Male Nude Sketches

A collection of male nude studies showcasing various poses and techniques. The artworks feature chalk drawings on colored paper, emphasizing the human form and detail.

Standing male nude, Hermanus Fock, 1780 - 1822

Seated Male Nude (recto); Sketches of Hand and Boy'd Head (verso) Artist's working dates 1626-1700 Holland. Black chalk, with touches of black crayon, heightened with white chalk (recto), and black chalk heightened with white chalk (verso), on blue laid paper . School of Rembrandt van Rijn

Standing male nude, Hermanus Fock, 1780 - 1822

Standing male nude, seen from the side (3rd prize 1801), Izaak Riewert Schmidt, 1801 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing naked man with arms folded around his head, Louis Marin Bonnet (attributed to), 1769 - 1790 print Paris paper engraving man (showing himself) undressed, quasi-nude. human figure of ideal proportions, e.g. academic nude. male sex; man

Drawing by Pompeo Girolamo Batoni depicting a young man sitting on stone steps holding a raised cloth, executed in chalk with white highlights on blue primed paper in 1765.

Sater with a scabellum and cimbal, Jan de Bisschop, after Anonymous, 1663 - in or before 1668 print Image of a saat with cimbals on his hands. His foot is in a scabellum, a wooden valve that you clap with the foot. Northern Netherlands paper etching satyr(s) (in general). clappers, castanets. other percussion instruments (with NAME)

Standing male nude, seen on the back (2nd prize 1773), Wybrand Hendriks, 1773 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Seated male nude, seen from the front (1st prize 1791), Jan Kamphuijsen, 1791 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Standing male nude, seen on the back, the right arm raised, Jan Tersteeg, 1787 drawing paper. chalk standing figure Amsterdam

Benvenuto Cellini, A Satyr, 1544 1545 A Satyr

Man with two scouring, Anonymous, After Willem Danielsz. Van Tetrode, 1550 - 1625 print A naked man, seen from the front, with a selection in both hands. He keeps his left arm in the air. Low Countries paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

A Satyr. Dated: 1544/1545. Dimensions: overall: 41.6 x 20.3 cm (16 3/8 x 8 in.). Medium: pen and brown ink with brown wash over black chalk on laid paper; laid down, with framing line in brown ink. Museum: National Gallery of Art, Washington DC. Author: BENVENUTO CELLINI.

A naked woman character as a personification of beauty, with a globe in her right hand to a chain and a casser and a lily branch in her left hand. A ray wreath in the background. Print of part 1 of a series of prints with symbols, in total consisting of three parts with 23, 17 and 20 and 20 prints respectively.

Man seen from the Back, holding a Skull in his right Hand. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 5 7/8 x 4 5/16 in. (15 x 11 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Standing male nude, with outstretched arm, Pier Johannes de Visser

Standing male nude, seen on the back (1st price 1802), C. Courier, 1802 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Arthur-Joseph Guéniot (1866-1951). Discobole, copy of ancient. Black stone. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Sitting male nude, the arms back, anonymous, 1776 drawing paper. chalk sitting figure

Standing male naked with raised arm, to the left, anonymous, 1826 drawing paper. chalk standing figure

Kneeling male nude, seen from the side (3rd prize 1798), Johan Christiaan Willem Safft, 1798 drawing prepared paper. chalk kneeling figure (+ nude human being). kneeling figure (+ nude human being)

Vulcanus with hammers and anvil; Gods and Goddesses. Vulcanus like God from the fire with tools from his mouth, hammers and anvil. The Latin text under the show refers to his wife, the Golden Venus: Avrea mi conivnx venvs est satvrnia mater. Copy to a picture of Jacopo Giovanni Caraglio.

Kneeling male nude, as a Christ ..

Standing male nude with cloak and shield. Male naked with mantle and shield on which the emblem of Felix Meritis. Nr. 51.

Standing male nude, seen on the back (3rd prize 1771), Daniël Dupré, 1771 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male nude, a block of lifting, anonymous, 1700 - 1800 drawing paper. chalk standing figure

Kneeling man with stick. A naked, young man kneels and holds a stick a stick behind his back.

