Madonna and Child in Art

Artworks featuring depictions of the Madonna with the Christ Child, highlighting the iconography of motherhood in religious contexts.

Dyck, Anthony van, Antwerp, Pontius, Paulus, Mary with the Christ Child, recto bottom - handwritten in brown ink, Mary looks up to heaven. The Christ Child stands on her lap., print, engraving, prints, engravings, verso bottom left - stamped, Virgo tuum Pontius sculpt., height 285 mm, width 222 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09

Madonna with child, Louis Bernard Coclers, Rafaël, 1756 - 1817

Italy, Domenichino, Ferlonus, Petrus, Rome, Frezza, Giovanni Girolamo, The life of Diana, Pellitur e Celo Latona, nec exul al illo es, Fert Celum, natos quo feret illa duos, Latona with Diana and Apollo, verso - stamped, Latona sits with her two children, Diana and Apollo, in a landscape. Jupiter floats on a cloud in the background., print, prints, height 268 mm, width 164 mm, Italian, 1659 - 1748, print maker, 1686 - 1748, paper, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1581-10-21 - 1641-04-06, after a painting by

Italy, Raphael, Rome, Villamena, Francesco, Mary with Child and Elizabeth, Catherine and John the Baptist, verso - stamped, Mary hands over the Christ Child to Elizabeth. On the left John the Baptist and on the right Saint Catherine of Alexandria. Latin text in two columns in bottom margin., print, prints, height 438 mm, width 295 mm, print maker, printmaker, 1602 - 1602, paper, engraving, engraving (printing process), plate tone, Work conception, Italian, 1566 - 1624-07-07, after print by, 1483-04-07 - 1520-04-07

Drawing by Guercino depicting a mother with a child and a kneeling saint, executed in brown pen and lavated brown with traces of red chalk, circa 1617-1620.

The Holy Family with Saint Elizabeth and the infant Saint John the Baptist. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Phillip Joseph Tassaert (Flemish, Antwerp 1732-1803 London). Dimensions: Sheet (Trimmed): 14 in. × 13 7/16 in. (35.5 × 34.2 cm). Date: ca. 1615-75. Museum: Metropolitan Museum of Art, New York, USA. Author: After Peter Paul Rubens. Phillip Joseph Tassaert.

The Virgin, the Infant Christ, Infant Saint John, and Two Angels ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. The Virgin, the Infant Christ, Infant Saint John, and Two Angels. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Crayer, Gaspar de, Parijs, Schuppen, Pieter van, Mary with sleeping Jesus and John the Baptist, Paris, verso lower left - stamped, The Christ Child is sleeping on Mary's lap. John the Baptist kneels down next to them and holds his finger to his lips. Through a hole in the wall a landscape with classical buildings can be seen. Two angels watch from a pedestal. At the bottom a coat of arms., print, prent, prints, engravings, height 354 mm, width 252 mm, French, South Netherlands, 1627-09-05 - 1702-03-07, print maker, printmaker, 1665-06 - 1665-06, paper, papier, engraving, engraving (printing process), etching, 1584-11-18 - 1669-01-27

Umbria Terni Amelia S. Monica. Hutzel, Max 1960-1990 Post-medieval: Original church 14th century, rebuilt 17th century after an earthquake. Architecture; Baroque interior; painting; fresco fragments; organ loft German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A copper engraving from 1515-1520 by Agostino Veneziano depicting the Virgin, Christ Child, Saint John, and two angels, highlighting figures and composition.

Dyck, Anthony van, Antwerp, Pontius, Paulus, Mary with the Christ Child, recto bottom - handwritten in brown ink, Mary looks up to heaven. The Christ Child stands on her lap., print, engraving, prints, engravings, verso bottom left - stamped, Virgo tuum Pontius sculpt., height 285 mm, width 222 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Personification of love, with two children on the arm, standing in NIS.

