Marine Art and Nautical Scenes

Etchings and engravings of ships and harbors, capturing the essence of maritime life with detailed depictions of sailing vessels in various conditions.

Sailing in rough seas, Anonymous, Pierre Drevet, 1650 - 1738

Etching by Reinier Zeeman depicting an anchored ship and sailing ships, created between 1640 and 1667.

Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, Entrance of Calais Harbour, 1816. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Haven Van Brest, Yves Marie Le Gouaz, After Nicolas Marie Ozanne, 1776 - 1816 print Numbered in the bottom right: 1. print maker: Francepublisher: Paris paper etching / engraving harbour. armorial bearing, heraldry Brest

Sailing in rough seas, Anonymous, Pierre Drevet, 1650 - 1738

Gaffel layer, Gaffelschip or Lighter, Pieter le Comte, 1831 print Numbered at the top right: pl. 29. This print is part of a cover with nineteen prints. paper ships (in general). sailing-ship, sailing-boat

American Kijer Cunningham takes an English ship, 1777, Reinier Vinkeles (I), after Jacobus Buys, 1786 print The American Kaperkapitein Cunningham is shot and conquers an English package boat in the channel, May 2, 1777. Northern Netherlands paper etching piracy English Channel

Tweemaster, seen from the side; Play yacht; Sailing ships. The print is part of a six-part series with performances of different sailing ships.

Batavia shed. Print from album with twelve early lithographs produced by Dewasm-Pletinckx in Brussels to J.C. Dish, E.J. Verbokhoven, B.J. Van Hove and other contemporary masters in original band.

Sensa festival, Anonymous, 1610 In the foreground the Bucintoro, the Galei of the Doge. Once a year the doge 'married' during the Festa della Sensa in a ceremonial way with the Adriatic Sea by throwing a ring in the water from this Galei. Several smaller ships and gondolas and Isola di San Giorgio Maggiore (referred to on the print as S. Zorzi) in the background. Two -line Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving Venice. Island of San Giorgio Maggiore In the foreground the Bucintoro, the Galei of the Doge. Once a year the doge 'married' during the Festa della Sensa in a ceremonial way with the Adriatic Sea by throwing a ring in the water from this Galei. Several smaller ships and gondolas and Isola di San Giorgio Maggiore (referred to on the print as S. Zorzi) in the background. Two -line Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving Venic

View of the port of Bruges, Anonymous, in or after 1781 print View of the port of Bruges, in the situation around 1781. In the foreground figures working on a sail, behind it ships. Under the print the title, with the eagle of Emperor Joseph II in the middle. paper etching harbour. sailing-ship, sailing-boat Used

Etching by Reinier Zeeman from 1652 showing sea scenes with ships, illustrating maritime activity and naval vessels.

Etching by Gerrit Groenewegen showing a title leaf with sailing ships, created in 1789.

"Etching by Yves Marie le Gouaz showing a view of the Gulf of Messina near Sicily, depicting the coastline, water, and distant landforms. Created between 1760 and 1816, highlighting engraving detail and geographic accuracy."

J. de Huijbert sails Philip de Schone to France, 1506, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print J. de Huijbert sails Philip the Fair to France, 1506. Ship in Storm at sea, with banner: Waak Huybert. At the top right: III.D.PL.III. Amsterdam paper etching storm at sea

Coastal face with ships, Johann Heinrich Maria Hubert Rennefeld, after Willem van de Velde, after Johannes Arnoldus Boland, 1845 - 1877 print View of a shallow piece of sea with various sailing ships. A few figures wade through the seawater towards ships and boats. Amsterdam paper etching sailing-ship, sailing-boat. sea

Marine, anonymous, 1700 - 1800 drawing paper. pencil. ink pen / brush sailing-ship, sailing-boat

Ships on an Overtoom, 1696 print River landscape with two ships on an Overtoom in the foreground. Numbered at the top left and top right: 5. print maker: Italyprint maker: Italyafter design by: Italypublisher: Rome paper etching rolling bridge (Dutch: 'overtoom'). river. ships (in general)

Etching by Gerrit Groenewegen from 1790 showing a title leaf and sailing ships, depicting maritime elements and ship design.

