Madonna and Child Artwork

Prints depicting Mary with the Christ child in various poses. The images convey tenderness and religious themes, utilizing detailed etching styles typical of the period.

Italy, Carracci, Agostino, Holy Family, recto lower right - handwritten in brown ink, Mary sits with the Christ Child on her lap. Next to her sits Joseph., print, engraving, prints, verso - stamped, Aug. Car. fe., height 225 mm, width 169 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1597 - 1597, paper, papier, engraving (printing process)

Maria Met Kind, Annibale Carracci, After Agostino Carracci, 1570 - 1609 print Mary is in her arms with the Christ child. Italy paper etching Madonna: i.e. Mary with the Christ-child

Maria with the Christenkind, Robert van Audenaerd, after Annibale Carracci, 1685 - 1723 print Mary with the naked Christ child that eats an apple. Next to them John the Baptist. Maria looks at a bird that sits on John the Baptists finger. paper etching 'Queen' 'Queen of Angels', 'Maesta', John the Baptist Present

The Birth of Pyrrhus, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Agostino Carracci, 1557-1602, Italian, 1797, Engraving

Italy, Carracci, Agostino, Holy Family, recto lower right - handwritten in brown ink, Mary sits with the Christ Child on her lap. Next to her sits Joseph., print, engraving, prints, verso - stamped, Aug. Car. fe., height 225 mm, width 169 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1597 - 1597, paper, papier, engraving (printing process)

Madonna with a Rose 1595-1616 Jacques Bellange French. Madonna with a Rose 369053

Heige Familie, Jean Théodore Joseph Line, After Bartholomeus sprung, 1835 print paper engraving Holy Family, and derived representations

Heilige Familie, Francesco Faraone Aquila, After Correggio, 1691 print Maria sits against a tree with the Christ child on her lap. Joseph is working in the background. Under the show a text in Latin. print maker: Romeafter design by: ItalyItaly paper engraving / etching Holy Family, and derived representations

Madonna by the Wall Made 1514 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

The Persian Sibille, The Persian Sibille with a book and two boys, Persian sibyl, sibyls, Michele Greco (mentioned on object), 1534 - 1609, paper, etching, h 285 mm × w 198 mm

A copper engraving and etching by François de Poilly the Elder created between 1640 and 1693 depicting Maria with the Christ child, showing figures and religious composition.

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum3. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Venus nursing three Cupids in a landscape. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Cornelis Galle II (Flemish, Antwerp 1615-1678 Antwerp). Dimensions: Sheet (Trimmed): 12 1/16 × 7 15/16 in. (30.6 × 20.1 cm). Date: ca. 1627-78. Museum: Metropolitan Museum of Art, New York, USA.

Woman characteristic in a window, Johannes de Mare, after Adriaen van der Werff, 1825 - 1827 print A woman in a window with drawing tools for herself, drawing to the Capitoline Venus in front of her in the windowsill. Behind her a man with a sculpted head in his hands. Under the window a relief with putti. paper. pencil engraving / etching artist (in general) (+ artist at work). drawing. sculpture

Print made by Bernard Lens, 1659-1725, British, Lycidas and Phillis, undated. Mezzotint on medium, moderately textured, cream laid paper.

Wiertz, Antoine Joseph, Fierlants, Edmond, Photo reproduction of Happy time by Antoine Wiertz, recto - embossed, photograph, photo, reproduction, page, photos, photographically illustrated books, SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE, 69, RUE KEYENVELD, BRUXELLES, height 114 mm, width 154 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, 1806-02-22 - 1865-06-18

Worship by the Shepherds, Parmigianino, 1524 - 1540 print A group of shepherds and Mary and Joseph around the manger with the Christ child. paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

The Holy Family. Artist: Gaetano Gandolfi (Italian, San Matteo della Decima 1734-1802 Bologna). Dimensions: 9 7/8 x 7 15/16in. (25.1 x 20.2cm). Date: 1734-1802. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin, the Child Jesus and Le Petit Saint John. (A. de Vesme 9; Dutuit 157) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Jacques Bellange's early 17th-century etching depicts the Madonna with a child on a cradle, emphasizing figures, gesture, and religious composition.

