Madonna and Child Artworks

Depictions of the Madonna and Child in various artistic styles, including Renaissance and Baroque elements, featuring serene expressions and rich colors.

Madonna and Child, 1711, Attributed to Carlo Maratti, Italian, (Roman), 1625 - 1713, 38 1/2 x 29 3/4 in. (97.79 x 75.57 cm) (canvas)50 1/4 x 41 1/4 x 4 in. (127.64 x 104.78 x 10.16 cm) (outer frame), Oil on canvas, Italy, 18th century, Carlo Maratti, a preeminent painter in late 17th-century Rome, was nicknamed Carluccio delle Madonne, or Little Carlo of the Madonnas. He produced an endless variety of works depicting an idealized, comforting vision of the Virgin and Child. This chubby infant Christ, holding an apple, looks piously up toward God while his somber mother and an adolescent angel seem to contemplate his fate. The painting may be a very late work by Marattian old inscription on the back of the canvas dates it to 1711or it may have been done by one of his many Roman followers.

Umbria Perugia Corciano santuario della Madonna del Soccorso5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Pergola S. Giacomo8. Hutzel, Max 1960-1990 Medieval: 12th century architecture; architectural sculpture; wooden crucifix. Post-medieval: Baroque interior (18th century); wooden altar; 15th century polyptych (Marchigian school); fresco; paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin and Child 1589-1593 Italy. Pen and iron gall ink with brush and brown wash, on ivory laid paper, squared in graphite . Circle of Francesco Vanni

Umbria Perugia Gubbio Palazzo dei Consoli2. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

The Virgin Enthroned with the Child (Madonna in trono con il Bambino) by Bartolomeo della Porta known as Fra Bartolomeo, 15th Century, oil on wood

Virgin and Child. Artist: Master of the Female Half-Lengths (Netherlandish, active ca. 1525-50). Culture: Netherlandish. Dimensions: Overall: 4 x 3 1/16 in. (10.2 x 7.8 cm); Painted Surface: 3 1/2 x 2 5/8 in. (8.9 x 6.8 cm). Date: ca. 1525-50. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Oglio, Gaspare dall', Carracci, Annibale, Mary feeding the Child, verso - stamped, Mary breastfeeds the Christ Child., print, prints, height 87 mm, width 66 mm, Italian, 1560-11-03 - 1609-07-15, print maker, printmaker, 1583 - 1587, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher, uitgever

Lazio Roma Rome S. Andrea della Valle8. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Madonna and Child, 1711, Attributed to Carlo Maratti, Italian, (Roman), 1625 - 1713, 38 1/2 x 29 3/4 in. (97.79 x 75.57 cm) (canvas)50 1/4 x 41 1/4 x 4 in. (127.64 x 104.78 x 10.16 cm) (outer frame), Oil on canvas, Italy, 18th century, Carlo Maratti, a preeminent painter in late 17th-century Rome, was nicknamed Carluccio delle Madonne, or Little Carlo of the Madonnas. He produced an endless variety of works depicting an idealized, comforting vision of the Virgin and Child. This chubby infant Christ, holding an apple, looks piously up toward God while his somber mother and an adolescent angel seem to contemplate his fate. The painting may be a very late work by Marattian old inscription on the back of the canvas dates it to 1711or it may have been done by one of his many Roman followers.

Titian (Pieve di Cadore ca. 1485/90 - Venice 1576). The Virgin and Child (ca. 1540). Oil on panel. 37.5 x 31 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

'Madonna and Child'. Italy, 15th century. Dimensions: 89x54 cm. Museum: State Hermitage, St. Petersburg. Author: DOMENICO DI MICHELINO.

Virgin and Child. Dating: 1490 - 1510. Measurements: h 39.3 cm × w 29.4 cm × t 1.2 cm; d 2.4 cm. Museum: Rijksmuseum, Amsterdam. Author: Francesco Napoletano (attributed to).