Seascape with boats and a quay, Frans Hens, 1884 - 1910 print paper etching / drypoint sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone). pier, quay, wharf

Sailing ship at sea, slanted from behind, anonymous, 1688 - 1750 print Seen a flat -bottomed side sword diagonally from behind on the rudder. In the background a sailing ship with a Dutch flag. Netherlands paper etching sailing-ship, sailing-boat. sea (seascape)

Three three-master; Nature da guerra ollandese / navi apanese; Dutch ships. Leaf with two representations of three-master (warships and frigates) in an ornament list. Above a warship sailing at sea. Under two frigates sailing at sea.

Flat bottom with white sails, anonymous, 1688 - 1750 print A flat bottom with white sails at sea. In the foreground, a ton. Four sailing ships on the horizon. Netherlands paper etching sailing-ship, sailing-boat. sea (seascape)

Ship with two masts, draughtsman: Luca Carlevarijs, (possibly), 1675 - 1731, paper, pen, h 146 mm × w 116 mm

Study sheet with harbour view, sloop and two sailing ships, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 120 mm × w 194 mm

Etching by Matheus de Sallieth depicting a harbor and Fort Rammekens. Created around 1780, illustrating maritime infrastructure and military fortification.

Danish Royal Yacht, Willem van de Velde (I), 1622 - 1707 drawing paper. pencil brush sailing-ship, sailing-boat (with NAME)

The Action off Dogger Bank (5 August 1781), J. Weuyster, 1783 drawing Drawing with calligraphy title. Two rows of ships (three -masters), wedge -shaped in line lying t.o. Far each other in the foreground. ships in l. row are directed forward with bows. Ships in r. row lying with port side to l. row. At the mast tops are at the l. ride numbers, and at the r. Row letters applied. Corresponding with description under drawing. Netherlands paper. watercolor (paint). ink. wood (plant material). mahogany (wood). glass pen / brush Doggersbank

Copper engraving and etching by Yves Marie le Gouaz created between 1762 and 1816 depicting the Citadel of Port Louis from the Pointe de Gavres, showing fortifications, harbor, and surrounding landscape.

Straits of Dover, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof (early)

Drowning death of Prince Johan Willem Friso, 1711, Reinier Vinkeles (I), After Hendrik Kobell, 1776 print Johan Willem Friso, Prince of Oranje-Nassau, drowns while crossing the Moerdijk when the boat gets in trouble during heavy weather on July 14, 1711. Amsterdam paper etching / engraving death by drowning (non-violent) Moerdijk

J. Hill, active 19th century, A Seventy-four in a Fresh Gale, 1811. Aquatint on moderately thick, moderately textured, cream wove paper.

PIRAGUAS NUEVA CALEDONIA-TAHITI-FISI Y SANDWICH. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Three ships: Two Spéronares from Scilla and one Tartanes, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. Sicily paper. chalk. watercolor (paint) brush

February, Anonymous, After Georg Sigmund Rösch, 1705 - 1766 print In a rocaille cartouche figures on a horse sleigh. Around the show Rocaille ornaments, musical instruments, fishing, the corresponding sign of the zodiac and fantasy heads. Publishing number 74. Augsburg paper etching February and its 'labours'. horse-sleigh

Chinese junk, Qing Dynasty. Flat-bottomed, three-masted ship with compartmentalized hold. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Joseph Cartwright, c.1789-1829, British, Single Hermaphrodite Brig, Stern Forward, undated. Watercolor, with pen, in brown ink, black ink and graphite on medium, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured, beige, wove paper.

Wooden Pier, Honfleur Port. Johan Barthold Jongkind; Dutch, 1819-1891. Date: 1865. Dimensions: 229 x 307 mm (image); 238 x 314 mm (plate); 369 x 560 mm (sheet). Etching on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

View of Brielle from the sea, Anna Catharina Brouwer, After Unknown, c. 1791 - c. 1801 print Amsterdam (possibly) paper etching city-view in general; 'veduta' Brielle

J. De Huijbert Vaart Philip De Schone to France, 1506. J. De Huijbert Vaart Philip De Schone to France, 1506. Ship in storm at sea, with banner: Waak Huybert.

Sailing ship and sloop at sea at Storm, Reinier Vinkeles (I), after Hendrik Kobell, 1772 print Amsterdam paper etching / engraving storm at sea. sailing-ship, sailing-boat. rowing-boat, canoe, etc.

Etching by Claes Jansz Visscher depicting sailing ships at sea, created in 1642.

Etching by Jean Jacques Aliamet depicting Oriental figures positioned at the edge of the Tybriament, created between 1750 and 1788, showcasing 18th-century engraving techniques and cultural representation.

