Male Nudes in Dynamic Poses

Artistic depictions of male nudes in expressive stances. Features include dramatic poses, detailed anatomy, and a classical art style.

Standing male nude, seen from the side (3rd prize 1789), Daniël Friday, 1789 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Female Nude; Karel van Mander (Dutch, 1548 - 1606); Holland; about 1590; Pen and brown ink and grayish brown wash over black chalk; 19.8 x 12.2 cm (7 13,16 x 4 13,16 in.)

St George Series - Male Nude - Study of St George for 'St George slaying the Dragon', 1865-66. Red chalk on cream-toned paper. Artist: Edward Burne-Jones

A chipped statue of a torso. Engraving by J.D. Herz after himself, c. 1732.

A Heroic Male Nude, pen and brown ink on laid paper, sheet: 26 x 18.9 cm (10 1/4 x 7 7/16 in.), Bertel Thorvaldsen (artist) Danish, 1770 - 1844

Study of a male nude model, standing curved with sword and shield in the hands, in the studio of sculptor / painter Jacques de Lalaing, with quadrature.

Sitting naked; Paintings in the Sixtin Chapel. Seated naked man, partially turned to the left, with a garland of fucks. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 11. The print is part of an album.

Two wrestlers, Jan Harmensz. Muller, 1588 - 1592.

Dordrecht, Vries, Nicolaes de, Houbraken, Arnold, Theater of symbols opened to the service of painters, sculptors etc., Beauty, Personification of beauty, verso - stamped, A naked female figure as a personification of beauty, with a ball on a chain and a compass in her right hand and a lily branch in her left hand. A halo in the background. Print from part 1 of a series of prints with symbols, consisting of three parts with 23, 17 and 20 prints respectively., print, prints, height 198 mm, width 95 mm, 1660-03-28 - 1719-10-14, print maker, printmaker, 1688 - 1700, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, publisher

Figure study of a nude man, Figure studies of a standing nude man. Once seen from the front (C), once seen from the back (D)., print, prints, ornamental prints, height 180 mm, width 120 mm, print maker, printmaker, 1700 - 1799, paper, papier, etching

Statue of an Egyptian priest of the god Averruncus in red oriental granite found in the Gardens of Sallust. Copperplate engraving by G. Bossi after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

A reclining male nude with his right arm resting on his head and his left arm raised. Black and red chalk drawing by J.J. Masquerier.

Statue of Apollo, 1636 - 1647 print Statue of Apollo with De Lier, standing next to a tree trunk. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Flora. piece of sculpture, reproduction of a piece of sculpture

A Nude holding a Cape over his Shoudlers. Baccio della Porta, Fra Bartolommeo (1472-1517). Black chalk. 27 x 196cm.

Etching by Edme Bouchardon depicting a male figure in classical pose, created in 1738, illustrating anatomy and artistic expression.

Nude figures wielding swords, drawn with brown ink and gray-brown washes, dated 1706.

The Colossus of Rhodes by Witdoeck, Petrus Josephus (1803-1840) / Private Collection / c. 1828 / Belgium / Copper engraving / Mythology, Allegory and Literature /Neoclassicism

Self-Portrait with Upraised Arm ca. 1840 Gustave Courbet French. Self-Portrait with Upraised Arm. Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). ca. 1840. Black and white chalk over graphite on papier bleuté, relined.. Drawings

Kneeling male nude, seen from the side (2nd prize 1801), C. Courier, 1801 drawing paper. chalk kneeling figure (+ nude human being)

Naked young man sitting in front of a curtain.

Black ink studies by Anton Hanak for a Berlin Beethoven monument from 1928-1933, documenting form, layout, and design in a sketchbook in 1933.

Black ink (feder) drawing by Hans Baldung depicting the ball runner, highlighted with white brush on brown-primed paper, circa 1510-1519.

Louis Oscar Roty (1846-1911). "Pittura". Plaster. Paris, Carnavalet museum. Sculpt

Sitting naked with stick and drinking standing naked. .

Aeneas Group Timothy Cole (American, 1852-1931). , 1891. Wood engraving, Sheet: 12 1/8 x 9 1/2 in. (30.8 x 24.1 cm). American Art 1891

For Children. The Gates of Paradise, Plate 7, 'Fire', Print made by William Blake, 1757-1827, British, 1793, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 5 1/2 inches (14 cm), Sheet: 5 3/8 x 4 1/2 inches (13.7 x 11.4 cm), and Plate: 3 7/8 x 2 7/8 inches (9.8 x 7.3 cm), fire, flames, historical subject, men, nudes, shield, sword, text

Studies of Arms and Hands, Hamlet Winstanley, 1698-1756, British, between 1715 and 1720, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 12 1/8 × 7 3/4 inches (30.8 × 19.7 cm) and Binding: 13 inches (33 cm)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), second collection of various scratches. Title. First issue of a suite of 47 pieces. (A. de Vesme 412; Dutuit 122) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Costume des Barabrael. Illustrations, Prints. 1826 - 1827. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division. Egypt , Description and travel

Cupid. Artist: Anonymous, Italian, 19th century. Dimensions: 7-13/16 x 5-3/8 in. (19.9 x 13.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Sculpture of the Young Hercules in fight with a snake, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. early life, prime youth of Hercules

Study of an arm. Study of a breast-held arm, with pointing finger.

