Male Nudes in Various Poses

Drawings of male nudes showcasing anatomy and movement, highlighting different styles and techniques in figurative art.

Standing male nude, seen from the front (1st price 1815), P. Luypen, 1815 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male nude, Hermanus Fock, 1780 - 1822 drawing Standing male naked. No. 96. paper. chalk standing figure

Male nude, walking, left, Louis Fabritius Dubourg, 1726 drawing Male nude, walking, left. Inscription: 30 1726. paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Male nude, standing.

Standing male nude, seen from the front (1st price 1815), P. Luypen, 1815 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male nude, seen from the front (2nd prize 1784), Willem de Jong (draftsman), 1784 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Plate LXVIII (68): Hercules. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium) 1734 Marc'Antonio Corsi. Plate LXVIII (68): Hercules. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium). Marc'Antonio Corsi (Italian, active Florence, 1746-55). 1734. Engraving and etching. Prints

Study of a Standing Male Nude 1595-1596 Italy. Black chalk on laid paper, laid down on tan laid pulp board . Giuseppe Cesari

Antique sculpture of naked man; EX AERE ALTA PEDES Graesos V VNCIAS III Olim in Museo Roboreo Nunc in Mediceo. Antique sculpture of a standing naked man. Title in undermarge. At the top right: p. 4.

Standing male nude, seen from the front (2nd prize 1781), Hendrik Louw, 1781 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Sculpture van Venus with a dolphin, Hubert Quellinus, 1646 - 1670 print Classic sculpture of Venus with a dolphin next to him. The sculpture lacks different fingers. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Venus (Aphrodite)

Saturn devours his child, Jacob Binck, after Giovanni Jacopo Caraglio, 1530 print Saturn, Roman god of agriculture, devours one of his children. In the niche his attribute, a scythe. Under the print is the inscription DivorVM Genitor SVMMI Satvrnvs Olympi. Copy to a print by Giovanni Jacopo Caraglio. Germany paper engraving Saturn devouring his children

Hercules with knots and skin from a lion; Gods and Goddesses. Hercules as the embodiment of strength and courage with his attributes the club and the house of a lion. To its powerful men's body, a loved theme in old poets, is referred to in the inscription Hercvlis Hec Eorma Est Graia Celebrata Poetis. Copy to the picture of Jacopo Giovanni Caraglio

The Apollo Belvedere from the Vatican his left hand resting on the tree trunk around which coils a python. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: 11 7/16 x 6 3/8 in. (29.1 x 16.2 cm). Date: ca. 1510-27.The Apollo Belvedere was discovered near Rome in the late fifteenth century. Possibly a second-century marble copy of a bronze original by the Greek sculptor Leochares, the statue was immediately appreciated as a masterpiece and showered with praise. Probably once in the private collection of Cardinal Giuliano della Rovere (later Pope Julius II, r. 1503-13), it was moved to the Vatican in 1509 and placed, in 1511, in the Cortile del Belvedere, from which it derives its name. Raimondi's print became an important vehicle through which knowledge of the statue was transmitted far beyond the Vatican. He is famous for his many engravings after the designs of Raphael, including images such as the Judgment of Paris (19.74.1), scenes that, l

Plate 11: Apollo riding his chariot in a niche, facing right, from a series of mythological gods and goddesses. Artist: Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505-1565 Krakow ()); After Rosso Fiorentino (Italian, Florence 1494-1540 Fontainebleau). Dimensions: Sheet: 8 5/16 × 4 5/16 in. (21.1 × 11 cm). Series/Portfolio: Series of mythological gods and goddesses. Date: 1526. Museum: Metropolitan Museum of Art, New York, USA.

Standing male nude with staff and lifted right arm, anonymous, 1700 - 1800 drawing paper. chalk

Apollo Belvedere, Venetian Augustine, After Rafaël, After Anonymous, 1500 - c. 1536 print The Apollo Belvedere from the right. The sculpture is in the state before the additions by Giovanni Angelo Montorsoli, the sculptor who supplemented the right hand and left arm and raised the tree stump. paper. ink engraving / etching / pen (story of) Apollo (Phoebus). piece of sculpture, reproduction of a piece of sculpture

Bacchus with drinking bowl and vines; Gods and Goddesses. Bacchus as god of wine accompanied by a little god with bokkepoten and vines. The inscription Pampineas Vimis Docvit QVI ADIVMGere Vites Dense Bacchus a role in the growth of grape plant, he would have taught the tendrils to attach oneself to branches (twigs).