Dr. Schepen: Twee Species Van Scilla in Een Tastanes; Two of our SCILLA & A TARTANE SPERONARES; Travel to Italy, Sicily and Malta - 1778. TEKENING UIT HET ALBUM 'TRAVEL IN Italy, Sicily and Malta', 1778.

Design for a print, seascape, draughtsman: Jacobus Buys, 1780, paper, pen, brush, h 124 mm × w 82 mm

Etching by Hendrik de Leth from 1767 depicting Braubach on the Rhine and Cologne, showing townscape, river, buildings, and surrounding landscape features.

Frederick Christian Lewis created an aquatinta and etching titled 'Eight Seldom Cues' between 1837 and 1840. The work presents eight distinct scenes with detailed engraving and early 19th-century artistic techniques.

Zeilschip en ruiter met koets.The sailing ship performs the Dutch flag. The figures in the horse ket drive it with a whip. Page 32 From a sketchbook with 34 sheets.

MER Étalé, Effet de Jour; Lafitte, Alphonse (1863-1920); 1902 (1890-00-00-1890-00-00);Partage Plus, Sitkowska, Maria (1922-) - collection, landscapes, sea landscapes, purchase (provenance), boats, sailboats

Untitled 1837-1888 England. Etching on cream Japanese laid paper . Matthew White Ridley

Etching by Charles Meryon depicting the Professor of the Mulgraves Islands, 1866.

View of Kampen, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Kampen. In the foreground, outside the city walls, the river IJsel with a gallery and a few sailing ships. A cartouche with the name of the city above the cityscape. The print has a Dutch and French caption. paper etching prospect of city, town panorama, silhouette of city Match

An etching by Adolf van der Laan depicting sea pieces with sailing ships, showing ocean, ships, and maritime navigation, created between 1717 and 1775.

Etching by Stefano della Bella, 1652-1657, showing views of the port of Livorno with maritime activity and harbor structures.

The Phantom Vessel 1872 Théophile Chauvel. The Phantom Vessel. Théophile Chauvel (French, Paris 1831-1909 Paris). 1872. Lithograph; second state of two. Prints

GALEON DEL SIGLO XVII EN UN DIBUJO DEL SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Partly burned ship on the VOC-Scheepswerf on Oostenburg, 1690, Laurens screen, after Jan van der Heyden, 1735 print Ship under construction on the VOC shipyard on Oostenburg that caught fire but could be saved by extinguishing with the hose fire spray, May 14, 1690. At the top right an empty banderole. Later state (with the letter) is plate in (some copies of) the reprint of the fire spray book by Jan van der Heyden from 1735. paper etching / engraving pump (fire-extinguishing equipment). fire-hose. fire-extinguishing equipment. building a ship, ship under construction. shipyard, shipdock East Indian sea warehouse. VOC shipyard. Oostenburg

Brik on high waves, Johannes Cornelis van Pappelendam, 1827 - 1884 print paper sailing-ship, sailing-boat. wave

The Loyal George, raised after the Four Days Marches in June 1666, draughtsman: Willem van de Velde (II), 1666, paper, pen, brush, h 322 mm × w 413 mm

James Bruce, 1730-1794, British, Study of a Ship, undated. Graphite on medium, slightly textured, cream laid paper.

View of Punta del Faro at Sicily, the former Promontorium Pelorum, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. watercolor (paint) brush / pen

Augsburg, Hertel, Johann Georg (I), Rösch, Georg Sigmund, First six months of the year, Februarius, February, verso - stamped, In a rocaille cartouche figures on a sleigh. Surrounding the representation are rocaille ornaments, musical instruments, fish, the corresponding sign of the zodiac and fantasy heads. Publisher number 74., print, ornament print, prints, ornament prints, height 296 mm, width 185 mm, print maker, printmaker, 1705 - 1766, paper, papier, etching, etchings, German - 1766, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Seasing view with sailing ships, Anonymous, After Jacob Esselens, 1650 - 1750 print Netherlands paper etching sailing-ship, sailing-boat

Copper engraving and etching by Yves Marie le Gouaz between 1762 and 1816 showing the port of Lorient viewed from the Caudran shore, including ships and harbor details.

Print, Draham Harbour; England; etching on cream-colored paper; Plate: 13 × 20.2 cm (5 1/8 × 7 15/16 in.) Paper: 17.5 × 25 cm (6 7/8 × 9 13/16 in.)