Girolamo Carattoni (Engraver) (After Romano, Giulio (Giovanni Francesco Penni)); León Bueno (Drafstman) / 'The Holy Family with the Oak Tree'. 1791 - 1800. Taille douce: etching and engraving on laid paper; 1791 - 1800. Taille douce: etching and engraving on laid paper. Museum: Museo del Prado, Madrid, España.

Vatican City, Urban VIII, Italy, Guercino, Pasqualini, Giovanni Battista, Love (Caritas), verso - stamped, Love (Caritas) as a woman with three small children. In the bottom margin a dedication and a two-line text in Latin., print, prent, prints, height 300 mm, width 219 mm, Italian, 1585 - 1634, print maker, printmaker, 1626 - 1626, paper, papier, engraving, engraving (printing process), Work conception, 1591-02-08 - 1666-12-22, after a design by, 1568 - 1644-07-29, granter of privilege

Virgin Crowned by One Angel, 1520, Albrecht Dürer, German, 1471-1528, 5 7/16 x 3 7/8 in. (13.81 x 9.84 cm) (image), Engraving, Germany, 16th century

Religious half-figure drawing by Pietro Antonio de Pietri showing Maria with the child, executed in chalk and red chalk, cut irregularly at the bottom.

Virgin and Child. Artist: Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: sheet: 3 3/4 x 2 7/16 in. (9.5 x 6.2 cm). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Heilige Family, Raphael Morghen, After Pietro Angeletti, After Peter Paul Rubens, 1768 - 1833 print Maria is sitting on her lap with the sleeping Christ child. She is about to put him in a crib. Behind her is Joseph. Title in the end margin. print maker: Romeafter drawing by: Italy paper engraving / etching Holy Family, and derived representations

Two Cupids, One Holding Torches mid to late 18th century Jacques Gabriel Huquier French. Two Cupids, One Holding Torches 394587

Antwerp, Galle, Theodoor, Vanni, Francesco, Southern Netherlands, Cornelis (I), Mary with Child and St. Bernard of Siena and St. Gerard, verso - stamped, Enthroned Mary with the Child on her lap. St. Bernard of Siena offers her a book with a Calvary with cross and olive branch on it. Behind her stands St. Gerard. Below the representation a Latin verse., print, prints, height 265 mm, width 165 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1612 - 1633, paper, engraving, engraving (printing process), Work conception, Italian, 1563 - 1610-10-26, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

Two compositions: 1) Maria from children and these; 2) this family; Le Febre, Valentin (1642-1680), Titian (CA 1488-1576), Camen, Jacob Van (1595-1657); 1682 (1682-00-00-1682-00-00);

Maria met Christuskind. .

Antwerp, Clouwet, Petrus, Dyck, Anthony van, Pontius, Paulus, Mary with the Christ Child, verso lower left - stamped, Mary looks up to heaven. The Christ Child stands on her lap. In the margin a four-line caption, in two columns, in Latin., print, prent, prints, prenten, height 272 mm, width 220 mm, print maker, prentmaker, 1643 - 1673, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, 1603 - 1658-01-16, after print by, Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, Publication (Event), Publication, 1629-04-09 - 1670-04-29, publisher

In. Maria Magdalena Pokutuśc Gennari, Benedetto II (1633-1715), Gennari, Ercole (1597-1658); 2 after. XVII century (1650-00-00-1700-00-00);Czartoryska née Krasiński, Ludwika Maria (1883-1958) - collection, Działyńska from Czartoryski, Izabela (1830-1899), Gołuchów (Greater Poland Voivodeship), Gołuchów - collection, acts, female acts, album Dessins de Ma 24tres, skulls, kruczyfs, Italian drawings, Vanitas (allegory)

Late 16th-century ink and wash drawing of the Virgin Mary with the Child, attributed to an anonymous artist.

Bordel scene where the man is robbed, Anonymous, 1700 - 1800 drawing paper. chalk the man is robbed (brothel scene)

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Friedrich Siegmund August Nachtigall brown brush painting copying Johann Eleazar Schenau depicting a young woman seated in a chair playing with her child on her lap, observed by her husband and father, late 18th to early 19th century.