Madonna, Child, and Saint John. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 11-9/16 x 8-3/8 in. (29.3 x 21.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Rest on the Flight into Egypt, anonymous, Hans Schäufelein, 1515 print paper rest on the flight into Egypt

Verona, Angolo del Moro, Battista, Mary with Child and Saints, verso - stamped, Mary with the Christ Child and saints. In the background stands Joseph who points with his right hand., print, prent, prints, prenten, height 282 mm, width 203 mm, Italian, 1514 - 1575, print maker, prentmaker, 1524 - 1575, paper, papier, etching

Giacomo Bossi (Engraver) (Copy after Sarto, Andrea del (Andrea d'Agnolo)); Calcografía Nacional (The seller); Agustín Esteve (Drafstman) / 'The Virgin with the Child, Saint John and Angels'. 1791 - 1800. Taille douce: etching and engraving on wove paper; 1791 - 1800. Taille douce: etching and engraving on wove paper. Museum: Museo del Prado, Madrid, España.

Two children playing: Spring and autumn. Two children playing, left autumn with a fruit and corn, on the right spring with a floral wreath. Under the show a verse of two lines in Dutch.

Mary with Child and cherubs, Schelte Adamsz. Bolswert, Peter Paul Rubens, c. 1596 - c. 1659

Copper engraving by Nicoletto da Modena from the first quarter of the 16th century showing the Virgin holding the Christ child within a landscape, highlighting figures, gestures, and environment.

Albrecht Dürer, The Virgin and Child Seated by a Tree, 1513 The Virgin and Child Seated by a Tree

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin, the Child Jesus and Le Petit Saint John. (A. de Vesme 9; Dutuit 157) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Allegory with five putti with the attributes of Mercury, Anonymous, 1705 - 1754 drawing Design for a painting. paper. ink pen / brush / brush / brush (story of) Mercury (Hermes)

A seated woman, seen partly on her back with her face turned to the right, holds a baby on her lap Copy after a depiction from the drawing book of Abraham Bloemaert, in the edition of Nicolaas Visscher, Madonna and Child, Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, print maker: anonymous, Netherlands, c. 1679 - c. 1750, paper, etching, h 202 mm × w 153 mm

The Virgin seated with the infant Christ on her lap, the young Saint John the Baptist kneeling on Christ's cradle and caressing his foot, a lamb at right, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Guillaume Vallet (French, Paris 1632-1704 (active Rome and Paris)). Dimensions: Sheet (Trimmed): 16 7/16 × 14 3/16 in. (41.7 × 36 cm). Date: ca. 1650-1704.Copy after Reni. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Drawing of adoration of the kings. Correggio, 1489-1534. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Andrea del Sarto: Heilige Familie (Holy Medici Family). Palatine Gallery, Palzzo Pitti, Florenz. .

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Ezekias, Ancestor of Christ, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Depicts the allegorical figure of Caritas, created as a copper engraving print in the first half of the 16th century by Giacomo Francia.

Copper engraving by Martin Schongauer, late 15th century, depicting the Madonna holding an apple, highlighting figure, gesture, and symbolic element.

Solimena, Francesco, Milan, Berardi, Fabio, Maria with child, verso - stamped, Maria bent over the Christ child. In the background a column. Coat of arms in the lower margin., print, prent, prints, height 372 mm, width 248 mm, 1728 - 1767, print maker, printmaker, 1764 - 1764, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Italian, 1657-10-04 - 1747-04-05

Copper engraving by Hendrick Goltzius depicting the holy family, showing Mary, Joseph, and the Christ child, created between 1580 and 1900.

Annibale Carracci (Italian, 1560-1609), Madonna and Child with an Angel, 1590-1595, etching on laid paper

Wszyscy Święci w MNK Couatures, Léon (1842 1935), Caraccia and Hribal (1560 1609)

Venus dries off after the Bad and Amor with arrow and arch, Marco Dente (Attributed to), after Marcantonio Raimondi, After Rafaël, 1512 - 1527 print paper engraving toilet of Venus. Venus and Cupid (Cupid not being mere attribute)

Photo production of (presumably) a print to a painting by Rafaël, representing the Holy Family (La Perla). Part of travel album with recordings of artworks, people and sights in Spain.

