Madonna and Child Imagery

Various prints depicting Virgin Mary with the Christ Child, often accompanied by John the Baptist and in different artistic styles throughout history.

Aldegrever, Heinrich, Germany, Madonna and Child Sitting at the Foot of a Tree, Mary crowned and with the Christ Child on her lap, sitting at the foot of a tree., print, prints, height 75 mm, width 54 mm, German, 1502 - 1561, print maker, printmaker, 1527 - 1527, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

unknown, Mariette, Pierre (I), Italy, Bella, Stefano della, Mary with the Christ Child and the young John the Baptist, verso - stamped, The Christ Child sits on Mary's lap and drinks from a saucer that the young John the Baptist offers him., print, prints, height 136 mm, width 125 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

The Holy Family 1642 Wenceslaus Hollar Bohemian The holy family; Virgin Mary seated at left, holding Christ child in her right arm; John the Baptist child at right holding crucifix and reaching out his left hand to touch object held by Christ, observed by St Joseph in the background. The print reproduces an oil painting on canvas, dated c. 1520 and given to Raphael, in the Museo del Prado, Madrid (inv. P00302). (Text from Antony Griffiths, 'The Print in Stuart Britain', BM 1998, cat. 52)This etching was made after a painting or drawing in Arundel's collection (for a discussion of the possible original, which is closer to Raphael than to Perino, see D.Jaffé and others in Apollo, CXLIV 1996, p.31).. The Holy Family 360705

Aldegrever, Heinrich, Germany, Madonna and Child Sitting at the Foot of a Tree, Mary crowned and with the Christ Child on her lap, sitting at the foot of a tree., print, prints, height 75 mm, width 54 mm, German, 1502 - 1561, print maker, printmaker, 1527 - 1527, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Maria from children and this Jan; Unknown, Szczurowski, Tymoteusz (1740-1812); 1780-1812 (1780-00-00-1812-00-00);

Virgin and Child Seated by the Wall 1514 Albrecht Dürer German. Virgin and Child Seated by the Wall 391216

Ezekias, Ancestor of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Schut, Cornelis (I), Antwerp, Witdoeck, Hans, Maria with Christ Child and John the Baptist, verso lower left - stamped, print, prints, height 273 mm, width 210 mm, Southern Netherlands, 1615, print maker, printmaker, 1625 - 1642, paper, papier, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29

Hagar and Ismaël walk through the desert, Moyses van Wtenbrouck, 1645 - 1660 print Hagar rests at the foot of a thick tree. Ismaël leans against her. print maker: The Haguepublisher: Antwerp (possibly) paper etching / engraving the banishment of Hagar and Ishmael (Genesis 21:9-21)

Charity. Marcantonio Raimondi (Italy, near Bologna, circa 1470/1482-1527/1534)Antonio Salamanca (Italy, 16th century). Italy, 1515-1520. Prints; engravings. Engraving

Emilia-Romagna Ravenna Bagnacavallo Museo Civico2. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Mystic Marriage of Saint Catherine ca. 1761 Jean Honoré Fragonard French. The Mystic Marriage of Saint Catherine 372973

Virgin and Child with Saints Joseph and John the Baptist (after Michelangelo's Madonna del Silenzio) 1561 Giulio Bonasone Italian. Virgin and Child with Saints Joseph and John the Baptist (after Michelangelo's Madonna del Silenzio) 382304 Artist: Giulio Bonasone, Italian, active Rome and Bologna, 1531after 1576, Artist: After Michelangelo Buonarroti, Italian, Caprese 14751564 Rome, Virgin and Child with Saints Joseph and John the Baptist (after Michelangelo's Madonna del Silenzio), 1561, Engraving and etching, sheet: 15 7/8 x 10 5/8 in. (40.3 x 27 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.595.6)

Schut, Cornelis (I), Madonna and Child, The Christ Child lies on Mary's lap, his head on her shoulder. In the background the cross along which a rose bush winds its way upwards., print, prints, height 139 mm, width 122 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etsen, Work conception

Antwerp, Wtenbrouck, Matheus Moysesz. van, The Hague, Moyses van, Hagar and Ishmael walking through the desert, verso lower left - stamped, Hagar rests at the foot of a thick tree. Ishmael leans against her., print, prints, height 124 mm, width 89 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, - 1660, publisher, uitgever, 1645 - 1660

The Virgin and Christ child with Saint Anne and Saint John the Baptist. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Schelte Adams à Bolswert (Dutch, Bolsward 1581-1659 Antwerp). Dimensions: Sheet (Trimmed): 17 5/8 × 12 13/16 in. (44.8 × 32.6 cm). Published in: Antwerp. Publisher: Gillis Hendricx (Flemish, active 1640-1677). Date: ca. 1640-59. Museum: Metropolitan Museum of Art, New York, USA. Author: After Peter Paul Rubens. Schelte Adams à Bolswert.

