Maritime and Waterway Scenes

Artistic depictions of sailing ships and scenes along waterways, capturing the serene beauty of maritime life and vessels in motion.

Beach scene with moored ships, Abraham Storck, 1681, draughtsman: Abraham Storck, 1681, paper, pen, brush, h 101 mm × w 159 mm

Edelfelt, Albert, work, Sketch book, drawing, 13 cm x 20.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Edelfelt, Albert, work, Sketch book, drawing, 11 cm x 20 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Rowing boat with figures at a two -master, 1830 - 1860 The man on the bow of the boat blows on a horn. Also a study of a resting traveler with a pipe next to a camel in a desert landscape. Page 8 Recto from a sketchbook with 10 sheets. paper. pencil The man on the bow of the boat blows on a horn. Also a study of a resting traveler with a pipe next to a camel in a desert landscape. Page 8 Recto from a sketchbook with 10 sheets. paper. pencil

Zaandam. Dated: 1889. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

A river scene with sailing craft near the opposite shore and a sky with low-hung gray and pink clouds; unsigned. Watercolor on paper. Date: 1881-1883. Origin: United States. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Sketchbook, Preziosi, Amadeo, 1816-1882, pencil, gray wash, white heightening, 1875, The sketchbook by Maltese artist Preziosi comprises drawings of sites and cultural monuments in Paris, Versailles, Saint-Cloud, Fontainebleau, Marseilles, Messina, and London, with views of Trafalgar Square, St. Paul's Cathedral, Hampton Court, Westminster Abbey, and the British Museum.

Ships Near aVillage. Artist: Cornelis Claesz. van Wieringen, Dutch, ca. 1580-1633

Galeischip lying under deck on the coast, Stefano della Bella, 1620 - 1664 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching ships (in general)

Drifting. Dated: 1887. Dimensions: image: 329 x 545 mm sheet: 524 x 696 mm plate: 401 x 602 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Reginald Cleveland Coxe.

Edelfelt, Albert, work, Sketch book, drawing, 13 cm x 20.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Breaking up of the Agamemnon, no. II , Waterfronts, Boats, Warships. Francis Seymour Haden (1818-1910). Prints and Drawings

Fishing Smacks in French Harbour. By: Richard Parkes Bonington

Fishing boats are taught, Egidius Linnig, 1838 print paper etching repairing, caulking, careening (~ ship) - CC - more than one ship

Fishermen of Chioggia. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1907-1908. Dimensions: 320 x 250 mm (image/plate); 326 x 254 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Callot, Jacques, Paris, Siege of Saint Martin on the Île de Ré, July-November 1627 (central map, lower middle part), verso lower left - stamped, Sixteenth part (central map, lower middle part) of a print of the siege of the citadel of Saint Martin on the Île de Ré in 1627, which was carried out by English troops under the Duke of Buckingham and ended by French troops under Cardinal Richelieu. On this sheet in the foreground the French coast, where supplies are being loaded for the crossing to the Île de Ré. In the background battles between English and French ships., print, picture, historical print, prints, pictures, height 586 mm, width 462 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1629 - 1631, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Rotherhithe or Wapping, 1860. By James A McNeill Whistler

Windmill, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, brush, h 185 mm × w 126 mm

Boys in a Dory 1873 Winslow Homer American This charming sheet dates from the first phase of Homer's professional work in watercolor. Having visited a landmark exhibition sponsored by the American Society of Painters in Water Colors in New York, Homer spent the summer of 1873 in Gloucester, Massachusetts, the picturesque fishing port on Cape Ann, north of Boston. There, he undertook a series of small-scale watercolors depicting boys and girls rowing dories, sitting on the wharves, involved in modest tasks, or playing on the beach. These delightful images of childhood pastimes echo in subject and handling his oils of the same period, including the Museum's much-appreciated "Snap the Whip" (1872; acc. no. 50.41). Homer's early watercolors are simple and direct, reflecting the innocent, idyllic nature of his subjects. They also reveal his cautious approach to the new medium, in that they feature washes of color carefully applied within pale pencil outlines and much opaque pigment. Nonethe

Edelfelt, Albert, Sketch book, 32 leaves, drawing, 21.5 cm x 29.5 cm, Edelfelt, Albert, timing: untimed, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

The Phantom Ship. Théophile Narcisse Chauvel (French, 1831-1910); after Charles Meryon (French, 1821-1868). Date: 1865-1875. Dimensions: 189 × 350 mm (image); 390 × 556 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Molen, Jacob Maris, 1847 - 1899 print paper etching windmill in landscape

After the west of the sake; Zajkowski, Andrzej (1851-1914), Gierymski, Aleksander (1850-1901); 1886 (1886-00-00-1886-00-00);Tygodnik Ilustrowany (Warsaw - magazine - 1859-1939) - illustration, Witke -Jeżewski, Dominik (1862-1944) - collection, gift (provenance), fishermen, original drawing, sunset

Six Marines: Souvenir Saint Valéry-sur-Somme, 1833. Eugène Isabey (French, 1803-1886), Morlot, Paris and McLean. Lithograph on chine collé; sheet: 56.5 x 37 cm (22 1/4 x 14 9/16 in.); platemark: 30.3 x 24.3 cm (11 15/16 x 9 9/16 in.).

