Marine and Coastal Scenes

Depictions of waterways and coastal locales, illustrating boats, shoreline activities, and atmospheric conditions using etching and charcoal techniques.

Black Lion Wharf. James Abbott McNeill Whistler (United States, 1834-1903). 1859. Prints. Etching

Riviers cranks, jules Léon Perrichton, 1876 - 1928 print paper river

View of Ponte Rialto, in: Urbis Venetiarum Prospectus Celebriores ex Antonii Canal Tabulis XL aere Expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (state), album, gondolas, Italian graphics, channels, bridges (architect), city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

The view of Canal Grande at the height of Palazzo Flangini, in: Urbis venetiarum prospectus celebroses ex antonia canal tabulis xl aere expressi ab antonio visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

Lepère, Auguste (n.1849-11-30-D.1918-11-20), the Seine at the entrance to the Saint-Martin canal (dummy title). Pencil. Carnavalet museum, history of Paris.

Pont-Neuf, Paris 1853 France. Etching and drypoint on ivory laid paper . Charles Meryon

The bridge nine (dummy title)

Colored woodcut by Adolf Zdrazila from 1899 depicting a village stream, showing water, houses, trees, and landscape features.

Pittsburgh, No.3 1909 United States. Etching on ivory laid paper . Joseph Pennell

Red lithography by Alfred Louis Bahuet Niewandam from the Netherlands, created in 1898, depicting a figure or scene on paper.

Breakthrough of the Wijnbergse Kaai in Vlissingen, 1808, Izaak Jansz. de Wit, after Johannes Hermanus Koekkoek, 1808 print Haarlem paper etching flood Flushing

The city in 1915 , Cities & towns, Rivers. Joseph Pennell (1857-1926). Prints and Drawings

James McNeill Whistler, Quiet Canal, 1880 Quiet Canal

The Grand Canal with the Ca' Pesaro (recto). Francesco Guardi (1712-1793). Black chalk, pen and brown ink, brown wash. 44 x 59.3cm.

Zaltieri, 1880. Otto H. Bacher (American, 1856-1909). Etching;

Nieuwer-Amstel, Stark, Elias, Houses along the Amstel, recto lower right - handwritten in pencil, Houses along the river Amstel. A woman walks on the road., print, engraving, prints, engravings, verso - stamped, In memory of March 19, 1887 E. Stark, height 152 mm, width 321 mm, Dutch, 1849-08-15 - 1933-02-06, print maker, printmaker, 1887-03 - 1887-03, paper, papier, etching, etchings, aquatint

Chteau of Amboise, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 40 1/2 × 11 11/16 inches (102.9 × 29.7 cm), Plate: 5 15/16 × 8 7/8 inches (15.1 × 22.5 cm), Chine collé: 5 5/8 × 8 5/8 inches (14.3 × 21.9 cm), and Image: 3 3/4 × 5 5/8 inches (9.5 × 14.3 cm)

The Bridge of Sighs (second plate), 1885. Frank Duveneck (American, 1848-1919), Robert Dunthorne. Etching;

Black Lion Wharf, 1859. James McNeill Whistler (American, 1834-1903). Etching;

A Lake in a Park, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and grey watercolor, oxidized white heightening on paper, Water with two boats is in the foreground. It is bordered at the back and at left by a balustrade. The dome of a pavilion is shown. Trees form the background., France, Paris, France, 1856, Drawing, Drawing

Chartres. Słodki Marceli (1892-1943), graphic artist

The cab stand, Félix Hilaire Buhot, French, 1847-1898, Etching and drypoint in black ink on paper, 1876, Print, Print

Flood at Kerkstraat, Steen Beer and Dok in Vlissingen, 1808, Izaak Jansz. de Wit, after Johannes Hermanus Koekkoek, 1808 print Haarlem paper etching flood Flushing

Chevrier's Cold Bath Establishment, Paris. Charles Meryon; French, 1821-1868. Date: 1864. Dimensions: 130 × 143 mm (image); 130 × 143 mm (plate); 339 × 455 mm (sheet). Etching in warm black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Basin of the Tuileries, 1906. Eugène Bejot (French, 1867-1931). Etching;