Drawing by Domenico Beccafumi, known as Mecarino, depicting a seated young man with a stone bar and two figures beside him, executed in brown ink and black chalk, circa 1544-1545

Maratti, Carlo, Rome, Frey, Jacob (der Ältere), Rest during the Flight into Egypt, verso - stamped, print, prints, height 429 mm, width 295 mm, 1681 - 1752-01-11, print maker, printmaker, 1717 - 1718, paper, engraving, engraving (printing process), intermediary draughtsman, after a design by, Italian, 1625-05-15 - 1713-12-15

Ramón Bayeu y Subías / 'Our Lady of the Rosary in Glory'. 1789. White chalk, Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

The Holy Family. Dated: 1770s. Dimensions: overall: 18.5 x 19.1 cm (7 5/16 x 7 1/2 in.). Medium: pen and brown ink with brown and gray wash, heightened in white and pink gouache on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Bartholomäus Ignaz Weiss.

An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius ca. 1520-50 Anonymous. An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius 342648

St. Mary Magdalene in penance. Gennari, Ercole (1597-1658), draughtsman, cartoonist, Gennari, Benedetto II (1633-1715), draughtsman, cartoonist

Gabriel de Saint-Aubin - a family - group of four characters A family, group of four characters "Drawing by Gabriel de Saint-Aubin (1724-1780).

Charity and Studies of Entablatures (recto); Frieze of Putti (verso); Paolo Farinati (Italian, 1524 - 1606); Italy; about 1580; Pen and brown ink, brown wash, white heightening with black chalk (recto); black chalk (verso); 38.9 x 25.7 cm (15 5,16 x 10 1,8 in.)

Judit with the head of Holofernes. Judit stops Holofernes's head in a bag, which is kept open by her service. The sword in her right hand. Behind her the beheaded holofernes in his tent. The print has a Latin caption.

Raphael, Paris, Schuppen, Pieter van, Madonna della Sedia, verso lower left - stamped, Mary with the Christ Child on her lap. On a pedestal at the bottom is a coat of arms., print, prints, height 357 mm, width 285 mm, French, South Netherlands, 1627-09-05 - 1702-03-07, print maker, printmaker, 1661 - 1661, paper, engraving, engraving (printing process), 1483-04-07 - 1520-04-07

Madonna and Child with a bird. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Plate: 8 9/16 × 5 13/16 in. (21.7 × 14.7 cm). Date: ca. 1635-1636. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child Seated on Clouds. Marcantonio Raimondi (Italian, c. 1480-1534); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1516. Dimensions: 246 x 167 mm (plate/sheet). Engraving printed in black on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Marcantonio Raimondi.

The Christ Child on a Bed of Straw. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 17 1/2 x 11 3/8 in. (44.5 x 28.9 cm). Date: 1662. Museum: Metropolitan Museum of Art, New York, USA.

The Holy Family. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm)plate: 9 3/4 x 7 1/16 in. (24.7 x 18 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Battista Franco.

Two putti sitting in hug, anonymous, 1600 - 1699 print Italy paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Albrecht Dürer (German, 1471 - 1528), The Virgin and Child Seated by a Tree, 1513, engraving

Plaudit Ave Regina, Print made by John Smith, 1652-1743, British, after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 9 11/16 × 7 1/4 inches (24.6 × 18.4 cm), Plate: 9 7/16 × 7 inches (24 × 17.8 cm), and Image: 8 5/8 × 6 15/16 inches (21.9 × 17.6 cm), angels, bows, Christianity, cloth, clouds, cross (motif), dress, halo, instruments, lute, music, orb, religious and mythological subject, snake, standing, violin, wings

Cupid Resting (copy) n.d. Formerly attributed to Rembrandt (Rembrandt van Rijn) Dutch. Cupid Resting (copy) 392072

