Marine and Nautical Scenes

Etchings of ships and coastal views, illustrating tranquil waters and maritime activities, with a focus on sailboats and harbors in soft hues and detailed linework.

Riverbank with a crane and a few boats, Jan van Goyen, 1650 - 1651 drawing paper. chalk brush quay. dock crane

Gloucester, Inner Harbor,1919. Artist: Childe Hassam, American, 1859-1935

A Squall at Trouville, 1874. Félix Hilaire Buhot (French, 1847-1898). Etching, aquatint, roulette and drypoint ; sheet: 30.3 x 44.8 cm (11 15/16 x 17 5/8 in.); platemark: 16.2 x 24.3 cm (6 3/8 x 9 9/16 in.).

River view with a young woman in a gondola, Charles Courtry, After Louis Emile Adan, 1856 - 1897 print London paper etching river. gondola

View of Schoonhoven. Draughtsman: Jan Brandes. Dating: 1787. Place: Schoonhoven. Measurements: h 80 mm × w 115 mm. Museum: Rijksmuseum, Amsterdam.

Den Haag, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Nederland, Smits, HL, Schmidt Crans, Johan Michaël, Verbinding van Holland aan het Europeansche spoornet, Cartoon about the role of Holland within Europe, 1869, The Hague, Netherlands, Cartoon with a map of Holland with the North Sea Canal and the rail connections of Amsterdam and Rotterdam with Europe. Plate published in the weekly De Nederlandsche Spectator, no. 27, 1869., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1869 - 1869, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal 1780-93 Francesco Guardi Italian Francesco Guardi succeeded Canaletto as the leading view painter in Venice in the second half of the eighteenth century. A prolific draftsman, his early drawings owe a debt to Canaletto's topographical style, while later sheets show a greater sensitivity to the changing light and atmosphere. Considered one of Guardi's "most beautiful and ambitious drawings," this expansive cityscape creates a broad perspective with an economy of lively brush and pen lines. The Giudecca Island is shown on the left, while Santa Maria della Salute and the entrance to the Grand Canal appear at right. A regatta is in progress. Although rendered at a distance in perspectival scale, many historic monuments are readily identified in the frieze of Venetian architecture. As no single vantage point could take in such an amplified vista, Guardi seems to have incorporated elements from several earlier topograph

Toll on the Kostverlorenvaart in Amsterdam. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 217 mm × w 202 mm. Museum: Rijksmuseum, Amsterdam.

Loiseau, Victor, Les Moulins de Montmartre, 1820. According to an old drawing. (Dummy title). Carnavalet museum, history of Paris.

Genesta, 1887, by Frederick Paton.

Stakess in the IJ, Carel Nicolaas Storm van 's -Gravesande, 1880 - 1884 print Part of another print can be seen on Verso. Netherlands paper drypoint pier, quay, wharf IJ

Plate 96. Pirogue des naturels de Balahou by Émile Lassalle (1813-1871) a French painter and lithographer. Dated 19th Century

Lithography, etching, and aquatint by Ferdinand Piloty the Elder depicting bank landscapes. Created between 1806 and 1844, illustrating riverbanks, vegetation, and rural scenery.

Félix-Hilaire Buhot (French, 1847-1898), La Petite Marine-Souvenir de Medway, 1879, etching, drypoint, aquatint, and roulette in black on laid paper

Pile work in the Scheldt near Vlissingen, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print Netherlands paper sea (seascape). groyne ~ breakwater Flushing. Scales

Furling the foresail, 1924, England, by Arthur Briscoe. Gift of Sir John Ilott, 1952.

Robert Wallis, 1794-1878, British, Coteaux de Mauves, 1831. Line engraving, engraver's proof.

View of the port of Luogo Vivo, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, h 366 mm × w 529 mm

Scene from the Bayeux Tapestry. Josef Albert (German, 1825 - 1886)

Simberg, Hugo, work, Mensi saari, 1906, soft ground etching, graphics, 25 cm x 32.5 cm

Amsterdam, from the Tolhuis 1. Whistler, James McNeill (1834-1903). 1863. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Henry Swinburne, 1743-1803, British, Brindisi, Seen From the Bridge on the Via Traiana, 1777 to 1778. Pen and brown ink, over graphite on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper.

