Madonna and Child Artworks

A collection of classic Renaissance paintings depicting the Virgin Mary with the Christ Child, featuring varied styles, rich colors, and emotional expressions.

Madonna del Divino Amore, Raphael (Raffaello Sanzio da Urbino) (1483-1520)

Accademia carrara art gallery: madonna and child, andrea mantegna, 1490, bergamo, Italy

'Rest on the Flight into Egypt' (detail), 1520-1530, Oil on panel, P01613. Author: JOACHIM PATINIR (1480-1524) DISCIPULO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY.

Seated Madonna with child, draughtsman: Niccolò Giolfino (I), draughtsman: anonymous, Verona, 1517 - 1522 and/or 1525 - 1550, ink, pen, brush, brush, h 245 mm × w 185 mm

The Holy Family with Four Saints and a Female Donor. Rimpatta, Antonio; Italian, documented from 1509-died 1531/32. Date: 1505-1515. Dimensions: 125.3 x 120 cm (49 3/8 x 47 1/4 in.). Oil on panel. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Antonio Rimpatta.

Rest on the Flight into Egypt, by Allegri Antonio known as Correggio, 1516 - 1517, 16th Century, oil on canvas. Italy, Tuscany, Florence, Uffizi Gallery. Whole artwork. Rest escape Flight Holy Family G152 Virgin Mary Madonna Joseph St Francis tree wood branches stick staff water-bottle.

The Apotheosis of the Virgin. Dating: 1623 - 1654. Measurements: h 141 cm × w 115 cm; d 8 cm. Museum: Rijksmuseum, Amsterdam. Author: Thomas Willeboirts Bosschaert (attributed to). José Antolínez (rejected attribution).

Barocci, Federigo (1528-1612) National Gallery, London Painting 112,7x92,7 Bible The Madonna of the Cat (La Madonna del Gatto)

Virgin and Child with the Young SaintJohn. Artist: Pseudo Pier Francesco Fiorentino, Italian, active ca. 1450-1500

Raphael, France, Prud'hon, Pierre, Audouin, Madonna and Child with John the Baptist, verso - stamped, print, prints, images, height 415 mm, width 298 mm, French, 1768 - 1822, print maker, printmaker, 1803 - 1803, paper, papier, etching, engraving, engraving (printing process), 1758-04-04 - 1823-02-14, intermediary draughtsman, after a drawing by, 1483-04-07 - 1520-04-07

The Adoration of the Child. Dated: c. 1475/1480. Dimensions: painted surface: 81.5 x 56.3 cm (32 1/16 x 22 3/16 in.) support: 82.5 x 57.3 cm (32 1/2 x 22 9/16 in.) framed: 117.2 x 91.1 x 8.3 cm (46 1/8 x 35 7/8 x 3 1/4 in.). Medium: oil () on panel. Museum: National Gallery of Art, Washington DC. Author: FILIPPINO LIPPI.

Emilia-Romagna Ferrara Argenta S. Domenico3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

The Virgin with the Veil, Raphael, Raffaello S., 1515.

The Holy Family, 1776. Gaetano Gandolfi (Italian, 1734-1802). Oil on canvas; framed: 105.5 x 87 x 6 cm (41 9/16 x 34 1/4 x 2 3/8 in.); unframed: 87 x 68.5 cm (34 1/4 x 26 15/16 in.).

France, Louis XIV (King of France), Paris, Tortebat, François, Vouet, Simon, Mary with Child, verso - stamped, Mary with Child in her arms in a round frame. One-line Latin text in bottom margin., print, prints, height 255 mm, width 210 mm, 1621 - 1690-06-04, print maker, printmaker, 1664 - 1664, paper, papier, etching, etchings, engraving, engraving (printing process), stipple work, French, 1590-01-09 - 1649-06-30, after, after painting by, intermediary draughtsman, after drawing by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Antonio van Dyck / 'The Mystic Betrothal of saint Catherine', 1618-1620, Flemish School, Oil on canvas, 124 cm x 174 cm, P01544. Museum: MUSEO DEL PRADO, MADRID, SPAIN. CATALINA DE ALEJANDRÍA. SAN FRANCISCO DE ASÍS.

Photo production of (presumably) a print to a painting by Rafaël (Madonna d'Alba). Part of album with pictures of sights and landscapes in England and of art.

The Holy Family. Date/Period: Ca. 1495 - 1500. Painting. Oil on canvas. Height: 750 mm (29.52 in); Width: 615 mm (24.21 in). Author: ANDREA MANTEGNA.