Maria with the Christ child and two boys, Albrecht Altdorfer, 1507 print Maria sitting in a landscape with the Christ child on their lap. There are two boys next to her, they show a pot with an open lid to the Christ child. paper engraving Mary sitting on the ground, the Christ-child in front of her, sitting in her lap

Rudolf II of Habsburg (German Emperor), Sovius, Simon, Goltzius, Hendrick, Haarlem, Matham, Jacob, Mary with Child and angels, engraved, Mary with the Child in the manger. Two angels playing music stand next to them, in the air two putti., print, engraving, prints, verso - stamped, HGoltzius Inventor., Quam felix est Christe..., height 403 mm, width 298 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1605 - 1609, paper, papier, engraving (printing process), 1558-01 - 1617-01-01, after, after painting by, writer, 1552-07-18 - 1612-01-20, granter of privilege

Print, The First Lesson, ca. 1775-1800; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; stipple engraving in brown ink and white paper; 30.3 × 23.1 cm (11 15/16 × 9 1/8 in.); Bequest of George Campbell Cooper; 1896-3-311

Study for an Angel (recto); Study of a Cushion (verso) 1600-1602 Annibale Carracci Italian A young model, probably a studio assistant, posed for Annibale Carracci in this study of an angel-- the wings are only lightly indicated above his shoulders, almost as an afterthought. The angel's figure appears on the right in Annibale's altarpiece Saint Gregory Praying for the Souls in Purgatory, commissioned by Cardinal Antonio Maria Salviati about 1600-1602. The altarpiece, painted for a chapel in the church of San Gregorio Magno, Rome, was destroyed during World War II when it was in the collection at Bridgewater House, London. There are only minor changes in the configuration of the angel's draperies in the final painting. Figural studies done with chalk by the artist dating after 1600 are rare: two composition studies for the same altarpiece are preserved at Chatsworth and at Windsor Castle. while a third drawing with studies of the standing angel's head and left arm is in the Musée des Be

Madonna holding a lily branch with the Christ Child on her lap, seated on clouds, surrounded by cherub heads. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 6 5/16 × 5 1/2 in. (16 × 13.9 cm)Plate: 6 × 5 3/16 in. (15.2 × 13.2 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.

Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso) 1590-92 Gregorio Pagani. Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso). Gregorio Pagani (Italian, Florence, 1558-1605). 1590-92. Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk; squared in black chalk for transfer; on blue paper (recto); black chalk (verso). Drawings

Maria with Child and Johannes, Achille Louis Martinet, After Rafaël, 1829 - 1840 print Paris paper engraving / etching Mary and the Christ-child with John the Baptist (as child)

Marches Pesaro Fossombrone Museo Civico A. Vernarecci9. Hutzel, Max 1960-1990 Medieval: Sculpture fragments; early Christian sarcofagi. Post-medieval: Architecture, begun in the 13th century and remodeled in the 15th century; Renaissance sculpture fragments; marble bust of Vernarecci; model of Federico da Montefeltro's Palazzo della Corte Alta Antiquities: Fragments of capitals and relief carvings (Roman and possibly earlier); portrait busts (Julio-Claudian and Hadrianic) Object Notes: Museum is part of the Corte Alta. General Notes: Counts are approximate since many views have multiple objects. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Bar

Antwerp, Galle, Cornelis, Rubens, Peter Paul, Vorsterman, Lucas (I), Mary in adoration of the Christ Child, verso lower left - stamped, Mary with folded hands in adoration of the sleeping Christ Child., print, prints, height 191 mm, width 153 mm, Southern Netherlands, 1595 - 1675, print maker, printmaker, 1640 - 1678, paper, papier, etching, etchings, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Holy Family of Jesus Christ. Gérard Edelinck (French, born Flanders, 1640-1707); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1660-1707. Dimensions: 397 × 302 mm (image); 445 × 311 mm (plate); 504 × 383 mm (sheet). Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Gerard Edelinck.