A Moonlit Harbor. Dated: 1890s. Dimensions: plate: 10.9 × 15 cm (4 5/16 × 5 7/8 in.) sheet: 27.5 × 38.2 cm (10 13/16 × 15 1/16 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Norbert Goeneutte.

Sketches of a sled and sails. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 23-Feb-1845. Measurements: h 120 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

Seascape with fishing boat, Alphonse Stengelin, 1862 - 1913 print Above the sea a cloudy sky with a breaking sun. paper etching sea (seascape)

Skåne, Sagittarius HD. Windmill, Gislöv. Drawing of Ferdinand Boberg Nordic

Adolphe Appian, French (1818-1898), Cabanes de pecheurs sur les cotes d'Italie, etching

Charles Dickens, Pictures from Italy, 1846 AN ITALIAN DREAM.

Mill, print maker: Louwrens Hanedoes, (mentioned on object), unknown, c. 1837 - 1905, paper, etching, h 76 mm × w 56 mm

Moulin de Blute-Fin. Date: March-April 1886, Paris. Dimensions: 10.9 cm x 19.8 cm. Museum: Van Gogh Museum, Amsterdam.

Study sheet with moored bomb shuffers and camels in a desert landscape. Also studies of a capsised sailing ship and a banner. Leaf 1 Recto from a sketchbook with 46 sheets.

Long Venice. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1879/1880. Prints; etchings. Etching and drypoint

Building the Battleship. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

View of the Harbor at Canton ca. 1790. View of the Harbor at Canton. ca. 1790. Oil on glass. Made in China

Print made by Alfred W. Cooper, active 1850-1901, British, By the Sea (tail piece), undated. Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper.

Haven, Arend Hendriks, 1911 - 1938 print Netherlands paper etching harbour

Joseph Cartwright, c.1789-1829, British, Hotspur / Portsmouth, undated. Pen, in brown ink, brown wash and graphite on medium, moderately textured, beige, wove paper, mounted on, moderately thick, smooth, beige, wove paper.

Low Tide, Oporto. Orville Houghton Peets (American, 1884-1968). Etching;

Kisarazu in Kazusa Province (Kazusa Kisarazu), from the series Wrestling Matches between Mountains and Seas (Sankai mitate zumo) 1858 Japan. Color woodblock print; oban . Utagawa Hiroshige

Seascape with two sailing ships, 1882 Drawing in a frame. Page 2 Recto from a sketchbook with 54 sheets. paper. ink. watercolor (paint). pencil pen / brush ocean. sailing-ship, sailing-boat

Promenade le long de meules. Ranft, Richard (1862-1931), graphic artist, Jasiński, Feliks Stanisław (1862-1901), draughtsman, cartoonist

Lindholm, Berndt, work, Sketch book, 1869-1871, drawing, 12.5 cm x 20 cm, Lindholm, Berndt, part: four boats with fishermen, 1869-1871

Paul Adolphe Kauffmann (Peka, 1849-1940). "Letrine" G "for the chapter" The workers of the sea ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102268-21 Boat, drawing, ink, illustration of literary work, lettrine, navy, marine landscape, veil, 19th 19th 19th 19th 19th 19th century

Edelfelt, Albert, work, Sketch book, drawing, 7 cm x 12 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

River view with mill, Carel Nicolaas Storm van 's-Gravesande, 1884 print On the right on the bank is a mill. On the left the series title and a list of print titles. Netherlands paper etching / drypoint windmill in landscape. river Netherlands

River landscape, Johannes Tavenraat, 1840 - 1880 drawing River landscape with mill and farm with Hooischuur. paper. ink pen river (+ landscape with figures, staffage). windmill in landscape

Sailing ships, 1870 - 1909 copper (metal) etching

J. M. W. Turner, Brighthelmston, Sussex for picturesque views on the Southern Coast of England , 1824 , pencil and black ink and Watercolour with scratching out on paper, London, England.

Eagle Wharf by James McNeill Whistler, 1859

Marine Dabblers, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm), ocean, English Channel

Edward Lear, 1812-1888, British, Haram el Ketab, 1867. Watercolor, graphite, pen and brown ink on medium, slightly textured, white wove paper.

