Madonna and Child Artworks

A series of Renaissance-style depictions of the Virgin Mary with the child Jesus, showcasing a range of artistic interpretations and styles, rich in color and detail.

Madonna and Child with Two Angels, by Filippo Lippi, circa 1465 , Uffizi Gallery, Florence, Tuscany, Italy, Europe

The Madonna of Casalmaggiore, ca 1522, Antonio Allegri known as Correggio (1489-ca 1534), oil on canvas, 28x24 cm. Copy of the original.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Bellini, Giovanni (1430 1516)

'Madonna and Child'. Italy, Between 1496 and 1499. Dimensions: 65x53 cm. Museum: State Hermitage, St. Petersburg. Author: GIOVANNI BATTISTA CIMA DA CONEGLIANO.

Virgin Mary with Jesus Christ as child by Piero della Francesca, tempera on panel, circa 1467-1471, circa 1415-1492, Italy, Perugia, Galleria Nazionale dell'Umbria

Jan Sanders van Hemessen / 'Virgin and Child', 1543, Flemish School, Oil on panel, 135 cm x 91 cm, P01542. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Madonna with child around 1470, Madonna and Child, painting by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, Record Date Not Stated

Virgin and Child with Saint John the Baptist, Sandro Botticelli, circa 1500, Museum of Fine Arts, Boston, Mass, USA, North America

Madonna and Child by Andrea del Sarto also known as Andrea d'Agnolo (Florence 1486-1530 Florence) ; Oil on wood.

Mary with the child. (Pietro Perugino; attributed; 1450 Citta della Pieve -1523 Fontigano)

Madonna and Child with Two Angels, by Filippo Lippi, circa 1465 , Uffizi Gallery, Florence, Tuscany, Italy, Europe

Madonna with child surrounded by angels by Filippo Fra Lippi, tempera on panel, 1460s, 1406-1469, Florentine School, Italy, Florence, Galleria degli Uffizi, 95x63,5

Madonna with Child, St John and angels, attributed to Agnolo Bronzino (1503-1572). Castle of Eleonora D'Arborea, Sanluri, Sardinia.

after Andrea del Verrocchio, Madonna and Child, c. 1470-1480, tempera on panel

Virgin and Child with Two Angels. Attributed to Francesco Botticini; Italian, active by 1459-1497. Date: 1459-1497. Dimensions: 78.2 x 55.5 cm (30 3/4 x 21 1/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Filippo Mazzola (1460-ca. 1505). Italian painter. Virgin and Child on the throne. Detail of the central panel of a triptych. Tempera on board. Ala Ponzone Civic Museum, Cremona, Italy.

The Virgin and Child, Cranach, Lucas the Elder, 1510.

Workshop by Sandro Botticelli (1445-1510). "Virgin to the child and Saint John the Baptist". Oil on canvas, 15th century. Museum of Fine Arts of the City of Paris, Petit Palais. 26310-5 Workshop, Catholic, Christian Chretian, Child Jesus, future prophet, New Testament, Biblical scene, Virgin, Oil on canvas

LEONARDO DA VINCI (1452-1519). Madonna Benois. 1478. Renaissance art. Cinquecento. Oil on canvas. RUSSIA. SAINT PETERSBURG. Saint Petersburg. State Hermitage Museum.

Virgin and Child with the Young Saint John the Baptist (Virgin and Child with the Young Saint John the Baptist, painting by Sandro Botticelli (1445 - 1510), one of the most important Italian painters and draftsmen of the early Renaissance, historical, digitally restored reproduction from an original.

The Niccolini-Cowper Madonna. Dated: 1508. Dimensions: overall: 80.7 x 57.5 cm (31 3/4 x 22 5/8 in.) framed: 118.4 x 97.2 x 8.6 cm (46 5/8 x 38 1/4 x 3 3/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Raphael.

Madonna and Child with the Infant Saint John the Baptist. Artist: Santi di Tito (Italian, Sansepolcro 1536-1603 Florence). Dimensions: 40 7/8 x 33 3/4 in. (103.8 x 85.7 cm). Date: early 1570s.Santi di Tito's work was exceptional in the latter half of the sixteenth century in Florence for its shift towards naturalism and away from the artificiality of much Mannerist painting. This panel was probably painted in the 1570s, and recalls the work of earlier artists such as Raphael and Andrea del Sarto, but with a new immediacy and painterly quality. The exceptionally fine frame is of the same period. Museum: Metropolitan Museum of Art, New York, USA.

Raphael (1483-1520). Madonna of the Grand Duke. 1504. Renaissance art. Cinquecento. Oil on canvas. ITALY. TUSCANY. Florence. Pitti Palace.

