Madonnas and Child Imagery

Engravings and photographs of the Virgin Mary with child, showcasing religious iconography in detailed textures and serene expressions.

Spanish Crown, unknown, Vorsterman, Lucas (I), Raphael, Antwerp, Mary with Child, Elizabeth and John the Baptist as a child, verso lower left - stamped, print, prints, height 359 mm, width 277 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1617 - 1675, paper, papier, engraving, engraving (printing process), 1483-04-07 - 1520-04-07, after, after painting by, Publication (Event), Publication, publisher, uitgever van privilege

Maria met Kind. .

Maria en Kind met roos, Johann Christoph Teucher (attributed to), after Parmigianino, c. 1725 - in or after 1763 print Italy paper engraving / etching Mary sitting or enthroned, the Christ-child in front of her, lying in her lap (or in front of her bosom), sometimes in Pietí-posture. armorial bearing, heraldry

Lazio Frosinone Boville Ernica S. Pietro Ispano. Hutzel, Max 1960-1990 Medieval: Palaeochristian sarcophagus from 4th century, with relief of Nativity and Adoration of the Magi. Mosaic by Giotto. Post-medieval: Architecture, sculpture, frescoes. Structure of romanesque origin, but renovated in the 16th-17th centuries. Statues in niches of S. Peter and S. Paul, by Andrea Bregno. Marble relief of the Holy Family in the manner of Bregno (end 15th century). Frescoes from the end of the 16th century. General Notes: There were two sets of prints now integrated into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Im

Lazio Roma Rome SS. Giovanni e Paolo17. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early M

Wszyscy Święci w MNK Haider, M., Santi, Raffaello (1483 1520)

Maria puts Kind, Sébastien Vouillemont, after amonggianino, 1620 - 1660 print France paper engraving Madonna: i.e. Mary with the Christ-child. flowers: rose. cushion

Spanish Crown, unknown, Vorsterman, Lucas (I), Raphael, Antwerp, Mary with Child, Elizabeth and John the Baptist as a child, verso lower left - stamped, print, prints, height 359 mm, width 277 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1617 - 1675, paper, papier, engraving, engraving (printing process), 1483-04-07 - 1520-04-07, after, after painting by, Publication (Event), Publication, publisher, uitgever van privilege

Maria Lactans with angel in Oval List, Nicolas Bazin, After Correggio, 1643 - 1710 print paper engraving 'ablactatio'; Christ not drinking, Mary's breast bare ~ Madonna-representations. cupids: 'amores', 'amoretti', 'putti'

The Virgin and child seated by the wall., 1514, Nuremberg, by Albrecht Dürer. Gift of Bishop Monrad, 1869.

Umbria Perugia Perugia Convent S. Pietro. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin andChild. Etcher: Francesco Tortebat, Italian, 1578-1660 After: Simon Vouet, French, 1590-1649

Rubens, His Wife and Child, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 6. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 6. paper. photographic support. cardboard albumen print

Tuscany Siena Montalcino Farmacia dell'Ospedale. Hutzel, Max 1960-1990 Post-medieval: Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A black chalk drawing by Anton Raphael Mengs depicting the Holy Family, created before 1772.

Pellegrino Tibaldi (Italian, 1527 - 1596), The Holy Family with the Infant John the Baptist, 1550s, pen and brown ink with brown wash and white gouache over black chalk, squared with black chalk

Madonna della Sedia, nach einem Gemälde von Raphael, Illustration aus 1870, Palazzo Pitti, Florenz, Italien, digital verbesserte Reproduktion von einer Vorlage aus dem 19.Jahrhundert, Historisch, genaues Datum unbekannt 1f-4999779

Wszyscy Święci w MNK Unknown, Santi, Raffaello (1483 1520)

Alinari, Fratelli, No. 3001 Firenze - Galleria Pitti, Photo reproduction of painting Holy Family by Raphael, Galleria Pitti, Florence, No. 3001 FIRENZE - Galleria Pitti Santa Famiglia detta dell'Impannata (Raffaello), photograph, photo, photos, height 240 mm, width 189 mm, Italian, photographer, 1870 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Maria with child on throne, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk

Agrippina the Elder mourning over the Ashes of Germanicus Agrippina, surrounded by her Children, weeping over the Ashes of Germannicus , print maker: Valentine Green, (mentioned on object), after: Benjamin West, (mentioned on object), publisher: John Boydell, (mentioned on object), London, Jul-1774, paper, etching, h 602 mm × w 429 mm