Clemens VIII, Rudolf II of Habsburg (German Emperor), Vanni, Francesco, Italy, Sadeler, Raphael (I), Mary with the Christ Child and the Crescent Moon, verso lower left - stamped, The Virgin Mary with the Christ Child on her arm. In front of her the crescent moon., print, prent, prints, width 114 mm, height, 132 mm, South Netherlands, 1560, print maker, printmaker, 1598 - 1604, paper, papier, engraving, engraving (printing process), etching, Work conception, Italian, 1563 - 1610-10-26, after a design by, 1552-07-18 - 1612-01-20, granter of privilege, 1536 - 1605

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Picture (France); Made by Gaspard Grégoire (French, 1751-1846); silk; 1962-57-1

Albrecht Dürer, The Virgin Nursing the Child, 1519 The Virgin Nursing the Child

Photo production of a painting by Giovanni Battista Salvi, representing Maria with child. Part of travel album with recordings of artworks, people and sights in Spain.

Italy, Carracci, Annibale, Reni, Guido, Lactasti sacro ubere, Mary feeding the Christ Child, recto lower right - handwritten in brown ink, Mary sits with the Christ Child on her lap and gives him the breast., print, prints, verso - stamped, 26, height 153 mm, width 130 mm, print maker, printmaker, 1570 - 1609, paper, papier, etching, etchings, counterproof, tegendruk, Italian, 1575-11-04 - 1642-08-18, 1560-11-03 - 1609-07-15, Work conception

Tiburtine Sibille, Crispijn van de Passe (I), 1615 print The Tiburtine Sibille has a spear in hand. In front of her stands a young girl who offers her a jug. In the margin a caption in Latin. Print from a series with Sibillen. Utrecht paper engraving sibyls (with NAME)

Lucas van Leyden, The Virgin and Child on the Crescent, 1523 The Virgin and Child on the Crescent

Madonna and Child by Titian, c1510. From the Metropolitan Museum of Art, New York, USA.

Maestro Bartolomé / 'The Nursing Madonna', ca. 1490, Spanish School, Mixed media on panel, 52 cm x 35 cm, P01322. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Virgin and Child c. 1500 Glazed earthenware Andrea Della Robbia; Italian (active Florence); born 1435; died 1525

Virgin and Child; about 1509-10 Oil on panel Andrea del Sarto Italian Florentine; 1486-1530

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile75. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Madonna and Child ca. 1448-60 Workshop of Sano di Pietro (Ansano di Pietro di Mencio) Italian With their faces gently pressed together, the interaction between the Virgin and Christ Child evokes a tender intimacy. This compositional motif appears in numerous works by Sano di Pietro and his workshop (for example, in another painting in the Lehman Collection, 1975.1.51). Sano was a popular and highly prolific Sienese painter and illuminator, whose workshop produced numerous devotional images of the Madonna and Child, frequently shown in bust-length. The close stylistic affinities between works attributed to Sano and the enigmatic Sienese artist known as the Osservanza Master may indicate that they represent a single artistic identity. It is also possible that the paintings attributed to the Osservanza Master are the product of a collaborative workshop to which these artists belonged. It has been suggested that the present panel may have been painted by one of Sanos pupils, the Sienese

Umbria Terni Acquasparta Palazzo Cesi6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italy, Cantarini, Simone, Maria met Kind op wolk, verso - stamped, Maria sits with the Christ child on her lap on a cloud. Lower right two cherubs., print, prent, prints, prenten, height 126 mm, width 83 mm, Italian, 1612-08-21 - 1648-10-15, print maker, prentmaker, 1622 - 1648, paper, papier, etching, etsen

Madonna. tempera. Date: ca. 1500-1550. Museum: Smithsonian American Art Museum.

Netherlands, Gossaert, Jan, Madonna and Child, verso lower left - stamped, Mary seated at the foot of a tree with the Christ Child on her lap., print, prints, height 120 mm, width 87 mm, South Netherlands, North Netherlands, 1478 - 1532, print maker, printmaker, 1522 - 1522, first quarter 16th century, paper, engraving, engraving (printing process)

'Madonna and Child'. Italy, 1420s. Dimensions: 111x59 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni Toscani.

The Madonna and Child with the Infant Saint John the Baptist, 1516-1517, by Andrea del Sarto (1486-1530), oil on wood, 154x101 cm.

Style of Agostino di Duccio, Madonna and Child, 1460s or later, marble

Alonso Cano / 'The Virgin and Child'. Ca. 1662. Black chalk on yellow laid paper. Museum: Museo del Prado, Madrid, España.