From travel to Constantinople; Cie Ski, Jan (1858-1913); 1893 (1893-00-00-1893-00-00);State Art collections (Warsaw - 1922-1939) - collections

Rotherhithe (Wapping), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

ZeeZeicht, Pieter Idserts (Possible), 1708 - 1781 drawing paper brush

Fishing boats in a creek in Capri, Campania, Italy, photograph by G Guida, Italy, from L'Illustrazione Italiana, Year XXIII, No 29, July 19, 1896.

Les Recommondeurs desFillets. Artist: Auguste Brouet, French, 1872-1941

L'Estampe Moderne: Tristesse sur la Mer: Tristesse sur la Mer, 1898. Raoul André Ulmann (French, 1867-1932). Color lithograph; sheet: 39.9 x 30.5 cm (15 11/16 x 12 in.); image: 23.1 x 34.9 cm (9 1/8 x 13 3/4 in.).

Cztery widoki z okolic Rio de Janeiro: Laguna, Boa Viagem, Praia Flamengo, Praia Grande. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Adrià Gual / Dibujo. Institut del Teatre de Barcelona.

Without title ship, Copenhagen, Karl Wiener -, artist

Swift Sailing Proa, Mulgrave Archipelago, Oceania, 1866. Charles Meryon (French, 1821-1868). Etching;

River view with ships, Jan Izaak van Mansvelt, 1771 - 1802 print A river face with a sloop in the foreground with fishermen who bring in their nets. Left sail ships at a harbor head. On the right a mill. Netherlands paper etching river (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc.. fresh-water fishery

Pro-Volant des Iles Mulgrave. Artist: Charles Meryon (French, 1821-1868). Dimensions: plate: 5 11/16 x 3 1/8 in. (14.4 x 7.9 cm). Series/Portfolio: New Zealand Series. Date: 1866. Museum: Metropolitan Museum of Art, New York, USA.

Bluff-bowed Fishing Boat on the Beach, Joannes Barnardus Antonius Maria Westerwoudt, c. 1880 - c. 1906 painting A bomb barge on the beach with a few fishermen, a second fishing ship in the distance. Netherlands panel. oil paint (paint) sailing-ship, sailing-boat. sea and coastal fishery

Attack on the island of Annobón, 1602; Afteeckeninge how the Eylandt Anabon, By De Hollandener, Gheplendert Wert. Attack by the Dutch on the island of Annobón, October 12, 1602. With sloops the armed men go from the ships on land. Part of the illustrations in the report of the first trip to the East Indies for the VOC below of Warwyck and De Weert in 1602, no. 2.

At Flushing (A Flessingue). Dated: 1895. Medium: 5-color lithograph. Museum: National Gallery of Art, Washington DC. Author: Paul Signac.

Arabian camp on the River Nile. Przedpełski, P. (fl. 1872), painter

Marine 1865-1866 France. Etching, aquatint and roulette in brown on ivory laid paper . Édouard Manet

Tall Ships in a Harbor. Dated: c. 1880. Dimensions: plate: 5.3 × 24 cm (2 1/16 × 9 7/16 in.) sheet: 7 × 25.5 cm (2 3/4 × 10 1/16 in.). Medium: drypoint and aquatint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Henri-Charles Guérard.

View of the Maas near Rotterdam, Carel Nicolaas Storm van 's-Gravesande, 1902 drawing paper. chalk. watercolor (paint) brush ships (in general) - CC - more than one ship Mesh. Rotterdam

Edward Lear, 1812-1888, British, Deir Kadige, noon., January 2, 1867 (27), 1867. Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper.

A Cutter and other shipping in a Breeze. Date/Period: From 1827 until 1828. Painting. Watercolor. Height: 149 mm (5.86 in); Width: 197 mm (7.75 in). Author: Richard Parkes Bonington.

Sailing ship near a coast, Isaac Vincentsz. van der Vinne, After Reinier Nooms, c. 1681 - 1740 print At the top right the monogram of the publisher Abraham Casteleyn. Haarlem paper sailing-ship, sailing-boat. coast

Boatyard. Roy de Maistre (1894-1968). Oil on board. 25 x 30in

Laboureur, Jean-Emile, work, Le Semaphore, etching, graphics

Bretonnes on the quay (Concarneau) / Bretonki na nabrzeżu (Concarneau) / Breton Women at the Quayside (Concarneau), Z: Year Folder, Vienna: Publisher of the Society for Spring Art, 1902 Ranft, Richard (1862 1931), Publisher of the Society for Spring Art, Vienna

Twelveaster on the Zeeland waters, Jan Toorop, 1915 drawing paper. chalk ships (in general) Zeeland

Seascape with sailingboat. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Two steamships, 1860-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US, 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

The PORT-PORT OF MARTIGUES F�lix Ziem (1821-1911). The Pair of Martigues. Watercolor on paper. Nineteenth century.