Italy, Vanni, Francesco, Andreani, Andrea, Mary adoring the Christ Child, verso - stamped, Mary adoring the reclining Christ Child., print, prints, height 266 mm, width 213 mm, Italian, 1559 - 1629, print maker, printmaker, 1595 - 1595, 16th century, paper, chiaroscuro woodcut, Work conception, 1563 - 1610-10-26

Ubaldo Gandolfi, Italian (1728-1781), The Education of the Virgin, pen and brown ink with brown wash over black chalk laid on laid paper

Italy, Stefanoni, Pietro, Carracci, Ludovico, Mary feeding the Christ Child, verso - stamped, Mary sits with the Christ Child on her lap and gives him the breast., print, prints, height 150 mm, width 116 mm, 1555 - 1619-11-13, print maker, printmaker, 1592 - 1592, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, Italian, 1589 - 1627, publisher, uitgever

Amsterdam, Visscher, Claes Jansz. (II), Schonaeus, Cornelius, Goltzius, Hendrick, Matham, Jacob, Love (Caritas), A female figure surrounded by children as a personification of love (caritas)., print, prent, prints, height 152 mm, width 103 mm, Work conception, Northern Netherlands, 1571-10-15 - 1631-01-20, after a print by, 1601 - 1652, paper, papier, engraving, engraving (printing process), print maker, printmaker, 1558-01 - 1617-01-01, after a design by, 1541 - 1611-11-23, writer, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Madonna of the Rose, the Madonna reaches for a rose upheld by the child, who reclines on a drapery and rests his left arm on a globe. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Domenico Tibaldi (Italian, 1541-1583 (active Bologna)). Dimensions: Sheet: 18 11/16 x 13 5/16 in. (47.5 x 33.8 cm). Date: 1516. Museum: Metropolitan Museum of Art, New York, USA.

Depicts Maria with the child, created as a copper engraving print by Andrea Zoan at the end of the 15th century and beginning of the 16th century.

Copper engraving print depicting Maria with the child, created by Bartholomäus Kilian in 1678.

unknown, Antwerp, Meyssens, Joannes, Schut, Cornelis (I), Witdoeck, Hans, Maria met Christuskind, in ovaal, verso lower left - stamped, print, prints, height 260 mm, width 198 mm, South Netherlands, 1615, print maker, printmaker, 1640 - 1670, paper, papier, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29, after a design by, Publication (Event), Publication, 1612-05-17 - 1670-09-18, publisher, uitgever, verlener of privilege

Umbria Perugia Perugia Convent S. Pietro32. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Gregorio Maggiore7. Hutzel, Max 1960-1990 Exterior views of a restored 12th century church: bell tower; facade with niched saints, triforium windows (12th century), and porch (16th century); cloister; frescoed baptismal chapel (1536) and font (15th century). General views of interior and crypt: remnants of frescoes by Umbrian artists (13-16th centuries), including two of the Madonna lactans; altar frescoes of Saints Sebastian, Roch, and Abbondanza around a marble tabernacle (1526); holy water fonts (14th century); baroque domed chapel with fresco and stucco decoration and tabernacle; apse frescoes of clerical saints in medallions (11th century); Roman steles used as altar bases; sarcophagus of St. Abbondanza; columns and capitals of various styles. Object Notes: Hutzel photo campaign date: February 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred

On verso: five studies of ceilings with grotesque. Date: 1816. Pen and ink, brush and brown watercolor wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

The Child sits upon a cushion, lifting his right left and holding his right ankle with his right hand. The right shoulder covers part of the chin. Mary, standing behind him, holding his left arm with her left hand. A bird in his left hand. Part of the sky visible, clouds, the sun. Framing line. Graphite on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Engraver: Francesco Tortebat, Italian, 1578-1660, After: Simon Vouet, French, 1590-1649, Virgin and Child in aroundel, Engraving and etching, sheet: 34 × 28.4 cm (13 3/8 × 11 3/16 in.); platemark: 25.3 × 21 cm (9 15/16 × 8 1/4in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Sleeping amor. Amor is sleeping under a tree. His arrow bundle and his bow are behind him.

Drawing by Richard Cosway showing a seated young woman with a child, executed with brush, wash, and pencil traces.

