Madonnas and Child Figures

Renaissance paintings of the Madonna with child, displaying elegant garments, serene expressions, and intricate backgrounds, reflecting spiritual themes.

L.Cranach, Madonna under the Appletree

'Madonna with Child'. Italy, First half of the 1530s. Dimensions: 53,8x39,7 cm. Museum: State Hermitage, St. Petersburg. Author: Giampietrino (Gian Pietro Rizzoli).

Painting by Agnolo Bronzino titled 'The Panciatichi Holy Family', 1530-1532. Part of the collection of the Galleria degli Uffizi, Florence, Italy.

Painting titled 'The Virgin and Child with Saint John' by Davide Ghirlandaio (1452-1525) an Italian painter and mosaicist. Dated 15th Century

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Ferrari, Gaudenzio (Post 1471 1546)

Painting of The Virgin and Child by Giovanni Battista Cima da Coneglliano dated 1496

'Madonna and Child, from The Diptych of Maerten van Nieuwenhove', 1487. Artist: Hans Memling.

England, London, Trafalgar Square, National Gallery, Painting of The Virgin and Child by Alvise Vivarini dated 1483

'St Catherine'. Italy, Between 1527 and 1531. Dimensions: 68x59 cm. Museum: State Hermitage, St. Petersburg. Author: BERNARDINO LUINI.

L.Cranach, Madonna under the Appletree

Madonna of the Meadow. Oil on canvas, transferred from wood, 1505. 67,3 x 86,4 cm. Museum: NATIONAL GALLERY, LONDRES, UK. Author: GIOVANNI BELLINI. VIRGIN MARY.

'Madonna and Child (copy)'. Italy. Dimensions: 47,5x33,7 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro Perugino (Pietro Vanucci).

Giovanni Bellini, Madonna and Child in a Landscape, Italian, c. 1430-1435 - 1516, c. 1480-1485, oil on panel

Madonna of the Pomegranate by Sandro Botticelli, tempera on wood, (1444-1510), France, Bayonne, Musee Bonnat

The Holy Family with Saints Anne and John the Baptist by Bronzino, Agnolo (1503-1572) Art History Museum, Vienne 1546 Oil on wood 127x101,5 Italy, Florentine School Renaissance Bible Painting

CIMA da CONEGLIANO, Giovanni Battista, also called (1459-1517). The Virgin and Child. 1496-1499. Renaissance art. Cinquecento. Venetian school. Oil on wood. RUSSIA. SAINT PETERSBURG. Saint Petersburg. State Hermitage Museum.

Madonna and Child ca. 1505-7 Luca Signorelli (Luca d'Egidio di Luca di Ventura) Italian The artist gave this painting to his daughter as a gift in 1507, possibly to celebrate the birth of a child. A student of ancient art and a master of the human figure, Signorelli was one of the protagonists of Renaissance painting. This picture makes use in the background of highly original decorations partly inspired by motifs popularized by the discovery of the Golden House of Nero in the late fifteenth century. In the upper corners are heads of (left) Domitian and (right) Julius Caesar. Listen to experts illuminate this artwork's story Listen Play or pause #5070. Madonna and Child Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Madonna and Child 437674

Rafael; Giulio Romano / 'The Holy Family, or The Pearl', 1519-1520, Italian School, Oil on panel, 147,4 cm x 116 cm x 2,8 cm, P00301. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Madonna of the Carnation, oil painting by Leonardo da Vinci created around 1478-1480. The central and centred motif is the young Virgin Mary seated with Baby Jesus on her lap. Depicted in precious clothes and jewellery, with her left hand Mary holds a carnation (interpreted as a healing symbol).Leonardo da Vinci (1452-1519), Italian artist and polymath

Raphael (1483-1520). Italian painter of the High Renaissance. Madonna del Granduca. 1504-1505. Palazzo Pitti. Florence. Italy.

The Holy Family with Saint Mary Magdalen. Artist: Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua). Dimensions: 22 1/2 x 18 in. (57.2 x 45.7 cm). Date: ca. 1495-1500.The composition of this late picture by Mantegna was inspired by Roman funerary reliefs, which accounts for the combination of austerity and sweetness. It is painted in distemper rather than oil, allowing the artist to give strong definition to the forms. Originally, the colors would have had a freshness and clarity. However, the picture has suffered from past cleanings and its surface has been varnished, compromising the intended effect. Mantegna painted for the elite Gonzaga court in Mantua, where the antiquarian culture informing this picture would have been appreciated. Museum: Metropolitan Museum of Art, New York, USA.