Bliej Kultury Stanis Awski, Jan (1860 1907)

Sketch for the Court of Court of Commercial Court of Paris: The Parisian Nautes at the Gallo-Roman era Paul Louis Delation (1848-1924). Sketch for the Court of Court of Commercial Court of Paris: The Parisian Nautes in the Gallo-Roman era. Oil on canvas. 1890. Museum of Fine Arts in the city of Paris, small palace.

Gallen-Kallela, Jorma, work, Boat builders, 1935, woodcut, graphics, plate width 22.7 cm, plate height 21.9 cm, leaf width 22.7 cm, leaf height 28.2 cm

Painting titled "Seaport" by Edward Wadsworth dated 1923

Moulin in Vaugirard, 1893 (dummy title)

Project Graraal Mandara 2015 Carnavalet Museum, Collection Drawings

Woodcut by Rudolf Kalvach showing harbor life in Trieste, depicting ships, workers, and daily port activities on Japanese paper.

Signac, Paul (1863-1935) State Hermitage, St. Petersburg 1920s 31,1x42,5 Watercolour, Gouache, white colour, ink on paper Postimpressionism France

Félix Ziem (1821-1911). "The frigates". Oil on wood. Museum of Fine Arts of the City of Paris, Petit Palais. 75329-22 Boat, Barbizon School, Fregate, Orientalism, Orientalist, sailboat, oil on canvas

Aglówka at the shore; Between ours, Adam (1883-1956);

MARINA - 1888. Author: OCON ADOLFO. Location: MUSEUM OF FINE ARTS. Malaga. SPAIN.

The Green Wave. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 19 1/8 x 25 1/2 in. (48.6 x 64.8 cm). Date: ca. 1866-67.When this early seascape debuted at the 1879 Impressionist exhibition, a critic remarked that it was "directly influenced by Manet." The handling of paint and the composition, especially the high horizon line, echo Manet's depictions of American warships, <i>The "Kearsarge" at Boulogne</i> (1999.442) and <i>The Battle of the "Kearsarge" and the "Alabama" </i>(Philadelphia Museum of Art), which Monet may have seen on exhibition in Paris in 1865 and 1867. He later--and incorrectly--dated the present work to 1865. In fact, he visited the Normandy coast in 1866 and 1867. Museum: Metropolitan Museum of Art, New York, USA.

Portuguese Boats John Singer Sargent (American, born Italy, 1856-1925). Portuguese Boats, ca. 1903. Translucent watercolor and touches of opaque watercolor with graphite underdrawing, 12 x 18 1/16 in. (30.5 x 45.9 cm). American Art ca. 1903

Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

An etching by Reinier Zeeman from 1650-1667 depicting sea paths and marine landscapes.

"Dad's Coming!" (from "Harper's Weekly," Vol. XVII) November 1, 1873 After Winslow Homer American In 1857 Winslow Homer began his eighteen-year career working as an illustrator for Harpers Weekly, which launched in New York in the same year. The publication was one of the most successful examples of an illustrated weekly, a type of magazine dominated by images rather than text. Weeklies could be printed quickly, cheaply, and in large quantities thanks to recent advances in wood-engraving technology, in which an image was translated onto a wood block and then cast electrolytically from a wax mold. After working as a freelance illustrator during the early years of his career, Homer was hired by Harpers as a full-time correspondent upon the outbreak of the American Civil War (1861-65). His work for the weekly ranges from wartime scenes observed from the front to nostalgic views evoking Americas agrarian past.. "Dad's Coming!" (from "Harper's Weekly," Vol. XVII). After Winslow Homer (Am

Oil painting.Oil painting showing bark during sail in front of the city Karlskrona.In the background, a frigate or line ship (Stockholm) and the Fredrik Church and the Slup and Barkass shed.Storm sky.The board has a wide and deep gold colored frame with beaded, palmates, bay leaf frees and meander border.On the back stand with pencil's marine painter S. Svensson signed on the front N.V H C F S.L = 400 mm H = 330 mm with frame.L = 248 mm H = 178 mm pan.

Reflections 1998 Peter Sickles (20th C./American)

Start der grossen Jachten, Yachts Setting Sail, woodcut from the yearbook Moderne Kunst in Meisterholzschnitten, Modern Art in Master Woodcuts, 1903

Historic azulejos painting in Ferragudo, Algarve, Fortugal

The Torn Net, Nantucket, Mass. still image. Postcards. 1898 - 1931. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Nantucket (Mass.)

Bernard Lamotte painting White House Swimming Pool mural. Artist Bernard Lamotte works on his mural depicting Christiansted Harbor in St. Croix, Virgin Islands. Swimming Pool, White House, Washington, D.C.

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