Claudio Ridolfi (Attributed to) / 'The Mystic Marriage of Saint Catherine'. XVII century. Green wash, Ink on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Maria and Joseph. Maria writes while Joseph watches her watching, the show is not completed

Madonna and Child on clouds. Artist: Attributed to Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet (Trimmed): 5 1/16 × 3 3/8 in. (12.8 × 8.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Charity and Studies of Entablatures (recto); Frieze of Putti (verso). Paolo Farinati (Italian, 1524 - 1606)

The Holy Family in Egypt, with Joseph as a carpenter in the background at left 1577, republished 1774 Diana Scultori. The Holy Family in Egypt, with Joseph as a carpenter in the background at left. Diana Scultori (Italian, Mantua ca. 1535?-after 1588 Rome). 1577, republished 1774. Engraving. Carlo Losi (Italian, 1757- after 1805). Prints

Italy, Camassei, Andrea, Holy Family with the Young John the Baptist, verso - stamped, Mary sits in a landscape with the Christ Child on her lap. John the Baptist leans against them. In the background on the right Joseph and a donkey., print, prent, prints, prenten, height 166 mm, width 218 mm, 1602 - 1649-08-18, print maker, prentmaker, 1612 - 1649, paper, papier, etching, etchings, Expression creation

Lazio Roma Rome S. Gregorio Magno74. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site comp

Man accompanied by boys, all wearing togas, drawn in red chalk by Cornelis van Poelenburch.

The Holy Family, in an album with prints after Guercinos drawings. Bartolozzi, Francesco (1727-1815), graphic artist, Guercino (1591-1666), draughtsman, cartoonist, Piranesi, Giovanni Battista (1720-1792), publisher, Salomoni, Giovanni Generoso (1714-1779), printer

Madonna and Child seated on clouds and surrounded by angels, copy in reverse after Cantarini. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet (Trimmed): 5 9/16 × 4 1/2 in. (14.1 × 11.5 cm). Date: ca. 1639 or after. Museum: Metropolitan Museum of Art, New York, USA.

Madonna and Child seated on clouds and surrounded by angels, copy in reverse after Cantarini. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet (Trimmed): 5 9/16 × 4 1/2 in. (14.1 × 11.5 cm). Date: ca.1639 or after. Museum: Metropolitan Museum of Art, New York, USA.

Chalk drawing by an anonymous artist depicting Mary with the child and angels on clouds, executed in red and white chalk on blue-tinted paper, 18th century.

Virgin and Child with the Infant John the Baptist. Luca Penni; Italian, 1500/04-1557. Date: 1540-1556. Dimensions: 170 x 134 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, tipped onto ivory laid paper; later additions of brown ink. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Drawing of holy family. Schiavone, Andrea, approximately 1500-1563. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Floating angel with banderole Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, after: Giuseppe Cesari, Northern Netherlands, 1668 - 1671, paper, etching, h 146 mm × w 88 mm

Marches Macerata Castelsantangelo sul Nera S. Stefano1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Martin Schongauer, Virgin and Child with the Apple, c 1470 1475 Virgin and Child with the Apple

The Holy Family. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1503-1513. Dimensions: 198 x 145 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Vier Putti, Martin Elias Rincinc, After François Boucher, 1748 print Four putti hold a cloth. paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Bas-relief of a woman and a putto; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Roman bas-relief of a woman, with a child on the arm, and a putto, who stands for her. In the middle above the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Armida Crowning Rinaldo with Flowers. Angelica Kauffmann (Swiss, 1741-1807). 1771. Kauffmann, Angelica, 1741-1807. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saint Margaret, draughtsman: Carlo Maratti, (attributed to), Guido Reni, (possibly), 1635 - 1713, paper, h 200 mm × w 190 mm

The Madonna della Sedia, Raphael Morghen, 1758 - 1833, Raphael, (Italian, 1483-1520), Engraving on paper, Within a tondo appears Raphael's well-known 'Madonna of the Chair' in the Pitti Palace, Florence., Florence, Italy, Italy, ca. 1800-1820, Print, Print

Abruzzo L'Aquila Pescocostanzo Basilica23. Hutzel, Max 1960-1990 Medieval: Wood statues (2) (9-10, 12th century); stone bust (10th century Post-medieval: Architecture, architectural sculpture, painting, sculpture, objects in the museum German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woman with a child, Salvator Rosa, c. 1656 - c. 1657 print A standing woman with a child in her arms. Italy paper etching / drypoint adolescent, young woman, maiden

A pen drawing by Giovanni Battista Tiepolo showing Maria with the child, worshiped by a saint, in brown and brown-gray lavated tones with pre-sketch in red chalk, circa 1750-1760.