A Boxer (Pugillatore) - Statue in the Vatican Museum Date: circa 1904

Saint Jerome. Dimensions: overall: 31 x 21.8 cm (12 3/16 x 8 9/16 in.). Medium: pen and reed pen with brown ink over red chalk on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Alessandro Maganza.

Four standing men in different positions, Jan de Bisschop, After Andrea del Sarto, After Baccio Bandinelli, After Anonymous, 1668 - 1671 print Four standing men: seen a servant on the back (a), a man who holds up a curtain (B), a man in a Florentine costume (C) and a standing warrior with a staff in his hand (D). Northern Netherlands paper etching manservant, footman. folk costume, regional costume. the soldier; the soldier's life

Wrestlers, from Wrestlers, plate 3. Artist: Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda); After Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem). Dimensions: Sheet: 9 3/4 x 76 3/8 in. (24.8 x 194 cm). Series/Portfolio: Wrestlers. Date: 1552. Museum: Metropolitan Museum of Art, New York, USA. Author: Dirk Volckertsz Coornhert. After Maarten van Heemskerck.

Female Nude Holding aClover. Artist: Edwin Wallace Fillmore, American, 1851-1920

Kneeling male nude model. In the background a sculpture of a torso of a man on a base. Leaf 14 Recto from a sketchbook with 27 loose sheets.

Reclining Female Nude, Crispijn van de Passe (II), 1643 print paper engraving nude with covered genitals. woman (showing herself) undressed, quasi-nude

Albrecht Dürer, Male Nude Holding a Mirror (recto), c 1500 Male Nude Holding a Mirror recto

Juno and a Pauw, Jacob Binck, after Giovanni Jacopo Caraglio, 1530 print Juno, the sister and consort of Jupiter, with her attribute De Pauw. Under the performance is the inscription et Soror et Conivnx IOVIS EST SATVRNIA IUNO. Copy to a print by Giovanni Jacopo Caraglio Germany paper engraving (story of) Juno (Hera)

Two acts of the young (Academy of Football Arts, St. Petersburg); Miller, Karol (1835-1920); 1861 (1861-00-00-1861-00-00);State Art Collections (Warsaw - 1922-1939) - collection, Rossijska Akadožestv (St. Petersburg - 1757-), Rossijska Akadožestv (St. Petersburg - 1757-) - seal, male acts, awarded works, message (provenance), school drawings

Last November rose , from, The sheets , Karl Wiener -, artist

Journal of Luxury and Fashion 1786, Volume I, T. 30, Friedrich Justin Bertuch, 1786 Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching

Tailor, Andrea del.

Sketch by Jakob Gauermann for Ascension Day entry, executed with pencil, feather, black ink, and bister in 1798.

Lying male nude, to the right, Alexander Liernur, 1780 - 1815 drawing paper. chalk

Saint John the Baptist. Dimensions: support: 32.4 x 21 cm (12 3/4 x 8 1/4 in.) support: 52 x 38.6 cm (20 1/2 x 15 3/16 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Matteo Rosselli.

Ajax, front view. from "Oeuvre de Canova: Recueil de Statues ..." 1817 Pietro Fontana. Ajax, front view. from "Oeuvre de Canova: Recueil de Statues ...". Pietro Fontana (Italian, 1762-1837). 1817. Engraving and etching. Prints

In Roman mythology, Vertumnus is the god of seasons and plat growth. Illustration from supplement to 'L'antiquité expliquée et representée en figures'; (vols. 1-15, Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology.

Diomedes stopped by the god Apollo as Aeneas escapes into a door. Copperplate engraving by Francesco Bartolozzi after a design by Giovanni Battista Cipriani from 108 Plates of Antique Gems, 1860. The gems were from the Duke of Marlborough's collection.

Rembrandt van Rijn, Diana at the Bath, c 1631 Diana at the Bath

Apollo from Tenea , Antiquities, Gods, Apollo Deity. Nicholas Catsimpoolas Collection

Standing naked man, the right hand on a pedestal. Design for a print.

Bust of a man with beard, Jan van Somer, 1655 - 1700

Vue extérieure de l'homme: male, Pl. 1 Nude male figure. Prints, Scientific illustrations. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Human anatomy, Bow and arrow, Human body

Image of the dying galler in the Capitoline museums; Roma - Museo Capitolino, Gladiatore Morente .. Part of photo album with recordings of churches, images and antique buildings in Rome.