Copper engraving by Agostino Veneziano from 1510-1515 depicting Philosophy, showing an allegorical figure, posture, and symbolic attributes.

The Mystic Marriage of Saint Catherine. Carlo Maratti; Italian, 1625-1713. Date: 1620-1630. Dimensions: 174 x 130 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Project for the flag of a hussar regiment, revolutionary period.

The Marriage of St. Catherine. Artist: Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: sheet: 6 7/8 x 5 3/8 in. (17.5 x 13.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury Falck, Jeremias (Ca 1610 1677), Andrea del Sarto (1486 1530)

Italy, Romano, Giulio, Mantuana, Diana, Holy Family with John the Baptist, verso - stamped, In a landscape Mary sits against a tree with the Christ child on her lap. On the right stands John the Baptist as a child with an animal skin. On the left is Joseph and in the foreground are ancient remains., print, prints, height 251 mm, width 174 mm, Italian, 1547 - 1612, print maker, printmaker, 1557 - 1612, paper, engraving, engraving (printing process), plate tone, Work conception, 1499 - 1546-01-11

The education of the Virgin, with Saint Anne seated on a bench looking upwards and putting her arm around the Virgin ca. 1645-78 Cornelis van Caukercken. The education of the Virgin, with Saint Anne seated on a bench looking upwards and putting her arm around the Virgin. Cornelis van Caukercken (Flemish, probably Antwerp ca. 1625-1680 Bruges). ca. 1645-78. Etching and engraving; third state of three (Hollstein). Cornelis Galle II (Flemish, Antwerp 1615-1678 Antwerp). Prints

Italy, Piazzetta, Giovanni Battista, Cattini, Giovanni, Woman with four children, verso - stamped, A woman sits on the ground with her four small children., print, prent, prints, height 80 mm, width 146 mm, 1725 - 1800, print maker, printmaker, 1735 - 1800, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1682-02-13 - 1754-04-29

Mary with child adored by Saint Ignatius of Loyola, Saint Francis Xavier and holy monk, Cornelis Schut (I), 1607 - 1655, draughtsman: Cornelis Schut (I), 1607 - 1655, paper, pen, brush, h 237 mm × w 234 mm

Lazio Roma Bracciano S. Lorenzo6. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architecture, architectural sculpture, painting, sculpture. Exterior views of the front facade, and interior views of nave, altar, ceiling, paintings, and statues. Views of first church on this site (now a farmhouse), dating from 12th century. General Notes: Two medieval architectural prints are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gnothi seauton. Reinhart, Johann Christian (1761-1847), graphic artist

Schut, Cornelis (I), Madonna and Child with John the Baptist, verso lower left - stamped, In a landscape with a rock, Mary sits on the ground. She looks at the young John the Baptist who kneels at her feet and extends an arm to the Christ child on her lap. His other hand rests on a lamb next to him., print, prints, height 100 mm, width 72 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etsen

Heilige Familie, Agostino Carracci, 1581 print Maria is sitting on her lap with the Christ child. Joseph is next to it. paper engraving Holy Family, and derived representations

The Virgin seated in the clouds with the infant Christ, surrounded by putti, after a drawing by Reni 1764 Giuseppe Zocchi Italian Verso is not visible as print it laid to another sheet of paper.. The Virgin seated in the clouds with the infant Christ, surrounded by putti, after a drawing by Reni 667833

Virgin and Child. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm). Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1775. Museum: Metropolitan Museum of Art, New York, USA.