Spes (copy) late 17th century Anonymous, Dutch, 17th century Dutch. Spes (copy) 398931

The Madonna on the Crescent Crowned by Two Angels. Martin Schongauer; German, c. 1450-1491. Date: 1470-1475. Dimensions: 173 × 110 mm (sheet trimmed to plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Mary with Child and crescent moon, Hendrick Goltzius, Jacob Matham, Rudolf II van Habsburg (Duits keizer), 1610 - 1612

A coal drawing by François Duquesnoy depicting the Madonna with child, showing religious figures and composition.

Madonna and Child. Artist: Jacques Bellange (French, Bassigny () ca. 1575-1616 Nancy). Dimensions: Sheet: 6 in. × 4 13/16 in. (15.2 × 12.3 cm)Image: 5 3/16 in. × 4 in. (13.2 × 10.2 cm). Date: 1612-16. Museum: Metropolitan Museum of Art, New York, USA.

Lamentation of the body of Christ. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: 1616. Place: Zwolle. Measurements: h 194 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Madonna of Loreto, the Virgin lifts a veil above the Child, who lies on a bed and pillow, Joseph stands behind with both hands on his staff 1575 Giorgio Ghisi Italian This print is related to a painting by Raphael executed around 1511. In the sixteenth century, the painting was in the church of Santa Maria del Popolo in Rome, but it is now in the Musée Condé at Chantilly. The text at the bottom of the print does not explicitly acknowledge Raphaels painting as the source, but proclaims it is a devotional print. Ghisi slightly reduces the compression of the original composition by increasing the space on both the left and right sides. This is the second state of the plate; the first state carries only the monogram of Ghisi and no letters in the margin. It was one of a group of three engravings by Ghisi that were published by Antoine Lafreri in 1575 as devotional works. Ghisi may have produced these plates in Mantua, printed a few impressions, and then sold them to Lafreri in Rome.. Mado

Holy Family with St. Elizabeth and the Infant St. John the Baptist. Mantegna, Andrea, 1431-1506. 1501 - 1600. Giovanni Antonio da Brescia (Italian engraver, ca. 1460-ca. 1520). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A gray pen drawing by Friedrich Sustris depicting Maria, Jesus, and Johannes, with lavated ink and highlighted white details.

Francesco Vanni red chalk drawing depicting a young woman viewed from the back holding a child, with an old woman and a boy in the background, showing figures and composition.

Italy, Correggio, Capitelli, Bernardino, The Mystical Marriage of Saint Catherine, verso - stamped, Mary holds the Christ Child on her lap. The Christ Child slides a ring onto the finger of Saint Catherine of Alexandria. In the background stands Saint Sebastian., print, prints, height 184 mm, width 180 mm, Italian, 1590 - 1640-05-23, print maker, printmaker, 1599 - 1640, paper, papier, etching, etchings, counterproof, tegendruk, 1489 - 1534-03-05

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Madonna (iconogr.), Rafael (1483-1520)-reproduction, raimondi, marcantonio (Ca 1470/1482-Ca 1527/1534)- Reproduction, Smolikowski, Seweryn (1850-1920) - collection, gift (provenance), photography of a work of art (artist), collections, religious art

Resting Cupido, Isaac de Jouderville, 1623 - 1647 print Cupido lying on a bed, the arrow sleeve and his bow next to him, has just blown a bubble. Netherlands paper etching / drypoint (story of) Cupid, Amor (Eros). (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'

Italy, Bella, Stefano della, Rest on the Flight into Egypt, verso - stamped, Mary suckling the Christ child and Joseph reading a book., print, prints, height 148 mm, width 120 mm, Work conception, Italian, 1610-05-18 - 1664-07-27, after print by, 1620 - 1664, paper, papier, etching, etchings, print maker, printmaker

Madonna and Child with an Angel. Dated: 1590/1595. Dimensions: sheet: 9.2 x 9.1 cm (3 5/8 x 3 9/16 in.), cut to platemark. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.

Coming to Amor, Barthélémy Joseph Fulcran Roger, after Pierre Prud'hon, 1777 - 1841 print paper etching / engraving Venus and Cupid (Cupid not being mere attribute)

The Holy Family. Dated: 1585. Dimensions: sheet (trimmed within plate mark): 16.7 x 11.8 cm (6 9/16 x 4 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Bartholomaeus Spranger.