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four illustrations from Dutch history. From left to right: Establishment of the Dutch East India Company; Jacob van Heemskerck is killed during the Battle of Gibraltar; Attack on Erkelenz under the command of Frederik Hendrik, Prince of Orange; Prosperity of the Dutch East India Company., print, engraving, prints, engravings, verso - stamped, 53, 56, 55, 54, height 114 mm, width 248 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

A Three-Master in Heavy Sea, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, Netherlands, 1810-1825, Drawing, Drawing

Jetty at Honfleur, Johan Barthold Jongkind, 1865 print A scaffolding in the port of Honfleur, around which three sailing ships lie. On the right in the background a lighthouse, a number of houses on the left. Print Maker: HonfleurPrinter: ParisPublisher: Paris paper etching harbour. ships (in general) Honfleur

The balance of abuse. (TF)

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery. John Hill (American, 1770-1850); after Joshua Shaw (American, born England, c. 1777-1860); published by Matthew Carey & Son (American, active 1795-1821). Date: 1818-1821. Dimensions: 258 x 356 mm (image); 303 x 387 mm (plate); 381 x 563 mm (sheet). Aquatint with etching and hand-coloring on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Harbor in Dieppe, Kees van Waning, 1871 - 1929 drawing paper. chalk harbour Dieppe. France

Netherlands, Leiden, Noothoven van Goor, Dirk, Proverbs from ship's life, Print magazine for children, Proverbs, verso - stamped, Sheet with 4 illustrations of proverbs from ship's life. Above each illustration a title and below each illustration a six-line verse. Numbered top right: No. 36., print, prent, volksprent, volksprenten, prints, prenten, height 424 mm, width 301 mm, Publication (Event), Publicatie, publisher, uitgever, 1850 - 1881, paper, papier, houtgravure, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Greek Landscape. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: sheet: 12 5/8 x 9 3/4 in. (32 x 24.8 cm)plate: 3 1/8 x 2 9/16 in. (7.9 x 6.5 cm). Date: 1856. Museum: Metropolitan Museum of Art, New York, USA.

Fleet warships. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 175 mm × w 235 mm. Museum: Rijksmuseum, Amsterdam.

Charles Meryon, La Panne, 1839 La Panne

Realize, ô Dutch youth! If you consider deez 'print, /' t enormously distinction, that between 't Dobb'rend wood (...), 1814 - c. 1820 print Leaf with 12 performances of vessels, such as a simple tree trunk canoe and a Dutch warship. At the top two six -line verses. In the middle of the seal of society for the use of general. A two -way caption under each image. Numbered at the top right: R. publisher: Amsterdamprint maker: Netherlands paper letterpress printing traffic on the water

Cartoon on the French plans for an invasion of England, 1798, 1798 print Cartoon on the French plans for an invasion of England, February 1798. A French armed raft that sails under the flags of 'Liberty' and 'Slavery' is by four English men (Whigs: Bedford, Sheridan, Fox and Tierney) with a cable And a Windas pulled towards the country, at the same time a storm (Pitt) with high waves blows the raft off the coast. At Brest on the other side of the canal, a violin -playing devil dancing on a guillotine. print maker: Englandafter own design by: Englandpublisher: London paper etching traffic and transport (+ propulsion of vehicle, ship, etc. by wind). traffic and transport (+ propulsion of vehicle, ship, etc. by human power). windmill. storm at sea. violent death ~ beheading by guillotine Brest. England

Print made by Edward Francis Finden, 1791-1857, British, Solway Firth from Allonby, Cumberland, 1832. Line engraving and etching on medium, slightly textured, cream wove paper with cream chine-collé.

Spotprent op de Franse plannen voor een invasie van Engeland, 1798; The Storm rising - or - the Republican Flotilla in danger.Cartoon on the French plans for an invasion of England, February 1798. A French reinforced raft that speeds up the flags of 'Liberty' and 'slavery' by four English men (Whigs: Bedford, Sheridan, Fox and Tierney) with a cable And a wind axle towards the country, at the same time a storm (Pitt) blows the raft from the coast with high waves. At Brest on the other side of the canal a violin-playing devil dancing on a guillotine.