Maria and Joseph, Pieter Fransz de Grebber, 1610 - 1655 print Maria writes while Joseph watches next to her, the show is not complete Netherlands paper drypoint Mary and Joseph

Portrait of Johanna Koerten.

Herodias and Salome with the head of John the Baptist. .

Pancake Bakster, Jan van de Velde (II), 1603 - 1652 print An old woman, in the light of a fire in an interior, bakes pancakes for a number of children. Amsterdam paper engraving pancakes. cooking food. old woman

Madonna and Child, c. 1630. Bartolommeo Coriolano (Italian), after Guido Reni (Italian, 1575-1642). Chiaroscuro woodcut;

Virgin, with Putto Holding a Book, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Engraving in brown ink on white paper, The Virgin seated, facing frontally and turned slightly to the left. The putto is at her left knee, holding the open book up., London, England, ca. 1765-1785, Print, Print

unknown, Vorsterman, Lucas (I), Rubens, Peter Paul, Southern Netherlands, Suzanna and the Elders, print, prints, height 387 mm, width 277 mm, 1595 - 1675, print maker, printmaker, 1620 - 1620, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

"Woodcut by Hans Burgkmair the Elder depicting Mary holding the Christ child within an architectural arch, highlighting figures, gestures, and 16th-century woodcut style."

The Holy Family; Baldassare Peruzzi (Italian, 1481 - 1536); Italy; about 1515; Pen and brown ink, black chalk; top left squared in black chalk for transfer; 23.8 x 19.1 cm (9 3,8 x 7 1,2 in.)

A Mahomedan Mouse Trap February 20, 1800 Thomas Rowlandson A Turkish man embraces a young woman with a large feather in her hair.. A Mahomedan Mouse Trap. Thomas Rowlandson (British, London 1757-1827 London). February 20, 1800. Etching. S. W. Fores (London). Prints

Pietà (after Giovanni Cariani) early to mid-19th century Johann David Passavant German. Pietà (after Giovanni Cariani) 392341

"The Beautiful Virgin of Regensburg" Seated in a Landscape Albrecht Altdorfer German. "The Beautiful Virgin of Regensburg" Seated in a Landscape 430111

José Camarón / 'Death of a Penitent Saint'. XVIII century. Grey-brown wash, Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Rhine, Rembrandt van, Netherlands, Bathsheba, Woman cutting the toenails of her mistress, verso lower left - stamped, An old woman cutting the toenails of a young woman with bare chest sitting in nature., print, prints, height 124 mm, width 95 mm, print maker, printmaker, 1630 - 1700, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Northern Netherlands, 1606-07-15 - 1669-10-08, after, after painting by

Venus dies after bath and amor with arrow and bow in landscape.

Lorenz Froelich (1820-1908), Hyldemon, 1844

Woman with a baby followed by a child, Harmen ter Borch, 1649, Woman with a baby followed by a child holding cherries near the baby., draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 15-May-1649, paper, brush, brush, h 156 mm × w 100 mm

Umbria Terni Terni S. Valentino. Hutzel, Max 1960-1990 Post-medieval: Architecture (early 17th century); marble altar bearing the arms of Leopold of Austria; paintings (17th century); grave monuments of the Sciamanna family German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Reni, Guido, Bologna, Coriolano, Bartolommeo, Virgin and Child, verso - handwritten in brown ink, print, prints, verso - stamped, 15, recto lower right - handwritten in brown ink, 387, height 205 mm, width 154 mm, Italian, 1599 - 1676, print maker, printmaker, 1630 - 1630, second quarter 17th century, paper, colour woodcut, chiaroscuro woodcut, Work conception, 1575-11-04 - 1642-08-18

Heilige Familie, Pierre Daret, After Simon Vouet, 1646 print print maker: Parisafter painting by: FranceFrance paper engraving Holy Family, and derived representations

The Virgin and Child on a Grassy Bench; Unknown maker, Nuremberg School; about 1500; Pen and brown ink; strip at the top added later; 19.2 x 15.6 cm (7 9/16 x 6 1/8 in.)

Madonna with Skull. Medium: engraving on paper tinted with gray wash. Museum: National Gallery of Art, Washington DC. Author: Barthel Beham.