Jacobus Frans Eduard, Prince of Wales, 1688-1689. The Child Jacobus Frans Eduard, Prince of Wales, sitting on a velvet pillow. In the caption of 2 verses of 3 lines this child is mentioned as one of the three problems of Great Britain.

After Albrecht Dürer, The Virgin with the Swaddled Child, 1514, engraving on paper.

The Education of the Virgin. Dimensions: sheet: 13.5 x 11.1 cm (5 5/16 x 4 3/8 in.) mount: 19.2 x 17.3 cm (7 9/16 x 6 13/16 in.). Medium: pen and brown ink with brown wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Ubaldo Gandolfi.

Print made by Elisha Kirkall, ca. 1682-1742, British, Virgin and Child, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)93. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Florence, Bardi, Luigi, Italy, Raphael, Tesi, Samuel, Garavaglia, Giovita, Madonna della Sedia, Mary with Child and the young John the Baptist, print, prints, height 505 mm, width 461 mm, Italian, 1790 - 1835-04-27, print maker, printmaker, 1828 - 1828, paper, papier, chine collé, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1483-04-07 - 1520-04-07, after, after a painting by, Publication (Event), Publication, publisher, uitgever, Italiaanse, printer, drukker

The personification of virtue Love is carrying a child on her arm and two children are sheltering under her cloak. She has a halo around her head. In the background a landscape., Love The Virtues (series title), print maker: Cornelis Massijs, (mentioned on object), Cornelis Massijs, Antwerp, c. 1543 - c. 1544, paper, engraving, h 92 mm × w 61 mm

Italy, Stefanoni, Pietro, Rome, Orlandi, Giovanni, Carracci, Ludovico, Virgin and Child with Angels, verso - stamped, Virgin and Child sitting with the Christ Child in her arms. At the top right a group of putti on a cloud. A putto with a censer floats above., print, prent, prints, prenten, height 162 mm, width 116 mm, 1555 - 1619-11-13, print maker, printmaker, 1595 - 1610, paper, papier, etching, etsen, engraving, engraver (drukprocedé), Publication (Event), Publicatie, Italian, publisher, uitgever, 1589 - 1627

Vatican City, Papal Court, Rome, Guercino, Pasqualini, Giovanni Battista, Madonna della pappa, Maria met Kind, verso - stamped, Maria with the Christ Child in her arms. She feeds him with her hands from a small pot that stands on the table on the right. Dedication in the lower margin., print, prent, prints, height 294 mm, width 224 mm, Italian, 1585 - 1634, print maker, printmaker, 1621 - 1621, paper, papier, engraving, engraving (printing process), plaattoon, 1591-02-08 - 1666-12-22, after, after a painting by, granter of privilege

Venus and Cupid 1789 England. John Deare, one of the finest British sculptors of the late 1700s, was also a superb draftsman. Venus and Cupid is a highly finished study for a relief sculpture of the same subject (now lost). Consistent with his profession, Deareís drawing technique is characterized by severe linearity, minimal shading, and a frieze-like arrangement of figures, as though the whole were carved from a block of stone.Cupid holds an outsize butterfly, an allusion to his wedding to Psyche. In Neoplatonic philosophy, the butterfly signifies the immortality of the soul. Gazing intensely into Cupidís eyes, Venus expresses maternal affection while at the same time registering an erotic charge.. Pen and black ink on cream laid paper . John Deare

Holy family by Andrea Mantegna, Copper engraving, 1431-1506, Russia, St. Petersburg, State Hermitage, 21, 7x18, 9

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile16. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Holy Family V, print maker: Schelte Adamsz. Bolswert, Peter Paul Rubens, publisher: Cornelis Galle (II), (mentioned on object), 1596 - 1678, paper, engraving, h 120 mm × w 87 mm

Abruzzo Teramo Atri Cattedrale, Museo Capitolare0. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Foligno Palazzo Trinci6. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Castel Sant'Elia S. Elia93. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Matelica Museo Piersanti7. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Eligio degli Orefici. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, religious reliquaries Object Notes: On Via Giulia along banks of the Tiber. Designed by Raphael. Construction began in 1516. Facade from 1602 by Ponzio. Interior in form of Greek cross. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gossaert, Jan, Madonna and Child, verso lower left - stamped, Mary sitting on the ground with the Christ Child on her lap. Both are holding the same ball. The Christ Child pulls Mary's cloak with his right hand., print, prints, height 144 mm, width 102 mm, print maker, printmaker, 1488 - 1585, fourth quarter 15th century, 16th century, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, North Netherlandish, 1478 - 1532

Copper engraving by Hendrick Goltzius from 1597 depicting the child Jesus holding a globe as Salvator Mundi, representing Christ as the savior of the world.