Sitting naked from the Sixtin chapel.; Michelangelo's Ignudi from the Sistine Chapel. Sitting naked young man, seen from the front. He has a rope. From series of 20 prints with Michelangelos naked in the Sistine Chapel.

Standing male naked with a stick. Draughtsman: Jean Grandjean. Dating: 14-Aug-1779. Measurements: h 523 mm × w 368 mm. Museum: Rijksmuseum, Amsterdam.

Anonymous / 'Male nude figure study'. XVIII century. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

A red chalk and white heighted drawing by Nicolas Guibal showing a standing male nude from the back, holding his legs, with top and bottom stripe details and black edging line, 1757.

Victory: a naked youth standing facing left holding a statue of winged Victory in his right hand 1869 Mariano Fortuny, 1838-1874 Spanish. Victory: a naked youth standing facing left holding a statue of winged Victory in his right hand. Mariano Fortuny, 1838-1874 (Spanish, 1838-1874). 1869. Etching and dry point. Prints

Seated Male Nude 1704 Louis de Boullogne the Younger French Son and student of the painter Louis de Boullogne The Elder, one of the twelve founding members of the Académie Royale in 1648, Louis de Boullogne The Younger (1654-1733) was accepted at the Académie in 1681 after a trip to Rome from 1675 to 1679. In 1702, he was asked to decorate the Chapelle Saint-Augustin in the church Saint-Louis des Invalides in Paris while his brother Bon Boullogne (1649-1717) worked in the chapels Saint-Jérôme and Saint-Ambroise. Signed and dated 1704, this male academy is a preparatory study for the Conversion de Saint-Augustin, one of the six episodes from the saints life painted in fresco by Louis in the chapel of St. Augustine of the church Saint-Louis des Invalides in Paris. As Hélène Guicharnaud pointed out it in 1994, this sheet is of special significance since, of all the preparatory drawings that Louis made for the decoration in the Invalides, it is the only one that is dated. A compositional

Standing Male Nude 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. Standing Male Nude 336694

Male act double sided drawing; Verso: A man's head sketch unknown

Standing male naked, seen from the front. Draughtsman: anonymous. Draughtsman: A. Waterloo (attributed to). Dating: c. 8-Mar-1831. Measurements: h 580 mm × w 402 mm. Museum: Rijksmuseum, Amsterdam.

Standing male nude, bent forward to the right. Draughtsman: anonymous. Dating: 6-Jun-1770. Measurements: h 405 mm × w 223 mm. Museum: Rijksmuseum, Amsterdam.

Seated Male Nude; verso, Male Nude Walking. Artist: Anselm Feuerbach (German, Speyer 1829-1880 Venice). Dimensions: sheet: 23 3/4 x 15 3/4 in. (60.4 x 40 cm). Date: 1860-69. Museum: Metropolitan Museum of Art, New York, USA.

Standing male naked, seen on the back, the right arm raised. Draughtsman: Jan Tersteeg (mentioned on object). Dating: 1787. Measurements: h 545 mm × w 320 mm. Museum: Rijksmuseum, Amsterdam.

Jean Restout black chalk study of a standing or kneeling male figure, showing posture and anatomical details, dated 1710-1768.

Seated Male Nude 1728-81 Ubaldo Gandolfi Italian. Seated Male Nude. Ubaldo Gandolfi (Italian, San Matteo della Decima 1728-1781 Ravenna). 1728-81. Red chalk, highlighted with white. Drawings

Sitting male nude, seen on the back (2nd prize 1789), Jan Philip Reuthel Jr., 1789 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

A middle aged man, nude: back view. Engraving by J.D. Herz after himself, c. 1732.

Speculum Romanae Magnificentiae: Atreus Farnese. Artist: Anonymous; After Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). Dimensions: sheet: 13 7/8 x 8 7/8 in. (35.2 x 22.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1574.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is

Hebe; Sum Perpetua caudens eormosa ivventa; Goden in nissen.The Goddess Hebe stands with arms raised in a niche.