Andromache and Astyanax ca. 1798 Pierre Paul Prud'hon French Didot initially commissioned Prud'hon to design the frontispiece to The Works of Racine (1801-5) and five illustrations to the play Andromache. This design for Act 2 depicts the heroine embracing her son Astyanax and exclaiming that she still sees her dead husband in his features ("It is you, dear husband, whom I embrace"). This illustration was never published by Didot since the commission for Andromache was ultimately given to Girodet. However, Prud'hon used this drawing as the basis for the painting Andromache and Astyanax, which is in the Metropolitan's collection (25.110.14).. Andromache and Astyanax 338167

Personification of astronomy. A sitting woman holds a big book or stones plate. A putto is on her back. Two other putti with a jug and an armillarium standing next to her.

Seated woman with three children, Eloy Bonnejonne, c. 1640 - 1695

Huybrechts, Gaspar, Rubens, Peter Paul, Witdoeck, Hans, Holy Family with John the Baptist and Elizabeth, verso lower left - stamped, print, prints, height 279 mm, width 209 mm, Work conception, Southern Netherlands, 1615, after print by, 1661 - 1684, paper, engraving, engraving (printing process), print maker, printmaker, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, 1619-09-12, publisher

Maria with Baked Kind, Albrecht Dürer, 1520 print Maria is sitting on a bench with the Christ child on her lap. Left in the background a coastal strip. Nuremberg paper engraving Mary sitting or enthroned, the Christ-child in front of her, lying in her lap (or in front of her bosom), sometimes in Pietí-posture

Marcantonio Franceschini / 'Charity'. XVII century. Red chalk on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Maria with Christenkind, Frederick Bloemaert, After Abraham Bloemaert, 1650 - 1656 print Bottom left '60'. paper etching Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length)

Passe, Crispijn van de (I), Gossaert, Jan, Aken, Mary with the Christ Child on a throne, recto above, Mary sits in front of an arched niche on a throne with the Christ Child on her lap. In the upper corners angels with a laurel wreath. In the margin a three-line caption in Latin., print, prent, prints, verso lower left - stamped, height 316 mm, width 234 mm, 1564 - 1637, print maker, printmaker, 1589 - 1589, paper, papier, engraving, engraving (printing process), South Netherlands, North Netherlands, 1478 - 1532, after, after painting by, Publication (Event), Publication, publisher

Firens, Pierre, Vos, Maerten de, Antwerp, Hoogstraten, Samuel van, Madonna and child, verso - stamped, Madonna and child in a niche with stars, with a crescent moon under her feet and a scepter in her right hand., print, prent, prints, prenten, height 277 mm, width 198 mm, 1627-08-02 - 1678-10-19, print maker, printmaker, 1580 - 1638, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after print by, Publication (Event), Publication, French, 1580 - 1638-12-24, publisher

Madonna with Sleeping Child on Her Lap looks up at two angels John the Baptist as a child holds his finger to his lips, exhorting the viewer to silence, Madonna with Sleeping Child and John the Baptist Onse lieve Vrouwe ter bystant tot Brvssel , print maker: Richard Collin, (mentioned on object), publisher: Cornelis van Merlen, (mentioned on object), Brussels, c. 1678 - c. 1797, paper, engraving, h 286 mm × w 213 mm

Amor is taught; L'Education de l'Amour.

Wszyscy Święci w MNK Piloty, Ferdinand (1786 1844), Ligorio, Pirro (ca 1513 / 1514 1583)

The Holy Family 1512-13 Albrecht Dürer German Dürer created only three prints in the medium of drypoint. Since the other two are dated 1512, this drypoint is presumed to date from the same time. The print was thus produced at the height of the artist's career, just prior to such famous "master prints" as the Melancholia and Knight, Death, and the Devil. Yet the composition harks back to one of the artist's earliest engravings, produced when Dürer was under the influence of the most prolific drypoint artist of the Renaissance, the Housebook Master.Produced by scratching the surface of the metal with a sharp needle, the image has the character of a delicate drawing. Apparently conceived in an experimental mode and never completed, the print is nonetheless highly evocative. The three ghostly figures who press into the space behind the Virgin and ChildSaint John, the Magdelene, and Nicodemusdo not belong to the story of Christ's childhood but, as witnesses to the Crucifixion, are a prese

A lactating woman. A woman with a turban on the head suckers her child (Hagar and Ismaël) In a mountainous landscape.