Madonna of the Pomegranate, c. 1504. Date/Period: Ca. 1504. Black-gray chalk. Author: Raphael.

L.Signorelli, Thronende Maria u.Heilige - -

Diptych with the Virgin and Child and the Donor Willem van Bibaut. Dating: 1475 - 1480 and/or 1525 - 1530. Place: Brussels. Measurements: h 30.4 cm × w 20.7 cm; h 30.4 cm × w 41.4 cm. Museum: Rijksmuseum, Amsterdam. Author: Master of the Magdalen Legend (attributed to).

Virgin and Child with Angels, c. 1460. Follower of Filippo Lippi (Italian, c. 1406-1469). Tempera and gold on wood panel; framed: 186.7 x 97.8 x 14 cm (73 1/2 x 38 1/2 x 5 1/2 in.); unframed: 95 x 53 cm (37 3/8 x 20 7/8 in.).

The First Lesson, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Stipple engraving in brown ink and white paper, A woman sits before a curtain, facing her child to the right. He stands, supported by her left arm, both holding on to a paper with the beginning of the alphabet on it. Far right, an urn or vase with flowers., England, ca. 1775-1800, Print, Print

A Girl Drawing and a Boy near a Statue of Venus, Pieter van der Werff, 1715

'Relief: Madonna with Child and Angels'. Italy, Florence, 1470s. Dimensions: 70,5x52,0 cm. Museum: State Hermitage, St. Petersburg.

'Saint Anne, the Virgin, Saint Elisabeth, Saint John and the Child Jesus' (detail), 1525-1532, Spanish School, Oil on panel, P02805. Author: FERNANDO YAÑEZ DE ALMEDINA (1480-1536). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

'Saint Veronica', 1470-1475. Creator: Hans Memling.

gift (provenance)

Lazio Rieti Leonessa S. Francesco-Sacristy Museum1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'The Holy Family', 1515-1520, Oil on panel, 91,5 x 68,5 cm. Author: PAOLO SAN LEOCADIO (1445-1520). Location: Museo Municipal. Valencia. SPAIN.

Correggio, Italian (1489-1494-1534), Salvator Mundi, c. 1515, oil on panel

Virgin Mary breastfeeding baby Jesus by Titian, oil on canvas, circa 1570, 1488-1576, Venetian School, England, London, National Gallery, 76,2x63,5

Charity' by Cesare Dandini, 17th century. From the Metropolitan Museum of Art, New York, USA.

Giovanni Pedrini dit Gianpetrino (16th century). "Madeleine in ecstasy". Oil on canvas. Museum of Fine Arts of the City of Paris, Petit Palais. 24318-4 Beatitude, biblical, catholic, hair, chretian chretian, sweetness, Italian school, ecstasy, felicite, feminine, feminite, woman, nudite, fishing, gospel character, praying, prayer, redmption, rebirth, saint, breast, bare breast, oil on canvas, naked, naked

France,Indre-et-Loire,Loches,Loches Castle,The Royal Lodge,Painting of Virgin Mary and Baby Jesus by J.Fouquet

fine arts, Dyck, Anthony van, (1599 - 1641), pupil, painting, ""the virgin with the rose"", Prado, Madrid,

Portrait of Messer Marsilio and His Wife, 1523, by Lorenzo Lotto (1480 ca- 1556), oil on panel, 71x84 cm.

Portrait of the Artist's Wife with the Two Eldest Children (ca. 1528-1529) by Hans Holbein is an important work of the German Renaissance, which is kept in the art museum Basel. It shows Elsbeth Holbein with Philipp and Katherina, painted shortly after Holbein's return from England, authentic reproduction of a work of art, painting, drawing by Hans Holbein the Elder (born 1465 in Augsburg, died 1524 in Basel or Isenheim), German Renaissance painter, historical

Detail from The Madonna and Child 1480. Part of the collection of Upton House.

fine arts, Baldung, Hans, called Grien, (1484 / 1485 - 1545), painting, ""Die Madonna mit den Papageien"" (The Madonna with the parrots), circa 1527 / 1528, 91,5 cm x 63,4 cm, Germanic National Museum, Nuremberg, Germany,

Giovanni Battista Crespi (Il Cerano) / 'The Rest on the Flight into Egypt'. Ca. 1595. Oil on copperplate. Museum: Museo del Prado, Madrid, España.

Luis de Morales, Pietí, 1568, oil on walnut panel

Madonna and Child. Date/Period: 17th century. Painting. Oil on panel Oil. Height: 321 mm (12.63 in); Width: 267 mm (10.51 in). Author: Sir Peter Paul Manner of Rubens.