'The Madonna of the Tower', 1509-1511, (c1912). Artist: Raphael.

Madonna and Child by Scorel, Jan, van (1495-1562) / Centraal Museum, Utrecht / 1527-1530 / The Netherlands / Oil on wood / Bible / 47,4x32,8

This Clair OBSCUR woodcut by Giuseppe Nicola Vicentino (Rossigliani), created around 1539-1545, depicts the concept of Love using three plates, showing detailed figures and composition.

Marches Ancona Fabriano Pinacoteca Comunale. Hutzel, Max 1960-1990 Medieval: Painted crucifix. Post-medieval: Paintings on panel and canvas, including cassone; sculpture in wood (14th century German). General Notes: Two prints, nos. 29 and 39, are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

unknown, Schut, Cornelis (I), Madonna and child, verso lower left - stamped, The Christ Child sits on the arm of Mary, who holds a rose in her hand., print, prints, height 126 mm, width 101 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, Work conception, after a design by, granter of privilege

Italy, Stefanoni, Pietro, Carracci, Ludovico, Virgin and Child with Angels, verso - stamped, Virgin and Child sitting with the Christ Child in her arms. At the top right a group of putti on a cloud. A putto with a censer floats above., print, prent, prints, prenten, height 162 mm, width 115 mm, 1555 - 1619-11-13, print maker, printmaker, 1595 - 1610, paper, papier, etching, etsen, engraving, engraving (drukprocedé), Publication (Event), Publicatie, Italian, 1589 - 1627, publisher, uitgever

Madonna and Child (c. 1470), Madonna and Child, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

Virgen con el niño. Artista desconocido del siglo XIX. Museo Nacional de Bellas Artes. La Valeta. Malta.

Emilia-Romagna Ferrara Argenta S. Domenico33. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province

England, London, Trafalgar Square, National Gallery, Painting of The Virgin and Child by Dirk Bouts dated 1465

The Madonna and Child with the Infant Saint John the Baptist, a wooded river landscape with an imaginary palace beyond. Michele Tosini, called Michele di Ridolfo del Ghirlandaio (1503-1577). Oil on panel. 116 x 83.8cm.

Umbria Perugia Trevi Palazzo Communale, Pinacoteca0. Hutzel, Max 1960-1990 Views of the 15th century facade of the Palazzo Communale and the Piazza Mazzini. Views of the fine collection of Umbrian painting, sculpture, metal work and Deruta Maiolica in the Pinacoteca. Of special note is a sculptural group which is an excellent example of the great 19th century sculptor Cesare Aureli. The photos also show the encycolpedic collection of Umbrian paintings (14th-16th centuries) highlighted by works of Giovanni Spagna, Giusto di Grand and Pinturricchio. Object Notes: Hutzel shot this campaign in 1984. General Notes: Prints H-35, 37, 46 and 48 were erroneously attributted to Benozzo Gozzoli by Hutzel. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including object

Tobias Pock gray pen drawing from the third quarter of the 17th century depicting Madonna with Child, using white highlights on gray-green paper, showing mother and infant figures.

Carracci, Annibale, Sadeler, Raphael (I), Mary suckling the Christ child, verso center - stamped, The Virgin Mary suckling the Christ child. Around them a wreath of roses., print, prints, width 101 mm, height, 131 mm, Work conception, Southern Netherlands, 1560, after print by, 1570 - 1678, paper, engraving, engraving (printing process), print maker, printmaker, Italian, 1560-11-03 - 1609-07-15

unknown, Schut, Cornelis (I), Madonna and child, The Christ Child sits on Mary's knee; he supports himself against her shoulder., print, prints, height 131 mm, width 100 mm, Southern Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, Work conception, after a design by, granter of privilege

Bas-relief depicting the Mother with Child inside the Church of Sant'Erasmo in Santeramo in Colle.

'Madonna and Child (copy)'. Italy. Dimensions: 81,5x65,3 cm. Museum: State Hermitage, St. Petersburg. Author: Raffaello (Raffaello Santi).

The Virgin and Child with an Apple, Netherlands, circa 1500, Musee du Louvre, Paris, France, Europe France, Europe

Madonna and Child (Willys Madonna), 1480-1490, by Giovanni Bellini (1431-36 - 1516), oil on panel, 75x59 cm.