Winter 1530-73 Battista Angolo del Moro Italian. Winter 625460

Standing Male Nude (recto); Classical Head (verso) 1814-1874 France. Black chalk, with stumping and white heightening (recto), charcoal with white heightening (verso), on buff laid paper . Paul Emile Detouche

Left front kneeling male nude. .

Drawing, Study for a Male Nude; Italy; charcoal, chalk, white heightening on paper

Sculpture. Two lovers; "Amor and Psyche" ..

Atlant with a lifted right arm and right leg, Willem van Konijnenburg, 1878 - 1943 drawing Design for a painting. paper. pencil atlantes ~ architecture

Sitting male naked, seen on the back (1st price 1790), Derk Anthony van de Wart, 1790 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

The Apollino. Etching by R. Dalton, 1746.

Standing male nude with sword, to the right, Pieter de Josselin de Jong, 1879 drawing paper. chalk

Male Nude with Left Foot on a Pedestal. Gustav Klimt; Austrian, 1862-1918. Date: 1879. Dimensions: 408 × 267 mm. Graphite and white heightening on brown wove paper. Origin: Austria. Museum: The Chicago Art Institute, USA.

Standing male nude, with a stick in hand, Gerard Allebé, 1818 - c. 1900 drawing paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Sitting male naked, to the right. Draughtsman: Jacobus Wijsman (mentioned on object). Dating: Aug-1804. Measurements: h 466 mm × w 387 mm. Museum: Rijksmuseum, Amsterdam.

A red chalk drawing by Pompeo Girolamo Batoni depicting a male figure seated on a stone block in front view, on yellow paper with signs of water stains and cracks.

Nude Male Figure. Artist: Ascribed to Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: 14 x 10 in. (35.6 x 25.4 cm). Date: 1625-1713. Museum: Metropolitan Museum of Art, New York, USA.

Nude Study of Man with a Staff, Kenyon Cox, American, 1856-1919, Charcoal on laid paper, Nude study of man standing, facing frontally, holding a staff in his right hand. His left hand rests above his hip, with his elbow out, away from his body., USA, 1880-84, figures, Drawing, Drawing

Theseus according to the sculpture of G. Vitalis. Monogrammist JS., A., Vitalis, Georgios (1838 1901)

Anatomical study of a standing man; Peter Paul Rubens drawing book.

The body of Christ, Anonymous, 1610 - 1630 drawing The body of Christ, from a mash. Verona paper. deck paint brush lying figure. Christ's body lying on the ground. Christ's body supported

Standing male nude, the left arm levied, Hendrik de Flines, 1784 - 1798 drawing Standing male naked, the left arm raised. No. 85. paper. chalk standing figure

Standing male naked with a column. Standing male nude with a column with inscription: Ian Swart / ImageHOOER / Drawn, / In / Felix Meritis / November 24/1789 / no. 1.

Prudence, Jan Harmensz. Muller, Dancker Danckerts, Cornelis Danckerts I, 1654-1666

Figure, from Six Figures Académiques Artist's working dates 1725-1765 France. Etching on cream laid paper . Carle van Loo

Naked Man with Stok, Jan Brandes (Possible), 1787 - 1808 drawing Academic figure study of standing male nude with stick. Vissebo paper. chalk standing figure

Naked man based on the left knee, Bernard Picart, 1731 drawing paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Standing male nude, Isaac uyttenbogaert, 1812 drawing paper. chalk standing figure

Carle Van Loo, Seated Man with Head in Hand, c 1743 Seated Man with Head in Hand

Red chalk drawing of Jupiter seated on an eagle flying over clouds, showing figures, posture, wings, and sky, on blue-gray paper with white highlights.

Male Nude Made 1880 Austria. Various graphite pencils, with erasing and stumping, on cream laid paper . Gustav Klimt

Sitting male nude, seen on the back (2nd prize 1794), Hendrik Bitter, 1794 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Chalk drawing by an anonymous artist showing a male figure kneeling in front view, turned toward the top right, executed with red and feathered chalk, emphasizing anatomy and posture.