The Virgin and Child between Saint Peter and Saint Sebastian by Giovanni Bellini, (Circa 1430-1516), France, Paris, Musee du Louvre

Raphael (1483-1520). Italian painter. High Renaissance. La belle jardiniere or Madonna and Child with Saint John the Baptist. Oil on panel. 1507. Louvre. Paris. France.

According to Fra Bartolommeo: Madonna and Child with St, John, Old Masters Collection, Croatian Academy of Sciences in Zagreb

Bronzino, Agnolo (1503-1572) National Gallery, London Painting 101,6x81,3 Bible The Madonna and Child with Saint John the Baptist and Saint Elizabeth

Pitti Palace Museum, Raffaello Sanzio - Raphael, Madonna del Granduca Painting, 1504 Florence, Italy - 29 June 2023: Pitti Palace Museum, Raffaello Sanzio - Raphael, Madonna del Granduca Painting, 1504

Virgin and Child with Four Angels. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: 24 7/8 x 15 3/8 in. (63.2 x 39.1 cm). Date: ca. 1510-15.Gerard David, the leading painter in Bruges in the late fifteenth and early sixteenth centuries, followed the legacy of Jan van Eyck. In this painting he has taken the Virgin and Child from his predecessor's well-known <i>Virgin and Child at the Fountain</i>, but modernized the composition by placing the figures in a grand arched porch flanked by columns with Italianate capitals and against the backdrop of contemporary Bruges. A Carthusian monk is seen strolling and reading in the enclosed garden, suggesting that the painting was linked to the former monastery at Genadedael, just outside the city walls of Bruges. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child Crowned by Angels. Colyn de Coter; Netherlandish, 1450/55-before 1539/40. Date: 1490-1495. Dimensions: 151.9 × 88.6 cm (59 13/16 × 34 7/8 in.)Painted surface: 150 × 86.8 cm (59 1/16 × 34 1/8 in.). Oil on panel. Origin: Belgium. Museum: The Chicago Art Institute, USA. Author: Colyn de Coter.

Carlo Crivelli, Italian (c. 1430-1435-1495), Madonna and Child Enthroned with Donor, 1470, tempera on panel

Madonna and Child late 1480s Giovanni Bellini Italian Separated from our everyday world by a parapet, the figures nonetheless engage the viewer with their gazes. A cloth of honor has been pulled aside to reveal a distant landscape, where we witness the transition from dormant to verdant naturea metaphor, like the dawn sky, for death and rebirth. The asymmetrical composition looks ahead to the work of Titian. When Albrecht Dürer visited Venice, he declared Bellini the best painter. The fine Venetian frame is of the period.. Madonna and Child 435641

VIRGIN AND CHILD WITH FOUR ANGELS, by Gerard David, 1510-15, Northern Renaissance oil painting. The figures in an arched porch are flanked by columns against the backdrop of the city of Bruges. Graceful rhythms of the sculptural drapery unify the differently scaled figures (BSLOC_2017_16_102)

CORREGGIO, Antonio Allegri, also called (1489-1534). Madonna and Child with Saint John.1515 - 1518. Renaissance art. Cinquecento. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Virgin andChild. Artist: Alessandro Filipepi, called Sandro Botticelli, Italian, Florence, ca. 1444-1510

Holy Family. Fra' Bartolomeo (Baccio della Porta) (Italy, Florence, 1472-1517). Italy, circa 1497. Paintings. Oil on canvas

SAGRADA FAMILIA CON UNA DONANTE. Location: GALERIA REMBRANDT. MADRID. SPAIN.

The Rest on the Flight into Egypt 1537-40 Jan Massys This depiction masterfully demonstrates advances in the development of new genres of painting in the 1530s in Antwerp, namely landscape and still-life, and the introduction of figural motifs derived from the works of Leonardo da Vinci. Increasingly characteristic was a division of labor in workshops where one artistJan Massyspainted the figures, and anotherthe Master of the Liège Disciples at Emmausadded the landscape.. The Rest on the Flight into Egypt. Jan Massys (Netherlandish, Antwerp ca. 1509-1573 Antwerp). 1537-40. Oil on wood. Paintings

Joos van Cleve (ca.1480/1490-1540/1541). Dutch painter. Virgin with Child, 1530. National Gallery. Oslo. Norway.

