Male Nudes in Various Poses

Drawings of male nudes showcasing anatomy and movement, highlighting different styles and techniques in figurative art.

Standing male nude, seen from the front (1st price 1815), P. Luypen, 1815 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male naked, seen from behind. Draughtsman: anonymous. Draughtsman: A. Waterloo (attributed to). Dating: c. 17-Feb-1826. Measurements: h 548 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Drawing example of a rope male; Varie Figvre Academic / Diversche Figvren Wt de Academia. Drawing example of naked sitting man, pulling on a rope. This print is part of an album.

Lazio Viterbo Viterbo Palazzo Comunale0. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Seated child from behind; Children and angels. Sitting naked child from behind. Print from a series of 24 prints with angels or children.

Design for a Candlestick, Pietro Belli, Italian, 1780-1828, Pen and ink, brush and gray watercolor, graphite on green-gray paper, Vertical rectangle. Design for a candlestick. Below is a base in whose upper moulding the designer inscribed in pen and ink 'onci 2:12.' The boy Hercules is shown standing upon his right leg and strangling a snake with his left hand. His right hand is raised, carrying a vase as the socket. Written on the vase is 'di Getto.' Accounts are written in graphite in the upper left corner in pen and ink on verso., Rome, Italy, mid- 19th century, lighting, Drawing, Drawing

Lib. IV., Tabula XVII, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626, Bucretius, Daniel, d. 1631, Fialetti, Odoardo, 1573-1638, Harvey, William, 1578-1657, Spiegel, Adriaan van de, 1578-1625, Valesio, Francesco, b. ca. 1560, Walaeus, Johannes, 1604-1649, van der Linden, Johannes Antonides, 1609-1664, Engraving, 1645, Plate 17, page 63.

Seneca standing, with his feet in the bath, Cornelis Galle (I), after Peter Paul Rubens, 1586 - 1650 print Image of the philosopher Seneca with his feet standing in a bath. His veins are clearly visible. The image is placed in a niche. On the bath a lion's pussy. Southern Netherlands paper engraving death of Seneca: at Nero's order he cuts his veins, usually sitting in a basin or bath of water, and then takes a dose of poison

Sinbad the Sailor (Sinbad le marin). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Anatomical study by Polidoro Caldara da Caravaggio focusing on the shoulder, chest, and right arm of a male figure, executed in red chalk in 1533/34.

Nude Man Seated before a Curtain 1646 Holland. Etching on ivory laid paper . Rembrandt van Rijn

Lying male nude, the arms raised and the right leg raised. Draughtsman: anonymous. Draughtsman: Jurriaan Andriessen (possibly). Dating: 16-Nov-1793. Measurements: h 420 mm × w 517 mm. Museum: Rijksmuseum, Amsterdam.

Sculpture of a naked figure without head; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Copper engraving by Hendrick Goltzius depicting Phaeton driving the chariot of the sun, with horses, sky, and landscape, created in 1588.

Two sword fighters, Cornelis Bos (Possible), After Maarten van Heemskerck, 1552 print Two naked sword fighters. The print is part of a series about two sword fighters in a two -camp. print maker: Groningenprint maker: Haarlemafter design by: Haarlem paper etching / engraving fencing (sport)

Female term with headscarf and cloak, anonymous, after hugues sambin, 1572 print Numbered at the top right: 14. According to the explanation on page 16, this is the Tuscan order. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments)

Der römische Gott Faun, Faunus, ein Waldgeist, ein Mischwesen der römischen Mythologie, Marmorstatue aus dem antiken Rom, Italien, digitale Reprodukti...

Two Wrestlers, from Wrestlers, plate 4. Artist: Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda); After Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem). Dimensions: Sheet: 9 3/4 x 7 5/8 in. (24.7 x 19.4 cm). Series/Portfolio: Wrestlers. Date: 1552. Museum: Metropolitan Museum of Art, New York, USA.

Statue of Mercury, with the caduceus in hand. At the bottom left on the base the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Four Studies after Giambologna's "Venus Leaving the Bath" ca. 1590 Hans Bock the Younger Swiss. Four Studies after Giambologna's "Venus Leaving the Bath" 400261

Sculpture of the Tiber. Sculpture of the river god tiber with as attributes a horn with fruits, a wool fin and the twins romulus and remus. Around the show a list of representations of wolves, sheep, figures with boats and figures in the water. The print is part of an album.