Man with owl in window, Pieter de Jode (II), After Jacques Jordaens, 1628 - 1670 print A man, leaning on the windowsill, holds a stick with an owl on it. With his left hand he points to the owl. Behind him is a woman with her arm around him. In a framework under the window a four -line caption in Dutch and French. Antwerp paper engraving / etching couple of lovers. fool, simpleton, numskull. owls

No. 147, Photo reproduction of engraving after painting Madonna with child by Raphael Galleria Borghese, Rome, No 147 Madonna con Bambino Raffaello Borghese, photograph, photo, photos, height 251 mm, width 196 mm, photographer, 1870 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Charity seated nursing an infant, another sleeping on her lap and a third talking to her, after Reni 1793 After Guido Reni Italian After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.. Charity seated nursing an infant, another sleeping on her lap and a third talking to her, after Reni 667985

A 1460 copper engraving by Cristofano di Michele, known as il Robetta, depicting the Virgin and Child, showing detailed figures, composition, and Christian iconography.

Campania Napoli Naples S. Lorenzo Maggiore084. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Young farmer embraces a farmer's girl, Adriaen Matham, After Hendrick Goltzius, 1620 - 1631 print Two farmers lovers embrace each other, the man squeezes the wife's chest. A fair and keys hang on the woman's belt. Haarlem paper engraving purse, money-bag. farmers. head-gear: cap (+ men's clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). belt, girdle, waistband (+ women's clothes). other clothing accessories (PURSE) (+ women's clothes). other clothing accessories (KEYS) (+ women's clothes)

Parmegiano sic or Properly Francesco Mazzuoli. Unknown

Joram, Ancestor of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

A copper engraving by Marcantonio Raimondi created around 1516-1518 titled 'Caritas', illustrating early 16th-century Renaissance allegorical representation of charity.

Madonna with her son, Murillo - Pitti, Florence. .

Lazio Frosinone Casamari Abbazia di Casamari9. Hutzel, Max 1960-1990 Prints of views, the exterior and its portico, portals and other walls. Interior photos of the church and its vaulting with particular attention paid to the altar. There are also photos of the cloister and the abbey interior, particularly the Sala Capitolare and the Refectory. There are many details of the varied nature of the columns and capitals. There are also some negatives of manuscripts in the library. Object Notes: Hutzel photo campaign date: February 23, 1983. There are more than one set of notes. Also, there is a second set of negatives in 35mm which are listed at the end of the negative numbers. They were noted by Hutzel as general shots and are not the set from which the prints we have were made. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentati

"The Beautiful Virgin of Regensburg" Seated in a Landscape. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 2 1/4 × 1 7/16 in. (5.7 × 3.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Ceres, Mars and Saturn (the four ages), Frans van Mieris (II) (Rejected Attribution), 1699 - 1763 print Ceres, with corners in her hair, stands by a sleeping baby and looks up. Behind her are a man and a boy with laurel wreaths on their heads. Mars on the left with a helmet on the head. On the right Saturn with an hourglass in hand. Leiden paper etching / engraving (story of) Ceres (Demeter). (story of) Mars (Ares). (story of) Saturn (Cronus). infant, baby

Umbria Perugia Bevagna Pinacoteca F. Torti. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Right Honorable Elizabeth, Countess of Northumberland, Print made by Alexander Browne, active 1659-1706, British, after Sir Peter Lely, 1618-1680, Dutch, active in England (from 1643), Published by Alexander Browne, active 1659-1706, British, between 1681 and 1685, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 7/16 x 9 7/8 inches (34.1 x 25.1 cm) and Image: 12 9/16 x 9 3/4 inches (31.9 x 24.8 cm), buckle, costume, countess, curls, dress, gown, nobility, portrait, trees, woman

The pigeon is put in the cage, François Boucher, 1730 - 1740 print A putto with an open bird cage and a pigeon in the left hand. A second putto leans on a cage and holds a litter with two birds. print maker: Francepublisher: Paris paper etching cupids: 'amores', 'amoretti', 'putti'. bird in a cage. catching animals

Antwerp, Huys, Frans, Sibyls, Sibylla Delphica, Delphic Sibyl, The Delphic Sibyl sitting with a jug in her right arm. In the background a curtain and a view of a city. This print is part of an album., print, picture, album sheet, prints, pictures, height 197 mm, width 124 mm, 1522 - 1562, print maker, printmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process)

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