At the Nieuwestadsherberg in Amsterdam. publisher: L. Michau. Draughtsman: Pieter van Loon. Print maker: Donjean. Dating: 14-Jun-1848. Measurements: h 146 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Ouderkerk aan de Amstel, in or after 1650 print Face in Ouderkerk on the Amstel. Part of a series of six faces in the villages where the troops of Prince William II were billeted during the siege of Amsterdam, from 30 July to 4 August 1650. Northern Netherlands paper etching Ouderkerk aan de Amstel

Sao Bento Railway Station, Azulejos, Wall Tiles, Murals, Estacao Sao Bento, Porto, Portugal, Europe

Small sailing ships on the side at Maanlicht, Jules Guiette, 1862 - 1901 print paper etching sailing-ship, sailing-boat. moonlight

Eddystone, English Channel, from the Lighthouses series (N119) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1889 Issued by W. Duke, Sons & Co. Trade cards from the "Lighthouses" series (N119), issued in an unnumbered set of 25 die-cut cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.. Eddystone, English Channel, from the Lighthouses series (N119) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco. 1889. Commercial color lithograph. Issued by W. Duke, Sons & Co. (New York and Durham, N.C.)

LAMINA 226 - PARAO MERCANTE - ACUARELA - 1890. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Fishing boats in the harbor of Concarneau, Southern Brittany, France

Sant Miquel de Balansat,iglesia(ss.XIV-XVI).Fresco del barco del corsario Antonio Riquer(s.XVIII).Ibiza.Islas Pitiusas.Baleares.España.

Headed for Boston. John Marin; American, 1870-1953. Date: 1923. Dimensions: 448 x 527 mm. Watercolor with blotting and touches of scraping, and with charcoal with erasing, on moderately thick (estimated), moderately textured, ivory wove paper (right and lower edges trimmed), perimeter mounted to wood-pulp board, faced with ivory paper gilt with silver leaf, in original frame. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

VAPORES DE RUEDAS. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

The arrival of the orphan barge at the Buiten Amstel (diary, 19 November). Draughtsman: Christiaan Andriessen. Dating: 1805 - 1808. Measurements: h 182 mm × w 260 mm. Museum: Rijksmuseum, Amsterdam.

At Agadir. Nowodworski, Henryk (1875-1930), draughtsman, cartoonist

Sinking in the Southern Ocean, Alone on board, vintage engraved illustration. Journal des Voyage, Travel Journal, (1880-81).

Hulk. Medieval ship type. Engraving, 19th century.

Pen drawing of a hay trip (1786-1801) at the Scheldt of the Antwerp Sea Schilder M.SEGHERS to G.Groenewegen: 'Collection of 84 Hollandsche Schepen .... 1789'.

Anefo photo collection. reproductions of old masters. 1945

A Windmill. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 4 13/16 x 6 9/16 in. (12.2 x 16.7 cm)sheet: 3/8 x 10 7/8 in. (1 x 27.6 cm). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA.

Moonlight View of Tsukuda with Lady on a Balcony, from the series Fashionable Genji Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Moonlight View of Tsukuda with Lady on a Balcony, from the series Fashionable Genji, 1853, 11th month. Woodblock color print, Sheet of a: 14 1/2 x 10 1/8 in. (37.0 x 25.8 cm). Asian Art 1853, 11th month

Print made by Alfred W. Cooper, active 1850-1901, British, A Fishing Village, undated. Wood-engraving with hand coloring on medium, slightly textured, cream wove paper.

Netting the Fish - 1889; Winslow Homer; American; 1836-1910 (Transparent watercolor; heightened with opaque white watercolor; with rewetting; blotting; and scraping; over graphite; on moderately thick; slightly textured; cream wove paper).

Ships at the Time of Peter I by Lanceray (Lansere), Evgeny Evgenyevich (1875-1946)/ Private Collection/ 1909/ Russia/ Watercolour, Gouache on cardboard/ Russian Painting, End of 19th - Early 20th cen./ 30,5x42/ History

The Channel at Gravelines, Evening. Date/Period: 1890. Painting. Oil on canvas. Height: 654 mm (25.74 in); Width: 819 mm (32.24 in). Author: GEORGES SEURAT.

N.N., icebreaker »Drewenz«: cuts 1: 100. Lithograph on cardboard, 28.7 x 42.3 cm (including scan edges) N.N. : Eisbrecher »Drewenz«

Anefo photo collection. Painting. Paintings. April 18, 1977. The Netherlands

Macedonian, sloop of war, between 1860 and 1865, drawing on cream paper pencil, 11.0 x 14.2 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

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