaire Buhot, 1857 - 1898, draughtsman: Félix Hilaire Buhot, 1857 - 1898, paper, pen, h 386 mm × w 228 mm

Heather in Drente, draughtsman: Johannes Warnardus Bilders, 1841 - 1890, paper, pen, h 153 mm × w 230 mm

Bally-Burgh Ness, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, Engraver's proof

Nocturnal Offerande, Wijnand Otto Jan Nieuwenkamp, 1912 print Japanese paper (handmade paper) etching Offering; 'Offerta overo Oblatione' (Ripa). carrying something on the head or on the shoulders Bali

Night Voyage or Net Fishing (Voyage de nuit ou La pêche au filet). Dimensions: 43.2 cm x 29.4 cm, 14.2 cm x 19.1 cm, 10.3 cm x 15.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: CHARLES FRANCOIS DAUBIGNY.

Destruction of the Pharoah's Host, from Illustrations of the Bible. John Martin; English, 1789-1854. Date: 1833. Dimensions: 190 × 290 mm (image); 268 × 357 mm (plate); 329 × 416 mm (sheet). Mezzotint in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Hans Burgkmair the Elder's drawing on wooden stick (1514-1516) depicts a liturgical campaign in the Weißkunig series with ships, people falling from baskets, and the funeral of the old white king.

The Lonely Tower 1825-1881 England. Etching in black on paper . Samuel Palmer

Henry Griffiths, 1835-1849, British, The Wreck, 1826-1837. Line engraving on moderately thick, slightly textured, cream, mount, with gray, chine colle.

Sketch sheet by James Ensor showing small figures, still lifes with lidded jugs, and a draftsman at the bottom right, depicting figures and objects.

Etching and copper engraving by Jean Moyreau depicting a seaport, created in 1752, showing ships, docks, water, and port buildings.

Robert Brandard, 1805-1862, British, La Chaise de Gargantua near Duclair, 1834. Line engraving, engraver's proof.

Coastal landscape in stormy weather, Anonymous, c. 1650 - c. 1680 print Rocky coastal landscape with stormy sea and ship. A cloudy sky above that. paper. graphite (mineral). pencil etching storm at sea

Joseph Pennell, Changing Shifts, Charleroi, 1911 Changing Shifts, Charleroi

The Mystery of the Mist. Dated: 1910. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Gustave Doré (1832-1883), designer and François Rouget (1811-1886), engraver. "Ung duel." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101788-14 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Etching and copper engraving by Karl Rahl (The Older) around 1840 illustrating 'The Men's Oath in Rütli', showing historical figures taking an oath with detailed line work and composition.

Beach, 1863 - 1880 Paris steel (alloy) etching

Étude d'après un tableau de Turner.. Turner, J. M. W. (Joseph Mallord William) (1775-1851). Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Railroads, Rain, Winds

The Shower 1846-1856 France. Etching on light gray chine laid down on white wove paper . Charles François Daubigny

The Cliff: Saint-Malo Bay. Dated: 1886/1890. Dimensions: plate (outer): 29.6 x 39.9 cm (11 5/8 x 15 11/16 in.) plate (inner): 22.5 x 29.6 cm (8 7/8 x 11 5/8 in.) sheet: 38 x 55.1 cm (14 15/16 x 21 11/16 in.). Medium: heliogravure, etching, drypoint, roulette, and spit bite, aquatint, and burnsihing in black (central plate) and gray-green (margin plate) on heavy wove light green paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

A Lock on the Stour 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Lock on the Stour. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint; proof before published state. Prints

Woodcut by Hans Burgkmair the Elder from 'Weißkunig', showing Emperor Maximilian I at Gradisca, executed on wooden stick, 1514-1516.

Distant View with a Road and Mossy Branches, print maker: Hercules Segers, Hercules Segers, Amsterdam, (possibly), c. 1622 - c. 1625, cotton (textile), counterproof, etching, h 146 mm × w 196 mm (trimmed outside the printed surface; margins visible on all sides; this has been overpainted on left and top)

Mill Near Brighton 1829 David Lucas British View of a mill in a stormy landscape. In the bottom left foreground, a woman approaches the mill.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Mill Near Brighton. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint; proof before published state. Prints

Woodcut showing three ships with people from each company before the battle in Britain from the Weißkunig series of Emperor Maximilian I. by Hans Burgkmair the Elder, wooden stick, 1514-1516.