A boy stands leaning against his mother with devoutly folded hands She is carrying a second child on her arm and raising her eyes to heaven Around her are men and women with closed eyes, Group of praying people, print maker: Dirk Jurriaan Sluyter, (mentioned on object), Antonie Frederik Zürcher, (mentioned on object), publisher: Arie Cornelis Kruseman, (mentioned on object), print maker: Amsterdam, publisher: Haarlem, 1851, paper, etching, engraving, h 158 mm × w 96 mm

Italy, Parmigianino, France, Aubert, Michel, Saint George kneeling before the Madonna and Child and John the Baptist, verso - stamped, print, prints, height 460 mm, width 356 mm, 1700 - 1757, print maker, printmaker, 1710 - 1757, paper, papier, engraving, engraving (printing process), etching, etchings, Italian, 1503-01-11 - 1540-08-24

Umbria Perugia Limigiano S. Michele2. Hutzel, Max 1960-1990 Exterior views of romanesque church and cloister, with details of west facade reliefs and double-window. Interior views of the kitchen and refectory. Interior views of the church focus on frescoes: the Martyrdom of St. Sebastian, Madonna and Child, Crucifixion, Saint Michael. Also, a view of a 15th century bapitsmal font and painting of the Madonna and Child with Saint John the Baptist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Heinrich Aldegrever, Madonna in a Landscape Sitting on a Cushion, 1527 Madonna in a Landscape Sitting on a Cushion

Terpsichore May 31, 1779 Francesco Bartolozzi Italian. Terpsichore. After Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). May 31, 1779. Etching and stipple engraving, printed in brown ink. Torre & Co. (British, active 1760-99). Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Prints

Italy, Reni, Guido, Biscaino, Bartolomeo, Joseph with the Christ Child in his arms, recto - handwritten in brown ink, print, prent, prints, verso - stamped, Guido Reni, height 106 mm, width 77 mm, 1632 - 1657, print maker, printmaker, 1642 - 1657, paper, papier, etching, etchings, Italian, 1575-11-04 - 1642-08-18

Lazio Roma Frascati Chiesa dei Cappuccini8. Hutzel, Max 1960-1990 Views of facade, exterior chapels, interior altars, choir, paintings, and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri Museo Civico di Velletri58. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Artist: Albrecht Dürer, German, 1471-1528, The Virgin Nursing theChild, Engraving, 11.6 × 7.4 cm (4 9/16 × 2 15/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Lazio Roma Rome SS. Giovanni e Paolo18. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early M

Madonna and Child. Dated: 1769. Medium: roulette, mezzotint and etching in shades of brown. Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel after Abraham Bloemaert.

The Virgin Nursing theChild. Artist: Albrecht Dürer, German, 1471-1528

Giuliani, Veronica.

Anonymous / 'The Virgin and Child'. 1650 - 1700. Black chalk on white paper. Museum: Museo del Prado, Madrid, España.

Print, The Nurse, 1750; Print Maker: Johann Georg Wille (German, active France 1715-1808); France; engraving on paper; Paper: 11.2 × 7.5 cm (4 7/16 × 2 15/16 in.) Plate: 9 × 5.7 cm (3 9/16 × 2 1/4 in.); Bequest of George Campbell Cooper; 1896-3-239

The Virgin and Child on a Grassy Bench; Nuremberg School; about 1500; Pen and brown ink; strip at the top added later; 19.2 × 15.6 cm (7 9,16 × 6 1,8 in.)

Portrait of Johanna Kertten, Jacob Houbraken, 1721 print Amsterdam paper engraving

Unknown (-); Tizian (1489-1576), the Boddige Magdalene, Middle of 16th Century

After Jacques Callot, Mother and Three Children Mother and Three Children

Umbria Perugia Perugia Galleria Nazionale dell'Umbria2. Hutzel, Max 1960-1990 Views of Umbrian painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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