Pitti Palace Museum, Raffaello Sanzio - Raphael, Madonna del Granduca Painting, 1504 Florence, Italy - 29 June 2023: Pitti Palace Museum, Raffaello Sanzio - Raphael, Madonna del Granduca Painting, 1504

Madonna and Child with the Young Saint John, ca 1518, by Antonio Allegri, known as Correggio (1489-ca 1534), oil on wood, 48x37 cm.

Raphael / Madonna with the rose / c.1518

Pietro degli Ingannati (Active ca. 1500-48). The Virgin and Child with Saint Agnes in a Landscape (ca. 1520 - 1525). Oil on panel. 60.5 x 85.5 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

Virgin and Child with Saint Anne, by Leonardo da Vinci, oil on wood, 1508-1510, 1452-1519

The Orleans Madonna, Raphael, Raffaello S., 1507.

Abruzzo Sant' Eusanio Forconese S. Eusanio5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9-14th century) Post-medieval: Architectural sculpture, frescoes, painting, sculpture (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Monterotondo Palazzo del Municipio0. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin and Child with the Young Saint John the Baptist 1510-1520 Italy. Correggio spent most of his brief career in the northern Italian city of Parma. Removed from the great centers of Renaissance art, he was able to create a remarkably innovative body of work. This intimate devotional panel is a product of the artistís youth. Here Correggio revealed his own evolving style while assimilating lessons from other masters. The panelís pyramidal grouping of figures reects the High Renaissance manner of Raphael, while their soft outlines and the Virginís enigmatic smile recall Leonardo da Vinci. The evocative use of the distant landscape demonstrates the young artistís awareness of Northern European precedents. The gentle sensuousness of the figures and the tenderness they show one another through glance are unique to Correggio. The artist used light, shadow, and color to bathe the panel in a gentle glow; skin and fabrics appear to take on a velvety texture. The expressive, idyllic quality

'Madonna and Child, with St John the Baptist and Two Angels'. Italy, Early 1520s. Dimensions: 123x102 cm. Museum: State Hermitage, St. Petersburg. Author: fra Paolino da Pistoia.

The Madonna of the Meadow, c1500, by Giovanni Bellini (c. 1430 - 26 November 1516) an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters

Virgin and Child with Saint John the Baptist, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

The Virgin and Child, circa 1496. Giovanni Battista Cima da Conegliano

Virgin and Child. Artist: Dieric Bouts (Netherlandish, Haarlem, active by 1457-died 1475). Dimensions: 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm). Date: ca. 1455-60.Dieric Bouts has based this small, exquisite image on the ancient Byzantine formula for the affectionate Virgin (<i>glykophilousa</i>)--a type popular in the Netherlands. However, he has dispensed with the gold background and halo of Byzantine practice and has endowed the painting with a human tenderness and simplicity not found in icons. With his subtle and tactile modeling of the flesh, the artist heightened the illusion of living, breathing beings. Focusing on the loving relationship of a mother and her son, his portrayal emphasized human emotions and enhanced the intense inner experience of private devotion. Museum: Metropolitan Museum of Art, New York, USA.

Saint James the Apostle, Durer, Albrecht, 1516.

Basilicata Matera Matera S. Francesco d'Assisi7. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin and Child. Ercole de' Roberti (attributed to); Italian, 1455/56-1496. Date: 1490-1496. Dimensions: 52 × 35 cm (20 1/2 × 13 3/4 in.). Tempera or oil on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.

Florence - Uffizi Gallery: Madonna said of the Cardellino, Raffaello Sanzio. .

Madonna with the Blue Diadem by Raphael (1483-1520)/ Louvre, Paris/ c. 1510/ Italy, Roman School/ Oil on canvas/ Renaissance/ 6844/ Bible

Sandro Botticelli, The Virgin Adoring the Child, 1480 1490 The Virgin Adoring the Child

Painting In Correr Museum In Venice, Italy, Europe

Madonna and Child with the Young Saint John the Baptist. Artist: Cosimo Rosselli (Italian, Florence 1440-1507 Florence). Dimensions: Overall 17 7/8 x 14 1/8 in. (45.4 x 35.9 cm); painted surface 17 1/4 x 13 1/2 in. (43.8 x 34.3 cm). Date: ca. 1490. Museum: Metropolitan Museum of Art, New York, USA.

Mary with the child. 1484. (Domenico Morone; 1442 - 1518 Verona)

National Museum of Ancient Art. Virgin and Child. Luis de Morales. 16th century. Oil on panel..

Madonna of the Yarn winder, 1501. By Leonardo da Vinci (1452-1519), Italian artist and polymath

Motherhood, 1800-1849, by Giuseppe Diotti (1779-1846), oil on canvas, 14x11 cm.

