Male Nude Drawings

Detailed sketches of male nudes, showcasing different poses. The artworks highlight anatomical features and elegant lines, with a classic artistic style.

Sitting male nude, seen from the side (3rd price 1780), Wouda Piera, 1780 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

This pencil drawing by Josef Tautenhayn (The Older) depicts a standing male figure with a bearded head turned right, supported by a stick, left leg on a staircase, emphasizing posture and anatomy.

Sitting male nude, seen from the side (3rd price 1780), Wouda Piera, 1780 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Reclining Male Nude 1765-1810 Jakob Matthias Schmutzer Austrian. Reclining Male Nude 337404

Nude male figure facing towards the left with arms raised. Both knees bent, with the right ahead of the left. Date: ca. 1894. Graphite on paper, laid down on board. Museum: Cooper Hewitt, Smithsonian Design Museum.

Sitting male nude, with harp ..

Standing male nude, seen on the back (3rd prize 1803), Joannes ECHARIUS CAROLUS Alberti, 1803 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Sitting male nude, turned left, Jan Tersteeg (Possible), 1760 - 1807 drawing prepared paper. chalk brush

A Seated Slave mid-18th-early 19th century Pietro Antonio Novelli Italian A contemporary of Domenico Tiepolo, Novelli was a decorative painter and prolific draftsman. This drawing is a copy after one of the four bronze sculptures of slaves on the base of the monument to the Grand Duke Ferdinand I de Medici of Tuscany (Piazza Giuseppe Micheli, Livorno, Italy). These highly dynamic figures of bronze enchained captives, positioned at the four corners of the pedestal in crouching postures, were designed by the sculptor Pietro Tacca and installed in 1626. The marble statue of Ferdinand I surmounting the pedestal was sculpted by Giovanni Bandini, whose work is exhibited nearby.. A Seated Slave. Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). mid-18th-early 19th century. Pen and black ink, gray wash, over black chalk. Drawings

Sitting Male Nude Solleticare, Jean Grandjean, 1765 - 1781 drawing prepared paper. chalk

Male nude, from the front. Draughtsman: August Allebé. Dating: 1848 - 1927. Measurements: h 471 mm × w 303 mm. Museum: Rijksmuseum, Amsterdam.

Study of Hercules for 'Crowning the Victors at Olympia', James Barry, 1741-1806, Irish, between 1777 and 1780, Pen and black ink with brown wash over black chalk on medium, moderately textured, brown wove paper, Sheet: 15 3/16 × 8 3/8 inches (38.6 × 21.3 cm), figure study, man, religious and mythological subject, winners, Greece, Olympia

Sitting naked man with hands with his knee folded, Louis Marin Bonnet, After Van Loo, 1746 - 1793 print Numbered at the top right: No. 110. Paris paper engraving man (showing himself) undressed, quasi-nude. human figure of ideal proportions, e.g. academic nude. male sex; man

A drawing by Pompeo Girolamo Batoni showing a nude male figure lifting a block while preparing to take his fathers shield and sword, executed in chalk with white heightening on tinted paper.

Academic Study of a Male Nude, Giuseppe Longhi, Italian, 1766-1831, Black and white chalk on buff-colored paper; verso: black chalk, A young male nude is seen standing, facing frontally. He is supporting himself with his right arm on a block behind him, and his left arm is raised before his face. His left leg is raised on a step. Verso: outline of the same figure in an identical pose., northern Italy, Italy, 1790-1830, figures, Drawing, Drawing

Pierre Alexandre Aveline after Edme Bouchardon, Academie Academie

Faun with a goatling (Capretto), school drawing from plaster (School of Fine Arts, Warsaw). Abramowicz, Bronisław (1837-1912), draughtsman, cartoonist

Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses. Series of mythological gods and goddesses. Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505-1565 Krakow ()). 1526. Engraving. Prints

Study of a standing male model, leaned against a parapet. .

Study of the lower body of a walking male nude, draughtsman: Cornelis van Poelenburch, 1622 - 1624, paper, h 295 mm × w 219 mm

Standing male naked in front of a curtain, seen from behind. Draughtsman: Jean Grandjean. Dating: 1765 - 1781. Measurements: h 503 mm × w 292 mm. Museum: Rijksmuseum, Amsterdam.

Seated male nude, seen from the side (3rd prize 1790), Chrétien Dubois, 1790 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Sitting male naked, the arms backwards.

Drawing example of standing male nude and profil, Pieter de Jode (I), 1629 print Study sheet: Academic nude: standing male nude, to the left. paper engraving human figure of ideal proportions, e.g. academic nude. standing figure

Standing male nude. Standing male nude. Nr. 50.

