Madonna and Child Artworks

Classic Renaissance paintings featuring the Virgin Mary with the Christ child, highlighting maternal themes and intricate backgrounds from various European artists.

Madonna Franz Pforr (1788-1812 German) Ciurlionis State Art Museum, Lithuania

Evora Museum. Nativity. The adoration of the shepherds. Oil on Panel. Portugg-uese school. 16 th century. Portugal.

Crivelli, Carlo (c. 1435-c. 1495) National Gallery, London Painting 150,5x107 Bible La Madonna della Rondine (The Madonna of the Swallow)

Lazio Viterbo Viterbo S. Francesco7. Hutzel, Max 1960-1990 Interior views only of gothic church largely reconstructed after WWII bombing. No general views of interior, but many views of stained glass windows, frescoes, tombs, mosaic work, capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rafael Santi Madonna Pod Baldachimem; Palazzo Pitti, Florencja. Karta No. 348 W: The galleries of Europe. Painting of old masters in the colors of the originals. Volume 6, publisher of E. A. Seemann, Leipzig 1911. Publisher by A.E. Seemann in Leipzig, Santi, Raffaello (1483 1520)

The Dream of St. Catherine of Alexandria by Lodovico Carracci

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Painting titled 'Virgin and Child' by Tiziano Vecellio (1489-1567) also known as Titan, an Italian painter, the most important member of the 16th-century Venetian school. Dated 16th Century

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Theotokopuli (El Greco), Domenico (1547 1614)

Basilicata Matera Matera S. Francesco d'Assisi6. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Adam and Eve with Cain and Abel c. 1516-18 Oil on panel Bacchiacca Italian active Florence and Rome Born 1494; died 1557

Rectangular plaque. unknown, painter

Virgin and Child, 1450, detail from the Melun diptych, by Jean Fouquet (1420-1480).

Unknown, Ducale Showing a Man, His Wife, and Two Daughters, c. 1570, tempera on vellum.

Madonna and Child, Giovanni Battista Salvi (called Il Sassoferrato), Italian, 1609-1685, 17th century, Oil on canvas, Made in Italy, Europe, Paintings, 29 13/16 x 24 11/16 in. (75.8 x 62.7 cm)

Virgin and Child with Angels ca. 1518 Bernard van Orley Netherlandish Van Orley probably painted this refined and intimate picture of the Virgin and Child about the time of his appointment in 1518 as official painter to Margaret of Austria, regent of the Netherlands. A courtly Madonna of Humility, the Virgin wears a luxurious fur-trimmed dress and is seated on the ground in the enclosed but spacious garden of her palace. She is accompanied by two singing angels, who are echoed by grisaille angels in heaven. The distant background testifies to the painters awareness of the developing landscape genre, and the elaborately ornamented fountain incorporates Italian Renaissance decorative motifs.. Virgin and Child with Angels. Bernard van Orley (Netherlandish, Brussels ca. 1492-1541/42 Brussels). ca. 1518. Oil on wood. Paintings

Moulins Triptych, by the Master of Moulins, in the Cathedral of Notre-Dame, Moulins, France, ca 1498-1502.

Madonna and Child. Dated: c. 1430. Dimensions: overall (w/out tabernacle): 66.7 x 45.7 cm (26 1/4 x 18 in.) framed: 130.8 x 86 x 13 cm (51 1/2 x 33 7/8 x 5 1/8 in.) accessory size: 130.8 x 85.1 cm (51 1/2 x 33 1/2 in.). Medium: painted and gilded terracotta. Museum: National Gallery of Art, Washington DC. Author: Tuscan 15th Century.

Campania Napoli Naples S. Lorenzo Maggiore073. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Framed painting on a wall, Bran Castle, Bran, near Brasov, Transylvania, Romania

Sandro Botticelli and Studio, Virgin and Child with Saint John the Baptist, c. 1490, tempera, oil, and gold on panel.