Flight into Egypt, Triptych of the Assumption, oil on canvas, Antonio Campi (active from 1546 to 1587), Church of San Marco, Milan. Italy, 16th century.

Madonna with the Fish by Raphael (1483-1520) / Museo del Prado, Madrid / 1513-1514 / Italy, Roman School / Oil on wood / Bible / 215x158 / Renaissance

Madonna of the Yarn winder, 1501. By Leonardo da Vinci (1452-1519), Italian artist and polymath

Madonna and Child, by 1461. Mino da Fiesole (Italian, c. 1430-1484). Marble with traces of gilding; overall: 93.7 x 80 x 12.7 cm (36 7/8 x 31 1/2 x 5 in.).

The Virgin and Child with Two Angels, Botticelli, Sandro (1445-1510)

Mary and the Child with Singing Angels, Sandro Botticelli, circa 1477, detail, Gemaldegalerie, Berlin, Germany, Europe

Picture To Be 'Fake' Tested - A test will be made this week by art experts to see if a National Gallery picture regarded for 30 years as a 15th century Italian masterpiece is a copy - or a fake.The painting is "Madonna and child with an Angel," (pictured here) listed in the official catalogue as the work of Francesco Francia. An inscription bears the date 1492. But Mr. Leonard Koetser, a London art dealer, claims that a painting he bought at Christie's for £6,300 six months ago is the original, Several other experts back his claim. December 13, 1954. (Photo by Daily Express Picture).

Maria with child. Maria with child on her left arm, half as half, in polychromed and gold-plated stucco in high relief.

Madonna of Humility, The Blessing Christ, Two Angels, and a Donor obverse. Dated: c. 1380/1390. Dimensions: painted surface: 28.4 × 17 cm (11 3/16 × 6 11/16 in.) overall: 30 × 18.6 × 0.8 cm (11 13/16 × 7 5/16 × 5/16 in.) framed: 52.1 x 34.3 x 7.6 cm (20 1/2 x 13 1/2 x 3 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA DI BARTOLO.

'Madonna and Child', late 14th/early 15th century. Artist: Taddeo di Bartolo

Virgin and Child with an Angel. Sandro Botticelli (Alessandro Filipepi); Italian, 1444/45-1510. Date: 1475-1485. Dimensions: 33 3/4 × 23 1/4 in. (85.8 × 59.1 cm). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: SANDRO BOTTICELLI.

Leonardo da Vinci (1452-1519). Italian polymath. Virgin of the Rocks. 1483-1486. Oil on panel. Museum of Louvre. Paris. France.

Virgin and Child. Madonna and Child. Dating: c. 1530 - c. 1540. Place: Bruges. Measurements: support: h 61 cm × w 42.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaen Isenbrant (attributed to).

'The Virgin with a Knight of Montesa' (detail), 1472-1476, Spanish School, Oil on panel, P01335. Author: PAOLO SAN LEOCADIO (1445-1520). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGEN DEL CABALLERO DE MONTESA.

Holy Family with Saint Francis. Giorgio Vasari (Italy, Florence, 1511-1574). Italy, 1542. Paintings. Oil on canvas

Vecellio di Gregorio Tiziano / 'The Virgin and Child with Saints Dorothy and George', ca. 1518, Italian School, Oil on panel, 86 cm x 130 cm, P00434. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Detail of Madonna and Child with Two Angels, by Filippo Lippi, circa 1465, Uffizi Gallery, Florence, Tuscany, Italy, Europe

Study of Madonna Benois by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Sebastiano di Bartolo Mainardi: Madonna with the Child, Old Masters Collection, Croatian Academy of Sciences in Zagreb

Russia, St. Petersburg, The Hermitage (aka Winter Palace). Masterpiece painting of Madonna & Child by Leonardo da Vinci, The Litta Madonna c. 1490-1491 (Editorial Usage Only)

M.Schongauer, Boy Jesus

UK, England, Cambridge, Fitzwilliam Museum, Virgin Adoring Child in Landscape, Francesco Botticini

Virgin and Child with Four Angels and the Redeemer Zanobi Strozzi (Italian, Florentine, 1412-1468). Virgin and Child with Four Angels and the Redeemer, ca. 1450. Tempera and tooled gold on panel, 31 x 20 1/4 in. (78.7 x 51.4 cm). European Art ca. 1450

Sacred Conversation Andrea Mantegna (1431-1506 Italian) Galleria Sabauda, Torino, Italy

Virgin and Child. Desiderio da Settignano (After); Italian, 1428-1464. Date: 1440-1460. Dimensions: 61 × 43.2 cm (24 × 17 in.). Painted stucco. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The Holy Family. Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546)

Raphael's Madonna of the Tower

'Madonna and Child, with Sts Mary Magdalene, Catherine and Two Saints'. Italy, 1490s. Dimensions: 89x129 cm. Museum: State Hermitage, St. Petersburg. Author: ALVISE VIVARINI.