Urbania (Marche - PU), Palazzo Ducale, work from the church of the Hospital (church of S.mo Crocefisso). Federico Barocci, Madonna of the Snow, oil on canvas

fine arts, Dyck, Anthony van (1599 - 1641), painting, rest during the flight to Egypt, circa 1630, oil on canvas, Alte Pinakothek, Munich,

Lucas Cranach el Viejo (1472-1553)/ Jesús bendice a los niños (1535-40). Óleo sobre tabla, 84x122. Städelsches Kunstinstitut (Frankfurt, Alemania). Museum: STAEDELSCHES KUNSTINSTITUT, FRANKFURT AM MAIN, GERMANY.

The Virgin of the Rocks, circa 1491-1508, by Leonardo da Vinci, National Gallery, London, England, UK, GB, Europe

The Mystic Marriage of St Rose of Lima. Dating: 1666 - 1670. Place: Italy. Measurements: h 40.7 cm × w 32.6 cm × t 2.8 cm; d 8.1 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Lazzaro Baldi (attributed to).

Detail of Venus and Three Graces offering presents to young girl, fresco by Sandro Botticelli, (1483-1485) France, Paris, Musee du Louvre

Alessandro Turchi / 'The Birth of the Virgin', 1631-1635, Italian School, Canvas, 180 cm x 135,5 cm, P03864. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Saint Catherine of Alexandria. Dating: 1500 - 1530. Measurements: h 44.0 cm × w 33.5 cm; d 7.3 cm. Museum: Rijksmuseum, Amsterdam. Author: Francesco Zaganelli di Bosio (attributed to).

GOYA Y LUCIENTES, Francisco de (1746-1828). The Holy Family. 1775. Work done when he was young. Neoclassicism. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Lazio Viterbo Bolsena Palazzo del Drago72. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Catherine of Alexandria, Francesco Zaganelli of Bosio (ACTRUTED TO), 1500 - 1530 painting The Holy Catharina. Semi -figure with a palm branch in the right hand, the left hand resting on the toothed wheel. In the background through windows view of a coastal landscape. panel. oil paint (paint) the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

Charity. Date/Period: Ca. 1630s. Painting. Oil on canvas Oil. Height: 1,419 mm (55.86 in); Width: 1,054 mm (41.49 in). Author: Sir Anthony Studio of van Dyck.

The Rest on the Flight into Egypt Pier Francesco Mola Italian Mola gives the conventional subject of Mary and Joseph fleeing the wrath of King Herod the charm of an idyllic day in the country. This approach was popularized in the preceding century by Titian, whose pastoral landscapes Mola emulates on a small scale suited for hanging in a study or bedroom. The view across a valley towards the Alps recalls one he drew from his home in Como. The picture was painted before Mola moved to Rome in 1647.. The Rest on the Flight into Egypt 437101

Sandro Botticelli: Madonna della Melagana. Scene: Maria with the Jesus and six angels. Galleria degli Uffizi, Florence. .

'Madonna Teaching the Infant Christ Reading'. Italy. Dimensions: 24,5x19 cm. Museum: State Hermitage, St. Petersburg. Author: Carlo Maratti (workshop).

Painting by Paul Delaroche, la Vierge a la vigne, Robert Jefferson Bingham, Goupil Cie, 1858.

Woman and child in a landscape. Taddeo Zuccaro or Zuccari (c1430-1516) Italian painter. Young woman in knee-length sleeveless dress sitting on rock spinning with spindle and distaff . Naked child hands her flowers. Rustic Valley River

Pedro Núñez de Villavicencio / 'The Pieta with Mary Magdalene'. Second half of the XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Girl Peeling an Apple, Cornelis Bisschop, 1667

Archangel Raphael with Tobias, by school d'Agnolo Andrea detto Andrea del Sarto, 17th Century, oil on panel. Italy, Tuscany, Florence, Palazzo Pitti, Palatine Gallery. Whole artwork. Archangel Raphael wings halo: aureole clothes: dress mantle: cloak boy Tobias bundle jacket tailcoat leotard dog small dog blue yellow green red.

