Lithographs by Henri Fantin-Latour

Artistic lithographs depicting romantic and mythical themes, showcasing figures in various emotional states, rich textures, and dramatic lighting.

Le mage Balthazar et Fatime , Authors, Fictitious characters, Grandmougin, Charles Jean, 1850-1930. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Mary Magdalene in Meditation (Madeleine en meditation). Dated: 1858. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

James Tissot, Une matinée de printemps, 1875, etching and drypoint on paper.

The Monster in the Cave (Le monstre dans la caverne). Dimensions: 44.5 cm x 56.8 cm, 19.8 cm x 26 cm. Museum: Van Gogh Museum, Amsterdam. Author: KER-XAVIER ROUSSEL.

George Romney, 1734-1802, British, The Indian Woman, undated. Graphite and gray wash on medium, slightly textured, cream wove paper.

Bathers in Narrow Cove II , Sitting, Wading, Bays Bodies of water. Charles H. Woodbury (1864-1940). Prints

Artist: Ferdinand Bol, Dutch, 1616-1680, Sacrifice ofGideon, mid 17thcentury, Etching, 20.9 × 16.8 cm (8 1/4 × 6 5/8in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

William Blake, 1757-1827, British, Pl. 6: The Pit of Disease '...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71., 1827. Line engraving on medium, slightly textured, cream wove India proof paper.

Plate 62 from 'The Disasters of War' (Los Desastres de la Guerra): 'The beds of death.' (Las camas de la muerte.) 1811-12 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 62 from 'The Disasters of War' (Los Desastres de la Guerra): 'The beds of death.' (Las camas de la muerte.) 381383 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 62 from 'The Disasters of War' (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte.), 181112 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 6 7/8 8 9/16 in. (17.4 21.8 cm) Sheet: 9 15/16 13 1/2 in. (25.2 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(62))

Iphigenia. Artist: Karl August Kräutle (German, Schramberg 1833-1912 Stuttgart); After Anselm Feuerbach (German, Speyer 1829-1880 Venice). Dimensions: Image: 9 5/16 × 6 1/8 in. (23.7 × 15.5 cm)Sheet: 12 1/4 × 8 5/16 in. (31.1 × 21.1 cm). Date: 1872.This print was made to mark the acquisition of a painting by Feuerbach by the Staatsgalerie in Stuttgart in 1872. Greek legend records how the goddess Artemis saved the princess Iphigenia from sacrificial death at the hands of her father Agamemnon, then transported her to the island of Taurus to become a priestess. The leading German neoclassical painter imagined Iphigenia's sadness and isolation, and posed his model Lucia Brunacci to echo an ancient statue, "searching for the land of the Greeks with her very soul.". Museum: Metropolitan Museum of Art, New York, USA. Author: Karl August Kräutle. After Anselm Feuerbach.

Saint Anthony: "Beneath her long hair, which covered her face, I thought I recognized Ammonaria", plate 1 of 6. Odilon Redon; French, 1840-1916. Date: 1889. Dimensions: 288 × 231 mm (image/chine); 449 × 345 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A Victor Hugo , Authors, Fictitious characters, Crying, Hugo, Victor, 1802-1885. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Etching and pinion by Rembrandt van Rijn titled 'The Draftsman According to the Model,' created around 1639, depicting an artist copying a model.

Scene with Classical Figures 1805-40 William Pitts British. Scene with Classical Figures 364444

Inspiration (1re planche) , Musicians, Harps. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Great Bather, 1895. Anders Zorn (Swedish, 1860-1920). Etching and drypoint;

Reclining, Sleeping Monkey, print maker: Heinrich M. Krabbé, 1878 - 1887, paper, etching, h 100 mm - w 150 mm

Alphonse Legros (French, 1837 - 1911). Death and the Woodcutter (La Mort et le Bûcheron), Second Plate, ca. 1876. Etching on thin wove paper. Plate: 321 mm x 241 mm (12.64 in. x 9.49 in.). Seventh of eleven states.

Photo production of (presumably) a print, representing a woman's figure with loose hair in a long robe. Part of photo album with recordings of excavations in Pompeï by Giorgio Sommer.