Anonymous / 'The Virgin and Child'. 1600 - 1635. Grey-brown wash, Black chalk, Pencil on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Lazio Rieti Rieti Museo Civico69. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e

Andrea Mantegna, Italian (c. 1431-1506), The Virgin and Child, 1470s (), engraving on laid paper

Charles Exshaw, c. 1730-1771, British, Isabel van Loo, ca. 1757. Mezzotint and etching on moderately thick, moderately textured, cream laid paper.

Maratti, Carlo, Frey, Jacob (der Ältere), Christ Child in the Crib with Two Angels and John the Baptist at His Side, verso - stamped, With caption in Latin., print, prent, prints, prenten, height 267 mm, width 263 mm, 1681 - 1752-01-11, print maker, printmaker, 1691 - 1752, paper, papier, etching, etchings, Work conception, Italian, 1625-05-15 - 1713-12-15

Bliżej Kultury Cooper, James David (1823 1904), Santi, Raffaello (1483 1520)

Drawing, Madonna and Child; Possibly by Domenico Mondo; Italy; ink wash on paper

Cayetano Rodríguez (Lithographer) (After Sassoferrato); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Virgin and Child Asleep'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon on wove paper. Museum: Museo del Prado, Madrid, España.

The Madonna nursing the Christ Child, circa 1592, Bologna, by Agostino Carracci, Agostino Carracci.

Anonymous / 'The Virgin and Child'. Mid-XVIIcentury. Grey-brown wash, Pencil on yellow paper. Museum: Museo del Prado, Madrid, España.

Tuscany Siena Montalcino Museo Diocesano64. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Virgin with the Swaddled Child 1520 Albrecht Dürer German. The Virgin with the Swaddled Child 391264

Reading a letter, Jan van Somer, after Gerard Pietersz. van Zijl, After Wallerant Vaillant, 1655 - 1706 print A woman reads a letter to two other women and a man. In the foreground a dog. Amsterdam paper lover with love-letter. reading to somebody. letter, envelope

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale0. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Vienna, Gesellschaft für Vervielfältigende Kunst, Francia, Francesco di, Martin, Erdmann, Maria mit dem Jesuskinde und Johannes, Mary with the Reading Child and John the Baptist, print, prints, height 361 mm, width 290 mm, 1832-07-23 - 1886-06, print maker, 1842 - 1886, paper, papier, chine collé, etching, engraving, engraving (printing process), 1450 - 1517-01-05, after, after a painting by, Publication (Event), Publication, Austrian, publisher

Drawing by Jacopo Ligozzi of the three virtueslove, wisdom, and justicein a standing oval format, executed with metal pen, feather, and wash on brown paper with gold sewing.

Holy Family ca. 1700-1750 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 13.. Holy Family 336598

Photo production of drawing Raphael from Windsor Castle, Maria with Jesus, Elizabeth with Johannes.

After the little fruitseller, original by Murillo.. Murillo, Bartolomé Esteban, 1617-1682. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Baskets, Fruit, Teenage girls

Faust Seeing Marguerite for the First Time. Dimensions: plate: 56.1 × 39.4 cm (22 1/16 × 15 1/2 in.) sheet: 66.9 × 45.3 cm (26 5/16 × 17 13/16 in.). Medium: engraving on wove paper proof. Museum: National Gallery of Art, Washington DC. Author: Adolphe Caron after Ary Scheffer.

Madonna and Child Flemish (Antwerp School). , mid-16th century. Oil on panel, 10 1/2 x 9 7/16 in. (26.7 x 24 cm). European Art mid-16th century

Rome, Aelst, Nicolaus van, Italy, Romano, Giulio, Raphael, Facchetti, Pietro, Mary and the young John the Baptist washing the Christ Child, verso - stamped, Mary and the young John the Baptist washing the Christ Child. In the background are Joseph and Elizabeth., print, prints, height 295 mm, width 255 mm, Italian, 1535 - 1619-02-27, print maker, printmaker, 1575 - 1613, paper, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07, after a design by, 1499 - 1546-01-11, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever

Lazio Roma Rome S. Brigida6. Hutzel, Max 1960-1990 Exterior views of 18th c. church on Piazza Farnese. Interior views of altar, celing frescoes, sculpture, sculptural relief, paintings, mosaics, stained glass. General Notes: Exterior views taken from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mocetto, Girolamo, Madonna and Child on a throne, (1000 - 2000), copper engraving, reprint, graphic

Abraham Bloemaert, The Holy Family The Holy Family

Umbria Perugia Campello sul Clitunno Chiesa della Bianca0. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (1529) with portal by Cione; interior decoration and frescos (16-19th centuries) by Valadier, Angelucci, and lo Spagna German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italy, Cornelianus, Scipio, Strada, Vespasiano, Maria met Kind en vogel, Maria sitting with the Christ Child in her arms. In his left hand the Child holds a bird., print, prent, prints, prenten, height 135 mm, width 100 mm, Italian, 1582 - 1622-08-05, print maker, printmaker, 1592 - 1622, paper, papier, etching, etsen, plaattoon, Publication (Event), Publicatie, publisher

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)50. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Raphael, Photographic reproduction of a painting by Raphael, depicting the Virgin Mary and Child and John the Baptist, recto lower left, Part of Travel Album with photographs of sights in Germany and Austria and of works of art., photograph, photo, reproduction, photos,, height 139 mm, width 111 mm, photographer, 1870 - 1900, third quarter 19th century, fourth quarter 19th century, paper, papier, photographic paper, fotopapier, albumen print, albuminedruk, 1483-04-07 - 1520-04-07

Venus and Cupid. John Deare; English, 1759-1798. Date: 1789. Dimensions: 276 × 304 mm. Pen and black ink on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Photo reproduction of a painting by Bartolomé Esteban Murillo, presenting Anna and her daughter Maria. Part of travel album with recordings of artworks, people and sights in Spain.

Luitspeelster in Kind, Abraham Bloteling, After Gerard de Lairesse, 1652 - 1690 print Luitpeelser and her child. The woman is possible Maria Salme, the wife of Gerard de Lairesse. paper engraving lute, and special forms of lute, e.g.: theorbo. one person playing string instrument (plucked)

Antwerp, Pontius, Paulus, Rubens, Peter Paul, Holy Family with Anna, verso lower left - stamped, The Christ Child stands on Mary's lap and leans on her bare breast. Anna puts her arms around them. Joseph looks on. In the margin a four-line caption, in two columns, in Latin., print, prent, prints, prenten, height 244 mm, width 184 mm, print maker, prentmaker, 1616 - 1657, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1603 - 1658-01-16, after print by, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Photo production of painting by Paul Delaroche: Les Joies D'Une Mere.

Venus and Amor; Lasciva Venus Blandusque Cupid. Venus and Amor are in a bed together.

A mother tries to suckle her child which appears to be dead. Heliogravure after Barthel Beham, c. 1528-30.

Virgin on a Crescent, withoutCrown. Artist: Albrecht Dürer, German, 1471-1528

The Virgin with Child Seated Under aTree. Artist: Lucas van Leyden, Netherlandish, 1494-1533

Portraits of Aglaé de Polignac, Duchess de Guiche, and his brothers French school. Portraits of Aglaé de Polignac, Duchess de Guiche, and his brothers. Watercolor and gouache on ivory. Eighteenth century. Paris, Cognacq-Jay Museum.

Campania Salerno Cava dei Tirreni Museo3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Pudenziana4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region i

Madona col Bambino, Print made by John Raphael Smith, 1752-1812, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1791, Mezzotint (Ham.II) on moerately thick, moderately textured, cream, laid paper, Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm), Plate: 19 7/8 × 14 1/16 inches (50.5 × 35.7 cm), and Image: 18 3/8 × 13 15/16 inches (46.7 × 35.4 cm), book, child, Christianity, curtain, embrace, love, Madonna: i.e. Mary with the Christ-child, mother, religious and mythological subject, trees, window

Saint Félicité and Her Seven Sons, second third 19th century. Hippolyte Jean Flandrin (French, 1809-1864). Graphite; framing lines in graphite; sheet: 13.9 x 10.8 cm (5 1/2 x 4 1/4 in.).

'Relief: Madonna with Child'. Italy, Florence, 15th - early 16th century. Dimensions: 61,5x44,0 cm. Museum: State Hermitage, St. Petersburg.

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