Fano (Italia, Marche. prov.incia di Pesaro-Urbino). Chiesa di Santa Maria Nuova, Pietro Vannucci detto Il Perugino, Annunciazione, olio su tavola, 1488-89

The Circumcision. Artist: Workshop of Giovanni Bellini (Italian, Venice, active by 1459-died 1516 Venice). Dimensions: 26 3/4 x 40 1/2 in. (67.9 x 102.9 cm). Date: 1511.The picture was produced in Bellini's workshop and follows a cartoon by the master. In the most distinguished example of the composition, in the National Gallery, London, the figures are shown with slight variations against a dark, neutral background instead of a landscape. The present picture has been attributed to Vincenzo Catena, but the resemblances to his work are superficial. The picture has been badly overcleaned. In consequence, the forms look schematic. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Johanna de Geer-Trip from his daughter Cecyli; Bol, Ferdinand (1616-1680); 1661 (1661-00-00-1661-00-00);State Art collections (Warsaw - 1922-1939) - collections, Stanisław August Poniatowski (Polish King - 1732-1798), Stanisław August Poniatowski (Polish King - 1732-1798) - collections, trip, Cecilia (1660-1728), TRIP, TRIP, TRIP, TRIP, TRIP Cecilia (1660-1728)-iconography, trip, Johanna de Geer (1627-1691), Trip, Johanna de Geer (1627-1691)-iconography, Dutch painting, fashion, landscapes, pendant, portraits, portraits of children, children's portraits, female portraits, women Representative portraits, family portraits, transmission (provenance), costumes, children's costumes, women's costumes, hairdo

Portrait of Grand Duchess Eleonora of Toledo and Her Son Giovanni, by Agnolo Bronzino, circa 1545, Uffizi Gallery, Florence, Tuscany, Italy, Europe

Virgin and Child Surrounded by Angels. Right wing of Melun diptych by Fouquet, Jean (1420_1481) / Royal Museum of Fine Arts, Antwerp / c. 1450 / France / Oil on wood / Bible / 93x85 / Renaissance

Military Parade at Campo di Marte, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel, with gold ground. Italy. Tuscany. Siena. Cathedral. Front, main register. Detail of Virgin's face

Pietro Lorenzetti, also known as Pietro Laurati (1280-1348). Italian painter, active between 1306 and 1345. The Holy Martyr, ca. 1330. Tempera on wood. Height: 45 cm. National Gallery Prague (Sternberg Palace). Czech Republic. Author: Pietro Lorenzetti (1280-1348). Italian painter.

'Mary Meeting Elizabeth'. Germany, Early 17th century. Dimensions: 67,3x47,0 cm. Museum: State Hermitage, St. Petersburg. Author: Izaak van den Blocke ( ).

Bust of the Virgin mid-18th century Probably woven under the direction of Pietro Ferloni This tapestry is not a fragment, but is instead a small, devotional work. The representation of the praying Virgin Mary is based on a painted prototype by Guido Reni perpetuated in many derivative paintings. The tapestry is attributed to weavers working in Rome at the San Michele manufactory, which had been founded in 1710 by Pope Clement XI to complement the wool and dyeing workshops at the orphanage of San Michele a Ripa. It is part of a large group of technically proficient tapestries, many made as diplomatic gifts, modelled after paintings in the Vatican collection. With the exception of a handful of more sophisticated tapestry series (like Gerusalemme Liberata, four pieces of which are also in The Mets collection), these woven copies comprised the main activity of the San Michele weavers, alongside repair and restoration of older northern European tapestries in the papal collection.. Bust of

Madonna of Senigallia with Child and Two Angels - ca. 1470 - 61x53,5 cm - tempera on panel - Italian Renaissance. Author: PIERO DELLA FRANCESCA (1420/92). Location: GALLERIA NAZIONALE DELLE MARCHE. URBINO. ITALIA. CHILD JESUS. VIRGIN MARY. MADONNA DI SENIGALLIA.

Vittore Carpaccio, The Virgin Reading, c 1505 The Virgin Reading

Rafael Estrany i Ros / 'Tenderness', Oil on canvas, 99 x 79 cm. Museum: Ayuntamiento de Mataró.

The Guardian Angel. Date/Period: 1628/1632. Painting. Oil on canvas. Height: 213 cm (83.8 in); Width: 129 cm (50.7 in) (without frame). Author: Bernardo Strozzi.

National art gallery: madonna and child, venetian sculptor, 1450, ferrara, italy

Military Parade at Campo di Marte, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel, with gold ground. Italy. Tuscany. Siena. Cathedral. Front, main register. Detail of Virgin's right hand and the one of the Child

Maria with Sleeping Child in Landscape, Raphael Morghen, After Titian, 1814 print print maker: Italyafter painting by: Italypublisher: LondonLondon paper engraving / etching Madonna: i.e. Mary with the Christ-child. Christ-child sleeping ~ Madonna-representations

Francoise d'Aubigne, Marquise de Maintenon (1635-1719) by Mignard, Pierre (1612-1695) / Musee de l'Histoire de France, Chateau de Versailles / ca 1694 / France / Oil on canvas / Portrait / 129,7x97,5 / Baroque

Tamara de Lempicka, Mother and Child, 1932 ,oil on canvas, MUDO, Beauvais.