The Holy Family by Gossaert, Jan (ca. 1478-1532) Museo de Bellas Artes de Bilbao c. 1527-1530 The Netherlands Oil on wood Painting Bible

Virgin Mary with Jesus Christ and Saint John as children by Piero di Cosimo, oil on wood, circa 1500, circa 1462-circa 1521, France, Strasbourg, Musee des Beaux-Arts, D 93

Rest in Egypt, detail from the central panel of Triptych of the Consolation, attributed to Michele Cavaro (1517-1584), tempera and oil on panel, 133x61 cm.

Anonymous / 'The Virgin and Child', 17th century, Italian School, Canvas, 102 cm x 82 cm, P05421. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Madonna and Child with Two Donors; Lorenzo Lotto (Italian (Venetian), about 1480 - 1556); about 1525 - 1530; Oil on canvas; 87.6 × 118.1 cm (34 1,2 × 46 1,2 in.)

Madonna in Glory, Botticelli, Sandro, 1470.

Painting titled 'The Virgin and Child with Saints Francis and Sebastian', 1491 by Carlo Crivelli

Jan van Dornicke. First half of 16th century. Triptych of the Adoration. Detail. Lazaro Galdiano Museum. Madrid. Spain.

Adoration of the Kings / Holbein / 1502

Madonna and Child with Two Angels, 1468-1469, by Sandro Botticelli (1445-1510), tempera on canvas, 100x71 cm.

Madonna Adoring the Sleeping Child early 1460s Giovanni Bellini Italian This is an important early work by Giovanni Bellini, the greatest painter of fifteenth-century Venice and one of the key figures of European painting. Datable to the mid-1460s, its hard, linear quality is indebted to the example of Bellinis brother-in-law, Andrea Mantegna, as well as to the sculpture of Donatello, which Bellini studied in Padua. The sleeping child is a reminder of Christ's death and sacrifice. The picture has suffered from a strong, abrasive cleaning.. Madonna Adoring the Sleeping Child. Giovanni Bellini (Italian, Venice, active by 1459-died 1516 Venice). early 1460s. Tempera on wood. Paintings

Madonna with Sleeping Child. Dating: 1540 - 1560. Measurements: h 69.5 cm × w 83.2 cm × t 3.5 cm; d 5.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Paris Bordone.

Madonna and Child; Workshop of Paolo Uccello (Italian, about 1397 - 1475); Italy; about 1470 - 1475; Tempera on panel; Panel: 53.3 × 41.9 × 3.8 cm (21 × 16 1,2 × 1 1,2 in.)

The Madonna and Child with the Infant Baptist (The Garvagh Madonna) by Raphael (1483-1520)/ National Gallery, London/ ca 1509-1510/ Italy, Roman School/ Oil on wood/ Renaissance/ 38,9x32,9/ Bible

Virgin and Child with the Young Saint John the Baptist (c. 1490), Virgin and Child with the Young Saint John the Baptist, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

The Rest on the Flight into Egypt. Dated: c. 1510. Dimensions: painted surface: 41.9 x 42.2 cm (16 1/2 x 16 5/8 in.) overall (panel): 44.3 x 44.9 cm (17 7/16 x 17 11/16 in.) framed: 69.2 x 54.6 cm (27 1/4 x 21 1/2 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Gerard David.

Gian Francesco Bembo. Italian painter born in Cremona, active from 1515 to 1543. Virgin and Child with Saint Stephen (fragment). Oil on panel. Ala Ponzone Civic Museum, Cremona, Italy.

Anonymous / 'La Virgen con el Niño (La Virgen del gorrión)', ca. 1600, Italian School, Panel, 93 cm x 75 cm, P00293. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Painting of The Buonvisi Altarpiece by Italian Artist Francesco Francia dated 1510

The Rest on the Flight into Egypt. Dated: c. 1530. Dimensions: overall: 57.7 x 74.7 cm (22 11/16 x 29 7/16 in.) framed: 82.5 x 99.7 x 8.2 cm (32 1/2 x 39 1/4 x 3 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: MARTIN VAN HEEMSKERCK.