Sitting male nude, seen from the front (2nd prize 1789), Derk Anthony van de Wart, 1789 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Standing male nude, seen from the side, Mijnderd Doornbosch, 1786 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Plate LI (51): Bacchus. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium) 1734 Carlo Gregori. Plate LI (51): Bacchus. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium). Carlo Gregori (Italian, Florence 1719-1759 Florence). 1734. Engraving and etching. Prints

Plate 4: Apollo; statue of the nude god standing on a socle, wearing a crown and holding a scepter in his right hand and an orb in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck 1586 Philips Galle One of eight numbered plates from the series 'Statues of Roman Gods', after Jacques Jonghelinck. The plates illustrate Bacchus and the seven planetary gods and was originally displayed in the town hall of Antwerp. The series was published by Philips Galle in 1585 in Antwerp and again in 1586.. Plate 4: Apollo; statue of the nude god standing on a socle, wearing a crown and holding a scepter in his right hand and an orb in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). 1586. Engraving. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp)

Study into a classic image. Artist: anonymous. Draughtsman: Gerard Allebé. Dating: 17-Jun-1826. Measurements: h 533 mm × w 377 mm. Museum: Rijksmuseum, Amsterdam.

Statue of a naked gladiator; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a naked gladiator. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Virginia. Thirty-sixth issue of a sequence of 52 pieces. (A. de Vesme 586; Dutuit 117) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Bacchus, with a folded animal skin full of fruit, together with a tiger in a niche., (Story of) Bacchus (Dionysus), Liber, Marco Dente (attributed to), Italy, 1498 - 1532, paper, engraving, h 201 mm × w 101 mm

Drawing, Nude Man; Italy; red crayon on paper

Male nude, sitting, to the right, Louis Fabritius Dubourg, 1727 drawing Male naked, sitting, used to the right. Inscription: 1727 8. paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Image of Juno and the peacock. Artist: anonymous. Draughtsman: Moses ter Borch. Dating: c. 1657 - c. 1658. Place: Zwolle. Measurements: h 318 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Statue of Bacchus, the Roman god of wine, naked with a satyr. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Standing male naked. Draughtsman: Derk Anthony van de Wart (mentioned on object). Dating: 1791. Measurements: h 557 mm × w 408 mm. Museum: Rijksmuseum, Amsterdam.

Study of a male nude, on one knee, with a stick above the head, Louis Fabritius Dubourg, 1693-1775

Anonymous / 'Male nude figure study'. XVIII century. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Copper engraving by Francesco Villamena depicting Bacchus, the classical god of wine and revelry, showing figure, grapevine, cup, and symbolic composition, 1526-1624.

Francesco de Rossi's drawing shows a young figure striding right with raised arms, a torso to the left, executed in metal pen, focusing on posture and anatomy.

Farnese Hercules. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 16 9/16 x 11 15/16 in. (42.1 x 30.4 cm). Date: ca. 1592, dated 1617.It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 1590--91. Supposedly, the famed Dutch printmaker traveled incognito in order to avoid social obligations that might distract from his real purpose, which was sketching and studying antique sculptures. The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560--although the ancient legs had been found soon after the rest of the statue

Sitting naked from the Sixtine Chapel., Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, after Michelangelo, 1551 print Seated naked young man, seen from the front. From series of 20 prints with Michelangelo's nudes in the Sixtine Chapel. print maker: Haarlemafter design by: Haarlemafter painting by: Romeprint maker: Antwerp paper etching / engraving the (nude) human figure; 'Corpo humano' (Ripa)

Academic study of a one-leg balancing male nude; Six figures academiques. .

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Male Nude from Panel of "Creation of Eve", 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Act of Mki; Verso: Fragment of the Study of the Manty Act inclined towards the leg; XVII (1600-00-00-1700-00-00);Bonola, Giorgio (1657-1700), Bonola, Giorgio (1657-1700)-collections, Castiglione, Giovanni Benedetto, (1609-1664), Code of Bonoli, Tyszkiewicz, Benedict (1904-1956), Tyszkiewicz, Benedict (1904-1956 ) - collections, acts, male acts, gift (provenance), Italian drawings

Eutichio Ajello / 'Diadumenus'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Apollo with laurel wreath on a car; Gods and Goddesses. Apollo as a sun god on a car shown in bundles of sunlight rays. The title Omnia Qui video per Quem Videt Omnia Tellvs makes it clear that Apollo sees everything and that the earth sees everything. Copy to the print of Giovanni Jacopo Caraglio.