Standing male naked, seen from behind. Draughtsman: anonymous. Dating: 22-May-1842. Measurements: h 607 mm × w 465 mm. Museum: Rijksmuseum, Amsterdam.

Red chalk drawing by François Boucher depicting a seated male figure, showing posture, gesture, and anatomy, created between 1725-1770.

Academic Nude Artist's working dates 1843-1889 France. Red and brown ContÈ crayon on tan wove paper . Alexandre Cabanel

Statue of a young man, 1636 - 1647 print Statue of a naked young man, with raised arms. Possibly a statue of Apollo. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Apollo (Phoebus)

Academic Nude, Seen from the Back Made 1862 France. Charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper . Paul Cézanne

Mercury lulling Argus to sleep with his music in order to kill him, tracing of a sculpture from 1818. Thorvaldsen, Bertel (ca 1770-1844), sculptor, Hadziewicz, Rafał (1803-1886), draughtsman, cartoonist

Study of a male nude, Charles Joseph Natoire, 1715 - 1772 print Academic study of a sitting male nude. France paper etching the (nude) human figure; 'Corpo humano' (Ripa) (+ sitting)

Male nude, walking, to the left. Male nude, walking, to the left. Inscription: 30 1726.

Standing male nude with cloak and shield. Draughtsman: Cornelis van Heurn (mentioned on object). Dating: 1789. Measurements: h 548 mm × w 317 mm. Museum: Rijksmuseum, Amsterdam.

Standing male naked with a shield and spear, anonymous, 1842 drawing paper. chalk standing figure

Image of a naked warrior with the body of a dead child, Cornelis Cort, 1602 print Image of a naked warrior with sword and the body of a dead child over the shoulder, standing in a niche. Rome paper engraving death of a child. piece of sculpture, reproduction of a piece of sculpture

Naked man with book and candle; Paradigmata Graphics variorum artificum. Older naked man sitting on a cloud. With one hand he holds a candle, in the other hand he has a book.

Hercules seen on the back, Adamo Scultori, After Giovanni Battista Bertani, c. 1540 - c. 1585 print Hercules on the back seen with clubs and lion skin. paper engraving (story of) Hercules (Heracles). attributes of Hercules (with NAME). attributes of Hercules (with NAME)

Winter. Artist: After Giulio Romano (Italian, Rome 1499-1546 Mantua); Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano). Dimensions: Sheet: 9 5/16 × 3 3/4 in. (23.6 × 9.5 cm). Date: 1530-73. Museum: Metropolitan Museum of Art, New York, USA.

Francisco Bayeu / 'Vulcan'. 1764. White chalk, Black chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Sitting nude, Adamo Scultori, After Michelangelo, c. 1585 print Sitting naked man, turned to the right. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 16. Print Maker: ItalyaFter Painting by: Vatican City paper engraving the (nude) human figure; 'Corpo humano' (Ripa)

Standing Male Nude, J. Kuyper (Print Maker), 1864 print paper engraving / etching human figure of ideal proportions, e.g. academic nude. standing figure

George Romney, 1734-1802, British, Back View of a Standing Classical Male Figure, undated. Graphite; verso: pen and brownk ink on medium, moderately textured, cream laid paper.

Drawing, Study for "Commerce," "The Progress of Civilization: The Forge, Commerce, and Education" State Capitol, Des Moines, IA; Kenyon Cox (American, 1856-1919); USA; graphite on paper; 36.2 × 21.6 cm (14 1/4 × 8 1/2 in.)

The Farnese Hercules. Artist: Peter van Lint, Flemish (Antwerp 1609-1690 Antwerp). Dimensions: sheet: 16 3/4 x 10 7/16 in. (42.6 x 26.5 cm). Date: 1639. Museum: Metropolitan Museum of Art, New York, USA.

Sitting male naked, seen on the back (3rd price 1807), P. Luypen, 1807 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Mercury statue a male act included from the back based on trunk Gregori, Carlo (1702 1759), Campiglia, G.D.

Sitting male nude, seen from the front with your hands on the back, A. Waterloo (attributed to), c. 1826 drawing paper. chalk

Idol. Date: March-May 1886, Paris. Dimensions: 47.7 cm x 30.5 cm. Museum: Van Gogh Museum, Amsterdam.