Man sitting in an interior by the window, Edvard Munch, 1895 print The man in the print is probably the Danish poet Emanuel Goldstein. paper etching / drypoint moonlight. sitting figure. head-gear: top hat

The Daffodil song. Shepherd andfool. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Artist Drawing from the Model, Rembrandt van Rijn, c. 1639 print paper etching / drypoint artist (in general) working from live model

Francisco de Goya y Lucientes, Nor do these, 1810-1820, etching and aquatint.

Love (Caritas), Arnoud Schaepkens, 1843 print paper etching / drypoint Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Medusa. Kowalski, Leon (1870-1937), graphic artist

L'arbre de salut , Bowing, Trees, Alphonse Legros (1837-1911)

Début de la Valküre , Fictitious characters, Heroes, Wagner, Richard, 1813-1883. Ring des Nibelungen. Walküre. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Canto III, Verse 201, 1803, William Hayley's 'The Triumphs of Temper' facing p.60, etching and engraving on wove paper, design size: 10.4 x 7.9 cm (4 1/8 x 3 1/8 in.), Keynes 1921, no. 125, William Blake (artist) British, 1757 - 1827, Mary Ann Flaxman (artist after) British, 1768 - 1833, William Blake (artist) British, 1757 - 1827, Mary Ann Flaxman (artist after) British, 1768 - 1833, Cadell & Davies (publisher)

View in a cave, print maker: Theodoor Schaepkens, (mentioned on object), 1825 - 1883, paper, etching, h 141 mm × w 101 mm

Venus Clipping Cupid's Wings, second plate. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1869-1870. Dimensions: 238 × 160 mm (plate); 390 × 280 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ker-Xavier Roussel, Centaur Swimming, lithograph on wove paper.

The Stable, 1848. Charles-Émile Jacque (French, 1813-1894). Etching;

Magdalen in the Desert 1795-1805 Germany. The handwriting on this sheet, possibly that of a print dealer, identifies it as a mezzotint by Johann Joseph Freidhoff after a painting by Correggio. However, the composition matches no known works by the Italian painter. Indeed, the dealer seems to have conflated this with another Magdalen by Freidhoff after Correggio that was catalogued without a reproduction in the 19th century. Although this print is stylistically close to Freidhoffís signed works, it remains unclear whether the attribution is correct. The blank space at the bottom of the sheet suggests that the mezzotint is a proof printed before lettering and perhaps never published.. Mezzotint on ivory laid paper . Johann Joseph Freidhoff

Jessurun de Mesquita taught for years in drawing to nature, especially to animals, plants and shells. Normally these topics served as a starting point for a schematic embodiment with an ornamental character. However, he shows us a naturalistic, but shielded shelled shielded. The semicircle and the black lanes in the background do set flat. They propose a part of a stovepipe and the frame of a fireplace.

Shallow water , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints

Le bon Samaritain , Horses, Biblical events, Good Samaritan Parable, Alphonse Legros (1837-1911)

Plate10 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nor do these either.' (Tampoco.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate10 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nor do these either.' (Tampoco.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1810 (published 1863). Etching, burin. Prints

Victor Hugo (1802-1885). "Masked woman holding her coat". Plume and brown ink wash on graphite pencil, woven paper. Paris, house of Victor Hugo. 33951-1 Graphite pencil, drawing, mask woman, brown ink wash, mask, retain coat, nude, feather

Howard Visiting a Prison, George Romney, 1734-1802, British, between 1790 and 1794, Black and gray wash with black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 12 1/2 x 20 1/8 inches (31.8 x 51.1 cm), cloth, correctional institution, figure study, genre subject, men, nudes, prison, prisoners, woman

Shallow water , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints

Venus and Cupid, Giuseppe Cesari, 1600 - 1699, draughtsman: Giuseppe Cesari, draughtsman: Giovanni Baglione, draughtsman: anonymous, 1600 - 1699, paper, d 195 mm

Ferdinand-Victor-Eugène Delacroix, Study of a Woman Seen from the Back, 1833, etching on laid paper.

