Male Nude Studies

Illustrates various artistic representations of the male nude form, focusing on anatomy and poses through drawings and prints.

James William Giles after John Flaxman (Scottish, 1801 - 1870), Discobulus, by Myron, published 1829, lithograph proof before letters

Pencil sketches by Waldmüller depicting human figures, gestures, postures, and compositional arrangements for study and practice.

Copper engraving by Nicolas Beatrizet from 1545-1573 depicting the river god Tiber, showing classical figure, attributes, flowing river, and sculptural detail.

Three male figures in twisting positions. Rubens, Peter Paul, 1577-1640. Prints. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Anatomy, Artistic, Men , Anatomy

Sitting naked, c. 1585 Sitting naked man, turned to the right. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Nummered at the bottom right: 2. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting naked man, turned to the right. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Nummered at the bottom right: 2. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Standing naked woman on the clouds. This print is part of an album.

Caesar Augustus, Cornelis Bloemaert (2), after Giovanni Citiosi, c. 1636 print Image of the Emperor Caesar Augustus, naked with a command staf in his hand. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

The Apollo Belvedere or Apollo of the Belvedere, Pythian Apollo is a marble sculpture from classical antiquity. It was rediscovered in central Italy i...

Two studies of a naked man, Anonymous, 1688 - 1698 print Two studies of a naked man with a band around his right arm. On the left the front view, on the right the rear view. Possibly studies into a classic sculpture. Netherlands paper etching / engraving the (nude) human figure; 'Corpo humano' (Ripa)

Seated male nude, seen from the side (2nd prize 1817), Pieter Godfried Bertichen, 1817 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Antinous, Antinous, November 27 between 110 and 115 until on or shortly before October 30, 130, a favorite and presumably lover of the Roman Emperor Hadrian. After his death, he was declared a god and worshipped. Historical, digitally restored reproduction of a 19th-century original.

Design for a Candelabrum, Joseph Anton Seethaler II, German, 1799-1868, Pen and ink, brush and wash, graphite on paper, Cupid with the forepart of his right foot on a sphere, raisese with either hand a torchère with seven sockets., 1825-1835, Drawing, Drawing

A pencil and feather drawing by Josef von Führich depicting a study after the Apollo Belvedere sculpture, showing figure, posture, and anatomy details.

Front view, with one arm outstretched, Proportion study of a woman's body Drawing Book of the Proportions of the Human Body Proportions du Corps Humain , print maker: Jan Punt, (mentioned on object), intermediary draughtsman: Jacob de Wit, (mentioned on object), unknown, (mentioned on object), Amsterdam, 1747, paper, etching, engraving, h 380 mm × w 377 mm

Female act, Karl Wiener -, artist

Academy study: standing naked man. Academy study of a naked man, full of the face and profil. The model is turned to the left and holds his left hand in the side, his right hand leans on a stone.

Icarus or Ikaros falls from the sky after his flight experiment failed, in Greek mythology the son of Daidalos, Historical, digitally restored reproduction from an original from old times.

A crucified écorché figure. Crayon manner print by J. Gamelin after himself, 1778/1779.

Study of the act of Ch Opc, on both sides; Simmler, Józef (1823-1868); after 1842 (1842-00-00-1868-00-00);Acts, children

This 1784 pencil drawing by Johann Adam von Bartsch depicts the back view of a standing young man, emphasizing posture, anatomy, and figure study.

Recent discoveries in the buried city of Pompeii: statuette of Narcissus, 1864. Engraving from a photograph '...placed at our disposal by the Rev. James Fletcher...great progress has been made in the task of bringing to light that abundant store of curious relics of antiquity which had remained for eighteen centuries buried in the ruins of Pompeii. The extent and importance of these operations, carried on under the direction of Cavaliere Fiorelli, with the advice of Signor Niccolini, the highest authority upon the subject, have been acknowledged throughout Europe by the students of Roman histo

Antinoos, Antinous, 27. November zwischen 110 und 115 bis am oder kurz vor dem 30. Oktober 130 , ein Günstling und vermutlich Geliebter des römischen Kaisers Hadrian. Nach seinem Tod wurde er zum Gott erklärt und verehrt, Historisch, digital restaurierte Reproduktion einer Vorlage aus dem 19. Jahrhundert 1f-4903155

Standing naked man seen on the back, anonymous, c. 1645 - 1706 print Two prints on a leaf, numbered 19 and 20. paper engraving the (nude) human figure; 'Corpo humano' (Ripa)