Frozen channel in Groningen, Carel Christiaan Antony Last, After 1857 - 1869 print There are sailboats on the ice. Two figures on the right hit a wak in the ice. A few skates in the middle. Printer: HaarlemPublisher: Groningen Publisher: Groningen paper winter landscape; landscape symbolizing winter (the four seasons of the year). ice ~ freezing weather. skates (winter sports). sailing-ship, sailing-boat Groningen

View of the Grand Canal Made 1883 United States. Etching with drypoint on cream wove paper . Frank Duveneck

Joseph Mallord William Turner and Charles Turner (British, 1773 - 1857), Basle, published 1807, etching and mezzotint

Jean-Baptiste-Armand Guillaumin, French (1841-1927), The Bridge of Louis Philippe, 1875, oil on canvas

Venice, Boats. Dated: 1912. Dimensions: overall: 9.2 x 13.5 cm (3 5/8 x 5 5/16 in.). Medium: pen and black ink with black wash and blue, yellow and brown crayon. Museum: National Gallery of Art, Washington DC. Author: Oscar F. Bluemner.

Donald Shaw MacLaughlan, The Ca d'Oro, 1922 The Ca d'Oro

Rouen, from St. Catherine's Hill, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Kerkhof van Oberweimar, Willem Linnig (II), 1852 - 1890 print paper. etching / drypoint cemetery, park-like burying ground Oberweimar

Rue Norvins. Dimensions: 30.3 cm x 20.1 cm, 13.2 cm x 8.5 cm, 13.2 cm x 8.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: Eugène Deltre.

View of a dark square. In the foreground left a man and woman near a handcart. In the background a bridge,, Cityscape in foggy weather, print maker: Simon Moulijn, 1886, paper, etching, h 200 mm × w 270 mm

Rue du Mon Cenis, Monmartre. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 5 3/8 x 8 3/8 in. (13.7 x 21.3 cm)sheet: 7 15/16 x 10 3/4 in. (20.2 x 27.3 cm). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA.

The "Adam and Eve", Old Chelsea. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1878. Prints; etchings. Etching and drypoint

Nantes, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1828-1837, Line engraving, engraver's proof, Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm), Plate: 6 1/16 × 8 9/16 inches (15.4 × 21.7 cm), Chine collé: 5 7/8 × 8 1/4 inches (14.9 × 21 cm), and Image: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)

Six Marines: Intérieur d'un port, 1833. Eugène Isabey (French, 1803-1886). Lithograph;

Reproduction to a photo, painting, drawing or print. .

The foot of the Montelbaanstoren. Draughtsman: Willem Witsen. Dating: 1870 - 1923. Measurements: h 510 mm × w 585 mm. Museum: Rijksmuseum, Amsterdam.

Ratusz krakowski. Kowalski, Leon (1870-1937), graphic artist

Le Point de Billancourt, 1886. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Old Putney Bridge James Abbott McNeill Whistler (American, 1834-1903). Old Putney Bridge, 1879. Black ink on handmade laidpaper with a watermark and a countermark, Image: 8 x 11 3/4 in. (20.3 x 29.8 cm). A major proponent of Aestheticism and Japonisme, James McNeill Whistler also helped to revitalize etching as a serious, creative pursuit. His appreciation for this medium was fostered, in part, by close study of etchings by the seventeenth-century Dutch master Rembrandt. For his own prolific output, Whistler often went out into the streets of London (where he settled in 1859), capturing urban views directly onto plates. Back in the studio, he would painstakingly experiment with inking processes and the timing of the acid bath, refining his original conceptions to create prints of great technical and visual complexity. Internationally acclaimed and exhibited, Whistlers etchings exerted a strong influence on a younger generation of American painter-etchers. American Art 1879

Finch, Alfred William, work, View from Antinkatu, line etching, graphics, plate width 12.5 cm, plate height 17, 7 cm, leaf width 31.5 cm, leaf height 43 cm

Adam and Eve: Old Chelsea, 1879, (1903). Artist: James Abbott McNeill Whistler

The email or walking with apples Eugene Béjot (1867-1931). "The email or apple market". Lithography, 1897.