Cupid with a bow by Luini, Aurelio (1530-1593) Wilanow Palace Museum before 1593 Oil on canvas 68x49 Italy, School of Lombardy Mannerism Mythology, Allegory and Literature Painting

The Deposition from the Cross. Il Bronzino (Angolo di Cosimi di Mariano) 1502-1572, Italian Mannerist painter.

Maria Met Kind ,, 1425 - 1475 Maria with child on her left arm, halfway, in polychromed and gilded stucco in high relief. Florence stucco Maria with child on her left arm, halfway, in polychromed and gilded stucco in high relief. Florence stucco

'The Agony in the Garden'. France, 17th century. Dimensions: diam. 42,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES LE BRUN.

Lazio Viterbo Tuscania Cathedral2. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (largely restored in the 18th century); paintings on canvas and panel; fresco; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Maria met kind.

Madonna and Child before a Fireplace', 1430s, by Robert Campin. Mary is depicted as a Netherlandish woman seated in front of the hearth. From the collection of the State Heritage Museum, St Petersburg, Russia.

Lazio Roma Velletri Museo Capitolare4. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Salvator Mundi. Dated: c. 1515. Dimensions: overall: 42.6 x 33.3 cm (16 3/4 x 13 1/8 in.) framed: 70.6 x 61.4 x 7.3 cm (27 13/16 x 24 3/16 x 2 7/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: CORREGGIO.

Rest on the Flight into Egypt, 1590. Werff, Adriaan van der.

SCHONGAUER, Martin (1450-1491). Holy Family (Die Heilige Familie). 1480s. Renaissance art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

An Allegory of Painting: Pictura Making a Drawing After the Antique. Circle of Maarten de Vos (1532-1603). Oil on panel. 91.4 x 119cm.

Lazio Roma Subiaco S. Francesco2. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

2013.0027.. Madonna with Child piercing the Head of the Serpent ('Madonna della Serpe'), 1697-98. Giovanni Battista Gaulli

Anonymous German Artist active in Swabia ca. 1515 (Active in Swabia ca. 1515). Saint Anne with Virgin and Child and a Donor (Exterior left wing) (ca. 1515). Oil on panel. 159 x 65 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Anonymous German Artist active in Swabia ca. 1515.

Alonso González de Berruguete 1486/89-1561 Salome by Alonso Berruguete (1512 - 16), Uffizi Gallery in Florence. de Berruguete was a Spanish painter, sculptor and architect. He is considered to be the most important sculptor of the Spanish Renaissance

Gaspar Dias (). Portuguese painter, active ca. 1550-1591. The Martyrdom of St. Catherine, ca. 1560-1570. Oil on oak panel. National Museum of Ancient Art. Lisbon, Portugal. Author: Gaspar Dias. Portuguese painter. Active ca. 1550-1591.

Rest on the Flight into Egypt, by Farinati Paolo, 16th Century, oil on canvas,

Virgin and Child with FourAngels. Artist: Agostino di Duccio, Italian, 1418-after 1481

Fra Beato Angelico, (c. 1395-1455). Early Italian Renaissance painter. Florentine school. Madonna and Child with Four _ngels, early 1420s. Tempera on panel. The State Hermitage Museum. Saint Petersburg. Russia.

Holy Family by Michelangelo Buonarroti, Tempera on panel, 1475-1564, Italy, Florence, Galleria degli Uffizi, D 120

Dead Christ Supported by Two Angels. Date/Period: Ca. 1472. Painting. Tempera and tooled gold on panel Tempera and tooled gold on panel. Height: 711.71 mm (28.02 in); Width: 473.46 mm (18.64 in). Author: Carlo Crivelli.

