Lithographs of Everyday Life

A collection of whimsical lithographs portraying scenes of daily life, humor, and social commentary from the 19th century, featuring clothing and activities of the time.

Valentin in opulence ... / 44 (registered title) | Political and military civilian life of Valentine's Day. 1st part. (Title of the whole)

Maroquinades. / 7. / Dumanet in the embarrassment. (IFF 22) (registered title)

Matis, ....

Eh! b'en Landerneau ça ne vas (sic) donc pas mieux - Mon brave mosieu Co...o...lignon...je suis...encore bien faible ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Bathers Presner, Numa, Cattier (Druk) Goupil Vibert, E. Gambart & Co. (Londyn)

Series Wiener Costume Wiener Kostümen, A lantern lighter, Un Allumeur de Lanterne, Artaria , Co, Verlag, Publishing House, Ludwig Maillard -, Artist, Carl Sturm -, Copper Engraver

God I loved it's there !! / N � 7 (Title of the whole) | Sixth lithographic album 1826 (IFF 40)

Political caricatures, n ° 30. / All weighed ... the Carlisses will bring us the intestinal divisions ... (title registered (letter))

Nature is happening from art. / No. 2 bis (letter registered (letter)) | Compensation (title of all)

Two Philosophers Plant Trees, Daniel Nikolaus Chodowiecki, 1772 print Met Het Motto: 'God gives the acroement'. Berlin paper etching transplanting, setting out plants. scholar, philosopher

Types and studies; Zajkowski, Andrzej (1851-1914), Gierymski, Aleksander (1850-1901); 1890 (1890-00-00-1890-00-00);Tygodnik Ilustrowany (Warsaw - magazine - 1859-1939) - illustration, Witke -Jeżewski, Dominik (1862-1944) - collection, gift (provenance), studies (sketches), genre types, nun, Jews

Barriere Guinguette Jacques Ignace G�rard Grandville (1803-1847). Barrier guinguette. Feather, brown ink.

'Fait la commission' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The incredible return and the wonderful precaution. (IT)

Die Moritat (The Murderer's Deed), Frau Sattler, Block-printed on handmade paper, A man in a white smock shows the story of a murder to a woman and a little girl. He points to a sheet of four pictures which is suspended from the top of a pole which stands on the ground. Persons are dressed in clothes of the 1840s and are situated in a park or garden with balustrades at back; printed in black, white and shades of green on pale green ground., Germany, ca. 1840, Wallcoverings, Overdoor, Overdoor

Mefistofile II, George Augustus Sala, 1828-1895, British, 1880, Graphite and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 11/16 × 9 1/2 inches (19.5 × 24.1 cm), corsets, costume, figure study, literary theme, women

Concerto Spirituale ca. 1803 () After Henry William Bunbury This early 19th century print reissues an image first published in 1773, a decade when concerts of religious music were performed regularly at the Theatre Royal, Covent Garden. The viol da gamba player likely represents Carl Friedrich Abel, or possibly Johann Christian Bach. The oboe player has been identified as Johann Christian Fisher, and the French horn player as Giovanni Punto (born Jan Stich). These men came to London from the Continent hoping to take advantage of the patronage of George III-the British king was also prince-elector of Hanover, married Charlotte of Mecklenburg-Strelitz, and enjoyed German music.. Concerto Spirituale. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). ca. 1803 (). Etching. Probably represents Carl Friedrich Abel (German, Cöthen 1723-1787 London). Prints

Anonymous (Copy after Goya y Lucientes, Francisco de) / 'Those specks of dusts'. Mid-XIXcentury. Wash, Pencil, Pencil, Indian ink, Grey ink on laid paper. Museum: Museo del Prado, Madrid, España.