Print, The Virgin Crowned by an Angel, 1520; Print Maker: Albrecht Dürer (German, 1471-1528); Germany; engraving on paper; 13.8 × 9.9 cm (5 7/16 × 3 7/8 in.); Bequest of George Campbell Cooper; 1896-3-11

The Virgin and Child, Bellini, Giovanni (1430-1516)

TTITIA, Tiziano Vecello, also called (1490-1576). Virgin and Child with Saint George and Saint Katherine. 1505 - 1518. Renaissance art. Cinquecento. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Mary with the child by 1490. (gerard david; 1460 oudewater with gouda 1523 brugge)

Liefde (Caritas), anonymous, after Jacob Matham, after Hendrick Goltzius, 1601 - 1652 print A female figure surrounded by children as personification of love (caritas). Amsterdam paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Albrecht Dürer, The Virgin and Child with the Monkey, c 1498 The Virgin and Child with the Monkey

Madonna with children Cranach, Lucas (1472-1553; st.), Unknown German painter; 1. W. 16th century (1501-00-00-1525-00-00);Foreign painting

Italy, Carracci, Ludovico, Virgin and Child with Angels, verso - stamped, Virgin Mary sits with the Christ Child in her arms. At the top left a group of putti on a cloud. A putto with a censer floats above., print, prent, prints, prenten, height 151 mm, width 114 mm, print maker, prentmaker, 1595 - 1610, paper, papier, etching, etchings, Work conception, 1555 - 1619-11-13

Marches Pesaro e Urbino Urbino Oratorio di S. Giovanni Battista6. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture with a modern, neo-Gothic facade; frescos. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Arrone S. Maria6. Hutzel, Max 1960-1990 Views of the exterior, interior naves, and extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Andrea del Sarto, Charity, before 1530 Charity

Virgin Suckling the Child. Date/Period: Ca. 1520. Painting. Oil on oak wood. Height: 270 mm (10.62 in); Width: 270 mm (10.62 in). Author: UNKNOWN.

Umbria Terni Ferentillo S. Maria8. Hutzel, Max 1960-1990 General views of town and basilica-style church, with its tall, pointed campanile. The church has a plain facade. Interior has slightly pointed arches and a wooden ceiling. There are few paintings. One large fresco depicts a series of female martyrs. Paintings appear to have been done from late Medieval to Renaissance. Object Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

BERRUGUETE, Pedro (1450-1504). Virgin and Child. ca. 1490. Renaissance art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Madonna of the Book (Madonna del Libro) by Botticelli, Sandro (1445-1510) / Museo Poldi Pezzoli, Milan / 1480 / Italy, Florentine School / Tempera on panel / Bible / 58x39,6 / Renaissance

Sandro Botticelli (c. 1445 1510) Italian painter of the Florentine school during the Early Renaissance, I, Madonna of the book 1483

The Virgin sitting after Ludovic Carrache (White 15) Cornelis ii blloert, dit u jeune (1603-1692). The Vierde Assle D'open all Blab (left blone 15). Burin, curnitely sites. Museums of the city of the city of Paris, Petit Palais.

Mary with the child and a engel. About 1539. (hans baldung; grien; 1484/85 schwabisch - strabburg 1545)

Belgium, Brugge. The 'Madonna and Child' (1504-5) by Michelangelo Buonarotti is carved in Carrara marble. It was intended for an altar in the Cathedral of Sienna but the Mouscron family of Bruges bought it and gave it to Our Lady's Church.

The Holy Family with Saint Clare. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 9 7/16 × 7 3/16 in. (23.9 × 18.2 cm). Date: 1590-1600. Museum: Metropolitan Museum of Art, New York, USA.

Alonso Cano / 'The Virgin and Child', 1638-1648, Spanish School, Oil on canvas, 156 cm x 100 cm, P00630. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Gérard David (Attribution) / 'Virgin with Child', ca. 1520, Flemish School, Oil on panel, 45 cm x 34 cm, P01537. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Madonna and Child, c. 1470. Workshop of Antonio Rossellino (Italian, 1427-1479 ). Painted stucco with traces of gilding; overall: 83.5 x 65.1 cm (32 7/8 x 25 5/8 in.).