Camille Pissarro, . Dieppe, bassin Duquesne. Marée basse, soleil, matin,. 1902,. huile sur toile, Museo de Orsay, Ministerio de Cultura y Comunicación Francés, Paris, France,Western Europe.

Landscape with Plas en Molen, Willem Bastiaan Tholen, 1870 - 1914 print paper etching windmill in landscape Warm

Rainy Night. Otto Henry Bacher; American, 1856-1909. Date: 1880-1882. Dimensions: 127 x 316 mm (image/plate); 180 x 365 mm (sheet). Etching on cream China paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Little Rotherhithe 1861 United States. Etching and drypoint with foul biting in black ink on ivory Japanese paper . James McNeill Whistler

The Iron Mine. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Edelfelt, Albert, work, Sketch book, drawing, 23 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

LaConciergerie. Artist: Donald Shaw MaClaughlin, American, born Canada, 1876-1938

Thomas Jeavons, ca. 1800-1867, British, Pembroke Castle, Wales, 1827-1838. Line engraving, first published state.

(Moonlight) Clairs de Lune: p. 19, 1897. Henri Rivière (French, 1864-1951). Book with 13 photo mechanical reproductions (half tone); overall: 24.5 x 32.5 x 1 cm (9 5/8 x 12 13/16 x 3/8 in.).

Tn. "Leonardo Da Vinci" "Italia" Societa di Navigazione Genova. 1963. Buttolph, Frank, 1850-1924. Menus. Rare Book Division

The Towing Path, Print made by Francis Seymour Haden, 1818-1910, British, 1864, Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper, Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm), Plate: 5 1/2 x 8 7/16 inches (14 x 21.4 cm), and Image: 5 1/2 x 8 7/16 inches (14 x 21.4 cm), animal art, banks, canal, cape, cloak, distance, dog (animal), dress, figures, foliage, genre subject, hat, hills, landscape, leash, path, reeds, reflections, river, shore (landform), trees, walking, water, woman, East Molesey, England, Europe, Hampton Court, Surrey, United Kingdom

History of Spain. Alcudia bridge disaster. Located at kilometre 279 of the railway line from Madrid to Ciudad Real and Badajoz, between the stations of Almadenejos and Chillón. The bridge collapsed suddenly in the early hours of 27 April 1884, when mixed train number 51 passed, plunging the locomotive, the tender, four cattle cages and seven wagons with numerous passengers to the bottom of the river. Fifty-nine people lost their lives, most of them recently discharged soldiers. Drawing by Manuel Alcázar. Engraving by Rico. Detail. La Ilustración Española y Americana (The Spanish and American Illustration), May 8, 1884. Author: Manuel Alcázar Ruiz (1858-1914). Spanish artist. Bernardo Rico (1825-1894). Spanish painter and engraver.

Drawing by Ferdinand Boberg. Filipstad Nordic

The Fishmarket, Bernard Sickert, 1863-1932, British, born in Germany, 1917, Oil on canvas, Support (PTG): 20 x 24 inches (50.8 x 61 cm), bridge (built work), fishmarket, landscape, sky

Félix Hilaire Buhot (French, 1847 - 1898). A Winter Morning (Une Matinée d'Hiver au Quai de L'Hòtel-Dieu), 1876. Etching.

Etched by Joseph Mallord William Turner, 1775-1851, British, Basle, 1807. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Landscape with two people in a rowing boat near a house, Hendrik Jozef Franciscus van der Poorten, 1799 - 1874 print paper etching rowing-boat, canoe, etc.. bridge in village across river, canal, etc.

Print, L'Abside de Notre-Dame de Paris (The Apse of Notre-Dame, Paris); Print Maker: Charles Meryon (French, 1821-1868); France; etching on white paper; Platemark: 16.3 × 29.3 cm (6 7/16 × 11 9/16 in.) Sheet: 17.9 × 31.5 cm (7 1/16 × 12 3/8 in.); Bequest of George Campbell Cooper; 1896-3-413

Brush drawing by an anonymous artist depicting a city square with a Gothic cathedral and a procession, executed in white and dark gray on black-primed paper, late 17th century

Woman on the Estacade in Paris Norbert Goenuette (1854-1894). Woman on the estacade in Paris. etching ; Roulette, dry tip, soft varnish.