Antique image of the Sandalenbinder, Giovanni Battista Tiepolo, After Anonymous, 1706 - 1770 drawing paper. ink pen / brush piece of sculpture, reproduction of a piece of sculpture (+ Roman art). putting on (tying) or taking off (untying) sandals or shoes

Gilles Demarteau, the Elder after Carle Van Loo, Academy Academy

Seated Male Nude inProfile. Artist: Louis de Boullogne the younger, French, 1654-1733 Artist, formerly attributed to: Louis de Boullogne the elder, French, 1609-1674

Bliżej Kultury Unknown, Pruszyński, Andrzej (1836 1895)

Francisco Bayeu / 'Half Figure of an Angel'. 1782. White chalk, Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

Drawing after Male Statue Leaning on Tree Trunk 18th century Anonymous, French, 18th century French. Drawing after Male Statue Leaning on Tree Trunk 357082

Mercury sleeping Grounds Argus would kill him, the exposure from 1818; Hadziewicz, Rafa (1803-1886), Thorvaldsen, Bertel (1770-1844); 1831 (1831-00-00-1831-00-00);Rome (Italy), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, classicism (style), sculptures, Polish (culture), Polish drawings, purchase (provenance) , collection signs

Marsyas sculpture, Anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

Print design, Young Bacchus standing, draughtsman: Jan de Bisschop, anonymous, 1648 - 1671, paper, pen, brush, h 197 mm × w 95 mm

Study of a Male Nude Study for "The Death of Seneca" 1838-40 Eugène Delacroix French This drawing relates to The Death of Seneca, one of Delacroixs ceiling paintings found in the library of the Chambre des Députés in the Palais Bourbon, Paris (now the Assemblé Nationale).The Roman philosopher-dramatist Seneca was implicated in a conspiracy to kill Nero. Ordered by the emperor to commit suicide, he stoically met his fate by having his veins opened, presumably while standing in a bath. Delacroix adroitly captures the recoiling, suicidal figure.. Study of a Male Nude Study for "The Death of Seneca". Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). 1838-40. Graphite on buff Bristol board. Drawings

Statue of Antinüs, Pieter Perret, 1580 print Nich with the statue of Antinüs, a young man from the result of Emperor Hadrian, who, according to the Latin caption was in the Vatican gardens. paper engraving piece of sculpture, reproduction of a piece of sculpture

Satyr. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gilles Demarteau (French, Liège 1722-1776 Paris). Dimensions: Sheet: 16 3/8 x 11 1/16 in. (41.6 x 28.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Sitting male nude, to the right, anonymous, 1788 drawing paper. chalk

A resting misery was drew by A. Kiwszenko. A clip from a Russian magazine PUC, Bronis AW (fl. 1867 1891), Schübeler, Julian (before 1865 1890), Popow, M. P. (N.N.), Kiwszenko, A. (N.N.)

Sitting male naked. Sitting male naked. Inscription: no. 75.

Sculpture of the young Hercules in battle with a snake; Herculis Pueri Simulacrum Romae; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Academic Study of a Cast of a Classical Nude, Giuseppe Longhi, Italian, 1766-1831, Black chalk on white paper, Study of a statue of a reclining headless and partially armless nude. A drapery falls over his upper left arm. Verso: unfinished study of the 'Dying Gaul.', northern Italy, Italy, 1790-1830, figures, Drawing, Drawing

Hercules. Male naked with knots and lion skin overlooked. Bottom right: no. 93 *.

French 18th Century, A Male Nude Seen from Behind, c1760 A Male Nude Seen from Behind

Seated male naked on the back (3rd prize 1783), Hendrik Voogd, 1783 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Anonymous / 'Life study of a seated man with a staff'. 1750 - 1800. Charcoal, White chalk on wallpaper, laid paper. Museum: Museo del Prado, Madrid, España.

Study of a Torso Study of a young man's torso, draughtsman: Perino del Vaga, c. 1511 - c. 1534, paper, h 235 mm × w 188 mm

Marsiyas.. Sandrart, Joachim von, 1606-1688. Prints. 1683. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Marsyas (Greek deity)

Seated Male Nude. Artist: Louis Lagrenée (French, Paris 1725-1805 Paris). Dimensions: 15 5/8 x 19 15/16 in. (39.7 x 50.6 cm). Date: n.d..This sheet is of a kind sometimes called an academy, that is, a carefully executed drawing of a nude in a studio pose. Although academies were standard exercises for young artists, they were also produced by established draftsmen like Lagrenée, who was a professor at the Académie Royale at the time this drawing was made.As was typical, the model assumes a posture inspired by other works of art. The brooding expression and arrangement of the legs recall figures by Michelangelo, making Lagrenée's drawing both a study of the pose from life and an homage to the earlier master. The sharp contour and compact musculature give the figure a sculptural quality which is further enhanced by the hatching used to describe the volumes of the body and the shadows cast by the left arm and right leg. Museum: Metropolitan Museum of Art, New York, USA.