Love with three children in oval list inside rectangular picture frame with ornaments; Four virtues. Divine virtue love as a woman standing with three children in oval list inside rectangular picture frame with curl ornaments, animals, fish, lobsters and insects.

Charity, from the Cardinal Virtues 1648-56 Nicolaes de Bruyn Netherlandish The female figure Charity is depicted holding a child in her arms (to her left side) and is flanked by two standing children, framed in an oval. Surrounding the oval, ornament design with a hanging group of two fish and a lobster to the left and right side, with burning lamps below. At bottom left and right corners, foxes on their hind legs. From a series of four plates.. Charity, from the Cardinal Virtues 423840

BORDEEL SCENE where the man is robbed.

Print, Virgin and Child Holding a Book, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 27.5 × 17.5 cm (10 13/16 × 6 7/8 in.); Bequest of George Campbell Cooper; 1896-3-253

Holy Family with Johannes the Baptist and Elizabeth, Anonymous, After Lambert Lombard, 1540 - 1560 drawing paper. ink. chalk pen / brush Holy Family with John the Baptist (as child)

Lazio Viterbo Viterbo S. Lorenzo, Cathedral27. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic

Florence, Bardi, Giuseppe, Pagni, Nicolaum, Italy, Raphael, Morghen, Madonna della Sedia, Madonna della Seggiola, Mary with Child and the young John the Baptist, verso - stamped, Mary sitting with the Christ Child on her lap. Behind them on the right stands the young John the Baptist with folded hands. Dedication in bottom margin., print, prints, height 420 mm, width 365 mm, Italian, 1758-06-19 - 1833-04-08, print maker, printmaker, 1768 - 1833, paper, papier, engraving, engraving (printing process), etching, intermediary draughtsman, after drawing by, 1483-04-07 - 1520-04-07, after, after painting by, Publication (Event), Publication, publisher, uitgever, Publicatie

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin and the Child Jesus. (A. de Vesme 4; Dutuit 148) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Conti, Joseph, Maratti, Carlo, Rome, Westerhout, Arnold van, Spes Nostra Salve, Maria with the Christ Child, verso left - stamped, Maria puts an arm around the Christ Child. The Child makes a gesture of blessing. In the cartouche below the image the coat of arms of Pope Innocent XII and a six-line caption in Latin., print, prent, prints, prenten, height 360 mm, width 248 mm, Zuid-Nederlands, 1651-02-21 - 1725-04-18, print maker, printmaker, 1698 - 1698, paper, engraving, engraving (printing process), Italian, 1625-05-15 - 1713-12-15, after, after painting by, writer

Mercy. Beham, Sebald (1500-1550), graphic artist

Antonio Maria Zanetti I (Italian, 1680 - 1757). Madonna and Child, 18th century. Chiaroscuro woodcut.

Uffizi Gallery, Lippi, Filippino, Photo reproduction of painting by Fra Filippo Lippi, Madonna with child and angel, Uffizi, Florence, photograph, photo, photos, height 213 mm, width 154 mm, photographer, 1870 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, picture, painting, Italian, 1457 - 1504-04-18

Italy, Parmigianino, Bonasone, Giulio, Holy Family with the young John the Baptist and Mary Magdalene, verso - stamped, The Holy Family with the young John the Baptist and Mary Magdalene in a landscape. Joseph is seated on the left., print, prent, prints, height 257 mm, width 187 mm, Work conception, Italian, 1510 - 1576, after a print by, 1501 - 1580, paper, papier, etching, etchings, engraving, engraving (printing process), print maker, printmaker, 1503-01-11 - 1540-08-24

The Virgin Adoring the SleepingChild. Woodcutter: Andrea Andreani, Italian, 1558/59-1629 After: Francesco Vanni, Italian, 1564-1610

The Madonna della Scodella. Dated: 1606. Dimensions: plate: 12.2 x 16.1 cm (4 13/16 x 6 5/16 in.) plate: 13.6 x 17.4 cm (5 3/8 x 6 7/8 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.