Revolutionaire July 20, 1821, Joseph Cartwright, c.1789-1829, British, 1821, Pen, in brown ink, gray wash and graphite on medium, slightly textured, beige, wove paper, mounted on, moderately thick, smooth, beige, wove paper, Mount: 9 7/16 × 16 11/16 inches (24 × 42.4 cm) and Sheet: 7 1/4 x 6 1/2in. (18.4 x 16.5cm)

Realize, ô Dutch youth! If you consider deez 'print, /' t enormously distinction, that between the Dobb'rend wood (...), 1805 - 1808 print Leaf with 12 performances of vessels, such as a simple tree trunk canoe and a Dutch warship. At the top two six -line verses. In the middle of the seal of society for the use of general. A two -way caption under each image. Numbered at the top right: R. publisher: Amsterdamprint maker: Netherlands paper letterpress printing traffic on the water

Etching and copper engraving by Yves Marie le Gouaz depicting the entrance to the port of Dunkirk, showing harbor, ships, water, and surrounding structures, created between 1762 and 1816.

EMBARCACIONES NORUEGAS. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Etching by Gerrit Groenewegen, created around 1801, showing a title leaf with illustrations of sailing ships, including rigging and maritime details.

Mark Antony and Cleopatra riding on a barge rowed by Cupids. Marc-Antoine et Cleopatre sur un vaisseau. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Pallazzo dess Conte Widman a Muran bey Venedig. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Fragment of a Bas-Relief on the Boroboedoer, Anonymous, 1899 photomechanical print Print with title and caption, addition to 'De Kroniek'. Signed and dated. paper piece of sculpture, reproduction of a piece of sculpture. sailing-ship, sailing-boat Borobudur

Scene on the Loire, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

A Grecian Polacker, Joseph Cartwright, c.1789-1829, British, undated, Watercolor, with pen, in brown ink on medium, slightly textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 17 × 15 13/16 inches (43.2 × 40.2 cm) and Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm)

Bay at the island of Rapu Rapu, 1600; La Baye La Baye. The two ships for anchor in the bay of the island of Rapu Rapu in the Philippines, October 15, 1600. Part of the illustrations in the world's report to the world through Olivier van Noort in 1598-1601. No 15.

Ships off a coast, 1585 - 1588 print A large ship for a coast. In the background another sailing ship, with clouds of smoke (or a wave) at the stern. The sun breaks through the clouds at the top left. Print Maker: Haarlem Publisher: Amsterdam paper sea (seascape)

Palzzo Dess Conte Widman a Muran Bey Venedig; Küsel, Melchior I (1626-1683), Baur, Johann Wilhelm (1607-1642); 1682 (1682-00-00-1682-00-00);Venice (Italy), Album Factis, architecture, German graphics, iconography, German (culture), palaces (architect), ports, ships, relaying, city views, band

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Boeiers, 1740 - 1760 print Boeiers on the water. Print no. 7 in a series of prints of Dutch ship types, 1627. print maker: Northern Netherlandspublisher: Haarlem paper etching / engraving sailing-ship, sailing-boat

Water, Stefano Della Bella, 1620 - 1664 print A seascape with a ship during a storm at sea. France paper etching storm at sea. ships (in general)

Thomas Rowlandson, 1756-1827, British, A View at Blackwall, undated. Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper.

Harriet Lane, between 1860 and 1865, drawing on cream paper pencil, 8.6 x 21.8 cm. (sheet), by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US, 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Shipwreck of De Overhout, 1777, Reinier Vinkeles (I), After Jacobus Buys, 1780 - 1795 print The shipwreck of the VOC ship Overhout off the coast near Egmond-on-Zee, August 31, 1777. Marked at the top right: XIII.D.PL.IX. Northern Netherlands paper etching shipwreck Egmond aan Zee

Commerce and marine, decoration on the Nieuwmarkt, 1795; Commerce and seafood; Fifteen decorations at the Alliantief festival in Amsterdam in 1795. Commerce and nautical, allegorical decoration established in the Nieuwmarkt in Amsterdam at the Alliance party on 19 June 1795. Huge model of a merchant ship on a pedestal with chassinet with the representation of Neptune and Mercury Shaking while French and Batavian sailor tear the British flag to pieces.

Pencil drawing by Claude-Joseph Vernet showing a ship loaded with wine barrels, depicting deck, mast, rigging, and water between 1734 and 1753.

Scenic, Hand painted paper, canvas lining, Four painted wallpaper panels from a screen. Each panel contains part of a nautical or harbor scene with tall ships, figures and rock outcroppings. Each panel contains an inset marbelized panel at bottom., Condition: rather battered, 1800-1825, Wallcoverings, Scenic

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