Male Nude Holding a Mirror recto. Dated: c. 1500. Dimensions: overall: 26.7 x 14.1 cm (10 1/2 x 5 9/16 in.). Medium: pen and brown ink on laid paper; the paper has been pricked in several places with the points of a pair of compasses and indented lightly with a stylus. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

Aurora lying on a canvas, Jan De Bisschop, After Michelangelo, After Francesco Salviati, 1668 - 1671 print Aurora, the personification of De Morgen, lying on a canvas. Northern Netherlands paper etching personification of the morning, 'Aurora'; 'Aurora' (Ripa)

Soldier who confirms his pants to his Kuras, Anonymous, c. 1517 - c. 1536 print paper engraving

Male Nude Torso with Raised Arms ca. 1522-24 Parmigianino (Girolamo Francesco Maria Mazzola) Italian Popham considered this small, delicately executed study a pre-Roman drawing by the artist, copied probably from an antique statue of the Flaying of Marsyas. However, the pose of the shoulders and armpit here does not seem to correspond to the tight compression of the shoulders and disjointed raising of the arms, with wrists bound above the head, that is typical of Marsyas figures (see Bober and Rubinstein 1986, pls 32-4). The figure's pose in Parmigianino's study, with a gently distended torso and raised arms, seems more appropriate for a portrayual of the crucified Christ. The stumps indicating the arms may suggest that the drawing is based on a wax sketch model. The artist concentrated on the rendering of the torso, blending the strokes seamlessly by means of stumping and inflecting the contours with small points of shadow. To provide a contrast, he left much of the parallel hatching

Face of the back of a naked woman. Her body parts are numbered with Roman numerals. At the top right numbered T. 3. In the background an antique vase and a frieze.

Castor and Pollux. Etching by F. Perrier.

Study of a naked man and a boy, Leendert van der Cooghen, after Salomon de Bray, 1642 - 1681, draughtsman: Leendert van der Cooghen, after: Salomon de Bray, 1642 - 1681, paper, h 180 mm × w 157 mm

Speculum Romanae Magnificentiae: Man Removing a Thorn from his Foot. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome). Dimensions: sheet: 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm)mount: 14 3/4 x 11 7/16 in. (37.5 x 29 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Spec

'Le Gladiateur', c1717. Artist: Unknown.

Two Male Figures, one holding a basket 18th century Anonymous, French, 18th century French. Two Male Figures, one holding a basket 357095

The Saint John the Baptist; S. Joannes Baptista. .

Seated Nude Female with Horn and Seated Nude Male with Cupid 18th century Anonymous, French, 18th century French. Seated Nude Female with Horn and Seated Nude Male with Cupid. Anonymous, French, 18th century. 18th century. Pen and black ink, brush and gray wash on blue paper. Framing lines in pen and black ink.. Drawings

Hermione Rejecting Orestes 1787-1800 France. Girodet was one of the star pupils of Jacques Louis David. As a young man, he supported himself by making drawings as book illustrations. For the deluxe three-volume edition of the works of Jean Racine, published in 1801, Girodet provided drawings for Phaedra and Andromaque. This sheet is a preparatory work for the latter; it is the scene in which Hermione spurns Orestes after he has killed Pyrrhus at her request.. Pen and black ink and black chalk, with stumping, and brush and brown and gray wash, heightened with white gouache, on ivory laid paper . Anne-Louis Girodet de Roussy-Trioson

Portrait of Julius Caesar; Roman emperors. Julius Caesar, Roman consul and general.

Male nude, on the left knee, left. Draughtsman: Derk Anthony van de Wart (mentioned on object). Dating: 1780 - 1824. Measurements: h 574 mm × w 435 mm. Museum: Rijksmuseum, Amsterdam.

Women Athletes 2nd-4th Centuries A.D. Artist Unknown Mosaic Villa Romana del Casale, Piazza Armerina, Sicily, Italy

Seated male nude, seen from the side (3rd prize 1789), Arend Alans, 1789 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

The Egyptian god Averrunco, marble statue from ancient Rome, Italy, digital reproduction of an original from the 18th century, original date not known, Europe

The torso and arms of a man suffering from abcesses () and diseased areas of skin. Watercolour by C. D'Alton, ca. 1856.

Naked man, leaning with the right hand on a stone block.

Plate 58. Naturel de Nouka-Hiva, from the Voyage au pole sud et dans l'Oceanie.

Naked man, leaning with the right hand on a stone block, Henricus Wilhelmus Couwenberg, 1836 print Amsterdam paper etching / engraving the (nude) human figure; 'Corpo humano' (Ripa) (+ standing)

Study sheet with two mansentors.