Male nude, standing, pulling on a rope. Draughtsman: Louis Fabritius Dubourg. Dating: 1703 - 1775. Measurements: h 465 mm × w 313 mm. Museum: Rijksmuseum, Amsterdam.

French 17th Century, Kneeling Man Bound to a Tree, c 1685 Kneeling Man Bound to a Tree

Nude studies of man and female, Jan Brandes, After Jacob de Wit, 1787 - 1808 drawing Double folded leaf with schematic figure studies of standing naked man and female. With all kinds of proportions and dimensions. Copied from an example book. Vissebo paper. pencil. ink brush standing figure. standing figure (canon, proportions). standing figure (canon, proportions) - AA - female human figure

A man sketching a standing young male nude. Pencil drawing.

Antwerp, Jode, Pieter de (I), Varie figvre academiche, Diversche figvren wt de academia, Drawing example of a standing écorché, a flayed man, with a stick in his left hand. This print is part of an album., print, picture, album sheet, prints, pictures, height 281 mm, width 180 mm, South Netherlands, 1570 - 1634-08-09, print maker, printmaker, 1629 - 1629, second quarter 17th century, paper, engraving, engraving (printing process)

Image of seated nude woman, from behind, Moses ter Borch, after anonymous, c. 1657 - c. 1658, draughtsman: Moses ter Borch, anonymous, Zwolle, c. 1657 - c. 1658, paper, brush, h 420 mm × w 318 mm

Sitting naked man, Jean Augustin Daiwaille, 1820 - 1833 print The man sits on a block and keeps his hands on top of each other and vast. He looks at the bottom left. Amsterdam paper sitting on an elevation. the (nude) human figure; 'Corpo humano' (Ripa)

A pencil study by Emerich Alexius Swoboda of a male column figure, focusing on posture, anatomical proportions, and form.

Drawing by Hubert Maurer depicting a kneeling figure from the back, executed on yellowish paper with brown wash and white highlights.

The Emperor Commodus as Hercules 1592 Hendrick Goltzius. The Emperor Commodus as Hercules. Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). 1592. Engraving. Prints

Seated male nude, seen from the front (3rd prize 1776), Jan Lucas van der Beek, 1776 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Seated female nude 1742 François Boucher French. Seated female nude 336379

Standing male nude, Gilles Demarteau, After Carle van Loo, 1732 - 1776 print Paris paper etching human figure of ideal proportions, e.g. academic nude

Flayed man seen from the back, his right arm extended. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 6 1/4 x 4 1/2 in. (15.8 x 11.4 cm). Date: ca. 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Standing male nude, bent over at a block, seen on the back, hate Pieters Oosterhuis, 1803 drawing paper. chalk

A copper engraving by Marcantonio Raimondi from the first half of the 16th century depicts a man holding a flute, showing posture, gesture, and compositional arrangement of the figure within the scene.

A drawing by Francesco la Marra showing two male nude figures, one standing with a staff and the other kneeling on the ground, using money and feather.

A pencil and chalk drawing by Josef von Führich from 1819 depicting a statue of a young man, focusing on posture, form, and anatomical accuracy.

Sketch of a figure in Saugus mural , Lifting & carrying. The Massachusetts WPA Federal Art Project Photograph Collection

Jacopo Palma il Giovane, Nude Man Seen from Behind (verso) Nude Man Seen from Behind verso

Anonymous / 'Male nude figure study'. XVIII century. White chalk, Black chalk on paper. Museum: Museo del Prado, Madrid, España.

Copper engraving by Francesco Villamena depicting Apollo, the classical god of the sun and music, showing figure, lyre, and artistic composition, 1526-1624.

Standing male nude, as a warrior. .

Ariadne with Kroon van Sterren, Jacob Binck, after Giovanni Jacopo Caraglio, 1530 print Ariadne as beloved of Bacchus with a crown of stars. Her role as a stomach husband of this God is mentioned in the Latin inscription Mortalis Baccho Placvi Qve Ariadna Marito. Copy to a print by Jacopo Giovanni Caraglio. Germany paper engraving (story of) Ariadne

Statue of Apollo, 1636 - 1647 print Statue of Apollo with the Lier, standing to the right, with his right arm behind his head. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Apollo (Phoebus). piece of sculpture, reproduction of a piece of sculpture

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