Saints John the Evangelist and Mary Magdalene ca. 1335-45 Italian, Neapolitan Follower of Giotto This painting, together with a panel portraying the Virgin and the Dead Christ (National Gallery, London), originally formed a diptych (two panels hinged together that could be opened and closed). The painting illustrates the formative influence that the Florentine master Giotto, a pivotal figure in Western art, had in Naples during his activity there from 1328 to 1332. The diptych was likely painted by a member of Giottos workshop in Naples, who was active on the frescoes in the Church of Santa Chiara. Giotto's Neapolitan workshop may have continued to operate after he returned to Florence in 1333. The monumentality of the figures, which protrude outside the painted framework, together with their expressive gestures of grief, intensify the dramatic quality of this work, which was probably made for private devotion. The diptych may have been commissioned by Queen Sancia of Naples (1286-134

Madonna and Child, with the Man of Sorrows middle panel. Dated: c. 1360. Dimensions: painted surface (middle panel): 45.1 × 26 cm (17 3/4 × 10 1/4 in.) overall (middle panel): 75.6 × 30.2 cm (29 3/4 × 11 7/8 in.) overall (entire triptych): 76 x 66.4 cm (29 15/16 x 26 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: NARDO DI CIONE.

Religious illustration with Virgin Mary by Carlo Crivelli, Tempera on panel, 1492, circa 1435-circa 1495, Great Britain, London, National Gallery, 194,3x93,3

Ghirlandaio /Adoration of Shepherds/1485

Virgin and Child, 1400s. Byzantine (Dalmatian), 15th century. Tempera and gold on wood; framed: 63.5 x 50.8 x 10.2 cm (25 x 20 x 4 in.); unframed: 38.5 x 29.3 cm (15 3/16 x 11 9/16 in.).

Madonna of the Candle, 1490, by Carlo Crivelli (ca 1430- ca 1495), oil on canvas, 218x75 cm.

Abruzzo, L'Aquila, L'Aquila, S. Pietro di Coppito, Italy, 20th century, photo, photography, Europe

Claudio Coello / 'Saint Rose of Lima', 1683, Spanish School, Oil on canvas, 240 cm x 160 cm, P00663. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Virgin and Child, Print made by Richard Purcell, active 1746-1766, Irish, after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 14 × 10 1/16 inches (35.6 × 25.6 cm) and Image: 12 11/16 × 9 7/8 inches (32.2 × 25.1 cm), baby, child, Christianity, halo, holding, mother, religious and mythological subject, sleeping, veils, virgin, woman

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo20. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

The Madonna appearing to St Anthony of Padua and St Francis of Paula 1802. Giovanni Domenico Tiepolo

Painting titled 'Madonna and Child' by Robert Campin, artist known as the Master of Flémalle. Dated 15th Century

fine arts, Verona, Stefano da (1375 - 1438), painting, ""Madonna del Roseto"", Castelvecchio Museum, Verona, Italy,

Madonna & Child Luca Della Robbia (1400-1482/Italian) National Gallery of Art, Washington D.C.

Garland of Flowers by Mignon, Abraham (1640-1679) Museo de Bellas Artes de Bilbao ca 1675 Holland Oil on canvas Painting Still Life,Bible

Madonna and Child ca. 1425-40 Probably after Lorenzo Ghiberti Italian This composition is apparently a variant of another Madonna relief which Ghiberti designed specifically to be molded and reproduced in painted stucco. See 08.22.3 for a painted stucco version of that composition. The type of base derives from the niche of the Parte Guelfa on Or San Michele by Donatello, finished in 1423. See 07.120.3 for a terracotta version of this composition.. Madonna and Child 194520

Painting by Matthias Grünewald (born around 1480. around 1530), important painter and graphic artist of the Renaissance, Mary with the Child, Historical, digitally restored reproduction from a 19th century original, Record date not stated

The Mystic Marriage Of St. Catherine Anthony van Dyck (1599-1641 Flemish) Museo del Prado, Madrid, Spain

The Assumption of the Virgin. Dated: c. 1500. Dimensions: painted surface: 21.1 x 16.2 cm (8 5/16 x 6 3/8 in.) overall (panel): 21.3 x 16.7 cm (8 3/8 x 6 9/16 in.) framed: 35.5 x 31.1 cm (14 x 12 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Michel Sittow.