Mars. Engraver and Etcher: Giovanni Girolamo Frezza, Italian, 1659-1741 After: Francesco Albani, Italian, 1578-1660

Statue of Castor, one of the Dioscuri, with horse. Originally at Thermae Constantinianae or the Baths of Constantine, now in the Piazza del Quirinale, Rome. Castoris statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Seated Female Nude. Samuel van Hoogstraten; Dutch, 1627-1678. Date: 1647-1678. Dimensions: 284 x 192 mm. Pen and brown ink and brush and brown wash with traces of black chalk and opaque white watercolor on cream laid paper, laid down on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, FLORENCIA, USA.

Study of a Nude Man ca. 1810-20 French Painter A study of a nude model is often called an academy (académie in French), because such paintings and drawings have been standard exercises in art schools, or academies, since the sixteenth century. This work depicts a model in a pose found in at least two other paintings. One of these, now in the Musée Bonnat, Bayonne, is widely accepted as a work made by Gericault, possibly between 1810 and 1813, in the studio of Pierre-Narcisse Guérin (1774-1833).. Study of a Nude Man. French Painter (early 19th century). ca. 1810-20. Oil on canvas. Paintings

Prudent; Payen (Flow. Ca 1850), Bartolozzi, Francesco (1727-1815), Tessari & Co (London, Paris; Publisher; Fl. Ca 1788-1850); 1810-1850 (1810-00-00-1850-00-00);

Reclining Male Nude Artist's working dates 1826-1856 France. Charcoal drawing with white heightening, and pen and ink on tan laid paper . Louis-Joseph-César Ducornet

Naked man, leaning with the right hand on a stone block, Henricus Wilhelmus Couwenberg, 1836 print Amsterdam paper etching / engraving the (nude) human figure; 'Corpo humano' (Ripa) (+ standing)

Fresco from Herculaneum: A satyr with erect phallus lifts the veil on a bacchante sleeping next to her tambour. Handcoloured lithograph by A. Delvaux from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Study of a naked man, Pieter Feddes van Harlingen, 1614

Groenlandés vestido para pescar ballenas. Grabado en color de 1805.

Melager with the head of the Caledonic Zwijn, Antoni Zürcher, 1765 - 1837 print Melager standing next to the head of the Caledonian Zwijn he overcome. A hunting dog next to him. To a classic sculpture. Netherlands paper etching (story of) Meleager - attributes. piece of sculpture, reproduction of a piece of sculpture

Lutteurs (The Wrestlers), from "Le Monde Illustré" May 22, 1875 Auguste Joliet Falguière had worked mainly as a sculptorhe won the prix de Rome for sculpture in 1859before submitting "Lutteurs," as his first major canvas to the Salon in 1875, earning a second class medal for the work. Critics were split in their opinions of the painting according to their position relative to realism; some saw the subject as unworthy, while others saw it as representative of modern life. This wood engraving published in "Le Monde Illustré" is representative of how major artworks at the annual Salon circulated visually among a public that may or may not have visited the exhibition in person.. Lutteurs (The Wrestlers), from "Le Monde Illustré". After Etienne-Gabriel Bocourt (French, born 1821). May 22, 1875. Wood engraving. Auguste Joliet (French, Paris 1839-1915 Saint Cloud). Prints

The Colossus of Rhodes. One of the Seven Wonders of the Ancient World. 1821 engraving.

Life Study-Winner Of Grand Prix De Gravure En Taille Charles Theodore Deblois (Fleurines, France, 1851 - ) 1878 Nude

Print from Drawing Book. Dated: c. 1610/1620. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Luca Ciamberlano.

The Farnese Hercules seen from the right and two sketches of the right leg. Pen and ink drawing after G. Audran.

KOOS, Victor (n.1864 - D.1925), the man with the wheelbarrow (main title). Black stone, white chalk on tray paper stuck on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Two angels opposite each other, Pieter van Avont, 1622 - 1652 print Two small angels are opposite each other. They hold a ribbon over their heads. paper etching / engraving angels

Saint Sebastian; German; Germany; about 1520 - 1530; Colorless glass, vitreous paint, and silver stain; 19.5 x 1 cm (7 11,16 x 3,8 in.)

Chelishchev, Pavel Fyodorovich (1898-1957) Private Collection 1928 31,5x24,6 Colour lithograph Modern Russia Opera, Ballet, Theatre,Poster and Graphic design

Lavalley, the cemetery of the Saints-Innocents, copy according to the drawings of Bernier. Skeleton with a cartridge. (Dummy title). Carnavalet museum, history of Paris.

Bernard van Orley (Netherlandish, c. 1488-1541), Putto with Arms of Jacques Coëne , c. 1513, oil on panel

Action at the Academy (diary 17 December). Draughtsman: Christiaan Andriessen. Dating: 1805 - 1808. Measurements: h 179 mm × w 256 mm. Museum: Rijksmuseum, Amsterdam.

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