Sculptuur Van Silenus; The old pattern of the object lay near a statue of Silenus imposed on behalf of a lid of Aeneas ; Antieke Sculpturen in Rome ; Are to be seen in the public places, and images were of the Ancient Rome, known as the city of statues . Onderschrift in het Engels . Prent maakt deel uit van list .

Side view, with one arm outstretched, Proportion study of a man's body Drawing Book of the Proportions of the Human Body Proportions du Corps Humain , print maker: Jan Punt, (mentioned on object), intermediary draughtsman: Jacob de Wit, (mentioned on object), unknown, (mentioned on object), Amsterdam, 1747, paper, etching, engraving, h 380 mm × w 379 mm

Two wrestling African 'pleuiers' (fighters or wrestlers), Léon Davent, After Luca Penni, After Nicolas de Nicolay, 1555 - 1568 print Print is part of an album. Lyon paper etching Africans. fight of gladiators. wrestling (sport)

Diego Rodríguez de Silva y Velázquez / 'Mars', ca. 1638, Spanish School, Oil on canvas, 179 cm x 95 cm, P01208. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Figure from the last judgment of Lucas van Leyden.

Two figures straining against a post. Rubens, Peter Paul, 1577-1640. Prints. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Anatomy, Artistic, Men , Anatomy

Songs of Experience: Frontispiece ca. 1825 William Blake British. Songs of Experience: Frontispiece 347938

Figure From the Last Judgment by Lucas van Leyden, Pieter de Mare, After Abraham Delfos, After Lucas van Leyden, 1768 - 1796 print Leiden paper etching / engraving hands folded

Putto met een stokpaardje.Putto with a whip in his right hand, moving on a stick.

Bliżej Kultury Zajączkowski, Józef (1815 1905)

San Sebastián (256-288), mártir romano. Grabado de 1900.

Los desastres de la guerra, 1810 -1814, n.º 37: Esto es peor, Francisco de Goya, primera impresión de 1863, realizada por la Real Academia de Bellas Artes de San Fernando de Madrid, convento de San Francisco, Santo Domingo de la Calzada, La Rioja, Spain.

Naked man with shells sitting on stone; Thoma, Hans (1839-1924); 1880-1900 (1880-00-00-1900-00-00);

George Scharf after John Flaxman, German (1788-1860), Bearing a Weight; Preparing to Jump, and Alighting, published 1829, lithograph proof before letters

CONFUNDIR AL MONSTRUO - 1993 - DIPTICO (DCHA) - 180x254 - TEMPLE/VINILICO/LIENZO - POSTMODERNISMO. Author: PEREZ VILLALTA, GUILLERMO. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

Saint Sebastian, Meester E.S. (circle of), c. 1460 painting Saint Sebastiaan, in full, bound by a tree, through with arrows. Left side panel of an altarpiece. Pendant of SK-A-3310. Painter: Upper-Rijnpainter: Germany panel. oil paint (paint) St. Sebastian, tied to a tree or a pillar, is pierced by arrows

Netherlands, Weissenbruch, Isaac, Three statues of Atlas carrying the world on his shoulders, print, prent, prints, prenten, height 77 mm, width 58 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Bust of a man with beard, to the right, print maker: Jan van Somer, (mentioned on object), 1655 - 1700, paper, h 125 mm × w 122 mm

Luca Cambiaso / 'Hercules shooting his bow'. 1544 - 1550. Wash, Pencil, Pencil ground, Grey-brown ink on brown paper. Museum: Museo del Prado, Madrid, España.

In Greek mythology, Menelaus was a king of Mycenaean Sparta, shown here with the body of Patroclus, Historical, digitally restored reproduction of an original from the 19th century

THE FLAGELLATION - 17TH CENTURY - HISPANOAMERICAN BAROQUE. Author: GREGORIO VASQUEZ DE ARCE Y CEBALLOS (1638-1711). Location: MUSEO DE ARTE COLONIAL. BOGOTA. COLOMBIA. JESUS.

Jean-Auguste-Dominique Ingres 1780- 1867. Torse dhomme. 1799 - 1800. oil painting on canvas. cm 80 x 99.

$Netherlands, Weissenbruch, Isaac, Man with a fracture in the right upper arm, print, prints, height 108 mm, width 83 mm, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure$

Der römische Gott Faun, Faunus, ein Waldgeist, ein Mischwesen der römischen Mythologie, Marmorstatue aus dem antiken Rom, Italien, digitale Reprodukti...

Fragment of a fresco depicting a man and a woman. Imperial age. National Roman Museum. Baths of Diocletian. Rome. Italy.

Figures of male feet, ankles, toes and soles from paintings by old masters in an 18th century art tutorial book. Handcoloured copperplate engraving from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

Academic figure study of Eugen Sandow; Sandow ..

Toldy, John.

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