Drawing (Italy)

Bliżej Kultury unknown

Schut, Cornelis (I), Madonna and Child, print, prints, height 99 mm, width 77 mm, South Netherlandish, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings

Netherlands, Crabbe van Espleghem, French, Madonna and child in a garden, verso left - stamped, Mary, seated in a garden, seen from the front. The Christ Child on her lap embraces her., print, prints, verso lower right - stamped, verso lower middle - stamped, height 160 mm, width 108 mm, 1480 - 1552-02-20, print maker, printmaker, 1520 - 1530, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process)

The Virgin of the Fish ca. 1515-27 School of Marcantonio Raimondi Italian. The Virgin of the Fish 342798

Madonna and Child with Saints Elizabeth and John the Baptist. Annibale Carracci, after; Italian, 1560-1609. Date: 1606-1699. Dimensions: 132 x 164 mm. Red chalk on ivory laid paper, tipped onto ivory wove card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Crying child. .

The Holy Family, after Jacob Jordaens 1871 Jules-Ferdinand Jacquemart. The Holy Family, after Jacob Jordaens. Etchings of Pictures in the Metropolitan Museum New York. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1871. Etching, third state of five (Gonse). P. & D. Colnaghi & Co.. Prints

Maria with the Christ child on a wall by a wall, Wierix (attributed to), after Albrecht Dürer, 1563 - Before 1619 print Maria sits on a staircase by a wall with the Christ child on her lap. The child holds a fruit in his hand. In the background a face on a city and a river. Antwerp paper engraving Mary sitting on the ground, the Christ-child in front of her in her lap. city-walls. river

Venus dries off after bath and amor with a bow and arch in landscape, Anonymous, After Marcantonio Raimondi, After Rafaël, 1512 - 1570 print paper engraving toilet of Venus. Venus and Cupid (Cupid not being mere attribute)

A female allegory of painting being crowned by Cupid. Engraving.

Louis the Pious (778-840). King of Aquitaine and of the Franks. Engraving by Ecosse. Universal Library, Popular Edition, 1851.

Portrait of Johanna Kertten, Jacob Houbraken, 1729 print Portrait of Johanna Kertten. Around the show a print of a second plate with an ornamental edge. Amsterdam paper engraving / etching Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa) (+ abstract concept reprified by female figures)

The Virgin seated with her head resting on her right hand, holding the sleeping infant Christ on her lap, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Jean Boulanger (French, Troyes 1608-ca. 1680 Paris). Dimensions: Sheet (Trimmed): 16 5/16 × 12 1/2 in. (41.5 × 31.7 cm). Publisher: Herman Weyen (Flemish, died Paris, 1672). Date: 1623-80.After a painting by Reni. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Monogrammist bg depicting an old woman and a fool at a window, created in the second half of the 15th century, showing expressive figures in a domestic setting.

The Holy Family with John the Baptist. Draughtsman: Gerard ter Borch (I). Dating: c. 1616. Place: Zwolle. Measurements: h 122 mm × w 100 mm. Museum: Rijksmuseum, Amsterdam.

Music girls in a landscape, Jan de Bisschop, After Federico Zuccaro, 1666 - 1671 print A group of five music -making young women in a landscape. The one spelled whistle, another lute and a third holds a tambourine. Northern Netherlands paper etching more than one musician with instrument

Virgin and Child with Two Boys 1507 Albrecht Altdorfer German. Virgin and Child with Two Boys 429715

Master of the Amsterdam Cabinet, Germany, Saint Dorothea, verso center - stamped, Dorothea with palm branch and in her left hand basket with flowers and apples, held by a child., print, prent, prints, height 98 mm, width 48 mm, print maker, printmaker, 1485 - 1490, fourth quarter 15th century, paper, papier, drypoint, dry needle, Work conception, after own design by

Portrait of Elizabeth I Tudor, Queen of England, Cornelis Martinus Vermeulen, After Adriaen van der Werff, 1697 print Portrait of Elizabeth I Tudor, Queen of England. In the foreground two putti with a palm branch and a corner and a rudder, as references to peace and good leadership. Antwerp paper engraving cupids: 'amores', 'amoretti', 'putti'. angels crowning and/or bringing palm-branches (+ variant). parts of ship's exterior: rudder (+ variant)

Portrait of Adriaan van Bescheiden (1685-1739), preacher in Leiden, Portrait of Adriaan van Boscheiden., draughtsman: Frans van Mieris (II), 1720 - 1724, paper, pen, brush, h 293 mm × w 212 mm

Artist: Albrecht Dürer, German, 1471-1528, The Virgin and Child Seated by aWall, Engraving, 15 × 10.2 cm (5 7/8 × 4in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Portrait of the Joannes Mabillon

Birth of Saint Benedict 1687-1717 Giacomo-Maria Giovannini. Birth of Saint Benedict. Giacomo-Maria Giovannini (Italian, Bologna 1667-1717 Parma). 1687-1717. Etching. Prints

Lazio Rieti Rieti Museo Civico29. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e

Madonna della Sedia, after a painting by Raphael, illustration from 1870, Palazzo Pitti, Florence, Italy, digitally enhanced reproduction from an original from the 19th century, historical, exact date unknown.