Paysan des environs de Cracouie; Costume des environs de Cracouie, Print made by Gabriel Charton, active 1810, after unknown artist, ca. 1810, Lithograph on moderately thick, slightly textured, beige wove paper, Sheet: 10 1/4 x 15 1/4 inches (26 x 38.8 cm), Image: 5 11/16 x 3 15/16 inches (14.5 x 10 cm), and Image: 5 11/16 x 3 15/16 inches (14.5 x 10 cm), belt, boots, cane, cap, farmer, fences, field, figure study, gaze, genre subject, gesturing, illustration, men, moustache, peasants, posing, sandals, scythe, tools, tunic

Ruse et confiance ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Eh! b'en Landerneau ça ne vas (sic) donc pas mieux - Mon brave mosieu Co...o...lignon...je suis...encore bien faible ,. Paul Gavarni (1804-1866). Lithographs and Other Works

A fleet of dubious reputation, From the series Remembrance = Images , Aus , Vienna October days , by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, Printer, Witzendorf, publisher

Cartoon on ministers of the cabinet, 1868, 1867 print Cartoon on the ministers of Zuylen, Schimmelpenninck and Heemskerk as Commedia dell'arte figures after the dissolution of the House of Representatives. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 9, 29 February 1868. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper Types in 'Commedia dell'Arte'

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

...Après ça, ç'ui qui n'adop'ra pas mes manières de sentir, j'y couperai - la figure et j'y mangerai le nez! - De quoi! Des crudités... ça le ferait mal ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Artist Unknown, Our Popular Summer ResortsAttractions of the Season at Old Orchard Beach, Maine, 1881, wood engraving on paper.

Reading the death sentence , from: Jan Matejko's album with an explanatory text by Kazimierz Władysław Wójcicki (part three) (card 36) Lewental, Salomon (Franciszek Salezy) (1841 1902), Styfi, Jan (1841 1921), Matejko, Jan (1838 1893)

Ruse et confiance ,. Paul Gavarni (1804-1866). Lithographs and Other Works

A Travelling Knife-grinder at a Cottage Door 1787 Thomas Rowlandson British. A Travelling Knife-grinder at a Cottage Door 407356

In the third of the Corician yurt on Kamchatka; Unknown, Niemirów, Leopold (1810-1883), Draeger, F. (Moscow; Litographic insole; Ca 1850-1860); 1856 (1856-00-00-1856-00-00);

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Diversi Capricci. An old Pole in a short dress. Twentieth issue of a suite of 24 pieces. (A. de Vesme 147; dutuit 139) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

- Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals - No, Sir... and the proof is that, if you want, I am going to make you eat an excellent fricassee of game in a white wine sauce - A fricassee of game ....oh, then it's different.... we are with the Chatophages (note cat-eaters),” plate 2 from Les Canotiers Parisiens 1843 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Abîmer un homme de coups! à quoi ça sert...Jamais j'ai touché le mien ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Print (France)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), tapestries. A poor devil (registered title (letter)). Colored lithography, woven paper. Balzac house.

Jean-Jean Au Serail of Algiers. (IT)

The king of pumpkins receiving the homage of his subjects, from 'Autumn sketches,' published in Le Charivari, September 23, 1865 September 23, 1865 Honoré Daumier. The king of pumpkins receiving the homage of his subjects, from 'Autumn sketches,' published in Le Charivari, September 23, 1865. 'Autumn sketches' (Croquis d'automne). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 23, 1865. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

N ° 9 / It's pretty climate voting, thank you! ... (IT)

Robert Isaac Cruikshank, 1789-1856, British, The Angler's Going Out. The Pleasures of Angling, 1830. Hand-colored etching.