Madonna and Child. Workshop of Neroccio de' Landi Italian, 1447-1500. Date: 1400-1475. Dimensions: 57.8 × 38.1 × 3.8 cm (22 3/4 × 15 × 1 1/2 in.). Tempera and gold on stucco. Origin: Siena. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Rieti Magliano Sabina Cathedral5. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

National Museum of Ancient Art. Salome receiving the head of Saint John the Baptist. 1618 Paul Moreelse. Oil on canvas.

Madonna and Child. Tiziano Vecellio called Titian (c1488/1490-1576) leading painter of the Venetian school in Italian Renaissance. Virgin Mary in blue dress suckles the infant Christ. Mother Child Religion Christian

Lazio Roma Poli S. Stefano0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child Enthroned. Dated: c. 1420. Dimensions: overall: 95.7 x 56.5 cm (37 11/16 x 22 1/4 in.) framed: 108.6 x 64.8 x 8.9 cm (42 3/4 x 25 1/2 x 3 1/2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GENTILE DA FABRIANO.

Jan Thomas / 'La Virgen de las rosas', 17th century, Flemish School, Oil on canvas, 111 cm x 86 cm, P01496. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

FOTOGRAFIA BLANCO Y NEGRO AÑOS 60.

Virgin andChild, ca.1500, Tempera on panel, 46.2 × 35.1 cm (18 3/16 × 13 13/16in.), Italian, Venice(Veneto-Byzantine), 15th-16thcentury, Paintings

Recanati (Italia, Marche - provincia di Macerata), Musei Civici di Villa Colleredo Mels. Lorenzo Lotto, Polittico di San Domanico, 1506-8, olio su tavola. Pannello centrale, Madonna col Bambino e San Domenico in atto di ricevere lo scapolare, e i papi Gregorio e Urbano un angelo e due putti musicanti

Fra Filippo Lippi / Madonna and Child

Charity, by Jean Cousin the Elder (ca 1500-ca 1560).

The Madonna of the Rabbit, 1530. By Titian (1488-1576) Italian painer of Venetian School. Louvre Museum. Paris. France.

The Holy Family with Shepherds. Artist: Jacob Jordaens (Flemish, Antwerp 1593-1678 Antwerp). Dimensions: 42 x 30 in. (106.7 x 76.2 cm). Date: 1616.The date of 1616 on the tall shepherd's hat is the earliest known on any work by Jordaens. He never went to Italy but intensified the Caravaggesque qualities found in works by Rubens and other Antwerp artists such as Abraham Janssens. His handling of light and shadow and closely clustered figure groups convey a sense of intimacy that is distinctive of the young Jordaens. Museum: Metropolitan Museum of Art, New York, USA.

fine arts, Herlin, Friedrich (circa 1430 - circa 1500), painting, Adoration of the Magi, altarpiece, part of the ""Georgsaltar"", Noerdlingen, Swabia, Germany, inner panel, oil on wood, 90 x 67 cm, circa 1462/1464, Noerdlingen municipal museum,

SAN MARCOS - PANEL PINTADO DEL RETABLO DE SAN BENITO - 1526 - MANIERISMO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. SAINT MARK THE EVANGELIST.

Mirror frame ca. 1920, style 1530-50 Italian, Florence. Mirror frame. Italian, Florence. ca. 1920, style 1530-50. Walnut. Frames

Wall painting by Stefano Torelli: Allegorical figures of the virtues of the councillors

Mother with childs by anonymous painter, painting, Russia, St. Petersburg, State Hermitage, 43, 5x34

Große Madonna Cowper, ein Gemälde von Raffael, 1508, digital verbesserte Reproduktion einer Vorlage aus dem 19. Jahrhundert, Historisch, genaues Datum unbekannt

Lazio Roma Velletri Museo Capitolare3. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Workshop of Andrea della Robbia (1435-1525). Italian sculptor. Madonna and Child, early 1500s. Relief. Maiolica. The State Hermitage Museum. Saint Petersburg. Russia.

The Nativity with the Infant Saint John. Dated: c. 1495/1505. Dimensions: overall (diameter): 145.7 cm (57 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: PIERO DI COSIMO.

Abruzzo, L'Aquila, Rosciolo dei Marsi (environs), S. Maria in Va, Italy, 20th century, photo, photography, Europe

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