A Lock on the Stour David Lucas British After John Constable British 1830 In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project. View more. A Lock on the Stour. David Lucas (British, Geddington Chase, Northamptonshire 1802-1881 London). 1830. Mezzotint; proof before published state. Prints

Lightning 1868 France. Etching in brown on ivory wove paper . Charles Courtry

David Spareth Saul at Hachilah, from Illustrations of the Bible 1835 England. Mezzotint in black on ivory wove paper . John Martin

A Pier in England (Une Jetée en Angleterre) 1879 Félix-Hilaire Buhot French. A Pier in England (Une Jetée en Angleterre) 386070

Explosion of the powder magazine in Maastricht, 1761, 1783 - 1795 print The explosion of the powder magazine in Maastricht on December 21, 1761, with two fleeing figures in the foreground. Northern Netherlands paper etching gunpowder disaster Maastricht

Roche, Pierre (n.1855-D.1922-01-18), Plérin (main title), 1907. Gypsography, brown draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

François Nicolas figure (1825-1901). "I stay, said Clubin". Albumin paper. 1868. Paris, house of Victor Hugo.

Etcher: Lorenzo Baldissera Tiepolo, Italian, 1736-1776, After: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770, Monument for the Glory of Heroes (Monument a la gloire desheros), Etching, sheet: 64.7 × 50.3 cm (25 1/2 × 19 13/16in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

A 1514-1516 woodcut by Hans Burgkmair d.Ä. showing the young white king learning to organize a closed Wagenburg, a type of fortified wagon formation.

Honoré Daumier, Décret de la commune, 19th century Décret de la commune

Robert Brandard, 1805-1862, British, La Chaise de Gargantua near Duclair, 1834. Line engraving, early engraver's proof.

Bivar Daniel Virgin (1851-1904). Bivar. Graphite mine, ink, gouache on paper. 1901-1902. Paris, Victor Hugo House.

John Constable, Salisbury Cathedral from the North-West, c. 1830-39, brush and brown ink over graphite on cream wove paper.

Willy Lott's house, circa 1832-1846, by David Lucas, John Constable.

Francisco de Goya y Lucientes / 'Landscape with Waterfall'. Ca. 1799. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.

t slot too easterly.

Divers attaching winches to the Magenta ironclad, sunk in Toulon port on October 31, 1875, France, illustration by Kauffmann from L'Illustration, Journal Universel, No 1709, Volume LXVI, November 27, 1875.

Oceano nox , Ships, Sailors. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Edward Goodall, 1795-1870, British, The Death-Boat of Heligoland (Vignette), 1837. Line engraving.

The early ploughman, 1858-1860, by Samuel Palmer. Gift of Sir John Ilott, 1968.

Photo production of (presumably) a drawing entitled 'appearance'; Erscheinung. Part of album with 30 photo production of drawings of the faust story of J.W. Von Goethe.

Brzozowski, Feliks (1836-1892), Autumn landscape; from: "Tygodnik Ilustrowany" 1889, II, 209. Angerer, C. & Göschl (Wiedeń ; zakład graficzny i fotograficzny ; 1873-), reproduction atelier, Brzozowski, Feliks (1836-1892), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Chaumières de pêcheurs. Dated: c. 1844. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGÈNE ISABEY.

Joseph Pennell, The Flat Iron New York, 1908 The Flat Iron New York

The Fall of Ninevah, John Martin, 1789-1854, British, 1829, Mezzotint on moderately thick, slightly textured, cream, wove paper, Sheet: 25 3/16 × 35 3/8 inches (64 × 89.9 cm) and Image: 21 1/4 × 31 15/16 inches (54 × 81.1 cm)

Netherlands, The catafalque for the deceased Spanish king Charles II, 1700, The catafalque in the form of an obelisk on a rock group with a fountain, erected for the Spanish king Charles II, who died on 1 November 1700. Decorated with banners, coats of arms, allegorical figures and Latin mottoes. On the right side of the frame a scale indication., print, prent, prints, Frederik Muller Historieplaten, height 492 mm, width 298 mm, print maker, prentmaker, 1700 - 1701, paper, papier, etching, etsen

The Fall of the Rebel Angels (Vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1835

Hampstead Heath 1829 David Lucas British View of a man sitting on a hillside under a stormy sky, with a rainbow and donkey at right.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Hampstead Heath. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint on chine collé; proof before published state. Prints

Sea God (Dieu marin). Dimensions: 32.5 cm x 25 cm, 18.5 cm x 14.6 cm. Museum: Van Gogh Museum, Amsterdam. Author: KER-XAVIER ROUSSEL.