Abcoude Op / De Regter Zyde 1724

Woodblock for Lock of the Canal Saint-Martin Made 1890 France. Wood engraving block . Louis Auguste Lepère

Urban landscape with the moon. Jabłczyński, Feliks (1865-1928), graphic artist

Signac, Paul (n.1863-11-11-D.1935-08-15), Les Sables d'Olonne (main title), 1912. Black Pierre, Watercolor and white gouache rams on paper on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Square with a face on a city wall. Square with a face on a city wall.

Photo production of (presumably) a drawing of the fountain of the four continents in Trieste, Anonymous, c. 1900 - c. 1940 photograph Part of album with photos of railways in the Dutch East Indies and postcards. paper. cardboard monument, statue Sad

Tour de Beurre, Rouen Made 1899 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Ménorval, Eugène de (n.1829 - D.1897), La Bièvre, Passage Moret. (Faithful title), 1894. Carnavalet museum, history of Paris.

The Armour Plate Press. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

The House. Edvard Munch (Norwegian, 1863-1944); printed by Otto Felsing (German, born 1854). Date: 1902. Dimensions: 495 x 648 mm (plate); 581 x 790 mm (sheet). Etching on paper. Origin: Norway. Museum: The Chicago Art Institute, USA.

Nocturne (Nocturne: The Thames at Battersea). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 6 3/4 × 10 3/16 in. (17.1 × 25.9 cm)Sheet: 13 1/2 × 19 5/16 in. (34.3 × 49 cm). Date: 1878.Born in New England, Whistler studied painting in Paris and then based himself in London. There he demonstrated that making prints could be as serious an artistic pursuit as painting. Representing the river Thames, then the lagoons of Venice, Whistler developed subtle tonal variations that alluded dreamily to a triumph of water and air over substance.In this early lithograph, Whistler worked directly on the stone (rather than using transfer paper), applying washes of ink to achieve striking atmospheric effects. The artist printed this river subject in 1878, the year in which his libel case against the art critic John Ruskin--involving Ruskin's attack on one of Whistler's painted "Nocturnes"--was heard. Though Whistler won the case, the court costs

Bakkersgang in Amsterdam. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 198 mm × w 121 mm. Museum: Rijksmuseum, Amsterdam.

Market Day at Villenauxe-la-Grande (Aube), 1894. Artist: Léon-Augustin Lhermitte (French, Mont Saint-Père 1844-1925 Paris). Dimensions: 17 13/16 x 21 13/16 in. (45.2 x 55.4 cm). Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.

Ernst Ludwig Kirchner, River Landscape with Crane and Barges, 1927 River Landscape with Crane and Barges

Bridge at Knaresborough. Dated: c. 1802/1804. Dimensions: overall: 13.5 x 22.8 cm (5 5/16 x 9 in.). Medium: watercolor over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: after John Sell Cotman James Bulwer.

'Constance', 1890. Creator: Unknown.

Lepère, Auguste (n.1849-11-30-D.1918-11-20), burial of Admiral Courbet: set of the esplanade on the day of the ceremony (dummy title). Watercolor. Carnavalet museum, history of Paris.

Sheet of Four Sketches of Germany 1876 Andrew Fisher Bunner. Sheet of Four Sketches of Germany. Andrew Fisher Bunner (1841-1897). American. 1876. Black ink on light buff wove paper

'Penzance', c1910. Artist: Unknown.

River Front, New York, in Winter Hamilton Easter Field (American, 1873-1922). River Front, New York, in Winter, ca. 1912. Oil on canvas, 12 13/16 x 17 15/16 in. (32.5 x 45.6 cm). American Art ca. 1912

Postcard of the Wiener Werkstätte No, From Alt-Berlin on Schiffbauerdamm, Gustav Kalhammer -, Artist, Wiener Werkstätte, Publishing House

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