Archangel Raphael Unknown. Archangel Raphael, late 17th or early 18th century. Oil on burlap, 32 1/4 x 24 1/8in. (81.9 x 61.3cm). Full-length paintings of archangels based on European prints and medieval Apocryphal sources are recorded in the inventories of Spanish American collectors of various backgrounds. According to the 1797 inventory of the estate of a wealthy Aymara woman, María Angela Cachicatari, the main room of her primary residence in Juli included twenty-five paintings, six of which were of angels.” Images of archangels were displayed high on the walls of elite interiors (see illustration), suggesting that their purpose was more decorative than devotional. This painting on burlap was most likely produced on speculation for a growing art market rather than commissioned. Las pinturas de cuerpo entero de arcángeles basadas en copias europeas y en fuentes medievales apócrifas aparecen registradas en inventarios de coleccionistas de Hispanoamérica. Según el inventario de 1797

Wall mural on a building facade in Muehldorf am Inn, Upper Bavaria, Bavaria, Germany, Europe

Lazio Roma Rome S. Andrea della Valle4. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

'Allegory of Vanity', 17th century, Oil on canvas, 113 x 84 cm, Inv.00610746. Author: ANONYMOUS. Location: DESCALZAS REALES-COLECCION. MADRID. SPAIN. CALDERONA LA. CALDERON MARIA. FELIPE IV AMANTE. AUSTRIA JUAN JOSE MADRE. CALDERON JUANA.

Burgkmair, Hans, The Elder. Saint John Altarpiece. 1518. Central panel. Depiction of Satin John at Patmos. Flemish art. Oil on wood. GERMANY. BAVARIA. Munich. Alte Pinakothek (Old Pinacotheca).

HAARLEM, CORNELIS. PINTOR HOLANDES. 1562-1638. FRAILE TOCANDO A UNA MONJA, LIENZO 1591. FRANS HALSMUSEUM DE HAARLEM. HOLANDA. Author: CORNELIUS HAARLEM.

El Salvador adolescente. Date/Period: Ca. 1490-1495. Painting. Oil on panel. Height: 25 cm (9.8 in); Width: 18 cm (7 in). Author: GIOVANNI ANTONIO BOLTRAFFIO.

'Relief: Madonna and Child with St John the Baptist'. Italy, Florence, 15th - early 16th century. Dimensions: 70,0x46,0 cm. Museum: State Hermitage, St. Petersburg.

CABRERA, Miguel (1695-1768). De Lobo y de India, Albarasado'. 1763. Painting num. 11. Casta paintings. Mexican school. Colonial baroque. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. America's Museum.

Giovanni Francesco Barbieri, called Guercino, Italian (1591-1666), Self-Portrait before a Painting of "Amor Fedele", 1655, oil on canvas

Madrid, 01/19/2016. Presentation of the two works by Fra Angelico, Funeral of San Anonio Abad and The Virgin of the Pomegranate, acquired by the Board of Trustees of the Prado Museum, to the Casa de Alba. In attendance are the Minister of Education, Culture and Sports, Iñigo Méndez de Vigo, the president of the Royal Board of Trustees of the Prado Museum, José Pedro Pérez-Llorca, and the deputy director of Conservation and Research of the same, Miguel Falomir, the Duke of Soria, Carlos Zurita, president of the Friends of the Prado Museum Foundation and patron of the institution, and the director of the Museum, Miguel Zugaza. Photo, Isabel Permuy ARCHDC.

Madrid, 01/19/2016. Presentation of the two works by Fra Angelico, Funeral of San Anonio Abad and The Virgin of the Pomegranate, acquired by the Board of Trustees of the Prado Museum, to the Casa de Alba. In attendance are the Minister of Education, Culture and Sports, Iñigo Méndez de Vigo, the president of the Royal Board of Trustees of the Prado Museum, José Pedro Pérez-Llorca, and the deputy director of Conservation and Research of the same, Miguel Falomir, the Duke of Soria, Carlos Zurita, president of the Friends of the Prado Museum Foundation and patron of the institution, and the director of the Museum, Miguel Zugaza. Photo, Isabel Permuy ARCHDC.

'The Lovers', 1525-1530 (c1940). Artist: Paris Bordone.

'From Indian Man and Mestiza Woman, Coyote Boy' (De Yndio y Mestiza, Coyote), 1775-1800, Oil on canvas, 36 x 48 cm. Author: ANONYMOUS. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

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