In your turn my old !! ... (IT)

Princess Poniatowska receives message of her husbands death. unknown, graphic artist, Cereghetti (Paryż ; wydawca ; 17..-18..), publisher

Royal Paume Game (IT)

"So there was no noise in Paris" ca. 1830 J. J. Grandville. "So there was no noise in Paris". ca. 1830. Lithograph. Prints

Photo production of a scene from Goethe's Herman and Dorothea, Anonymous, After Wilhelm von Kaulbach, c. 1880 - c. 1885 photograph Part of a cover with 21 plates. photographic support albumen print painting, drawing and the graphic arts. literary characters and objects. adult man

De Kleine Mens Vincentz Zipperling in a fur coat, ca. 1710, 1705 - 1715 The little man Vincentz Zipperling in a fur coat. In the caption under the title a four -line verse in German. Numbered at the top right: 3. Part of a loose -leaf edition from around 1710 of a series of caricatures of small people, known as the dwarf tone. Augsburg paper etching / engraving The little man Vincentz Zipperling in a fur coat. In the caption under the title a four -line verse in German. Numbered at the top right: 3. Part of a loose -leaf edition from around 1710 of a series of caricatures of small people, known as the dwarf tone. Augsburg paper etching / engraving

This is how we take revenge on the traitors (July 1789) This is how you revenge trees (July 1789). Aquatint.

Image from the diary of Carl Johan Gethe, a cartographer on board the Gotha Leyon, which left Sweden on a three year trading expedition in 1746. Gethe's diary or Dagbok is titled: Dagbok hallen pa resan till Ost Indien begynt den 18 octobr: 1746 och slutad den 20 juni 1749 or 'Diary of a journey to East India begun on 18 October 1746 and ending June 20, 1749'. The Swedish East India Company (Swedish: Svenska Ostindiska Companiet or SOIC) was founded in Gothenburg, Sweden, in 1731 for the purpose of conducting trade with the Far East, and grew to become the largest trading company in Sweden during the 18th century. It closed in 1813.

Figures by a river bed with trees, Jean Alexis Achard, 1851 print France paper. etching trees. dry river, river bed

Album Lithographique 1830-1837. Artist: Auguste Raffet (French, Paris 1804-1860 Gênes). Dimensions: Overall: 11 x 16 1/8 x 1 11/16 in. (28 x 41 x 4.3 cm). Publisher: Gihaut Frères (Paris). Date: 1830-1837. Museum: Metropolitan Museum of Art, New York, USA.

The dwarf Crispin Skarnitz, ca. 1710; Of the Ehrnveste you. Hochweiße Herr Crispin, Skarnitz Erbherr Auff Pfeffermühl, Ritter vom Braitten Huth; Il Callotto Resurcitato Oder Neu Eingerichtes Zwerchen Cabinet. Dwarf Crispin Skarnitz with a wide hat. In the caption under the title a six-line verse in German. Numbered at the top right: 26. Part of a loose-leaf edition from approx. 1710 of a series of caricatures with dwarfs, known as the dworten tone.

Lithograph by Honoré Daumier from 1840 depicting 'So Say, Dad Drouillet, With This Scale', showing expressive figures in a narrative composition.

Honoré Daumier, Les vendanges a Argenteuil, 19th century Les vendanges a Argenteuil

Voilà une jolie liberté et un beau pays! où un homme n'est pas seulement libre - de venre son nègre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Le Figaro and the radical. / No. 21.

Por una nabaja.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Dead persons

Que vous ayez l'Irlande, je le veux bien, mais!...vous ne tenez - pas l'Angleterre, et!...après çà qu'est-ce que vous ferez de l'Ecosse - Ah! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

From the strange; New Dutch childrens prints. Leaf with 6 performances of figures from different parts of the world, such as an Arab sentinel, a Spanish Robber and a Mexican water carrier. Under every image a caption. Numbered at the top right: No. 92.

Notre dernier gateau des rois. Honoré Daumier (1808-1879). Lithographs

Bliżej Kultury Kostrzewski, Franciszek (1826 1911), PECQ, Adolf (CA 1820 Post 1874)

Guy, Earl of Warwick, from a basso-relievio in Warwick Lane. Crusader hero killed the Danish champion, the giant Colbrand, for Athelstan of England. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.