Chelsea Regatta. Theodore Roussel; French, worked in England, 1847-1926. Date: 1888-1889. Dimensions: 80 × 120 mm (image/plate); 86 × 120 mm (sheet, with signature tab). Etching in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A pencil sketch with white grown on gray paper by Franz Alt depicting 'Mouth night', created in 1866, emphasizing composition, figure, and tonal contrasts.

Copper engraving and etching by Samuel Smith between 1770 and 1808 titled 'A Storm,' portraying a dramatic weather scene in late 18th-century printmaking.

Gare aux vapeurs! (another impression). Daubigny, Charles François (1817-1878). 1861. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Fish, Eating & drinking , France, Boats , France, Artists

Vinne, Vincent Jansz. van der, Visser Bender, Joannes Pieter, Wit, Izaak Jansz. de, Fire in the tower of the St. Bavo Church in Haarlem, May 11, 1801, verso - stamped, print, prints, images, height 231 mm, width 142 mm, Northern Netherlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1808 - 1808, paper, papier, etching, etchings, Dutch, 1785-11-09 - 1813-12-09, 1736-01-31 - 1811-01-15, intermediary draughtsman

Depiction of the old white king aiding the young white king with ships and people on the Rhine in the Weißkunig chronicle of Emperor Maximilian I by Hans Burgkmair the Elder, carved on a wooden stick between 1514 and 1516.

Saint Guenole. Medium: gypsograph. Museum: National Gallery of Art, Washington DC. Author: Pierre Roche.

Les marges du Débarquement (No. 3) by Félix Hilaire Buhot (1847-1898). Created between 1874 and 1888, specifically in 1879. The work is an etching and aquatint

De Komeet van Donati, 1858, Cornelis van der Griendt, 1858 - 1860 print The comet of Donati, October 10, 1858. In the foreground a man with a dog by a river. In the background on the left a church tower. China paper. paper etching comet. river (+ landscape with figures, staffage)

De Komeet van Donati, 1858, Cornelis van der Griendt, 1858 - 1860 print The comet of Donati, October 10, 1858. In the foreground a man with a dog by a river. In the background on the left a church tower. paper etching comet. river (+ landscape with figures, staffage)

A depiction of Maximilian Julius Leopold, Duke of Brunswick and Lüneburg, found drowned, illustrating the circumstances of his death and 18th century attire and setting.

Havenhoofd in Vlissingen, Carel Nicolaas Storm van 's -Gravesande, 1869 - 1901 print A harbor head in Vlissingen in the rain and wild sea. Netherlands paper drypoint pier, quay, wharf. storm at sea Flushing

L'Entrée de Landemer (Hague). Dated: c. 1873. Dimensions: plate: 7.5 x 18.5 cm (2 15/16 x 7 5/16 in.) sheet: 16.4 x 24 cm (6 7/16 x 9 7/16 in.). Medium: etching and drypoint in black on japan paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Cartoon about the resignation of Thorbecke, 1866, 1866 print Cartoon in response to the resignation of Thorbecke and the appointment of Fransen van de Putte. Thorbecke as the sun that goes into the sea with the French of the Putte as a moon in the sky. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 8, 24 February 1866. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper sunset

Victor Hugo. "Dolmens and menhirs". Reserve: cut paper or circular object, black reserve with superposition of indelible brown ink, colorless reserve with superposition of indelible brown ink, washing, lithographic bar, brown ink wash, brown ink applied with brush, pencil hatching, 1850 . Paris, house of Victor Hugo. 50008-1 Drawing, dolmen, brown ink, menhir, night, stone, 19th XIXth XIX 19th 19th 19th century, nocturnal

Northern Netherlands, Dry galleys off Malacca, burning their own dolls, Three Portuguese ships on fire at Malacca, 1606, Three stranded Portuguese ships off Malacca set on fire by their own crew, October 1606. Part of the illustrations in the report of the voyage by Cornelis Matelief de Jonge for the VOC to the East Indies and China, 1605-1608, No. 3., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 150 mm, width 205 mm, print maker, prentmaker, 1644 - 1646, second quarter 17th century, paper, papier, etching, etsen

Drawing Funnen omärkt i magasinet.