France, French crown, Paris, Vallet, Guillaume, Carracci, Annibale, Maria met het Christuskind en Johannes, verso - stamped, print, prints, height 460 mm, width 386 mm, French, 1632-12-06 - 1704-07-01, print maker, printmaker, 1661 - 1704, paper, papier, engraving, engraving (printing process), stipple work, Italian, 1560-11-03 - 1609-07-15, after, after painting by, Publication (Event), Publication, publisher, uitgever van privilege

Woman helps a child with a harness to learn how to walk. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 27-Jan-1653. Place: Zwolle. Measurements: h 95 mm × w 70 mm. Museum: Rijksmuseum, Amsterdam.

A Gypsy Mother with Three Children. Artist: Cornelis Visscher (Dutch, Haarlem () 1629-1658 Amsterdam). Dimensions: Sheet: 11 in. × 8 7/8 in. (28 × 22.5 cm). Date: 1650s. Museum: Metropolitan Museum of Art, New York, USA.

CLYTIA. Clytia, the daughter of the Babylonian king, sits with a sunflower in a landscape. With a branch with thorns, she pricks in the side of a putto with a burning torch. Numbered bottom left: full. II, No. 64.

A copper engraving print by Nicolas Bazin created between 1653 and 1710 depicting Maria Lactans, showing Mary breastfeeding, figure, and religious composition.

Rome, Paribeni, Giacinto, Raphael, Holy Family, verso - stamped, Joseph and Mary kneel beside the Christ Child before a ruin in a landscape. Dedication and cardinal coat of arms in lower margin., print, prints, height 425 mm, width 370 mm, Italian, print maker, printmaker, 1662 - 1662, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1483-04-07 - 1520-04-07, after, after a painting by, Publication (Event), Publication, publisher, uitgever

bekend, Bonenfant, Antoine, Dyck, Anthony van, Antwerpen, Pontius, Paulus, Maria met kind, unknown, Antwerp, Maria looks up to heaven. The Christ child is standing on her lap. In the margin a four-line caption, in two columns, in Latin., print, prent, prints, prenten, height 298 mm, width 221 mm, Zuid-Nederlands, 1603 - 1658-01-16, print maker, printmaker, 1613 - 1658, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, Publication (Event), Publication, publisher, issuer, granter of privilege

Herodias and Salome with the head of John the Baptist, Bartolommeo Coriolano, After Guido Reni, 1631 print Italy paper Salome gives the head of John the Baptist to her mother

Copper engraving by Pieter de Jode II, created between 1620 and 1690, depicting a young woman and a fool holding an owl with detailed figures and setting.

Marches Macerata Mevale Pieve5. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket ca. 1780 Stefano Mulinari. A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket. Stefano Mulinari (Italian, Florence ca. 1741-90). ca. 1780. Etching with brown wash on light blue laid paper. Prints

Design for an altarpiece, Paolo Farinati, 1550 - 1559, Design for an altarpiece with Saints Sebastian and Rochus, to whom the Madonna appears., draughtsman: Paolo Farinati, Verona, 1550 - 1559, prepared paper, pen, brush, h 358 mm × w 251 mm

The Virgin Mary Holding the Dead Christ. Correggio (Antonio Allegri) (Italy, Parma, circa 1489-1534). Italy, 16th century. Prints; etchings. Etching

Maria Met Kind, Abraham Delfos, After Simon Vouet, 1741 - 1820 drawing paper. chalk Mary sitting or enthroned, the Christ-child lying on her knee (Christ-child to Mary's left)

Liefde (Caritas), Jacob Matham (attributed to), after Hendrick Goltzius, 1601 - 1652 print The personalized love; A female figure surrounded by children. Amsterdam paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

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