The RootbeerSeller. Artist: Nicolino Calyo, Italian, 1799-1884

No. 13. / The Uhlan comes!. (TI)

Au Theatrefrancais…. Artist: Paul Gavarni, French, 1804-1866

Which guignon !! / between two stools the c .. on the ground. (IT)

The king. / The people. (IT)

In the forest. Artist's studio; Z: "Tygodnik Ilustrowany" 1888, No. 312, p. 412; Fa 1888 (1888-00-00-1888-00-00);

James Gwin, 1700-1769, De la Parade du Cavé sur le Coup de Flanconnade, 1763. Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper.

Two inhabitants of Sicily, Jean Pierre Louis Laurent Houel, 1782 - 1787 print Numbered in the top right: pl. CXVI. paper etching historical persons. guide (~ conducted tour). volcano Etna

King Charles VII of France, the Victorious, 1422-1461. He is shown with an angel holding his coat of arms. From a picture in the diary of the Knights of Ehingen in Stuttgart Library. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by C. Regnier, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art historian and illustrator. He was director of the Bavarian National Museum from 1868 until 1886.

Illustration to the idyll of Johann Wolfgang Goethe Herman und Dorothea Herman and Dorota Chodowiecki, Daniel Nikolaus (1726 1801)

Honoré Daumier, Oh! une bête a cornes, 1845 Oh!... une bête a cornes...

The judgment of the capitolds. / N ° 13

Print, On the Road to Lake George; Published by Appleton's Journal of Literature, Science and Art; After Winslow Homer (American, 1836-1910); USA; wood engraving in black ink on paper; Image: 15.6 x 17 cm (6 1/8 x 6 11/16 in.)

Children do a marble game, Martin Sylvestre Baptiste, 1829 print Paris paper (playing at) marbles. children's games and plays

Marie-Anne-Charlotte Corday CI in front of Darmans aged 25 years less three months - Write his last letter to his father

Station of William IV, 1752, plate 32, Jan Punt, 1754

Bookplates. Artist: Heinrich Vogeler, German, 1872-1942

The dwarf Nicolo caccatrippa as a harlequin, ca. 1710; Nicolo Caccatrippa, Famosa Canaia Bergamasca, Ambasciador d'Amori del Sig. Gratian di Blounia; Il Callotto Resurcitato Oder Neu Eingerichtes Zwerchen Cabinet. The Italian dwarf Nicolo caccatrippa as a harlequin with a black mask. In the caption under the title a four-line verse in Italian. Numbered at the top right: 35. Part of a loose-leaf edition from approx. 1710 of a series of caricatures with dwarfs, known as the dworten tone.

Thomas Rowlandson, 1756-1827, British, The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit, 1805. Etching.

The Voice of the Lobster Postcard after John Tenniel. ca. 1907, The Voice of the Lobster Postcard after John Tenniel

Koningin Victoria en Lord Carnarvon geven bevel tot de annexatie van Transvaal, 1877; A Glorious Reign; Annexation of the Transvaal / by an African.From heaven, Queen Victoria and Lord Carnarvon are commissioned to annex Transvaal. The female Personification of Transvaal is cut by John Bull while Shepstone and Barkley are adopting. On the right a lion in a cage. Part of the series of eleven cartrents on the British annexation of Transvaal in 1877.

The Jockey's Prayer!! August 10, 1801 Thomas Rowlandson. The Jockey's Prayer!!. Prayers and Journals. After George Murgatroyd Woodward (British, 1765-1809 London). August 10, 1801. Hand-colored etching. Prints

Inner a cellar of the Faub. St-Germain / During the Days of July 27th, 28th and 29th, 1830. (IT)

Reproduction of a painting: Feliks Cichocki (1861-1921), St. Isidor ; from: "Wędrowiec", 1899. Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

Greenpea seller in front of Newgate Prison, London, 1805. Vegetable seller with barrow of Green Hastens peas. In front of the window to the Keeper's house, Newgate Prison, Ludgate Hill. Handcoloured copperplate engraving by Edward Edwards after an illustration by William Marshall Craig from Description of the Plates Representing the Itinerant Traders of London, Richard Phillips, No. 71 St Pauls Churchyard, London, 1805.

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