Félix Hilaire Buhot, Frontispiece for L'Illustration Nouvelle The Burial of the Burin, 1877 Frontispiece for L'Illustration Nouvelle: The Burial of the Burin

Scene from Ballet de Zwarte Devil, Charles Rochussen, 1865 - 1868 print A hunter who is kneeling on a bridge over a abyss, fires on another in the background. print maker: Netherlandsprinter: Amsterdam paper the ballet, ballet performance. ravine, chasm, abyss, canyon Stadsschouwburg

French satirical Illustration, depicting a sewerage worker overcome by toxic fumes and carried away by a current of effluent. 1907

Shot. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Nocturne: Salute , Bays Bodies of water, Churches, Gondolas, Chiesa di S. Maria della salute Venice, Italy. James McNeill Whistler (1834-1903). Lithographs

The Perambulator. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Sun, earth and moon, Vincent Laurensz. van der Vinne (II), 1714 print The sun shines on and along the earth and therefore darkens the crescent. Symbol in the way in which the intervention of the earthly, sometimes the light is darkened. Haarlem paper etching / engraving eclipse of the moon

Print made by John Martin, 1789-1854, British, Pandemonium, 1831. Mezzotint on moderately thick, slightly textured, cream wove paper.

Nocturne, 1878. James McNeill Whistler (American, 1834-1903). Lithograph on chine collé; sheet: 17.1 x 26 cm (6 3/4 x 10 1/4 in.).

A family caught in an avalanche along the Mount St. Bernard Pass; a woman frantically rings the bell thus breaking the cord. Aquatint by J.P.M. Jazet after H. Lecomte.

Amsterdam, Rijn, Rembrandt van, The Annunciation to the Shepherds, verso center bottom, print, prints, Rembrandt f. 1634, bottom right, height 260 mm, width 220 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, North Netherlands, after own design by

Fête Venitienne, 1889. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Eagle crushed under the weight of Les Châtimens by Victor Hugo, Henri Charles Guérard, After Honoré Daumier, 1856 - 1897 print An eagle lies on the ground with the book by Victor Hugo on top of him. The bird represents Napoleon III. A lightning bolt can be seen above his head. Paris paper etching illustration ~ printed matter, book. predatory birds: eagle. accidents with lightning

The Grimsel Made 1908 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Regular monastery in Amsterdam burned, 1532; The regular monastery burned: A.o 1532.The regular monastery in Amsterdam burned, 1532. The title is written with the pen under the show.

Above the Mountains, Switzerland Made 1908 United States. Etching in black on ivory laid paper . Donald Shaw MacLaughlan

Group of figures rowing a boat in rough sea, toward ship on horizon at upper left; ship vaguely indicated. Date: 1881. Brush and wash, brush and gouache, chalk on wove paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

An engraving depicting the fourth Eddystone lighthouse, built by John Smeaton (1724-1792) a British civil engineer. Dated 19th century

Gustave Doré, The Legend of the Wandering Jew, 6: The end releases other men from strife..., 1856, wood engraving on wove paper.

Lazio Viterbo Bagnaia Villa Lante003. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Don Quixote tilting at Windmills. Don Quixote by Miguel de Cervantes Saavedra. Old XIX century engraving illustration by Gustave Dore

The Cathedral Door. Dated: 1912. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Seascape with fisherman, in the foreground a wheelbarrow with birds. Draughtsman: Jan Toorop. Dating: 1868 - 1928. Measurements: h 162 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

Dobuzhinsky, Mstislav Valerianovich (1875-1957) Russian State Library, Moscow Graphic arts 32,3x44,5 Landscape Dredger. From the Series ""St. Petersburg in 1921""

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