Sunshine and shadow , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints

Maria with child to chest is in front of the foot of Boom, Jacopo De'barbari, 1498 - 1503 print Italy paper engraving Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations

Maid with burning candle, Pierre Louis Dubourcq, 1839 print Netherlands paper. etching / drypoint maid ~ house personnel. chandelier, candelabrum (+ kindling a light; lit, burning light, lamp, candle)

Frontispice. Le génie de la musique , Composers, Berlioz, Hector, 1803-1869, Wagner, Richard, 1813-1883, Brahms, Johannes, 1833-1897, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Jean-Louis Forain, Christ Stripped of His Clothes, French, 1852 - 1931, 1909, drypoint and etching

Forellenweiher (Troutpond). Artist: Franz Ritter von Stuck, German, 1863-1928

Sandhamn , Nudes, Bathing

Prints of the Brain and the Heart, Jan l'Admiral (attributed to), 1700 - 1750 print paper etching heart. other anatomical details

Odilon Redon, The Haunting (Hantise), 1893 The Haunting (Hantise)

Disparate ridiculo (Ridiculous Folly), pl. 3 from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

Girl in pool , Wading. Charles H. Woodbury (1864-1940). Prints

Fourteen different heads of men, women, animals and mascarons, Bartholomeus Breenbergh, 1638.

Homage to Goya: A Madman in a Dismal Landscape, 1885. Odilon Redon (French, 1840-1916), printed by Lemercier & Cie.. Lithograph on China paper laid on wove paper; image: 22.6 x 19.5 cm (8 7/8 x 7 11/16 in.).

The Turkish bath; The Turkish Bath, With One Figure. Female figure, seen on the back, two cloths around her dragged.

Sunshine and shadow , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints

Dancer Resting with a Fan 1890-1895 France. Charcoal with stumping, on tan wove tracing paper, laid down on cream wood-pulp laminate board . Hilaire Germain Edgar Degas

Bather II , Seas, Wading. Charles H. Woodbury (1864-1940). Prints

Shallow water , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints

Kneeld Naked Woman, Théodore Roussel, 1890 - 1897 print paper etching kneeling figure - AA - female human figure. adult woman

Photograph of painting: Eugeniusz Zak (1884-1926), Lato Pasterka Summer Shepherd, 1911. Druet, Eugene (1867-1916), photographer

Illustration to the national epic Kalevala, Kochergin, Nikolai Mikhaylovich (1897-1974)

Weather-Vane, plate two from Day and Dream. Max Beckmann; German, 1884-1950. Date: 1946. Dimensions: 400 x 300 mm. Lithograph on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Perversity / perversity Redon, Odilon (1840 1916), Vollard, Ambroise (1866 1939)

Hero und Leander. Josef Albert (German, 1825 - 1886)

They Don't Like it, plate nine from The Disasters of War 1810-1815 Spain. Etching, burnished aquatint, and drypoint on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Peasants in a Field of Beans (Paysannes dans un champ de haricots). Dated: 1891. Medium: etching and aquatint (zinc). Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

A. J. Brahms , Composers, Fictitious characters, Tombs & sepulchral monuments, Crying, Brahms, Johannes, 1833-1897. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Katie , Wading. Charles H. Woodbury (1864-1940). Prints

La Rieuse: Madame Albert Besnard. Dated: 1897. Dimensions: image: 42.5 x 34.5 cm (16 3/4 x 13 9/16 in.) (irregular) sheet: 63.8 x 47.2 cm (25 1/8 x 18 9/16 in.). Medium: color lithograph, printed in two shades of brown and gold on wove paper. Museum: National Gallery of Art, Washington DC. Author: Edmond Aman-Jean.

Déclaration (première planche) , Dogs, Marriage proposals. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Brunnhilde. Odilon Redon; French, 1840-1916. Date: 1886. Dimensions: 118 × 99 mm (image); 247 × 158 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rinaldo (3e planche) , Knights, Supernatural beings, Renaud de Montauban Legendary character, Brahms, Johannes, 1833-1897. Rinaldo. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Clement Rollins Grant, Untitled (Lady by a Riverbank), 1890 Untitled (Lady by a Riverbank)

Sultry Afternoon, 1919. Arthur William Heintzelman (American, 1891-1965). Etching;

Le convalescent , Sick persons, Alphonse Legros (1837-1911)

Fryderyk Chopin on his deathbed. Podczaszyński, Bolesław Paweł (1822-1876), graphic artist, Kwiatkowski, Teofil (1809-1891), draughtsman, cartoonist, Bank Polski (Warszawa ; zakład litograficzny ; 1829-1862), workshop

Young Woman on the Beach. Edvard Munch; Norwegian, 1863-1944. Date: 1896. Dimensions: 287 x 218 mm (image/plate); 445 x 310 mm (sheet). Burnished aquatint and drypoint in purple, blue, grey and yellow, inked à la poupée, on cream laid Arches paper. Origin: Norway. Museum: The Chicago Art Institute, USA.