Portrait of Giovanni della Volta with his Wife and Children. Date/Period: 1547. Painting. Oil on canvas. Height: 104.5 cm (41.1 in); Width: 138 cm (54.3 in). Author: Lorenzo Lotto.

Madonna and Child with Two Angels, detail, Filippo Lippi, 1460-1465, Galleria degli Uffizi, Uffizi Gallery, Florence, Tuscany, Italy

Rest on the flight to Egypt, Gerard David, painting, 16th century, Belgian Art

Wojciech Stattler (1800-1875). Polish painter. The Maccabees, 1830-1842. Detail. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

Artist: Master of the Horne Triptych, Italian, Florence, active early 14th century, Virgin andChild, ca.1325, Egg tempera on panel, 79.1 × 52.5 cm (31 1/8 × 20 11/16in.), Made in Florence, Italy, Italian,Florence, 14thcentury, Paintings

The Virgin of the Rocks (1495 - 1508), by Leonardo da Vinci, (in the National Gallery, London). Madonna and child Jesus with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name. Leonardo da Vinci (1452 - 1519), Italian polymath of the Renaissance, whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography.

San Ginesio (Italia, Marche, provincia di Macerata), Pinacoteca Comunale Gentili. Stefano Folchetti, Madonna in trono col Bambino e Santi, 1498

MATERNIDAD. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Central panel of an altarpiece of the Virgin, circa 1450. Detail Vigin with child. Tempera, stucco reliefs and gold leaf on wood. 213.3 x 160.4 x 12.5 cm. From the former parish church of Vallmoll (Alt Camp). Museu Nacional d'Art de Catalunya, Barcelona. Author: Jaume Huguet.

The Virgin and Child, Gossaert, Jan, 1510.

Sandro Botticelli, The Virgin Adoring the Child, Italian, 1446-1510, 1480-1490, tempera on panel

Andrea del Sarto (Andrea D'agnolo) / 'The Virgin with the Child, Saint John and Angels'. First quarter of the XVI century. Oil on panel. Museum: Museo del Prado, Madrid, España.

The Small Cowper Madonna by Raphael (1483-1520) painted on wood Date: circa 1505

AGAR E ISMAEL EN EL DESIERTO - SIGLO XVII - OLEO/LIENZO - NP 2659. Author: ITALIAN ANONYMOUS. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Circumcision by Signorelli, Luca (ca 1441-1523)/ National Gallery, London/ c. 1490/ Italy, Florentine School/ Oil on canvas/ Renaissance/ 258,5x180/ Bible

Gallerie dell'Accademia. The Virgin and Child with Saints Catherine of Alexandria and John the Baptist by Giorio da Castelfranco. Canvas. 15 th century.

Annalena Altarpiece, ca 1430, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood, 108x202 cm. Detail.

The Virgin and Child - ca. 1490 - 58x43 cm - oil on panel - Spanish Renaissance - NP 2709. Author: PEDRO BERRUGUETE. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY.

Jacopo Tintoretto, Doge Alvise Mocenigo and Family before the Madonna and Child, c 1575 Doge Alvise Mocenigo and Family before the Madonna and Child

The Holy Family Pompeo Giralamo Batoni (1708-1787/Italian)

Painting by Matthias Grunewald (1480; - around 1530), important painter and graphic artist of the Renaissance, Mary with the Child, historical, digitally restored reproduction from an original from the 19th century, Painting by Matthias Grunewald (1480; - around 1530), important painter and graphic artist of the Renaissance, Mary with the Child, historical, digitally restored reproduction from an original from the 19th century'.

Madonna Palafrenieri, by Merisi Michelangelo known as Caravaggio, 1605, 17th Century, oil on canvas. Italy, Lazio, Rome, Borghese Gallery. Detail. Virgin Mary red dress neckline breast naked Baby Jesus standing walking.

'Holy Family with St John the Baptist'. Italy, Ferrara, Middle of the 1530s. Dimensions: 40x32 cm. Museum: State Hermitage, St. Petersburg. Author: Garofalo (Benvenuto Tisi).