Ephibus d'Antikytira - Έφηβος τών Αντικυθήρων , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Helmed naked with lance sitting at a vase, anonymous, c. 1700 - c. 1799 drawing Netherlands paper. chalk

Vlyssis Aldrovandi, philosophi ac medici Bononiensis historiam naturalem in gymnasio Bononiensi profitentis, Ornithologiae, hoc est, De avibus historiae libri XII Bononiae, Apud Franciscum de Franciscis Senensem, MDXCIX-MDCXXXVII 1599-1637, The illustration features a male figure depicted in a dynamic pose, holding a torch in one hand, suggesting a sense of action or movement. The figure is characterized by long, flowing hair resembling feathers or scales, adding a fantastical element to the depiction. He stands confidently, with one leg forward, implying readiness or a challenge. The lower part of the image includes a detailed representation of a glove, hinting at the potential importance of attire or accessories in the context. This artwork reflects a blend of human and mythical attributes, illustrating a vivid imagination from a historical period.

George Stubbs, 1724-1806, British, Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI), 1795 to 1806. Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper.

Der geschundene Marsyas, ursprünglich Gott des gleichnamigen Flusses, der bei Kelainai entspringt, eine im Altertum blühende Stadt im südlichen Phrygi...

Standing male nude.

George Stubbs, 1724-1806, British, Human Figure, Anterior View, Undissected (Finished Study for Table VI), 1795 to 1806. Graphite on moderately thick, slightly textured, cream wove paper.

Jean Jacques Pasquier's etching (1745) depicts a male figure in an act, showing anatomical structure, gesture, and posture in detailed composition.

Athena/Minerva advises DIOMEDES - who has just slain Rhesus - to rejoin the Greeks

Yvette Guilbert. Dimensions: 34.9 cm x 27.8 cm, 27.9 cm x 17.6 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI GABRIEL IBELS.

Georges Seurat, Study after "The Models", French, 1859-1891, 1888, pen and brown ink over graphite on wove paper

Evangelist with book and spring; Paintings in the Cappella Buongiovanni. .

Bronze statue of Silenus with a snake from Pompeii, c. 1875 - c. 1900 photograph National Museum cardboard. photographic support albumen print sculpture. (story of) Silenus. snakes National Museum

Figure of a young woman with raised hands. Thoma, Hans (1839-1924), draughtsman, cartoonist

Proporty figure, Hans Sebald Beham (Manner of), 1510 - 1550 drawing Proportion figure: Standing woman from the front, with foot sizes. paper. ink pen standing figure (canon, proportions) - AA - female human figure

Discobolus, Diskuswerfer, griechische Statue im Vatikan, Rom, Italien, Historisch, digital restaurierte Reproduktion einer Vorlage aus dem 19. Jahrhundert 1f-4903179

Scipio Aemilianus (185-129 BC). Consul of the Roman Republic. Lemaitre direxit. Engraving. Panorama Universal. History of Carthage, 1850.

Mildred Ford, Andiron (one of pair), c 1936 Andiron (one of pair)

Horace Vernet (French, 1789 - 1863). Napoléon sur un cap de l'ile d'Elbe, 1817. Lithograph.

Amorino with a laurel wreath 1774 Violante Vanni. Amorino with a laurel wreath. Violante Vanni (Italian, 1732-1776). 1774. Etching and engraving. Prints

kk General, Writer, Historical, digitally restored reproduction from an original from the 19th century.

Carved Wood Figure - "Flying Mercury". Dated: c. 1936. Dimensions: overall: 55 x 37.3 cm (21 5/8 x 14 11/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ingrid Selmer-Larsen.

`Kąpiąca się` Bathing woman - Sculpture by Olga Niewska. Wołyński, Jan (1882-1929), photographer

Female nude, front view and back view, anonymous, c. 1645 - 1706 print Two prints on a leaf, numbered 9 and 10. paper engraving the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Image of a figure with flute, anonymous, 1850 - 1900 photograph photographic support. cardboard albumen print sculpture

Mendoza April 24 1788 James Gillray British The famous British boxer Daniel Mendoza appears here in the ring ready to begin. In the preceding years, he had triumphed in twenty-seven matches until January 9, 1788 when he fell to a former mentor, Richard Humphreys, in one of the era's most celebrated confrontations. The present image was published in anticipation of their rematch on May 6, 1788 (that event would be held in a specially constructed building near Stilton and result in a contested decision). Mendoza was 5 feet seven inches tall and 160 pounds, of Jewish-Portugese descent, and adopted a scientific approach to pugilism that compensated for his relatively small size. In this finely aquatinted image Gillray avoids caricature, idealizes the boxer and shows spectators expressing a subtle range of anticipatory emotions (see 59.583 for a 1788 portrait of Humphreys).. Mendoza. James Gillray (British, London 1756-1815 London). April 24 1788. Etching and aquatint. I. Lewis (London)