Albrecht Dürer, The Virgin with the Swaddled Child, 1520 The Virgin with the Swaddled Child

Artist: Guidoccio di Giovanni Cozzarelli, Italian, Siena, active 1450-ca.1516, Virgin and Child with Saints Margaret and Catherine ofSiena, ca.1490, Tempera on panel, 58.4 × 43 × 4.4 cm (23 × 16 15/16 × 1 3/4 in.), Made in Siena, Italy, Italian,Siena, 15thcentury, Paintings

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)45. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Madonna and Child'. Italy. Dimensions: 62x49 cm. Museum: State Hermitage, St. Petersburg. Author: Niccoló da Voltri (follower of).

Francesco Albani (1578-1660). Italian painter. Rest on the Flight into Egypt, ca. 1640. Detail. National Gallery. Prague. Czech Republic.

'The Alba Madonna', 1510. Artist: Raphael.

2019 Roma. Gall. Borghese., Photo reproduction of print after painting Holy Family by Raphael, Galleria Borghese, Rome, 2019 Roma. Gall. Borghese. Sacra Famiglia. Raffaello, photograph, photo, photos, height 243 mm, width 180 mm, photographer, 1870 - 1880, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Tuscany Siena Asciano Museo di Arte Sacra. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Design for Stained Glass Window in Memory of Christina Trask; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, white gouache, graphite on brown paper; 16.5 × 8.8 cm (6 1/2 × 3 7/16 in.) Mount: 18.1 × 10.5 cm (7 1/8 × 4 1/8 in.); 1914-38-75

Virgin and Child in the Clouds. Dated: 1641. Dimensions: plate: 16.7 x 10.6 cm (6 9/16 x 4 3/16 in.) sheet: 17.1 x 10.9 cm (6 3/4 x 4 5/16 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

The Madonna of the Roses C.1469/70 Sandro Botticelli (1444-1510 Italian) Tempera/Wood Panel Galleria degli Uffizi, Florence, Italy

Madonna and Child; Workshop of Paolo Uccello, Italian, about 1397 - 1475; Italy, Europe; about 1470 - 1475; Tempera on panel; Panel ((with engaged frame)): 53.3 x 41.9 x 3.8 cm (21 x 16 1/2 x 1 1/2 in.)

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra6. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul

LEONARDO DA VINCI (1452-1519). The Virgin of the Rocks. ca. 1478. Balk, Fairuza. Renaissance art. Cinquecento. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Madonna Palafrenieri, by Merisi Michelangelo known as Caravaggio, 1605, 17th Century, oil on canvas. Italy: Lazio: Rome: Borghese Gallery. Whole artwork. St Anne old woman Virgin Mary serpent symbol Evil Baby/Child Jesus nude red

Half-figure of the Virgin Mary with the child in her arms, drawn by Giovanni Francesco Barbieri (Il Guercino) in red chalk on an oval cutout, showing posture and facial expression.

Virgin and Child. Hans Memling; Netherlandish, 1435/40-1494. Date: 1480-1490. Dimensions: Frame: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.)Painted surface: 34.5 × 26.8 cm (14 1/16 × 10 1/2 in.). Oil on panel. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

Depicts Maria with a child in a wine arbor by Hans Burgkmair the Elder in a woodcut from 1507-1509, showing figures in architectural and natural setting.

Lazio Rieti Rieti Museo Civico8. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea

Umbria Terni Piediluco S. Francesco7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting Antiquities: Sculptural fragments Object Notes: Gothic construction from end of 13th century. No information provided by Hutzel. See TCI, Umbria, p. 365 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)44. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo74. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Italy, Schedoni, Bartolomeo, Badalocchio, Sisto, Holy Family with John the Baptist, verso - stamped, The Holy Family with the little John the Baptist on the right., print, prent, prints, height 155 mm, width 131 mm, Italian, 1585 - 1647, print maker, printmaker, 1591 - 1647, paper, papier, etching, etchings, Work conception, 1578-01-23 - 1615-12-23

San Ginesio (Italia, Marche, provincia di Macerata), Pinacoteca Comunale Gentili. Stefano Folchetti, Madonna in trono col Bambino e Santi, 1498

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