'Madonna and Child with St John Baptist'. Italy, Second half of the 15th - early 16th century. Dimensions: 86x86 cm. Museum: State Hermitage, St. Petersburg. Author: Master of the Scandicci Lamentation.

Virgin and Mary Magdalene and a donor, ca 1475, by the Master of the View of St Gudula (active ca 1470-1490), oil on panel.

Bouts, Dirk (1410/20-1475) National Gallery, London Painting 37,1x27,6 Bible The Virgin and Child

Giovanni Bellini (1432-1516). Italian painter. Madonna and Child, 1460-1465. Tempera on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy. Author: Giovanni Bellini (ca. 1432-1516). Italian painter.

Domenico Veneziano, Madonna and Child, c 1445 1450 Madonna and Child

Nativity; Gentile da Fabriano, Italian, about 1370 - 1427; about 1420 - 1422; Tempera and gold leaf on panel; Unframed: 72.4 x 42.6 cm (28 1/2 x 16 3/4 in.), Framed: 91.9 x 46.7 x 8.3 cm (36 3/16 x 18 3/8 x 3 1/4 in.)

Huybrecht Beuckeleer (1535/1540-ca.1605). Flemish painter. Madonna and Child, ca.1563. Wallraf-Richartz Museum. Cologne. Germany.

fine arts, Brueghel, Jan the Elder, (1568 - 1625), painting, ""Saint Mary with child"", Prado, Madrid,

Ridolfo Ghirlandaio (or Ghirlandajo) (1483-1561). Italian Renaissance painter. Florentine school. The Virgin with Child and Sts Francis and Jerome, early 1510s. Oil and tempera on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Caritas, detail of Filippino Lippi s frescoes in the Strozzi Chapel of the Santa Maria Novella Principal Dominican church in Florence, Italy Caritas, detail of Filippino Lippi s frescoes in the Strozzi Chapel of the Santa Maria Novella Principal Dominican church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20710919

Saint Elizabeth. Czechowicz, Szymon (1689-1775), painter

Polyptych, by Manfredino da Pistoia, 13th Century, 1280-1285, board,

Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist 1628-1629 France. Like other ambitious painters of his day, Jacques Blanchard began his career with years of travel and study in Italy before establishing himself in Paris. Blanchardís itinerary took him to Rome, Venice, and Turin, before his return to Paris via Lyon. This tender painting of the Christ Child approached by his cousin, Saint John the Baptist, probably belongs to these years of travel. Blanchard drew on works by Titian and Veronese that he had seen in Venice for the dynamic poses and warm light, but he evidently still felt some uncertainty in the placement of the figures in space.. Oil on canvas . Jacques Blanchard

Umbria Perugia Foligno S. Maria Infraportas4. Hutzel, Max 1960-1990 Medieval: frescoes paintings on panel, wooden sculptures. Post-medieval: frescoes, paintings on panel, paintings on canvas, stucco, baptismal font, architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ravenna Bagnacavallo Museo Civico5. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Holy Family with Saints Elizabeth and John the Baptist 1610-1620 Flanders. This painting of the Holy Family is one of several completed in the decade after Peter Paul Rubens returned to his native Antwerp, following an eight-year stay in Italy. Fully immersed in Italian art, the prodigiously productive artist had acquired such facility in handling brush, color, gures, and drapery and in arranging large-scale compositions that he was unrivaled north of the Alps. Here he displayed these skills not only by bringing a sacred subject to life but also by bringing it down to earth. Vital and believable Flemish gures ll the composition, which is dominated by the Virgin clad in a brilliant red dress. The bold, diagonal movement of the playful infants is an effective counterbalance to the full, rounded gure of Mary. Joseph (Maryís husband) and Elizabeth (her cousin, and the mother of John the Baptist) frame the pyramidal group as aged and more passive protectors. The atmosphere of joyful

Correggio / Mary adoring Christ

Madonna With Infant (detail) Antonio Rossellino (1427-1479 Italian) Relief State Hermitage Museum, St. Petersburg, Russia

Painting by Caravaggio- Madonna and Child with servant. Italy.

Vicente López Portaña / 'Saint Joseph's Dream', 1805, Spanish School, Oil on canvas, 187 cm x 118 cm, P07735. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

of 2