A red chalk drawing with white highlights by Gianlorenzo Bernini depicting a seated male nude with a deciduous wreath in his hair holding a rod.

Standing Female nude.

Figure from the Sistine Chapel, Rome Italy, print maker: Dirck Volckertsz Coornhert attributed to, Maarten van Heemskerck attributed to, Michelangelo attributed to, 1551

Statue of the old Hercules, Michel Natalis, after Joachim von Sandrart (I), 1640 print Statue of Hercules with the apples of the Hesperides in his left hand, the club in his right hand, which he lets rest on his shoulder. The skin of the lion is knotted around his neck. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving attributes of Hercules (with NAME). attributes of Hercules (with NAME). monument, statue. piece of sculpture, reproduction of a piece of sculpture

Male Nude with Left Arm Upraised, and a Further Study of His Head 1607-56 Aniello Falcone Italian. Male Nude with Left Arm Upraised, and a Further Study of His Head. Aniello Falcone (Italian, Naples 1607-1656 Naples). 1607-56. Red chalk. Drawings

Standing male naked. Draughtsman: Jan Kamphuijsen (mentioned on object). Dating: 9-Nov-1789. Measurements: h 553 mm × w 390 mm. Museum: Rijksmuseum, Amsterdam.

Mercury Hermes. Etching by F. Perrier.

Standing naked man, Louis Marin Bonnet, After François Boucher, 1746 - 1793 print Numbered in the top left: No. 44. Paris paper engraving man (showing himself) undressed, quasi-nude. human figure of ideal proportions, e.g. academic nude. male sex; man

Naked man. (Academy) Study of a naked man sitting on a stone block. He looks up. At the top right numbered: 65.

Statue of Venus, Roman goddess of love, beauty, sex and fertility. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Standing male nude, from the front. .

Standing Hercules. Draughtsman: Gerard ter Borch (II). Dating: 1631. Place: Zwolle. Measurements: h 169 mm × w 94 mm. Museum: Rijksmuseum, Amsterdam.

Sitting naked man, Jean Augustin Daiwaille, 1820 - 1833 print The man sits on a block and keeps his hands on top of each other and vast. He looks at the bottom left. Amsterdam paper sitting on an elevation. the (nude) human figure; 'Corpo humano' (Ripa)

Statue of amor; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of winged amor, in his right hand an arrow, in his left hand a fragment of a bow. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome.

Four legs in various positions, Roubillac, After Philippe Louis Parizeau, 1784 - 1796 print Paris paper etching drawing, sketch. legs

Sitting male nude, head to the left, the right arm raised.

Statue of the Roman god Apollo, inventor of music, seated nude. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Sitting male nude with rowing chip, Johan Christiaan Willem Safft, 1814 drawing paper. chalk sitting figure

Sitting male nude, to the right, Jacobus Wijsman, 1804 drawing Sitting male naked, to the right. Bottom right: no 128. paper. chalk postures of the human figure

Sitting naked; Paintings in the Sixtin Chapel. Sitting naked man, turned to the right, with a garland of fucks. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 6.

Saturn devours his child; Gods and Goddesses. Saturn, Roman God of agriculture, devours one of his children. In the niche is attribute, a zeis. Under the print, the inscription Divorvm Genitor SVMMI SATVRNVS Olympi is located. Copy to a print of Giovanni Jacopo Caraglio.

Sculpture Van Amor, Anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

Life Study-Winner Of Grand Prix De Gravure En Taille Henri Joseph Dubouchet (Caluire-et-Cuire, France, 1833 - 1909) 1860 Nude

Saturn. The God Saturn stands on a pedestal with a scyth in his hand. He bites a child that he holds in his arms.

Francisco Bayeu / 'Male nude figure study'. XVIII century. White chalk, Black chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Gypsum of an antique image of a standing naked man, Johannes Taventrate, after Anonymous, 1828 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture (+ ceramics ~ arts)

Mars sculpture; Sculptures from ancient times. Caption in Latin. Print is part of an album.

A drawing by Hermann Heller showing a male figure holding an axe, executed in coal and chalk with white highlights on brownish paper, emphasizing anatomy and posture.

Eutichio Ajello / 'Satyr at Rest'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Seated Man Holding a Flute ca. 1500-1550 School of Marcantonio Raimondi Italian. Seated Man Holding a Flute. School of Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). ca. 1500-1550. Engraving. Prints

Male sitting nude, Cornelis Kruseman, 1817 drawing paper. chalk sitting figure (+ nude human being)

Young Bacchus standing. Design for a print.