Vatican City, Michelangelo, Italy, Alberti, Cherubino, Figures from the Last Judgement in the Sistine Chapel, Damned Souls Fighting, Two damned souls fighting each other. At the bottom right a third floating figure., print, prent, prints, prenten, height 331 mm, width 168 mm, 1553 - 1615, print maker, printmaker, 1580 - 1580, paper, papier, engraving, engraving (printing process), Italian, 1475-03-06 - 1564-02-18, after a painting by

Naked man with tied hands. Midden naked man with tied hands, in an architectural context. A wall with grotesken behind him. Left and right a bow.

Study of male nude, sitting. Bonnet, Louis Marin (1736-1793), graphic artist, Bouchardon, Edmé (1698-1762), draughtsman, cartoonist

Anton Raphael Mengs, Male Nude Study Male Nude Study

Wilhelm Lehmbruck, Passion II (Leidenschaft II), 1914 Passion II (Leidenschaft II)

Standing male nude at a column, Jan Swart, 1789 drawing Standing male naked with a column with inscription: Ian Swart / Beeldouer / Signed, / in / Felix Meritis / Novemb 24/1789 / NO. 1. paper. chalk standing figure Amsterdam

Standing male naked. Draughtsman: Isaac Uyttenbogaert (mentioned on object). Dating: 5-Feb-1812. Measurements: h 490 mm × w 359 mm. Museum: Rijksmuseum, Amsterdam.

Study of a reclining naked man, draughtsman: François Boucher, (possibly), c. 1713 - c. 1770, paper, h 152 mm × w 308 mm

Male nude, sitting, leaned back, Louis Fabritius Dubourg, 1736 drawing paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Standing male nude, seen on the back (Hercules), Jan Philipsz. Van Bouckhorst, 1600 - 1631 drawing paper. chalk. ink pen standing figure

Naked man standing with arms up; Paradigmata Graphics variorum artificum.

Drawing in pencil by Louis Marin Bonnet, created between 1760 and 1793, showing the mythological figure Hercules.

Image of Simson and the Philistines.

Sitting male naked, resting on an arm. Draughtsman: Jan Hoogsaat. Dating: 1664 - 1730. Measurements: h 288 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

Sitting nude, Adamo Scultori, After Michelangelo, c. 1585 print Sitting naked man, turned left. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 15. Print Maker: ItalyaFter Painting by: Vatican City paper engraving the (nude) human figure; 'Corpo humano' (Ripa)

Lying manly naked, seen on the back. Draughtsman: Jacob Ernst Marcus (mentioned on object). Dating: Feb-1804. Measurements: h 343 mm × w 523 mm. Museum: Rijksmuseum, Amsterdam.

Male nude, kneeling, left. Draughtsman: Louis Fabritius Dubourg. Dating: 1726. Measurements: h 315 mm × w 472 mm. Museum: Rijksmuseum, Amsterdam.

Hercules.

Baccio Bandinelli drew a seated male figure in side view using red chalk around 1540-1550, focusing on posture and anatomy.

An ink drawing by Tiburzio Passarotti depicting two male figures in frontal view to the right, executed with feather pen work.

Sitting male nude, a staff in the right hand, Daniël Dupré, 1782 drawing paper. chalk

Etching by Edme Bouchardon dated 1738 depicting a male nude figure on a title leaf preceding the script, showing detailed 18th-century European print technique.

Sitting male nude, with a stick, turned to the left.

Engraver: Unknown, After: Parmigianino, Italian, 1503-1540, Publisher: Antonio Salamanca, Italian, Milan, ca. 1500-1562, Aaron, after Parmigianinos fresco in S.M. Steccata vault, Rome, Engraving, platemark: 32 × 12.4 cm (12 5/8 × 4 7/8 in.), Made in Italy, Italian, 16th century, Works on Paper - Prints

A middle aged man, nude: frontal view. Engraving by J.D. Herz after himself, c. 1732.

Standing Male Nude, J. Kuyper (Print Maker), 1864 print Study of a male nude, standing and left to the left. paper engraving / etching human figure of ideal proportions, e.g. academic nude. standing figure

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