Photograph of painting: Eugeniusz Zak (1884-1926), Syn marnotrawny Prodigal Son, 1913. Druet, Eugene (1867-1916), photographer

Two workers Paul-Albert Baudouin (1844-1931). Two workers. Black pencil on beige paper. Museum of Fine Arts of the city of Paris, small palace.

Male act, Karl Wiener -, artist

Chinese Youth (balancing a jar held aloft), Thomas Stothard, 1755-1834, British, undated, Watercolor with pen and black ink on medium, smooth, cream wove paper, Sheet: 9 7/16 × 6 3/4 inches (24 × 17.1 cm), balancing, boy, Chinese, figure study, jar

people men nude ""Ideal Male Body"" 16th century by Titian's student Jan Steven van Calcar,

Artist Wijzend to sitting model, Christiaan Andriessen, After, 1785 - 1846 drawing An artist in stooped attitude, pointing to the buttocks of a sitting model. Subtitle: "A Mooij perspective It is like seeing a brushed pear in a pasty there." (Cat. Van Eeghen 330) paper. ink. pencil pen / brush painter working from nude model

Capitoline Antinus in the Capitoline museums. .

Tragic scene: a young man with his horse speaking to another man seated on a throne with a sword and a sphinx, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 44, 1757-1787, Naples.

Naked man, leaning with the right hand on a stone block. Prize-winning print at "Den Grooten competition to the Kon. Akad. From picture. Art. In Amsterdam" in the year 1836.

George Stubbs, 1724-1806, British, Study of the Human Figure, Anterior View (Outline Drawing for Table VI), 1795 to 1806. Graphite and red chalk; verso: graphite on cream, thin, smooth, wove paper.

The Twelve Signs of the Zodiac - Sagittarius. Artist: Philip Speakman Webb (d.1915). The 12 signs of the zodiac, designs for stained glass for a circular tracery light with a pencil diagram showing the position of each design in the tracery.

Standing female act, Karl Wiener -, artist

Academy. Dimensions: plate: 49.7 x 41 cm (19 9/16 x 16 1/8 in.) sheet: 69 x 49.6 cm (27 3/16 x 19 1/2 in.). Medium: chalk manner in red on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder after Carle Van Loo Gilles Demarteau.

Juan Conchillos y Falcó / 'Life study'. 1704. White chalk, Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

Mosaic of female gymnast, The Roman Villa del Casale (Villa Romana del Casale), UNESCO World Heritage Site, Piazza Armerina, Enna, Sicily, Italy

Native man of the Arara tribe, Brazil, South America. Journey of the French painter Francois Auguste Biard in Brazil, 1858-1859

Wild Man or Man of the Woods or Woodwose , woodcut. 17th cent. ENGLAND.

Historia de Africa. Siglo XIX. Mujeres Bokeris. Grabado. El Congo y la Creación del Estado Independiente de este nombre. Historia de los Trabajos y Exploraciones Verificados, por Enrique M. Stanley. Editada en Barcelona, hacia 1890. España.

M. Kisling (Paris, 1922) : Untitled painting. Kisling, Moïse, 1891-1953. 1922. General Research Division. Czech literature , 20th century, Art, Modern , 20th century

`Biegacz` The Runner - Sculpture by Olga Niewska.. unknown, photographer

Meat and black materiality , Karl Wiener -, artist

God creates man, his hand inspiring life into the head of Adam. Etching by H. Moses after A. Canova.

Jack Broughton, the Boxer, John Hamilton Mortimer, 1740-1779, British

Native man and woman of the island of Beaupre, New Caledonia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige Völkergallerie in getreuen Abbildungen" (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. llustration adapted from Labillardiere's "Atlas pour servir a la relation du voyage de la recherche de la Perouse," 1800.

Collier's Illustrated Weekly, The Great Strike By Carrol D. Wright, United States Commissioner of Labor, Volume XXVII No. 18, August 3, 1901, Price Ten Cents. Penfield, Edward, 1866-1925. text. Posters. 1901. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. United States, mining, Laborers

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