Statue of Apollo, Reinier van Persijn, after Joachim von Sandrart (I), 1640 print Statue of Apollo, with a arrow sleeve on the back. A python winds next to him. At the top of the tree trunk the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Apollo (Phoebus)

Man of sorrows sitting on a stone.

Rome, Persijn, Reinier van, Galleria Giustiniana del Marchese Vincenzo Giustiniani I, Statue of a young man, verso below - stamped, Statue of a naked young man, with raised arms. Possibly a statue of Apollo. In the middle at the bottom on the base the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints after the sculptures in the collection in the Galleria Giustiniani in Rome., print, prent, prints, prenten, height 400 mm, width 231 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, printmaker, 1640 - 1640, paper, papier, engraving, engraving (printing process)

Life Study-Winner Of Grand Prix De Gravure En Taille Charles Albert Waltner (Paris, France, 1846 - 1925) 1868 Nude

Kneeling naked youth with stick, draughtsman: anonymous, 5-Nov-1735, paper, h 318 mm × w 196 mm

Copper engraving by Lucas Kilian from between 1600 and 1615 showing Hercules defeating Cacus, highlighting action and anatomy of the figures.

A 1524 copper engraving by Sebald Beham depicting Adam, showing detailed anatomy, figure composition, and early Renaissance printmaking techniques.

Caesar Augustus. Image of the emperor Caesar August, naked with a command stove in his hand. The image comes from the collection of Vincenzo Giustiniani, whose weapon on the base can be seen.

Study of a male nude, print maker: Lubertus Teunis van Deth, (mentioned on object), Lubertus Teunis van Deth, (mentioned on object), Netherlands, 1842, paper, engraving, etching, h 410 mm × w 314 mm

Statue of Bacchus with tiger, 1636 - 1647 print Statue of Bacchus with a grape voucher in hand. Next to him the tiger. On the tree trunk the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Bacchus (Dionysus), Liber. piece of sculpture, reproduction of a piece of sculpture

Study of a Seated Male Nude. Artist: Philipp Otto Runge (German, Wolgast 1777-1810 Hamburg). Dimensions: sheet: 20 11/16 x 16 3/4 in. (ca. 52.5 x 42.5 cm). Date: late 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Kneeling male nude, seen on the back (2nd prize 1812), Jan Adriaan Antonie de Lelie, 1812 drawing paper. chalk kneeling figure (+ nude human being)

Punishment of Haman. The naked Haman nailed to a tree trunk.

Kneeling Naked Youth With Stick ..

Standing Male Nude, J. Kuyper (Print Maker), 1864 print paper engraving / etching human figure of ideal proportions, e.g. academic nude. standing figure

Depicts Apollo Belvedere, created as a copper engraving print by Marcantonio Raimondi around 1510-1511, illustrating the classical figure and proportions.

Anonymous / 'Gladiator'. XVIII century. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Study of sitting male nude, seen from the side, to the right.

Statue of a Faun; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a Faun leaning against a pole or trunk. An animal skin over his shoulder. In the middle of the tree trunk Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Speculum Romanae Magnificentiae: Perseus. Artist: Giacomo Lauri (1585-1612). Dimensions: sheet: 14 x 9 7/16 in. (35.5 x 24 cm)mount: 17 11/16 x 12 11/16 in. (45 x 32.2 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: late 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, wh

Ignudo. Part of the vault painting by Michelangelo in the Sistine Chapel with a naked figure (Ignudo).

Sitting male nude, supportive on an arm, Jan Hoogsaat, 1664 - 1730 drawing Sitting male naked, leaning on an arm and folded with one leg. paper. chalk sitting figure. human figure of ideal proportions, e.g. academic nude

Male nude, walking, left. Draughtsman: Louis Fabritius Dubourg. Dating: 1726. Measurements: h 478 mm × w 325 mm. Museum: Rijksmuseum, Amsterdam.

Naked young man in landscape; Academic studies. From second edition.

Statue of a standing man with sword; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a naked man with a sword in his left hand, standing next to a trunk. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Kneeling male naked, to the right the arms around a column. Draughtsman: Jacobus Johannes Lauwers. Dating: 1763 - 1800. Measurements: h 545 mm × w 440 mm. Museum: Rijksmuseum, Amsterdam.

Statue of Venus Victrix, Roman goddess of love, beauty, sex and fertility. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

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