Trinculo and Caliban, illustration for Act II, Scene ii, TheTempest. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Sleeping Model or The Sleeper. Theodore Roussel; French, worked in England, 1847-1926. Date: 1890-1897. Dimensions: 125 × 169 mm (image); 130 × 178 mm (sheet, plate mark not visible). Color etching, drypoint, and aquatint, with plate tone, on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Wszyscy Święci w MNK Pannemaker, Adolphe François (1822 1900), Doré, Paul Gustave (1832 1883), Glücksberg, Michał (1838 1907)

Photo production of Fresco with angels by Melozzo da Forli, Rome, Anonymous, After Melozzo da Forlì, 1890 - 1920 photograph This photo is part of an album. Vatican city chart Painting by: Sint-Pietersbasiliek baryta paper gelatin silver print picture, painting. angels St. Peter's basilica. Vatican CITY

El Greco: Láska nebeská a pozemská. Detail.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

DHMHTHP (Demeter). Dated: 1884-1927. Dimensions: plate: 37.8 × 51 cm (14 7/8 × 20 1/16 in.) sheet: 52 × 69.2 cm (20 1/2 × 27 1/4 in.). Medium: lithograph in black on cream Japanese paper. Museum: National Gallery of Art, Washington DC. Author: OSMAR SCHINDLER.

May 1871 1894 France. Lithograph in black on cream wove paper . Théophile-Alexandre Pierre Steinlen

Serbian Exodus, plate twenty-one from Actualités 1915 France. Lithograph in black over fawn tint on thick off-white wove paper . Théophile-Alexandre Pierre Steinlen

The Haunted House: Below, I Saw the Vaporous Contours of a Human Form, 1896. Odilon Redon (French, 1840-1916), printed by Auguste Clot (French, 1858-1936). Lithograph on China paper laid on wove paper; image: 25.3 x 18.1 cm (9 15/16 x 7 1/8 in.); sheet: 44.9 x 31.2 cm (17 11/16 x 12 5/16 in.).

Bather II , Seas, Wading. Charles H. Woodbury (1864-1940). Prints

Bather II , Seas, Wading. Charles H. Woodbury (1864-1940). Prints

There is Something Beneath the Sackcloth, i.e you can't judge a man by his clothes, plate eight from Los Proverbios Made 1815-1824 Spain. Etching and burnished aquatint on ivory wove paper . Francisco José de Goya y Lucientes

Pencil and ink study by Franz von Bayros for Dante's Divine Comedy, focusing on Inferno II/41, circa 1920.

Cover from The Temptation of Saint Anthony (1st series) Made 1888 France. Lithograph in black on white wove paper . Odilon Redon

The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie. Honoré Victorin Daumier; French, 1808-1879. Date: 1840. Dimensions: 226 × 181 mm (image); 328 × 244 mm (sheet). Lithograph in black on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

GENIUS AND INSPIRATION-1905- MURAL PAINTING - AFTER RESTORATION. Author: JULIO ROMERO DE TORRES. Location: CIRCULO DE LA AMISTAD. CORDOBA. SPAIN.

Bathers. Artist: George Overbury "Pop" Hart (American, Cairo, Illinois 1868-1933 New York). Dimensions: Image: 9 1/8 × 6 5/8 in. (23.2 × 16.8 cm)Sheet: 12 1/8 × 10 1/16 in. (30.8 × 25.6 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Tandefelt, Heikki, work name: Kalalokki, etching, graphics, plate width 10.2 cm, plate height 13 cm, leaf width 40.5 cm, leaf height 40.8 cm

Clochards. (Dummy title)

Two bathers , Nudes, Wading, Bodies of water

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