Lady with Daughter by Barthel Bruyn the Elder , oil on canvas, 1530s-1540s, 1493-1555, Russia, St. Petersburg , State Hermitage, 76, 5x46

Christ and John the Baptist as Children by Cranach, Lucas, the Elder (1472-1553) / Museo Lazaro Galdiano, Madrid / c.1535 / Germany / Oil on wood / Bible / 56x36

Allegory of France, farming family, detail from the Screen of Nations, by an unknown 18th century artist.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche9. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Charity, by Crespi Giovan Battista known as il Cerano, 17th Century, 1610, tempera, cm 240 x 130

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"9. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Madonna and Child. Carlo Francesco Nuvolone (1608-c.1661). Red and black chalk, 177 x 208mm.

Estr_es, Gabrielle dÇ, Duchesse de Beaufort, Duchesse dÇÄtampes (1573-1599). French mistress of King Henry IV of France, she gave birth to three children, creating the Bourbon-Vendªme family, a senior line of the House of Bourbon. Gabrielle d'Estr_es having a bath. French school. Renaissance art. Painting. FRANCE. PICARDY. OISE. Chantilly. Mus_e Cond_ (Cond_ Museum).

Greco, DomŽnikos Theotokpoulos, called El (1541-1614). Mary Magdalen in Penitence. 1585-1590. Mannerism art. Oil on canvas. SPAIN. CATALONIA. BARCELONA. Sitges. Cau Ferrat Museum.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy. Lombardy. Mantua. Ducal Palace. West wall. The meeting between Ludovico Gonzaga and his sons Francesco and Federico. Central episode. Detail of putto holding a plate with butterfly wings gold light blue/azure

Maternity, Jean-Paul Nude 1895 Maurice Denis (1870-1943 French) Oil on canvas Private Collection, Alencon, France

Germany, Bavaria, Munich, The New Pinakothek Museum (Neue Pinakothek), Painting titled "Italia and Germania" (Italia und Germania) by Friedrich Overbeck dated 1828

Gustave Doré, The Vagabonds, 1868, oil on canvas

Image of the left part of a painting by Elisabeth and Barbara (left), which recommends the cartus Jan Vos, Profess and from 1450 Prior of the Karthuizerklooster Nieuwlicht in Utrecht, at Maria.

Figurine: Maria with children Urbino (ceramic family; 1550-1600), Patanazzi, Alfonso; 16th century (1600-00-00-1700-00-00);

Girl making a garland, the cat sitting next to her, ca 1508, painting by Hans Suess of Kulmbach, Historic, digitally restored reproduction from a 19th century original

Darmstädter Madonna, mit Stifterporträts, auf einem Holbein-Teppich. 1525-26 und 1528. Öl und Tempera auf Lindenholz, von Hans Holbein dem Jüngeren, d...

Tile image on a wall, St. Anthony, Lisbon, Portugal, Europe

Rosa Mystica, c. 1923. Augustus Vincent Tack (American, 1870-1949). Oil on canvas, on wood; unframed: 151.8 x 122 cm (59 3/4 x 48 1/16 in.).

Madonna and Child by Domenico Morone, (circa 1442-after 1517) from Widener Collection

Petrograd Madonna 1918 by Kuzma Sergeyevich Petrov-Vodkin, (1878 - 1939) Russian and Soviet painter and writer.

'Female Musicians'. Netherlands, First half of the 16th century. Dimensions: 53,2x37,5 cm. Museum: State Hermitage, St. Petersburg. Author: Master of the Female Half-Lengths.

Virgin and Child, Master of the tricky children (attributed to), Gianfrancesco Rustici (attributed to), c. 1500 - c. 1525 On an apparently chopped plinth with ditto elevation, Maria is slightly tilted backwards and turned to the right with the upper body. With one hand she holds it over her left leg struggling naked child while holding a book with the judge, from which she reads. Her head is used to the book. The child, with the right leg forward and the left backwards, grabs the right hand to Mary's right breast, who comes through a split in her robe. His smiling face with a somewhat playful naughty expression is focused on this. Maria's wavy hair, on the head by two tires and held together on the back of the head through a canvas, is tied together in the neck and then falls apart loosely over the back. She wears a robe that is deposited on the neck with a wide tire and is held together around the waist by a belt. Her cloak falls over the left shoulder, runs on her right side in a lar

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